Keeping Score | Igor Stravinsky: The Rite of Spring (FULL DOCUMENTARY AND CONCERT)
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- เผยแพร่เมื่อ 3 เม.ย. 2020
- Almost a hundred years ago, Igor Stravinsky shocked the Western world with his ballet score, The Rite of Spring, a highly charged and confrontational piece. Michael Tilson Thomas goes behind the scenes in St. Petersburg and Paris to discover the spirit in which it was written and the drama of the opening night that shook the music world to its foundations.
Bonus Features:
Full-length concert performance of Stravinsky's The Rite of Spring and music from The Firebird by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
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"I guess you guys aren't ready for that yet... But your kids are gonna love it!"
I understood that reference 👌👍
Underrated comment…
😂
Ok Marty. Calm down :P
Like Mahler's wish that he could conduct one of his pieces 50 years after his death - a time he hoped that his work would be popular and understood (saw it on this channel's Mahler documentary).
One of my favorite chapters of Keeping Score. God bless you! Thank you
Миша, замечательная работа. Всем исполнителям спасибо!!!
Debussy and Ravel were in the audience and wildly praised it.
The ruckus over the Rite obliterated Debussy's Jeux, itself a terrific work. Perhaps a rueful recognition that Debussy was passing the baton to the new enfant terrible.
No, Debussy did not like it. He did not understand what Stravinsy was trying to achieve and although he realise that this was something entirely new, he thought Stravinsky's music had gone far too far (into the future) to achieve its objective - which of course it had. Also, you have to remember that Stravinsky both in this score and in Firebird and Petruska, too, relies on subjective musical gestures which do not have much meaningful structural or architectural use as a way forward for other composers. He wasn't interested in teaching others as Schönberg, his sort of great rival, spent doing for all of his career.
@@chrisgordon6599 What's your source for the fact that Debussy did not like the piece? As far as I know Debussy congratulated Stravinskij after the premiere, and they went on to become kind of good friends. I'm studying the subject because I'm writing a thesis on the Ballet Russes, so if you have a different source I'd be excited to see it! :)
@@spinozo.official Hi! There is a quote of Debussy in Lucy Moore's book about Nijinsky published by Profile Books in 2013. It is on page 142. Lucy Moore repeats an account by Misia Sert, who was a friend and benefactor of Diaghilev"s, telling of Debussy's reaction to Le Sacre du printemps as he was sitting in her box at the first performance. Misia Sert wrote: "With a sad and anxious face, [Debussy] whispered, ' It's terrifying. I don't understand it.'" However, Debussy had heard the music performed by Stravinsky on the piano and he was apparently anxious to hear how Stravinsky was going to orchestrate the ballet score but, as I said in my first comment, he didn't understand what Stravinsky was trying to achieve with his 'grotesque and terrifying' orchestration.
I have seen other reported comments of Debussy's elsewhere but I would have to look through all my books on this subject to find them. I am sure you can do that if you are writing a thesis on the Ballets Russes.
Count Harry Kessler is also a good source for the general reaction of the audience at the first performance of Le Sacre du printemps.
@@chrisgordon6599 I think you're confusing some of his words for dislike. Terrifying and difficult to understand are both critical to the piece, that's not the same as thinking it bad or not liking it. Debussy didn't just hear the music performed on piano by Stravinsky, he played from the score with Stravinsky when the latter visited him at his home in the months leading up to the premiere. I can't remember the exact quote but Debussy said something about being extremely excited to hear the premiere, even making some analogy of it being like a sweet he couldn't wait to open or something. You'll find the quote in Peter Hill's book on The Rite I think. Seems to me he was more fascinated and intrigued by the piece, not that he just didn't like it
Just wonderful!! Maestro MTT, please be well!
This is not "documentary" it's more than that!! Sir you are best history teller i never ever see such valuable informative documentary!! Your energy is just unexplainable beautiful ❤❤❤
This level of pedagogy is outstanding and the performance wunderschön 🎉🎉🎉
You can still feel Stravinsky's influence in modern film scores, especially anything done by the late James Horner. The raw, violently gritty and bombastic notes, piercing and punching through. They help convey the action and violence and horror without a word. This piece is amazing and more influential than a lot of people realize
Ironically, Stravinsky was invited to create a Hollywood score but his music was turned down. Scoring a film is a very unique talent in understanding the marriage of sound and image that not even he could get right. That said - I just LOVE all the early scores influenced by Igor. IMHO, Bernard Herrmann did it best.
I think you can tell that John Williams and Hans Zimmer took some influence as well.
@@ajanimation8239 And Leonard Bernstein.....there's some West Side Story near the beginning of part 2, when the muted trumpets and horns go back and forth, right before the 11 tympani hits....it's from the dance at the gym scene.
We're so proud to have worked with MTT and the San Francisco Symphony to
create this series, between 2002 and 2011. I hope it's available to
everyone, worldwide, for as long as possible. David Kennard, InCA
Productions, San Francisco.
Thank you for helping to make this widespread to everyone who might not like the piece. Michael Tilson Thomas and Leonard Bernstein's interpretations are wonderful and inspired, and through the grace of the beautiful people who make it available, it's possible for anyone to "keep score" :)
I too want to thank you. This program is one of the best examinations of a world classic. MTT is a fantastic host and conductor.
It is a wonderful surprise to hear a segment from "The Firebird" with "The Rite." Yes, yes!
@Richard Williams
Thank you, Richard. Please tell your friends! We feel that this series of films was never sufficiently promoted by PBS or the SF Symphony. I hope the 9 films will stand the test of time.
David Kennard
InCA Productions
It's such a well done series. Fabulous work!
@Richard Williams yeah the camera work is outstanding. I think it's the best I've ever seen of an orchestral performance.
❤️❤️❤️❤️❤️❤️❤️
For years i could not appreciate this wonderful music but I have been cured and see the beauty, At Last.
When I was a young child, my father purchased 3 record albums for me, for the purpose of introducing me to classical music. One was Scheherazade by Rimsky-Korsakov. Second was Peter and the Wolf by Sergei Prokofiev narrated by the lovely voiced Mia Farrow. (Benjamin Britten's Young Person's Guide to the Orchestra was on the flip side). The third record and the one my dad told me to play first was The Rite of Spring. I instantly fell in love with the recording and I might have played that record everyday for just over half my childhood. I look back at this and have come to the conclusion that there was no better record my father could of introduced me too as my thirst for more music brought me to the vast musical library I listen to today. Bravo Igor! Bravo!
Cool Dad.
deetrizzle1040 conductor ?
@@RanBlakePiano The late Antal Dorati.
Scheherazade is goated!!
that's proper education! Congrats to your dad!
The key to the revolutionary aspect of Stravinsky's Rite of Spring can be summed up in one word.... Rhythm.
Nobody had heard rhythms like this before in 1913. He changed the future.
@mark heyne definant influences!
For me some macedonian rhythms are much harder, not only due to asymmtrical (mixed) meters but with addition of sincopations and with the 3 grouping filled by quadruplet and/or the 2 grouping filled in by triplets. Instead in Stravinsky the difficult rhythms are the melody (and the contrary). I had a lot difficulties with macedonian rhythms, even id much more slower (250BPM) than pontiakà rhythms (603BPM).
@@shonnyno Brilliant comment Andrea.
I have loved the Rite of Spring for 70 years, starting with the fight of the dinosaurs in Disney's Fantasia that I saw as a small kid. I have followed it on every concert I was able to attend to the point of almost memorizing it. As everybody else, I knew of the scandal of its premiere in 1913. I was impressed by the documentary and concert by the San Francisco Orchestra and Michael Tilson Thomas. I am very grateful por the didactic explanations and musical examples that have illuminated my perception of a work I thought I knew rather well before. I got a new understanding of its complexities and revolutionary musical approach. Thanks for this learning and enjoyable experience.
THE iconic piece of music of the 20th century.
Presently a recording of Stravinsky’s Rite of Spring, Sacrificial Dance, (conducted by Igor Stravinsky) is hurtling through interstellar space.
How fitting!
The Rite of Spring is still ahead of its time a hundred years on. Richard in Dallas
Fantastic documentary
Thank you so much Michael. This was a great documentary
Excellent documentary about this revolutionary Stravinsky’s piece.
Michael Tilson Thomas: absolutely BEST Sacre, in my opinion!
with Barenboim.
Thank you Maestro Tilson Thomas for this wonderfully educational series!
Herzlichen Dank , auf das , was MUSIK sein kann ! ❤❤ Welch ein wilder Frühling , der sich bedächtigt entfaltet . Und durch die LÜFTE das blaue Band duftet . Frühling mit Herz und Lunge atem das Sein . 🙂🎶🎶🎶🎶😮😢😢
Stravinsky!!!!!❤"The Rite of Sping." There is a artistry of history involved in this life of Igor Stravinsky. Amazing composer!!!! Thank you, for this.
The piece, that changed my life forever :) And great composers/conductors like Stravinsky, Bernstein, Michael Tilson Thomas did so. Thank you, Mr. Michael and god may bless you. I pray health for you.
Maestro Igor Stravinsky that mesmerizing for the intensity of passion, the expressiveness, and the sensitivity to nuance !!!!
And the intensity of focus isrenowned and for his wonderful capacity to love and cherish is renowned as well , bountiful source of inspiration !
2:07
RIP Julie Anne, Cor Anglais
You will be missed
I miss Julie. I met Julie Ann Giacobassi Hall (married for 50 years to Zach Hall before she died) through my uncle Todd back in 2001 when I was a baby. My uncle Todd invited my family and I to go to San Francisco Symphony and meet all the people who played with the symphony. Without my uncle Todd speaking up about the abuse he endured from 1972-1980 by Ronald Carroll MacDonald, that Ronald Carroll MacDonald would have still been free and would have been abusing more children until he died and I would not have met so many symphony musicians.
One of the BEST Rite of Spring what i ever heard
This is so good….WOW!!!😮❤
This should have millions of views. FANTASTIC. Thank you so much.
MTT's anecdote about meeting and playing for Stravinsky is pure gold...great presentation, much love to a great one.
These documentaries are so illuminating and evoke a lot of passion for classical music.
Spectacular piece of mankind history!
this is a solid contender for one of the greatest videos i have ever seen on youtube
Me planto en mi idioma y expreso desde él. Hoy los recursos técnicos para registrar un concierto sinfónico se han desarrollado en forma increíble. Pero en este caso están al servicio de una orquesta que ha crecido y madurado a niveles que conmueven. El Maestro Tilson Thomas tiene una presencia magnífica y hace sonar a Stravinsky en todo su esplendor. La Consagración es una obra única. Nos la puede comparar con nada. Y esta introducción en la que el mismísimo MTT nos lleva de San Petesburgo a Paris y describe la noche del estreno es impecable. Gracias por la impresionante emoción que transmite este video.
I am ever grateful for these kind of historical videos thank you MTT 1
Wonderful documentary with the charm and charisma of Tilson Thomas and great contributions of the orchestra musicians… thank you for the treat!
Hola disfrutando esta obra de arte musical con la Sinfónica de San Francisco gracias saludos desde Chile
this video is heritage of mankind. thanks you so much for this! 😍
Simply Awesome.
Timpanist David Herbert later went to the Chicago Symphony Orchestra where Ricardo Mutti was it's Chief conductor
So good
This is an excellent video - thanks for this.
Ok. We need more beautiful docs like this.
Keeping Score is such an fantastic series of performances, but this is just incredible! Michael, I enjoy watching you bring out the talent of your musicians as they play Le Sacre. And then your explanations and insights of the piece give it a whole new life for me. Watching the two musicians handle the large cymbal is pure joy. Each member of the orchestra is giving all the life force that they have into this piece. And that's what it is, isn't it? I wonder if there were any in the audience back in 1913 who realized just what was being portrayed. I don't think I'll ever get tired of listening to it. I feel very fortunate to have been taken in by this.
These are BRILLIANT. This is the kind of introduction every music lover would want to a piece. Thank you MTT. I wonder if your next venture will be to teach us exactly as you do here... though you won't have the SF Symphony to present the music. I love these pieces... Keeping the Score.
Little do most people watching this know that Mahler 9 would be played a week from this piece AND record it to be released on a CD. That the same man who played 2nd bass clarinet played just 3rd clarinet for Mahler 9.
That Linda 1st flute, Tim 2nd, Robin 3rd, Barbara C 4th would all play flute, and Cathy Payne played piccolo the next week for Mahler 9. Payne’s and Lukas’s solo was beautiful in their Mahler 9 cd recording
This is a great documentary on Rite, a great conductor and a great orchestra. Congratulations and thank you for this amazing video!
gracias por todo este arte educativo y musical, a disfrutar escuchando aprendiendo y sintiendo
1:41:33 oh that pause...
Excited to watch this!
Nicholas Rorerietch has a design museum of his life work in Queens New York! He was the costume and stage designer for the Rite of Spring
Nicholas Roerich aka Nikolai Rerikh ?
Just brilliant. Thanks MTT. Bravo!
Magic, astonishing! Thank you!
All this is so amazing! Michael Tilson Thomas, the orchestra, the story, everything. Thanks a lot for uploading this precious thing and letting us to get into this experience.
What an excellent production.
Stravinsky was a genius to have come up with this and nothing can change just how great and influential this music is.
Amazing🌹Thanks a lot🙏Love from Iran💚❤️🤍
Honestly, everytime I listen to the Rite of Spring, I think of cool dinosaurs, volcanos, and the...golden...lava...bubbles!🤩
What a blessing for generations! I have all the DVD's!! Thank you Maestro!! And SFO, absolutely AWESOME!!🙏🙏😇😇😇
very good video, Igor is the best
Excellent!
My favourite!
Bravo!
I love this piece since I was very young. It's absolutely marvelous and this documentary is great thanks.
Thank you! Thank you!!! for this spell-binding series. I've learned so much -- and my soul has been filled with these stellar performances and amazing video that adds to the remarkableness of the music.
Excellent video, well done.
I love le sacre! Great series!
Love this documentary.
Terrific - educational & inspiring; thanks for improving 'isolation' !
movie 00:00, concert 1:09:15 phenomenal!
As this is playing I see in my mind new mountains thrusting up violently out of the ground. Molten lava bursting through the universe. And the rise and fall of dinosaurs. It's the brilliant use of this music in Disney's 1940 movie Fantasia. Was quite a shock to see and learn the original dance and story many years later. Oh, what a wonderful video this is. Thank you MTT and the SF Symphony!
Paris has a way of being extremely conservative. And not just Paris. I have a recording of Bruckner’s Fifth directed by Eugen Jochum in Paris at the Théâtre des Champs Elysées, back on October 22, 1969: you can hear people booing the music. When I went to Mahler’s Fifth played for the first time in Bordeaux (back in 1988 I think it was), Alain Lombard conducting the ONBA, the first part of that concert had been Tchaikowsky’s Violin Concerto and the house was packed. When the Mahler symphony started in the second part of the program, more than a third of the seats were empty. People had left: they weren’t ready for that kind of Music yet. Music follows a learning curve. I still haven’t reached the point where I can appreciate Pierre Boulez’s Marteau sans Maître… I hope to get there. But I can understand the raucous that went on at the Théâtre des Champs-Elysées when the Rite of Spring was first played.
A lot of people criticize Alan Parker for copying Stravinsky's Rite of Spring for the soundtrack of Jaws 3D, especially "Dance of the Earth" and "The Sacrifice". But, that's what I love about it. You can sit and listen to both scores and listen to how Alan Parker places "Stravinsky" into the score.
I have Maestro Thomas DG Rite of Spring. on LP from the '70s. One of the great recordings.
So good. I heard lines throughout I've never heard before. Thanks for this great production.
This was the musical equivalent of 2001: A Space Odyssey. It was misunderstood at the time but soon is revered.
Walt Disney himself used that music piece in his 3rd feature film, Fantasia. The visuals that accompanied the music, is thrilling and electrifying.👍
@@JacobDreamWorks921 He did so without Stravinsky's permission.
Now I understand why I couldn't buy Keeping Score on Amazon: they were meant to be here! 😅
Rimsky-Korsakov 04:28
St. Petersburg's Theater Arts Museum archives 07:08
Sergei Diaghilev 08:32
Firebird 10:21
Rite of Spring 13:13
4'58" whose composition is it? What movement?
One important element even Tilson Thomas doesn't point out is that Diaghilev carefully MANIPULATED the riotous response from the audience by setting things up beforehand ---- hiring what amounted to a claque. He was a born master of publicity and exploitation. True, the work was radical and revolutionary, but it wouldn't have aroused the commotion it did without Diaghilev's advance planning.
Who told you that? I call BS 🎉
MTT is THE MAN for Stravinsky.
10 out of 10 and I'm only 26 minutes in.
That is a way to understand music !
Excellent film direction. Follows the music very closely
"Driven by pure gut feeling", was what made me think Stravinsky's compositions remind me of contemporary expressional dance where you express the feeling through movement just like in pieces of the music is expressed. For example. His music was used in the Ballet JEWELS which is Emerald, Ruby and Diamond
Breaks my heart to see and hear the late BIll Bennett.
I miss him. I met Bill Bennett through my uncle Todd back in 2001 when I was a baby. My uncle Todd invited my family and I to go to San Francisco Symphony and meet all the people who played with the symphony. Without my uncle Todd speaking up about the abuse he endured from 1972-1980 by Ronald Carroll MacDonald, that Ronald Carroll MacDonald would have still been free and would have been abusing more children until he died and I would not have met so many symphony musicians.
When I hear and see the performance of such extraordinary concerto and ballet music like the Rite of Spring I can see that human creativity and sublime beauty at the highest level can upsurge in any part of the world. American successfully have manipulated the mind of humankind to hate the Russians, and thus people do, but not everybody does, there are better educated people and honest that do not follow that manipulation and understand that the Russian people are not the evil beings that American have persuaded the shallow minds that they are. and we understand that Russians like any other people have good intentions can love other human beings and can produce wonderful works of art and can have compassion and be empathetic to human virtues. I celebrate the humanity of the Russians.
MTT is a treasure!
Could it be as great as the Columbia Records recording of the Walmart Symphony Orchestra version?!
Amazing link with Philip Glass
If that’s a bassoon
*THEN IM A BAAABOOOON*
I've read that it was the choreography even more than the music which motivated the premiere's scandal. The piece was played as an orchestral-only work shortly after its premiere without another scandal and was accepted in the repertory not long after. By 1940 it was so acceptable it was included in Disney's Fantasia. It was Nijinsky's radically anti-classical ballet--pigeon toed, jerky and flatfooted--which was a prime catalyst for the opening night riot. Nijinsky's choreography did not get into the repertory and had to be reconstructed.
I have always loved both Stravinsky scores, but hearing them "back to back", I suddenly realize just how original a composer Igor was
and how "The Firebird" was cut from the same cloth as "The Rite of Spring": both in orchestration and composition.
I believe Maurice Ravel happened and Igor soon followed in Maurice's footsteps.
"Daphnis and Chloe" while totally different, it is a step in the direction of the kind of freedom of composition and orchestration Igor would follow in his compositional life!
The section at 1:00:34 is so beautiful. The cameras do an excellent of following the counterpoint and it just really makes it like you are sitting there in a personal concert performance. Why do I still have cable?
The Rite of Spring of Tokyo under the cherry blossoms in full bloom prohibits due to the sixth waves of Covid-19
We need a debrief of Maurice Ravel... he is very well underrated 😤
Ravel might be underrated, but not as much as Scriabin.
Oopie oopie yey fans it is Cat-urday meawouuuuu time for sharing such fluffy fluffy entertainment tips & never let any evil dare to harm you guys ❤❤
Recordings and performances of The Rite should include an actor declaiming "Call a dentist!" in the required spot. (😁, thank you! you're welcome!)
Firebird 56:11 Rite of spring 1:09:41
For those of us keeping score, may I point out that MTT has the grace to use an actual score in this one.
I have a tremendous personal anecdote about this piece that involves a dancer for a change (*waves at Dame Monica*). But manners dictate I should wait until asked.
How good does that room sound? Take a bow Symphony Hall and the recording engineers. Fabulous. Thank yous to all.
I like anecdotes.
That's the version Stravinsky would like us to remember: how HE shocked the scene. He did, of course, but his music was (almost) second fiddle to how shocking Nijinsky's choreography was: legs turned inward, jumping with full feet, crouched dancing, hunchbacked village 'primadona'....
When it became obvious that all the fuss about premiere put the authors in the limelight, Stravinsky did all he could to separate from Nijinsky and draw attention solely to himself. And he was doing that in the decades to follow, even changing and/or omitting or keeping silent about some facts. As a result you have that the interviewed musicians say that "Stravinsky!!!!!! changed the ballet!!!" (37:10)What!?!?
Not an honourable behaviour, Igor! Quite opposite to what you were writing in 'Poetics of music!'