C'est bien Kurt Moll dans Fafner ! Son timbre est très reconnaissable ! Sinon il y a un petit glissement de terrain de 36,16 à 38,33 où Ridderbusch se transforme en Salminen !! on passe de la version Stein à celle de Boulez! Fun :) En tout cas merci pour la vidéo !
My videos are being copied into another channel! If anyone wants to do any video over the any recording I upload, then just try any other kind of realisation and don't copy my videos without my permission! I hope this excerpt about a stolen song doesn't became a real story of a stolen video! RESPONDER
Gosh, I hope you're not talking about me! I have uploaded this same performance but I didn't copy it from you; I bought it from OperaPassion-dot-com and uploaded it without being aware of your upload. I invite you to visit my channel, I have also uploaded Franz Mazura singing Alberich in SIEGFRIED and a remarkable performance of him singing the Sprecher in an English-translation MAGIC FLUTE from San Francisco.
Mr, Schulman, I wasn't talking about you. My videos were copied but the matter was solved since they weren't longer copied, at the moment. Your case was different, since you created the video in your own way: you took a different image and created a video with the music. In my case, my videos were downloaded and uploaded into other channel, as if they were created by that channel, not mine. Your Rheingold '74 is a creation on your own and I have nothing to say on it. Thank you for your comments and your invitation to your channel! :)
I fond it incredible that a person who today has asked for someone to steal another person's work has the sheer affrontery to complain on here about other people stealing his.
Yes, strange. This performance is a mix ??? !! new change at 38:31 appearing Ridderbusch. Well heard. Salminen singing Fasolt. Later even in the Chéreau/ Boulez-Ring.
It is really difficult to recoginise the voice Hans Sotin (Fafner). It seems Kurt Moll to me (who sang the trill "Ruhig, Donner, rolle wie`s taugt" 1:56:30. Ridderbusch (Fasolt) is very typical in his interpretation.
Yes, I cancelled 75 because of Neidlinger. It could be, though, an error in the cast-list. Sotin ha a very typical voice, and the trill (sorry) is kind of Moll's personal interpretation. Maybe... We will never know. Compare with Moll's Fafner (p.e. with Sawallisch).
It is most definitely Moll. I checked the Bayreuth website: in 1975, Mazura sang Alberich for one performance only that season (the rest sung by Neidlinger), and I believe this is it.
It is most certainly Kurt Moll, not Hans Sotin. I have many many recordings of Kurt Moll and also heard him live twice (once in ROSENKAVALIER at the Met and once giving a master class at Carnegie Hall) and this Fafner is absolutely and certainly him.
![Wagner: Tristan und Isolde: Act 3; Carlos Kleiber; Bayreuth (1976) Wenkoff, Ligendza [SUBS]](/img/n.gif)
R.I.P Franz Mazura. What a Legend.
This is actually kurt moll singing fafner here. I checked the bayreuth database.
My coffee, my gold … ring…in year 2022…😊
C'est bien Kurt Moll dans Fafner ! Son timbre est très reconnaissable ! Sinon il y a un petit glissement de terrain de 36,16 à 38,33 où Ridderbusch se transforme en Salminen !! on passe de la version Stein à celle de Boulez! Fun :) En tout cas merci pour la vidéo !
Yes it's strange (Salminen's apperarance).
The Fafner is not Hans Sotin; it's Kurt Moll.
My videos are being copied into another channel! If anyone wants to do any video over the any recording I upload, then just try any other kind of realisation and don't copy my videos without my permission! I hope this excerpt about a stolen song doesn't became a real story of a stolen video!
RESPONDER
Gosh, I hope you're not talking about me! I have uploaded this same performance but I didn't copy it from you; I bought it from OperaPassion-dot-com and uploaded it without being aware of your upload.
I invite you to visit my channel, I have also uploaded Franz Mazura singing Alberich in SIEGFRIED and a remarkable performance of him singing the Sprecher in an English-translation MAGIC FLUTE from San Francisco.
Mr, Schulman, I wasn't talking about you. My videos were copied but the matter was solved since they weren't longer copied, at the moment. Your case was different, since you created the video in your own way: you took a different image and created a video with the music. In my case, my videos were downloaded and uploaded into other channel, as if they were created by that channel, not mine. Your Rheingold '74 is a creation on your own and I have nothing to say on it. Thank you for your comments and your invitation to your channel! :)
Oh, good. Thank you for clearing that up. Please keep on uploading your wonderful stuff, I'm enjoying it bigly!
I fond it incredible that a person who today has asked for someone to steal another person's work has the sheer affrontery to complain on here about other people stealing his.
@@angelparsifal Is the rest of this cycle available?
If so, please post it!
Thx!
36:17 we suddenly hear the voice of Matti Salminen as Fasolt, briefly replacing Karl Ridderbusch. What gives?!
Yes, strange. This performance is a mix ??? !! new change at 38:31 appearing Ridderbusch. Well heard. Salminen singing Fasolt. Later even in the Chéreau/ Boulez-Ring.
You are right. There is a clear cut. It's not the same tempo, not the same sound quality, not even the same pitching.
It is really difficult to recoginise the voice Hans Sotin (Fafner). It seems Kurt Moll to me (who sang the trill "Ruhig, Donner, rolle wie`s taugt" 1:56:30. Ridderbusch (Fasolt) is very typical in his interpretation.
Surely it is not 1975, since in '75 Neidlinger sang Alberich. I consulted the Bayreuth database and it says it is Sotin.
Yes, I cancelled 75 because of Neidlinger. It could be, though, an error in the cast-list. Sotin ha a very typical voice, and the trill (sorry) is kind of Moll's personal interpretation. Maybe... We will never know. Compare with Moll's Fafner (p.e. with Sawallisch).
It is most definitely Moll. I checked the Bayreuth website: in 1975, Mazura sang Alberich for one performance only that season (the rest sung by Neidlinger), and I believe this is it.
It is most certainly Kurt Moll, not Hans Sotin. I have many many recordings of Kurt Moll and also heard him live twice (once in ROSENKAVALIER at the Met and once giving a master class at Carnegie Hall) and this Fafner is absolutely and certainly him.
Anell anterior al desastre. Sort que Peter Hall posaria les coses al lloc!