There's a lot of Wagnerian harmony in here, mixed very interestingly w French harmonies. Many times I heard the beginning of that harmonic crescendo in Tristan.
Many area's in these pieces remind me of other pieces, for example: The arpeggio's at the start remind me of Scarbo by Ravel... Every time I hear one of those I keep expecting it to continue like those pieces do.
What a discovery! I knew Tournemiere from his "grand" Organ works. However, his works for Piano, which I am in the middle of dicovering-- right now, on You Tube, impressive, "Top-Rate! With "hindsight" I would have expected him of, perhaps, a "Bruckner Complex"(I just made up in my mind this "Composers' Maladie!"), that is, only being able to coceive good quality Music for the Organ and not being able to "leave the Organ behind" when writing for another medium. Many repeatedly quip that one can clearly hear in Bruckner's Symphonies, "Organ Stop Registration" from his earlier professional training and experience. Unexpectedly for me, just now, Tournemiere writes---- exquisitely---- for the Piano, ad if he had been "genetically born for the instrument! There is just "so endlessly much" Art in all types of Media which has failed to attract the attention, or---- failed to promise empressarios, "great profits" that is Super Good!! Again and again, I thank You Tube for having the Intelligence and Superior, Lofty, "Sense of Civilization", and, above all, the---- COURAGE---- to take the risk of "dusting off" such high-quality works for us! I only hope the Advertising Community recognizes that High-- Quality presentations attract High--Quality CONSUMERS, who will yield You Tube, High-Quality profits!!! Thank You again, You Tube!
Good afternoon; I might make an adjustment: the number of opus 12 preludes of Louis Vierne is op 38 and not 36. Unless it is not the wrong number. Thanks for your attention, a greeting from me.
There seems to be mixed information about this. Both Wikipedia and IMSLP state that it is Op. 36, and Op. 38 is Spleens et détresses. However I'm also seeing various sources say the preludes are indeed Op. 38. I think the general consensus points towards 36, though.
Why does the pianist play A-flats at the start of Nostalgie? 12:18 :( Ugh, it happens in every bit that's supposed to be G minor. Completely not the same piece without those A naturals
People get so fucking mad about being able to listen to music they probably haven't financially supported in their entire life , and no, a Spotify subscription is not supporting artists.
Louis Verne died in 1937, so who do you think you will support with those commercials? By the way, those commercials I don't call it support for music but total disrespect for the Art and the Author, and mass manipulation in order to make people more stupid.
@@yoramrosilio2693 loius verne is dead but the pianist more than likely is not. By listening on TH-cam without ads you are effectively saying you have no respect for the time and effort they have applied to bringing you this music
@@meszian No, what you say is wrong. I respect the artists and I do not endorse this audacious operating system, this slave system that is TH-cam, which pays artists up to $ 0.0006 per listen. If you call it support I call it a shame!
These pieces are overwrought and uninspired-nothing like his extraordinary Piano Quintet, 'Cello Sonata, orchestral symphony and Piano Concerto. No need to have written so many seven and eight-note chords.
What about no. 7? I know what you mean though. Although there are some really amazing moments in here. Bear in mind what Vierne was doing here - he was inspired by the style of preludes from an earlier point in the Romantic era - just kind of smooshing some more early 20th century harmonies on top and with some other luscious stuff. He probably got the sound he wanted from these preludes.
Michael-Really? Please educate us about exactly which melodies, harmonies or rhythmic figures you went away remembering from these pieces. I went away remembering nothing. A very different experience from that which I have had with his chamber and organ music. And with some of the piano music of Viernes contemporaries like Chausson and Koechlin.
Yeah. He really was an organist at heart. His piano writing only makes a passing success at grasping some of the harmonic visions he had on his real instrument.
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You can tell he really wanted to slap a massive 32’ contrabombarde onto the piano
There's a lot of Wagnerian harmony in here, mixed very interestingly w French harmonies. Many times I heard the beginning of that harmonic crescendo in Tristan.
I didn't know these pieces.Wonderful masterpieces! And the performance is superb! Thank you so much for sharing!!
I was expecting an organ piece but I like this too..
+Lewis Bae If I looked at the score more carefully I would have recognized this was a piano music lol
That last prelude is the real gem. I'll come back for that one.
I agree, it has potential of a real showpiece, but for me, no. 10 stands out most
Many area's in these pieces remind me of other pieces, for example: The arpeggio's at the start remind me of Scarbo by Ravel... Every time I hear one of those I keep expecting it to continue like those pieces do.
The opening of Pressentiment sounds just like the third movement of the Debussy Violin Sonata
Yea I totally know what you mean. 16:14 sounds like the opening of Chopin's Bm Scherzo. Meh...
Cher Georges Delvallée, quel musicien !
I like it. Now listening to No. 7 - it is quite atmospheric.
No. 9 is really nice.
0:44 Scarbo
Lmao gotcha
Great upload, looking forwards to hearing some more obscure works
It is not obscure work but full of lightness composition
I referred to it as obscure as another way of saying it was not very well known
Nguyen Khoa
Yes , but Vierne is not so obscure, he was the organist of Notre Dame de Paris
@@deodatdechampignac In piano repertoire, this is undebatebly obscure.
clearly written by an organist. lovely work
Really? I played several of his organ pieces and think this is a genuine piano composition. I wouldnt think he is an organist at first.
What a discovery!
I knew Tournemiere from his "grand" Organ works.
However, his works for Piano, which I am in the middle of dicovering-- right now, on You Tube, impressive, "Top-Rate!
With "hindsight" I would have expected him of, perhaps, a "Bruckner Complex"(I just made up in my mind this "Composers' Maladie!"), that is, only being able to coceive good quality Music for the Organ and not being able to "leave the Organ behind" when writing for another medium. Many repeatedly quip that one can clearly hear in Bruckner's Symphonies, "Organ Stop Registration" from his earlier professional training and experience.
Unexpectedly for me, just now, Tournemiere writes---- exquisitely---- for the Piano, ad if he had been "genetically born for the instrument!
There is just "so endlessly much" Art in all types of Media which has failed to attract the attention, or----
failed to promise empressarios,
"great profits" that is Super Good!!
Again and again, I thank You Tube for having the Intelligence and
Superior, Lofty, "Sense of Civilization", and, above all, the----
COURAGE---- to take the risk of
"dusting off" such high-quality works for us!
I only hope the Advertising Community recognizes that High--
Quality presentations attract High--Quality CONSUMERS, who will yield You Tube, High-Quality profits!!!
Thank You again, You Tube!
18:22 - No. 7 Evocation d'un jour d'angoisse 27:27 - No. 9 Supreme appel. And at 39:00 and from 39:48 till end, interesting!
Wait, a down bow? 37:44
Ethan Mitchell i
A what?
Good afternoon; I might make an adjustment: the number of opus 12 preludes of Louis Vierne is op 38 and not 36. Unless it is not the wrong number. Thanks for your attention, a greeting from me.
There seems to be mixed information about this. Both Wikipedia and IMSLP state that it is Op. 36, and Op. 38 is Spleens et détresses. However I'm also seeing various sources say the preludes are indeed Op. 38.
I think the general consensus points towards 36, though.
I like it!
In Prelude n5 key signature is B flat and E flat, not A flat!!!
Genial
An interesting set
1:09 Chopin op. 25 №10)))
1:15 contains the same chord progression as the start of Liszt Orage.
18:22 - No. 7
23:59 - No. 8
This is more Lisztian than Liszt. And I mean that as a compliment.
👍
Why does the pianist play A-flats at the start of Nostalgie? 12:18 :( Ugh, it happens in every bit that's supposed to be G minor. Completely not the same piece without those A naturals
Even at the end, the supposed a natural resolves harmonically better into the b natural. With the a flat, there's a step of an augmented second :/
4:35 The fingering
Bro what the hell lmao. The first bar in the second line what is that. 4, 1, 3, 2?! For the same FIFTH?!
No. 6 Chopin B minor Scherzo, anyone?
Sinceramente paragonandoli a quelli di rach o scriabin, spariscono..
How and why dare you put so much commercial on this video! ????
It's a shame really!! We cannot listen freely this music that you don't own!!!!!!!!
The ads are put on by the owners of the recording.
People get so fucking mad about being able to listen to music they probably haven't financially supported in their entire life , and no, a Spotify subscription is not supporting artists.
Louis Verne died in 1937, so who do you think you will support with those commercials? By the way, those commercials I don't call it support for music but total disrespect for the Art and the Author, and mass manipulation in order to make people more stupid.
@@yoramrosilio2693 loius verne is dead but the pianist more than likely is not. By listening on TH-cam without ads you are effectively saying you have no respect for the time and effort they have applied to bringing you this music
@@meszian No, what you say is wrong. I respect the artists and I do not endorse this audacious operating system, this slave system that is TH-cam, which pays artists up to $ 0.0006 per listen. If you call it support I call it a shame!
these pieces kind of are ... what do you say, not good
These pieces are overwrought and uninspired-nothing like his extraordinary Piano Quintet, 'Cello Sonata, orchestral symphony and Piano Concerto. No need to have written so many seven and eight-note chords.
What about no. 7? I know what you mean though. Although there are some really amazing moments in here. Bear in mind what Vierne was doing here - he was inspired by the style of preludes from an earlier point in the Romantic era - just kind of smooshing some more early 20th century harmonies on top and with some other luscious stuff. He probably got the sound he wanted from these preludes.
Your opinion on this gorgeous romantic piano music is a bit overwrought and uninspired
Michael-Really? Please educate us about exactly which melodies, harmonies or rhythmic figures you went away remembering from these pieces. I went away remembering nothing.
A very different experience from that which I have had with his chamber and organ music. And with some of the piano music of Viernes contemporaries like Chausson and Koechlin.
@@ethanmitchell9642 right, 7 just finished and it's magical.
Yeah. He really was an organist at heart. His piano writing only makes a passing success at grasping some of the harmonic visions he had on his real instrument.