Let's be clear: your choice of speakers can make or break your music production. While the KRKs are undoubtedly excellent for dance music, the Yamahas and Adams offer superior versatility for mixing across genres. Here's the crucial point: regardless of which brand you choose, what truly matters is developing an intimate understanding of your speakers. This knowledge is the key to achieving professional-quality mixes. By investing time in learning your equipment inside and out, you'll consistently produce better results than someone with more expensive gear but less familiarity. Trust me, this approach will elevate your production game significantly. And speaking of quality content, that video was spot-on - packed with valuable insights for producers at all levels. Nice video Thozi
Ey bro this so confusing me a bit yet because I used to visit 1 of my friend in Bazooka Studio in Joburg wich is an old music Producer since 1991 he use KRK and M Audio for mixing or mastering but I still don't have a good answer for that kweshin bra on Google or Wikipedia #frankmmuller #megansiyamuller #fzmentertainment #theelephantnoise
Just a tip guys. I have owned the AT-m40 and m50x respectively. I would advice on spending the extra money and getting the m50x. The build quality is better, and sounds more clean.
So I guess as a music producer you'd be looking into studio monitors. Do you also have an opinion on non-studio options people should buy based on a certain musical preference? I would really love to see what a guy like you would recommend. Or is it that as a creator yourself, you don't appreciate dynamic tuning and want to know what the insights of a creator is and therefore consider more neutral sounding options per definition superior to options with dynamic tuning?
Let's be clear: your choice of speakers can make or break your music production. While the KRKs are undoubtedly excellent for dance music, the Yamahas and Adams offer superior versatility for mixing across genres. Here's the crucial point: regardless of which brand you choose, what truly matters is developing an intimate understanding of your speakers. This knowledge is the key to achieving professional-quality mixes. By investing time in learning your equipment inside and out, you'll consistently produce better results than someone with more expensive gear but less familiarity. Trust me, this approach will elevate your production game significantly. And speaking of quality content, that video was spot-on - packed with valuable insights for producers at all levels. Nice video Thozi
Ey bro this so confusing me a bit yet because I used to visit 1 of my friend in Bazooka Studio in Joburg wich is an old music Producer since 1991 he use KRK and M Audio for mixing or mastering but I still don't have a good answer for that kweshin bra on Google or Wikipedia
#frankmmuller #megansiyamuller #fzmentertainment #theelephantnoise
You my friend are a great teacher. You explains things so well!!!!
Just a tip guys. I have owned the AT-m40 and m50x respectively. I would advice on spending the extra money and getting the m50x. The build quality is better, and sounds more clean.
thx
So I guess as a music producer you'd be looking into studio monitors. Do you also have an opinion on non-studio options people should buy based on a certain musical preference?
I would really love to see what a guy like you would recommend. Or is it that as a creator yourself, you don't appreciate dynamic tuning and want to know what the insights of a creator is and therefore consider more neutral sounding options per definition superior to options with dynamic tuning?
What are your thoughts on Genelec studio monitors?
Sbonge 🙌🏾
So no sound test 😭😭😭
Hoe does M audio compete?
Thozi 🫡🔥🔥