✨ Pre-save my album "The Silent Voice", out November 29! ✨ skani.lnk.to/T... Unsuk Chin: Etude No. 1 "In C" Robert Fleitz, piano recorded by Ryan Streber at Oktaven Audio, Mt. Vernon, NY www.robertfleitz.com
Thanks for watching! Check out my other recording of this piece, which was filmed a few months later and I think brings a different perspective to the work! th-cam.com/video/N5t0onKcDEA/w-d-xo.html
Wonderful elastic rhythms her pedaling and your interpretation restore lightness , interior space and the undefined back into contemporary music . Her whimsy and humor reflect her German training so hard to find under the layers of other composers . refreshing and desperately needed in our times . Meaning does not imply turgidity ! Thankyou for giving us one of her fabulous etudes . No. 5 seems to have taken on new life with countless virtuoso around the world !
Listening to this is the first time I've heard anything by her, so thank you for the introduction, and massive respect for the performance! Love the freedom despite/through complexity, it actually sounds very playful and fun, lovely :-)
Hi there, i love this interpretation! I am playing to play it and im wondering how long it took you to learn it? I am planning to play it for BBC young musician of the year this year!
Hey, great that you're learning this piece! It was definitely quite a challenge to learn it well. I would say it took me about 6 months to get it to the level that you see in this video (including memorization). But it's hard to remember exactly how long I spent working on it, and no doubt I've still been working on it and getting better at it since this video was filmed! It's an amazing piece and worth the difficulty though, and once you've learned it it's an invaluably useful and epic part of the repertoire. good luck!
Great great work! Just wondering how long did it take you to learn it, to memorise it- and what methods of practising you came up with there. Congratulations
This is a crazy challenging piece! It took me about 3-4 months to really learn it, and another month to memorize. I used lots of different practice strategies. I think it helps to think of this etude as a counterpoint etude, so practicing separate layers really helped; then lots of metronome, slow practice, working backwards to forwards. At first it felt impossible, but after a while it seems like the most natural thing in the world to play! Thanks for your question!
Thanks for watching! Check out my other recording of this piece, which was filmed a few months later and I think brings a different perspective to the work! th-cam.com/video/N5t0onKcDEA/w-d-xo.html
My favorite Composer's Music Ever! THANK You! 😄
Wonderful elastic rhythms her pedaling and your interpretation restore lightness , interior space and the undefined back into contemporary music . Her whimsy and humor reflect her German training so hard to find under the layers of other composers . refreshing and desperately needed in our times . Meaning does not imply turgidity ! Thankyou for giving us one of her fabulous etudes . No. 5 seems to have taken on new life with countless virtuoso around the world !
Wow. Amazing and intriguing.
I can't Imagine the time it would take me to play and memorize this piece.
Awesome playing, and you memorized it too. What a boss.
Thanks so much for the kind words!
Listening to this is the first time I've heard anything by her, so thank you for the introduction, and massive respect for the performance! Love the freedom despite/through complexity, it actually sounds very playful and fun, lovely :-)
Hey, that's so kind of you to say! I find it to be a very playful, very dance-like piece, so that's really nice to hear.
Super ich bin süchtig nach dieser Musik
Amazing!
Thanks so much for listening!!
Hi there, i love this interpretation! I am playing to play it and im wondering how long it took you to learn it? I am planning to play it for BBC young musician of the year this year!
Hey, great that you're learning this piece! It was definitely quite a challenge to learn it well. I would say it took me about 6 months to get it to the level that you see in this video (including memorization). But it's hard to remember exactly how long I spent working on it, and no doubt I've still been working on it and getting better at it since this video was filmed!
It's an amazing piece and worth the difficulty though, and once you've learned it it's an invaluably useful and epic part of the repertoire. good luck!
You are very skilled. Congratulations on your performance. Why are you wearing a mask though? There's no one around you.
dramatic effect.. or to prevent the piano from catching Covid.
Great great work! Just wondering how long did it take you to learn it, to memorise it- and what methods of practising you came up with there. Congratulations
This is a crazy challenging piece! It took me about 3-4 months to really learn it, and another month to memorize. I used lots of different practice strategies. I think it helps to think of this etude as a counterpoint etude, so practicing separate layers really helped; then lots of metronome, slow practice, working backwards to forwards. At first it felt impossible, but after a while it seems like the most natural thing in the world to play! Thanks for your question!
有点古筝/卧箜篌的影子,pedal point和空弦音有点像 同样模仿空音的还有Tcherepnin Op. 52 No. 2
texture有点分形几何的意思,第一首和大珠小珠落玉盘的第六首都蛮有特色的
Great performance, but all I could think about was "why is this guy wearing a mask in a room all by himself?!!!"