@@raheelkhan6585 Well when you ink your pencils, you don't always want to follow the pencils lines exactly. Some professional inkers like to add a bit of flare, so they'll deviate on purpose while still retaining the message the art is meant to communicate. Ink can be used to enhance art, and a good artist can get more if they do more than just "tracing". And sure, neat lines are great, but you can definitely get neat lines from a well sharpened pencil. So the type pencil does matter, but only to the point where the artist has to decide what they like using.
with a tracing light board like that if you mess up the ink you just start again. Just take a break in between and what you end up with after the mistake will probably look better than what it was before the mistake. :) wouldn't be so fun on a time crunch though. or white out, when working with black and white stuff Whitout doesn't show when you scan it digitally so that's work perfectly fine.
That's what white-out is for, my dear. Manga artists are experienced, but not perfect. Manga is black and white so nobody is going to fault you for jury-rigging fixes with correction fluid, tape, more ink, etc. Once it's scanned nobody will ever know.
If I'm not mistaken, the weekly series should have 19 pages. There are 7 days of which 1-2 days are spent on storyboarding and approval by the editor. There are about 5 days left for all 19 pages, assistants are used for this. However, if the series is not approved, you will have to do everything alone
Sensei, could you maybe tell me if there is something like an ''unofficial rule'' as a basic for when to use a G-Pen and when to use a Maru? i know that generally Maru is more specialised for details, and G-Pen for outlines kinda stuff, but i have a really hard time distinguishing between the two when i try to analyse some Mangas that i own as books. Great work as allways...its amazing what quality you can accomplish with a simple Pen. Very inspiring!
@@vulnerablerummy haha yeah i should have been more specific with my question maybe...my question is more towards the thing like: what does even count as detailed? i often feel that in many mangas all the inner planes of the outline of a charackter are drawn with a maru, but then i see Mr. Yoshitomi draw and he rarely even uses a Maru on stuff like clothes for example...he even draws folds in the clothes with a G-Pen. So that kind of made me wonder what technique is more common... that there are differences from artist to artist is obvious, but theres a lack of trust in my senses when it comes to seeing if something is drawn with G-Pen or Maru, because its so hard to imagine the original size that a Manga page was drawn in. But im getting better at it, and most importantly kind of find my own way of doing things at the moment.
@@ShadyRealRap96 my opinion is it's got something to do with the tone/value. 1. for example, on really dark/high contrast part, use g-pen for bold and heavy lines. 2. on light value/transition to light tone use maru pen. sometimes if you feels like adding crosshatching in your sketch maru pen might be better choice since it has line weight consistency. my other thought is that once you're comfortable enough to use g pen, you'll find that you rely less on maru pen. Just practice doing line variation with the nib.
I used to be so lost when it came to sketching because, well, firstly, I never took lessons, I couldn’t afford it. So I’d try to look at an object or person and draw them starting with a body feature like the nose and drawing outwards from there without any outlines or guiding sketches. You can imagine how lopsided or off my sketches were, but they weren’t that bad to be honest. But in high school I started to become more insecure about my drawings and the daunting of teaching myself that I ended up giving up on art and went into college to become a doctor as my parents wanted and lost my passion for sketching because I thought I was no good and never could be. It took many years for me to regain my passion and overcome my insecurities to understand that no artist or piece of art starts off perfect. I started to learn through books, videos, friends and found out what my problem was way back then when I was younger straight away. I just never learned, or maybe had the patience to learn, how to guide my sketches, outline the objects/persons posture, shading, and the positions of features. I laugh about it now because I think when you’re young you see someone older doing something so amazing like drawing like Akihito Yoshitomi and think ‘wow, I want to draw like that’ and then get easily discouraged when we can’t draw like that right away. All SKILLS TAKE TIME, SOMETIMES LONGER THAN OTHERS, TO IMPROVE AND HONE. That is the one important lesson I’ve learned in life through sketching. Taking the time to understand the basic building blocks of a skill you want to learn is key to becoming successful at it. So, don’t get discouraged my friends. If there’s something you want to do, to learn, to become, just keep on trying and eventually you will do, learn, become that thing you’ve worked so hard for. …Thats all I wanted to say I guess 😅❤😊
Great work 👍🏼. Enjoy the days and have fun 🍀🌞 + everyone here too ;) For you 'Akihito Yoshitomi': I've uploaded my old Theme 'DREAMS DIE AT LAST' and if you like listen it (as inspiration...) and maybe you find other songs that you like or not
We all begin with nothing on our hands y'know as we grew up we gain something from time to time and had entrusted us with a lot of potential to help us grow and cultivate all of these unknown potentials we have. It is up to us on what path we will pick right?
i was watching this and i went like.. yuri themes? why does the artstyle seem so familiar? see the name, wait a second. lily system is one of my favourite mangas
Me encanta verte dibujar, es relajante y estimulante a su vez. El sonido de la pluma acariciando el papel,es como una sinfonía. Gracias por mantener vivo el dibujo tradicional. El dibujo digital en tableta gráfica no tiene todos estos matices,es como si no tuviera alma. Por eso tus dibujos están tan vivos, porque le transfieres vida,le das un alma,un sentimiento... que lo digital no puede darle. Gracias por compartir tus creaciones, son obras de arte divinas. Dentro de unos años,nadie sabrá hacerlas...
this is a good quality draw manga! I imagine how hard manga creator to make a good stuff like this in a week for 20 pages. but then I realize, not all weekly manga artist has a good art quality like this. THIS IS PHENOMENAL!
Thank you very much for the video, it is very useful as it is informative, I personally watching how you make the construction and how exactly you draw, I find answers to my questions.
beautifull page! 3 hour for a page is a bargain! if you can do two of the day youre a hero. three and you can be a top notch mangaka in a top notch japanese publisher, I believe.
I don't really do drawings but what is he doing? Did he drew on a thinner paper and then tracing on a thicker paper and then inking on that? What are these papers he used?
Akihito San, Can I Ask A Questions?... What Kind Of Paper Are You Using When Your Making A Manga?... And What Is Your Nib When You Are Lining Such As Body And Clothes? Thank You!!! WwW
Me: *uses $30 drawing pencil but still sucks
Akihito-san: *alright I'll just use a school pencil*
It doesn't really matter what pencil you use tbh, since you're inking over the lines anyway
@@raheelkhan6585 Well when you ink your pencils, you don't always want to follow the pencils lines exactly. Some professional inkers like to add a bit of flare, so they'll deviate on purpose while still retaining the message the art is meant to communicate. Ink can be used to enhance art, and a good artist can get more if they do more than just "tracing". And sure, neat lines are great, but you can definitely get neat lines from a well sharpened pencil. So the type pencil does matter, but only to the point where the artist has to decide what they like using.
やまの•O ω O• just the skills, not the pencil
bought a cintique...still sucks
It's not in the pencil
*ITS THE SKILL*
The lineart tho😙🤌🏼
3 hours for one page, damn manga artists 👏🏻
Imagine messing up on the ink part 👁👄👁 I would literally scream and cry lol
with a tracing light board like that if you mess up the ink you just start again. Just take a break in between and what you end up with after the mistake will probably look better than what it was before the mistake. :) wouldn't be so fun on a time crunch though. or white out, when working with black and white stuff Whitout doesn't show when you scan it digitally so that's work perfectly fine.
its likely to happen, but with the quill in your hand is when you are most alert!
thats why lots manga artists have switched to digital format
i would rip the paper throw everything in my room and go to sleep- like imagine the anger that would give someone
That's what white-out is for, my dear. Manga artists are experienced, but not perfect. Manga is black and white so nobody is going to fault you for jury-rigging fixes with correction fluid, tape, more ink, etc. Once it's scanned nobody will ever know.
I have nothing but respect for this guy
1 hour for drawing, 2 hours for inking. The fact that some creators manage to spit out 20 pages a week
If I'm not mistaken, the weekly series should have 19 pages. There are 7 days of which 1-2 days are spent on storyboarding and approval by the editor. There are about 5 days left for all 19 pages, assistants are used for this. However, if the series is not approved, you will have to do everything alone
it's wonderful to be able to see your entire work process. Thank you.
The inking is so satisfying to watch. Makes me want to buy fountain pen
He is using a dip pen and a Pentel brush pen to ink his work :D
@@balloonsdraws aw dang I dont know these english terms. It's not mah first language
@@GenetMJF what language do you speak maybe I can help you translate it
@@bansoo3003 brush pen is cool
very late but all the stuff he used is in the description! its the last section of amazon links
A LOT OF LOVE! THANK YOU SENSEI AKIHITO YOSHITOMI!
Big hug from portugal!
devolve meu ouro krl
@@thecorvo2358para de passar vergonha na net
went he drew a straight line
me: how can i learn this power
wait yeah what the frick how lol
They used deleted paper so there was already a line for them to draw on top of, and their line wasn’t very straight if you looked close enough.
デジタルもいいけど、
アナログが、やっぱり好き。
ペンのいい音って、やっぱりイイな！
分かる！
ペンのいい音ってやっぱりイイ……いやいい音なんだからイイだろ！w
Tus vídeos dibujando son de inspiración para mí, para que todos los días practique y practique mis respetos
Bien más gente que habla español. Buen video me encanta como dibujas
Sensei, could you maybe tell me if there is something like an ''unofficial rule'' as a basic for when to use a G-Pen and when to use a Maru?
i know that generally Maru is more specialised for details, and G-Pen for outlines kinda stuff, but i have a really hard time distinguishing between the two when i try to analyse some Mangas that i own as books.
Great work as allways...its amazing what quality you can accomplish with a simple Pen. Very inspiring!
but you just explained the rule yourself..
@@vulnerablerummy haha yeah i should have been more specific with my question maybe...my question is more towards the thing like: what does even count as detailed? i often feel that in many mangas all the inner planes of the outline of a charackter are drawn with a maru, but then i see Mr. Yoshitomi draw and he rarely even uses a Maru on stuff like clothes for example...he even draws folds in the clothes with a G-Pen. So that kind of made me wonder what technique is more common...
that there are differences from artist to artist is obvious, but theres a lack of trust in my senses when it comes to seeing if something is drawn with G-Pen or Maru, because its so hard to imagine the original size that a Manga page was drawn in.
But im getting better at it, and most importantly kind of find my own way of doing things at the moment.
@@ShadyRealRap96 my opinion is it's got something to do with the tone/value.
1. for example, on really dark/high contrast part, use g-pen for bold and heavy lines.
2. on light value/transition to light tone use maru pen. sometimes if you feels like adding crosshatching in your sketch maru pen might be better choice since it has line weight consistency.
my other thought is that once you're comfortable enough to use g pen, you'll find that you rely less on maru pen. Just practice doing line variation with the nib.
@@vulnerablerummy thanks alot for that in-depth response! i will try to regard that and take that as something to focus on.
G-Pen for characters, Maru for backgrounds.
These leaves are so helpfull. I always come back to your videos to remember how to draw them
おめでとうございます、私はブラジルから来ました、あなたのトランバラが好きです
こう見ると漫画家がすごいことが改めてわかる
Indeed so
漫画家以外でも絵上手い時点ですごい
@@mityu_R_0922 確かに☺️!!
Ñ
his rough sketch was better than my drawings
I was thinking the same, lol
The respect I have for this is beyond measurement.
I used to be so lost when it came to sketching because, well, firstly, I never took lessons, I couldn’t afford it. So I’d try to look at an object or person and draw them starting with a body feature like the nose and drawing outwards from there without any outlines or guiding sketches. You can imagine how lopsided or off my sketches were, but they weren’t that bad to be honest. But in high school I started to become more insecure about my drawings and the daunting of teaching myself that I ended up giving up on art and went into college to become a doctor as my parents wanted and lost my passion for sketching because I thought I was no good and never could be. It took many years for me to regain my passion and overcome my insecurities to understand that no artist or piece of art starts off perfect. I started to learn through books, videos, friends and found out what my problem was way back then when I was younger straight away. I just never learned, or maybe had the patience to learn, how to guide my sketches, outline the objects/persons posture, shading, and the positions of features. I laugh about it now because I think when you’re young you see someone older doing something so amazing like drawing like Akihito Yoshitomi and think ‘wow, I want to draw like that’ and then get easily discouraged when we can’t draw like that right away. All SKILLS TAKE TIME, SOMETIMES LONGER THAN OTHERS, TO IMPROVE AND HONE. That is the one important lesson I’ve learned in life through sketching. Taking the time to understand the basic building blocks of a skill you want to learn is key to becoming successful at it. So, don’t get discouraged my friends. If there’s something you want to do, to learn, to become, just keep on trying and eventually you will do, learn, become that thing you’ve worked so hard for. …Thats all I wanted to say I guess 😅❤😊
can you show your process how to print comics??? :0 i want to print my own but i dont know how.
You can always look up other videos on youtube about
I love hearing the Pencil strokes against the paper.
Pretty sharp
Great work 👍🏼.
Enjoy the days and have fun 🍀🌞 + everyone here too ;)
For you 'Akihito Yoshitomi':
I've uploaded my old Theme 'DREAMS DIE AT LAST' and if you like listen it (as inspiration...) and maybe you find other songs that you like or not
Great video n' great manga uwu
Zikomo＾＾
すごいだよアキヒト先生 ！！！
nice bro
Now THIS is the asmr I like. Fell asleep to this around 1 hr mark
This is so interesting. Thanks for showing us
they litterly pours their souls in these mangas... respect for mangakas(o⌒∇⌒o)
Hi I’m new this art is fantastic and inspires me to become a mangaka
I love listening to this while working on something💙 It makes me feel like it's okay to take my time learning or doing something. Thank you.
Nice drawing Akihito sensei :3
吉冨さんてあのスクール人魚とか地球の放課後とか描かれていた方！？
すごい、なんか…感激！(^^)
Why do I think in the final scanned page it lost a lot of quality? ):
こんにちは、あなたの作品を読みました。本当に素晴らしいですが、どのように作品を作成しているのかを見ると、漫画家が世界全体を作成するために何か月も費やしていることがわかります。 お疲れ様でした。
This is so inspiring
Hallo sensei. . .
Did u made manga or some anime?
He is the creator of Eat-Man, a very popular manga in Japan that had its adaptation to anime in the 90s
en.wikipedia.org/wiki/Eat-Man
He is now working on Kyō Kara Mirai (The Future from Today).
@@waltercubas3908 😯 he made it woah
Love it from Connecticut
Great work!
- From Brazil
Tmj.
@@9oburin é nóis
Do you do all the pages in the manga traditionally ?
基本的には全てアナログ作業ですが、仕上げおよび合成等はデジタルです。
@@akihitoyoshitomi3758 That's awesome i love all your stuff and learn a lot from watching all the best
@@94kurtramone96 hi
💚💛 Muito legal ouvir o som do papel, do lápis, do bico de pena, da caneta... 🤗
Is manga written in hiragana, katakana, kangi, or all three?
ワールドみらい Can be all three..
@@HTMangaka 僕はオオカミhas a few kanji but it's mostly kana
I had no reason to watch this I don't regret watching this it was very entertaining
一話読み終え「早く次が読みたい」と、思ってもすぐには無理だよね。
この労力を考えれば。
この作者の労力を勝手にコピーして動画に上げて稼ぐヤカラに、重い労役を与えて欲しい。
Bravo, grande lavoro! 👍 Saluti dall'Italia 👋
So, I sleep with my TH-cam on…. I fell asleep last night bc I was sad cause I kinda sucked. I woke up to this.(no hate)
so nice watching this but at the same time so stressful
Dammit i dont have the drawing skills the one tool i need
who said you dont
We all begin with nothing on our hands y'know as we grew up we gain something from time to time and had entrusted us with a lot of potential to help us grow and cultivate all of these unknown potentials we have. It is up to us on what path we will pick right?
excuse me but is this man literally drawing a straight line without a ruler---
How many time do you spend on each page? Approximately
i was watching this and i went like.. yuri themes? why does the artstyle seem so familiar? see the name, wait a second. lily system is one of my favourite mangas
Listening to him do his art puts me at ease. It helps me to sleep at night.
Me encanta verte dibujar, es relajante y estimulante a su vez. El sonido de la pluma acariciando el papel,es como una sinfonía.
Gracias por mantener vivo el dibujo tradicional. El dibujo digital en tableta gráfica no tiene todos estos matices,es como si no tuviera alma.
Por eso tus dibujos están tan vivos, porque le transfieres vida,le das un alma,un sentimiento... que lo digital no puede darle.
Gracias por compartir tus creaciones, son obras de arte divinas.
Dentro de unos años,nadie sabrá hacerlas...
Amazing :O
the thinnest pen nibs known to mankind... godly tools for a godly artist
Would it be possible to place a link to the light box/pad you use please Akihito Yoshitomi?
amzn.to/31bEIVh
AKIHITO YOSHITOMI thank you 👍
니 영상은 왜 한시간에 여러번 재생되는데 내 페인팅 영상은 안봐? 내가 과소평가해서 그런거야?
All the sounds are really soothing to me somehow. I leave this video on just for that lol.
南インドのタミル皇帝ラジャラジャチョランに関する古代テーマのコミックを作成する必要があります。 日本人の読者が理解するためにインドの皇帝について話すのは面白いと思うからです。
@@とし-p5i ？
😮 Maravilloso 👍👍👍
nice work man CONGRATULATIONS!!!!!!!!!!
Thankyou very much for share ur art
二番のカット、女の髪は何の道具で塗りましたか？マーカーですか？
I drew womething unrelated along, it was so nice
画力あげるために難しいポーズ設定にするって、いいことですね。
私もやりました。お姫様だっこして飛び降りるシーンとか描けなくて苦労しましたよ。
肩車もめちゃ難しそうー
3 hours for one page, damn manga artists 👏🏻
this is a good quality draw manga!
I imagine how hard manga creator to make a good stuff like this in a week for 20 pages. but then I realize, not all weekly manga artist has a good art quality like this. THIS IS PHENOMENAL!
I Can't read this what language must learn.
Japanese
非常に速いですね。ページはＢ４ですか？
was he using a normal school pencil to draw the guidelines? th-cam.com/video/ng_y9AvJATc/w-d-xo.html : if so then i might need to change paper then
when i draw guidelines with a school pencil, the lines just get all smudgy and i wind up not understanding the guidelines im drawing
Eu invoco os brs
i love your works sensei! T_T I never knew I would come across your behind the scenes here! Thank you for showing us your process. 🙇
Woah I didn't know this is a yuri manga
Oh, he's doing it old school
Awesome sketch drawing
Thank you very much for the video, it is very useful as it is informative, I personally watching how you make the construction and how exactly you draw, I find answers to my questions.
Love the drawin
선생님 마지막에 남은 스케치 그림을 지우개로 지우고, 그림 추가 작업 때, 마치 네일아트 받는 편안한 기분이 들었습니다.
so inefficient. but newfound respect for these people. Next time I read manga will spend a little more time on each page
このあたりからプッチンクリップ じゃなくてマステになってる！どっちが便利なんだろうか……
Thank you for the valuable lessons in just watching you work.
wait... did you just fill in black space digitally, then also add brush strokes digitally? talk about attention to detail.
so smooth when you inked the panel line
asmr visual pero de los god
こんにちは、吉富明仁先生、名前を作るのにどんなサイズの紙を使っていますか？ありがとうございました
beautifull page! 3 hour for a page is a bargain! if you can do two of the day youre a hero. three and you can be a top notch mangaka in a top notch japanese publisher, I believe.
I don't really do drawings but what is he doing? Did he drew on a thinner paper and then tracing on a thicker paper and then inking on that? What are these papers he used?
すごく参考になる動画だと思います。
もしよろしければ作画の動画だけでなくネーム作りの工程などの動画も見てみたいです。
これがネームです
Akihito San, Can I Ask A Questions?... What Kind Of Paper Are You Using When Your Making A Manga?... And What Is Your Nib When You Are Lining Such As Body And Clothes?
Thank You!!! WwW
極端に言えばレシートの裏でも良いです
良い作品とは願いと思いのこもった作品です
This shit is so soothing it gives me tingles
جمييل جدا🥰🥰
3 hours... this would take me 8....l.
Pro banget ganbate sensei#tonton sambil belajar
Ｇペンですか？
Aku harap aku bisa membuat seperti itu
Beautiful ❤❤❤
Lo único que no es perfecto es como corta la cinta
A exhausting but mesmerizing job
Good
We're did you learn how to draw so good 👍 ☺