Rachel Whiteread: Drawings
ฝัง
- เผยแพร่เมื่อ 6 ต.ค. 2024
- 9mins, 2010
This film accompanies the Rachel Whiteread exhibition running at Tate Britain from 8 September 2010 until 16 January 2011.
Rachel Whiteread is renowned for her evocative large-scale sculptures, but drawing has always remained one of her core activities. This exhibition offers a rare opportunity to explore her works on paper, most of which have never been shown before in a public gallery.
These collages and drawings provide a fascinating and intimate insight into the creative process behind Whiteread's work. While her sculptures are often large-scale and involve a team of fabricators, these paper works provide a more personal, mobile counterpoint. Nevertheless, they also share many of the themes familiar from her public commissions: texture and surface; void and presence; and the subtle observation of human traces in everyday life.
© Tate Media 2010
Directed by James Price
Filmed & Edited by Tim Cowie and James Price
Camera Assistant Max Dade
Editing Assistants Stephanie Macindoe, Sinan Gultutan, & Sammi Davies
Sound Design by Gurnot Fuhrmann
Produced by Kate Vogel
Thanks to Hazel Willis and Gagosian Gallery - ภาพยนตร์และแอนิเมชัน
Charming woman. Love the way she thinks!
Always admired her work.
Being unafraid to make connections between things truly experienced and in unique ways is admirable.
Love her work so much!
Wonderful!
Thousand thanks! I admire her work and the personality so much.
lovely
The only thing worse than seeing a person's work and finding it mind-numbingly vapid is then watching an interview with the artist and realizing it is just as vapid as it seemed.
Vapid and vacuous.
I just can't choose between materials either, so i am very eclectic about it. Every thing goes, as long as the sound and energy remain the intentional vibe
She should definitely change her name to “Rachel Whitebread.” Or at the very least have an exhibition with that title. How great would this look on a gallery invite??
Rachel Whiteread: Rachel Whitebread
Those drawings and the presentation of them; I have seen so much of this. Nothing more than a cliché of what things should look like if you are going to make it in the art world. In the end it has been reduced to nothing more than wallpaper; however it is expensive wallpaper!
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love the lasercut
Why was the 'House' sculpture met with a strong reaction, as she mentioned? And it was just a sculpture, right, and not an architectural piece?
An "anatomical brain" you say