Thank you Jimin! It was wonderful to interview you. Congratulations also on your recent new music release, “I built the moon for you.” It sounds beautiful! 🎵🙂
I wish you had described how you initially practiced the stride left hand to build accuracy and speed, and which more common voicings you use (for instance, is it Root- 3rd+5th ?). Perhaps have you done so on your channel ?
Watching this warmed my heart to know how vastly influential and global in scale an Afro American music language continues to be. Truth is ragtime, according to Willie The Lion Smith, was known as gutbucket played in the seediness of after hours locales. The sounds and rhythms grew out of mid-19th century minstrels-intended to portray. black Americans as subhuman buffoons. By the time you get to Scott Joplin, he wanted to create a classic (Black) American musical form. And in the 1920s, the music, along with Afro-American blues became a global craze’. Joplin died penniless and his music was nearly forgotten as Afro American innovated new and more expressive forms. Early broadway and Hollywood music was largely built on that sound and style. A century later, we have this young lady quoting all the great Black American piano pioneers and those that followed. You speak their language, inhibit their spirit and add your own skill and passion, reclaiming their unique expression of freedom and humanity for another century. ❤❤❤
Wow, wow,wowwww..., what a fantasy Jonny May, you just proved to me that there's noone better than you around, and thank you so much for sharing such an amazing experience.
0:15 Hi yes I agree, you are extremely talented and you're the only person I know to be able to play Hazel Scott, who was a born Trinidadian by the way, the country where I live.
Hey man, absolutely loved this video. Since you were saying that you don't know a lot of pianists that play stride and also bebop and similar styles, I suggest you check out Rossano Sportiello and Luca Filastro. If you could get them on your show I think my mind would explode, just as it did when I saw Jimin was in your show.
Obviously some chemistry here... 😉 Quite the treat watching you virtuosos both pick each other's brains on practice. TH-cam's Unofficial Royal couple for keyboard and piano videos. Seeing her mom cut in and out in the background was cute too.
This made my Christmas Eve!! Love all your videos, and hearing your discussions on different styles. I come from a fully classical background with an early exposure to jazz. I’ve been doing more cocktail entertaining gigs recently and your videos are helping me up my game, gain new rep and tricks up the sleeve!
Jimin's ability to capture styles is extraordinary. Just recently have discovered Beegie Adiar, who is plays with exqusite taste in with a very "smooth" style. Maybe Jamin can unlock the key to Beegie's style. There are very few transcriptions of Beegie.
Can we stick to standard stride in Jazz and not do too much ragtime.... Do tunes like Body & Soul, Misty, As Time Goes By.... This is where the real techniques are.....
how do you know when to refer to the 6th chord as a thirteenth or as a 6th? in the case of when you were referencing the d note , in the f major scale?
13 chords must have a dominant 7th and often use the 9th and/or 11th, C6 chords never have a 7th, the 6 is a replacement for the 7. also 6 chords are often (not always) a stand in for a maj7, while a 13 is a dominant 7 like I said so for example, F13 must include Eb, it's F A C Eb G Bb D, I might voice it with F in my LH and G A C D in my right. but an F6 only includes F A C D, no 7 9 or 11, so I might just do a basic voicing like F in LH, D A C in RH
@@needlessnoise so when you analyze say a particular measure, in a sheet music, does this mean, any combination , in the treble and base cleff, with cegf, is a ca major 6 chord? Also, what about chord like dfac is that d major 7, or f major 6?
@@JitinMisra first thing i'll say is that chord notation is widely debated and argues about so i'm sure someone out there will disagree with me but i think most people will agree with what i'm saying 1. to answer your first question, if there's a C in the root and the only other notes in the chord are E G F then yes, most people would notate that as a C6 chord. 2. you've stumbled on something many people notice about 6 chords, something i noticed myself and early on i almost dismissed the existence of 6 chords ("oh they're just min7 chords in first inversion"). the difference is the musical context. the same notes can be arranged in all kinds of orders to make different chords. we expect to hear certain chords in certain orders, so even if the chord doesnt have the root on the bottom, we can "hear" the root based on what we expect. bill evans really advanced this idea with his rootless voicings.
@@JitinMisra a really easy example is a 2-5-1 in C major. the 1, being a maj7, can be replaced with a 6, and often is in many tunes. (dream a little dream of me for example uses G6 in place of Gmaj7) Dm7 (D F A C) G7 (G B E F) C6 (C E G A) someone could look at this progression and call the last chord an Am7/C, but almost no one would, because musically we expect the G7 to resolve to C. So even if you omit the root C completely like Bill Evans might, or place it somewhere other than the bottom note, in the context of a full tune, people will "hear" that chord as a C6. But you could play the same voicing after a more traditional Imaj7 voicing and before the IIm7, and it suddenly sounds like a VIm7 in a 6-2-5-1 obviously if you play with a band, the note that the bass plays is very important here as well I6 chords are a more smooth sound than the Imaj7 it replaces. I personally like the "rub" the B has against the C when played as a minor 2nd or major 7th, but if you want the chord to be less dissonant, the 6 is a good substitute hopefully that all was explained well and wasnt too complicated, just some stuff i've learned over the years
@@needlessnoise thanks so much. what is your back ground in music? I'm a self taught musician, i can only play stuff like on my channel, but i feel like the theory aspect is preventing me from becoming more advanced and often questions in my head come about. thank you for taking time to answer.
Thanks much. Fantastic to hear you share your stride ideas. Here's a friend you might not have heard that's keeping the flame burning. th-cam.com/video/WYXbhIQrMVs/w-d-xo.html
![[UNCUT] "เสรีพิศุทธ์" แฉยับ! งัดหลักฐานใหม่ชั้น 14 ได้นอนคุกสมใจแน่!! I คนดังนั่งเคลียร์ I 2 ก.ย.67](http://i.ytimg.com/vi/O1SSg4p9Izs/mqdefault.jpg)
00:00 - Intro
01:57 - Ragtime feel
04:40 - Stride feel
06:07 - Syncopation and accent tips
08:55 - Stride tips
11:06 - RH lick 1
12:27 - RH lick 2
15:03 - Ideal keys for stride
17:01 - Melody in stride style
I had a really great time! Thank you for the video Jonny :)
Thank you Jimin! It was wonderful to interview you. Congratulations also on your recent new music release, “I built the moon for you.” It sounds beautiful! 🎵🙂
Thank you Jonny!!😊
I wish you had described how you initially practiced the stride left hand to build accuracy and speed, and which more common voicings you use (for instance, is it Root- 3rd+5th ?). Perhaps have you done so on your channel ?
This girl deserves an in-tune piano!
Great seeing two passionate pianists exchanging ideas.
your idea of inviting other jazz pianists to participate in your classes on your channel is very good.
Congratulations..!!!
the accenting as described in 8:04 is simulating a sax players attack when starting a new line
Great point!
Watching this warmed my heart to know how vastly influential and global in scale an Afro American music language continues to be. Truth is ragtime, according to Willie The Lion Smith, was known as gutbucket played in the seediness of after hours locales. The sounds and rhythms grew out of mid-19th century minstrels-intended to portray. black Americans as subhuman buffoons. By the time you get to Scott Joplin, he wanted to create a classic (Black) American musical form. And in the 1920s, the music, along with Afro-American blues became a global craze’. Joplin died penniless and his music was nearly forgotten as Afro American innovated new and more expressive forms. Early broadway and Hollywood music was largely built on that sound and style. A century later, we have this young lady quoting all the great Black American piano pioneers and those that followed. You speak their language, inhibit their spirit and add your own skill and passion, reclaiming their unique expression of freedom and humanity for another century. ❤❤❤
Thank you so much!
I really like the idea of collaborating with other artists. It's so good and refreshing for the channel!!
She seems a very class act
Yes!
Omg her new song is out at the same time too!!
"Duelling pianos" without the duelling - I guess that's complimenting pianos? brilliant!
She is amazing!!! 대박나세요!!!
Thank you!
Lovely session between the two of you. It was obvious how much each of you were loving every moment.
Jimin, please have your piano tuned. You are amazing!
There's something great about that gnarlyness too though. The high notes and block chords punch nicely. It takes me to the sound of a real club.
you two are my idol, true inspirational, I admire your virtuosity and dedication, appreciate both of you
So great to see the crossover here. I've absolutely loved watching her youtube/ Instagram videos. She's beeeyond incredible.
That was amazing dudes! Thanks
Very talented and studied lady! Thanks for featuring her.
It's great. You're so humble that you think out of box and trying to get experts idea in to your channel. Let us see more. Congratulations.
Wow, wow,wowwww..., what a fantasy Jonny May, you just proved to me that there's noone better than you around, and thank you so much for sharing such an amazing experience.
Beautiful people, sharing beautiful ideas, Thank you to you both, lot of respect for you two, well done!!
You gotta get her an one on one full interview
J.Dorothy-very very talented jazzy pianist!-!!!
0:15 Hi yes I agree, you are extremely talented and you're the only person I know to be able to play Hazel Scott, who was a born Trinidadian by the way, the country where I live.
Jimin is a genius! Thank you.
Hey man, absolutely loved this video. Since you were saying that you don't know a lot of pianists that play stride and also bebop and similar styles, I suggest you check out Rossano Sportiello and Luca Filastro. If you could get them on your show I think my mind would explode, just as it did when I saw Jimin was in your show.
Both of you are fantastic musicians! Please keep producing your videos.
Obviously some chemistry here... 😉
Quite the treat watching you virtuosos both pick each other's brains on practice.
TH-cam's Unofficial Royal couple for keyboard and piano videos.
Seeing her mom cut in and out in the background was cute too.
Thank you both for helping us niche'e musicians learn these styles.
Just marvellous
Yeah great seeing 🤩
This made my Christmas Eve!! Love all your videos, and hearing your discussions on different styles. I come from a fully classical background with an early exposure to jazz. I’ve been doing more cocktail entertaining gigs recently and your videos are helping me up my game, gain new rep and tricks up the sleeve!
This is just amazing....
This is great. Thanks
Jimin's ability to capture styles is extraordinary. Just recently have discovered Beegie Adiar, who is plays with exqusite taste in with a very "smooth" style. Maybe Jamin can unlock the key to Beegie's style. There are very few transcriptions of Beegie.
Sweet!
Great interview! Learned a lot
Great!
I'm happy to watch you both I'm one of your fans jonny and jimmin
Lovely, very inspiring, thank you both!
What a wonderful collaboration!! Brilliant!!🔥
Thanks for the valuable interview ❤️
Thanx, Jimin and Jonny🌹🌲🌹🌹
Sooo good! Thank you!
Best collab ever
Thanks for this great class... Jonny you're very humble(great teacher)... Jimin is amazing...
Love This I Watch Both You Guys & Have Learned A Lot Thanks!🤗
Very helpful video thanks so much for having other pianists give us tips with you there too.
Awesome Collaboration! Really loved it! :D
Wowowow great collab!
Fantastic!!!
Really enjoyed this. Thank you!
Amazing collaboration 🌷🌷
mammamia che gioia incommensurabile ♥
Jimin!!
Wow! I thought she was one of the new Teachers...But still she's incredible...🙂
오호~~
12:06 - I’ve heard Bud Powell play this
Can you feature yohan kim next pls! We still on the dark how he does the smooth jazz improv!!
Wow ! Collaboration 👏
She has a new Christmas recording with singing too!
Nice.
I love stride above all else. So for me you coud just invite all stride players one by one to simply show off small bits and pieces.
내가 구독한 2채널이 ㅋㅋㅋㅋㅋ
This is not fair!!!!!!!!!
Can we stick to standard stride in Jazz and not do too much ragtime.... Do tunes like Body & Soul, Misty, As Time Goes By.... This is where the real techniques are.....
GET mr
Great playing,but something wrong with sound quality.
HELLO I MISS YOU💞
how do you know when to refer to the 6th chord as a thirteenth or as a 6th? in the case of when you were referencing the d note , in the f major scale?
13 chords must have a dominant 7th and often use the 9th and/or 11th, C6 chords never have a 7th, the 6 is a replacement for the 7. also 6 chords are often (not always) a stand in for a maj7, while a 13 is a dominant 7 like I said
so for example, F13 must include Eb, it's F A C Eb G Bb D, I might voice it with F in my LH and G A C D in my right. but an F6 only includes F A C D, no 7 9 or 11, so I might just do a basic voicing like F in LH, D A C in RH
@@needlessnoise so when you analyze say a particular measure, in a sheet music, does this mean, any combination , in the treble and base cleff, with cegf, is a ca major 6 chord?
Also, what about chord like dfac is that d major 7, or f major 6?
@@JitinMisra
first thing i'll say is that chord notation is widely debated and argues about so i'm sure someone out there will disagree with me but i think most people will agree with what i'm saying
1. to answer your first question, if there's a C in the root and the only other notes in the chord are E G F then yes, most people would notate that as a C6 chord.
2. you've stumbled on something many people notice about 6 chords, something i noticed myself and early on i almost dismissed the existence of 6 chords ("oh they're just min7 chords in first inversion"). the difference is the musical context. the same notes can be arranged in all kinds of orders to make different chords. we expect to hear certain chords in certain orders, so even if the chord doesnt have the root on the bottom, we can "hear" the root based on what we expect. bill evans really advanced this idea with his rootless voicings.
@@JitinMisra a really easy example is a 2-5-1 in C major. the 1, being a maj7, can be replaced with a 6, and often is in many tunes. (dream a little dream of me for example uses G6 in place of Gmaj7)
Dm7 (D F A C)
G7 (G B E F)
C6 (C E G A)
someone could look at this progression and call the last chord an Am7/C, but almost no one would, because musically we expect the G7 to resolve to C. So even if you omit the root C completely like Bill Evans might, or place it somewhere other than the bottom note, in the context of a full tune, people will "hear" that chord as a C6. But you could play the same voicing after a more traditional Imaj7 voicing and before the IIm7, and it suddenly sounds like a VIm7 in a 6-2-5-1
obviously if you play with a band, the note that the bass plays is very important here as well
I6 chords are a more smooth sound than the Imaj7 it replaces. I personally like the "rub" the B has against the C when played as a minor 2nd or major 7th, but if you want the chord to be less dissonant, the 6 is a good substitute
hopefully that all was explained well and wasnt too complicated, just some stuff i've learned over the years
@@needlessnoise thanks so much. what is your back ground in music? I'm a self taught musician, i can only play stuff like on my channel, but i feel like the theory aspect is preventing me from becoming more advanced and often questions in my head come about. thank you for taking time to answer.
i'm still waiting for jacob koller....
Is that Ralph Fiennes?
Jimic's mic is poor.
Thanks much. Fantastic to hear you share your stride ideas. Here's a friend you might not have heard that's keeping the flame burning.
th-cam.com/video/WYXbhIQrMVs/w-d-xo.html
She’s brilliant no doubt, but the piano is badly out tune.
shame about the audio damn it😪
Great!