amazing bowing by Dr L Subramanam.... Pandit Jog was just really enjoying and amazed the way Dr. was playing.... Tabla, Mrindangam, and ghatam were also good... Excellent... mind blowing....God bless you guys...
Wonderful blending of two styles, North Indian and South Indian ways of playing a raga in violin by two legends and their accompanying artists, so harmonious, to remember for ever.
Pure ecstasy ! For me, this is a bench-mark rendition of Yaman, given the task of soulful synthesis of so characteristically different traditions of music !
Jogs alap is way more considered and exponentially working on each note. Sub’s alapana as I characteristic in Carnatic is a bit haywire running on different threads of thoughts without due consideration to the methodical elaboration of notes.
Apparently you haven't listened to much carnatic music. I see what you mean though. In CM the alap is built not necesaarily in a step by step way, resting on each note. More focus is on phrases, and the progression is marked typically resting only on Panchamam and upper Shadjam. Moreover, here LS wanted to structure his essays to be in sharp contrast with the stepped Hindustanic way.
Not even close. As far as I know they have never actually played together professionally onstage aside from when they were children. There is a serious riff between them.
It is LSub. Shankar's solo playing style (I.e., when not accompanying) is quite different from LSub's. Not to mention, their faces are different too! You were probably thinking so because of Sub's clean shaven face. By the way - there is no second violin here - it's a duet they are playing. If anything, Sub is hogging more of the time and space.
@@songsabai3794 The trio of L Vaidyanathan, L Subramaniam and L Shankar have given a few LP records and tapes which hold iconic status for their fans now. Shankar, the youngest might have been 18 then. Shankar has been studying / living in the US since his early twenties.
Dr Subramaniam is technically much better. But it is clear that though individually both are playing great, their concept of ragrup are different leading to heterogeneity.
It's not fair to compare and say who is better. There a lot of carnatic aspects in l subramaniam's play. kalyani raga and yaman although same but the taste we get from different styles are way different. When you take pure music and melody prespective, how fast you play dosen't matter. but the way it has been presented and how you think of it as a music matters. jog sir was playing pure Hindustani and LS sir carnatic and thats is this jugalbandi is all about. two diff musicions, how they think of it and their take with their raga and style.
(1) Too much percussion... dominating & killing the overall melody of the violins! (2) Ghatam and the third violin are not needed in this ensemble. (3) Mridangam and Tabla artists should 'restrain' themselves playing at the same time! (4) They should accompany their respective 'main' artists... and not cross over! //Gopal//
Beautiful
A rare gem of a music! So nice to see young L Subrahmanyam! 45 minutes of pure joy.
hey guyzz pt V. G Jog is my dadaguruji. pt subal Biswas is my guruji who is The disciple of pt jog ji
26 saal tak unke gharme rehkar sikhe 😊
Think this was in Lake Sarovar in Kolkata back in 80s. I've seen this live.
Divine feeling .my pranams to Jogji and LS ji
amazing bowing by Dr L Subramanam.... Pandit Jog was just really enjoying and amazed the way Dr. was playing.... Tabla, Mrindangam, and ghatam were also good... Excellent... mind blowing....God bless you guys...
A rare video of L Subramaniam is his mid twenties! Such a pleasure.
An absolute gem.
Beautiful concert by the Great Maestros
Salaams to them
God Bless
Thanks
Kasturi G
Wonderful blending of two styles, North Indian and South Indian ways of playing a raga in violin by two legends and their accompanying artists, so harmonious, to remember for ever.
Oh ketna achhe tune kamal kar deya provu.
Wow Wow Wow north and south mixing so soulfully. Mere bharath mahan
This must be a recording of not beyond 1990 or so.
Pure ecstasy ! For me, this is a bench-mark rendition of Yaman, given the task of soulful synthesis of so characteristically different traditions of music !
Beautiful music!
AMAZING !!!! Thank you !!!
Kya violin ki jugalbandhi maja aa gaya
Pure joy!!!!
Who is on tabla? Plz anyone tell me
a mere pleasure....wah!!!!
Pronam
Jogs alap is way more considered and exponentially working on each note. Sub’s alapana as I characteristic in Carnatic is a bit haywire running on different threads of thoughts without due consideration to the methodical elaboration of notes.
Apparently you haven't listened to much carnatic music. I see what you mean though.
In CM the alap is built not necesaarily in a step by step way, resting on each note. More focus is on phrases, and the progression is marked typically resting only on Panchamam and upper Shadjam. Moreover, here LS wanted to structure his essays to be in sharp contrast with the stepped Hindustanic way.
Supurb.jugalbani.by.the.two.mastreos.of.violin...
Who click on thumbs down or dislike, they have music sense ?
Hayo Rabba.
Aanandasru
hlo koi batayega ke yeh video kaun se year ka hai
plzzz 🙏🙏🙏🙏🙏🙏
No equal for Lsub !!
Anandaru
To me, it looks like Dr. L. Shankar (younger brother of Dr. L. Subramaniam) on the
second violin. //Gopal//
Not even close.
As far as I know they have never actually played together professionally onstage aside from when they were children.
There is a serious riff between them.
@@songsabai3794 check this: th-cam.com/video/pO7HtVt-whM/w-d-xo.html
It is LSub.
Shankar's solo playing style (I.e., when not accompanying) is quite different from LSub's. Not to mention, their faces are different too! You were probably thinking so because of Sub's clean shaven face.
By the way - there is no second violin here - it's a duet they are playing. If anything, Sub is hogging more of the time and space.
@@songsabai3794 The trio of L Vaidyanathan, L Subramaniam and L Shankar have given a few LP records and tapes which hold iconic status for their fans now. Shankar, the youngest might have been 18 then. Shankar has been studying / living in the US since his early twenties.
Dr Subramaniam is technically much better. But it is clear that though individually both are playing great, their concept of ragrup are different leading to heterogeneity.
It's not fair to compare and say who is better. There a lot of carnatic aspects in l subramaniam's play. kalyani raga and yaman although same but the taste we get from different styles are way different. When you take pure music and melody prespective, how fast you play dosen't matter. but the way it has been presented and how you think of it as a music matters.
jog sir was playing pure Hindustani and LS sir carnatic and thats is this jugalbandi is all about. two diff musicions, how they think of it and their take with their raga and style.
(1) Too much percussion... dominating & killing the overall melody of the violins!
(2) Ghatam and the third violin are not needed in this ensemble. (3) Mridangam
and Tabla artists should 'restrain' themselves playing at the same time! (4) They
should accompany their respective 'main' artists... and not cross over! //Gopal//