Your tone across the range of your instrument is really gorgeous. Love your phrasing, too. It never sounds like you're just running dry exercises.BTW, I always loved Patti Austin's version of "Cry Me a River."
Your videos are absolutely amazing and life changing! A lot of people have noticed how different and better my song writing & piano impRov have been since I started binging your channel 🙌 keep it up
I'm a musician and I love jazz, but I'm not a jazz musician, so I didn't know the theory behind this lick, though I've surely heard it before. Thank you!
Cheers, this is great stuff. I think this lick is also perfect as a jumping-off point into melodic minor modes, as it clearly outlines that scale, behaving as the "correct" mode with each chord type as you've applied it here. It even conveys the avoid note/hexatonic angle. It's really all right here, built into this CMAR lick. On guitar (which I play), this could even anchor your fingering system for MM scale/modes up and down the neck -- i.e. learn the lick in all positions, then fill in the three remaining scale tones around those shapes. Then 11 keys to go. Anyway, this is really valuable teaching, is mainly what I'm saying 😉
Precious content as always...many thanx for sharing, Nick....this approach opened many doors spontaneously for me and tickled my creativity in a second....kind regards from Germany
Thanks for identifying at least one song that uses it (Cry Me A River). I haven't had my first cup of coffee for the day and would have gone mad trying to place it. I wouldn't have heard another word you said until that was resolved!
Along these lines, Superstar by the Carpenters leads off on the 9th. Same with Wild is the Wind. It would be interesting to apply this harmonisation technique to a lot of covers, I guess.
I can superimpose the " Cry me a river" riff over a A7#5 starting from E#...after the E7b5 it sounds good for me and makes an endlessly chord progression...I am right? Thanks for all mister Jazz duets! God Bless you
amazing sound! brass instruments are my (second) best... (I am a guitar player! and in "extreme" genres, but I dig so much in jazz! maybe it's my degree in contemporary music that helps me understand the theory, but I enjoy jazz music as much as black or death metal!). I love your content!
I LOVE videos like these with very concrete ideas for me to play around with, can be hard to find this kind of content when it comes to modal sounds, I guess because it's so free and vast, but sometimes you just find relationships that sound particularly great.
You're so amazing! I've learned so much with you since you started this type of videos like 3 years ago Gracias a tus videos desde hace como 3 años vengo aprendiendo a comprender muchas formas super practicas y funcionales de apreciar el lenguaje musical! GRACIAS! Saludos desde Neuquén
Love this tune always have and you break the analysis up over the best part. Thank you, so lovely. Playing it right now on my flute. Would be nice on clarinet too. ❤️🙏
Love this lick, been using it since I first got into jazz. It’ll definitely pop up on my channel videos somewhere. P.s. this lick is reminiscent of a short melody I once heard on a Jimmy Neutron Movie where they first meet the villain “Beautiful Gorgeous”. Transcribed it as a kid and didn’t know it was just a minor triad arpeggiated and landing on the 9 instead of the root. P.s.s. BEAUTIFUL SOPRANO TONE!
6:20 --> In D7#9 you write #9 (E#) as the minor third (F). Enharmonic is correct but not the note acording to the main chord (D7#9). Otherwise excelent videos and sound, learning a lot thanks
Os mais belos estudos que se pode encontrar no universo de infinita diversidade que é o TH-cam, só lamento não ser em português ou trazer a tradução pelo menos, muita coisa eu perco por não ter fluência no inglês... parabéns pelo conteúdo e quando puder fazer com legenda seremos no mínimo mais um terço de inscritos heim...
As always, your instructional videos are always inspiring. May I ask what set up are you using? Mouthpiece ligature horn? Thanks cheers from Pennsylvania
Thanks for the interesting video. I am wondering about one thing though. Why trying to figure out the lick over the A-7(b5) chord by the detective work you mentioned when you can find the lick over this chord just by using these chord notes: 11 - m3 - b7- b5 - 11 - m3?
Have been following this for a while and have been blessed. Thank you.
Very nice sounding. Actually fits quite naturally on a guitar. Cheers from Stockholm - Sweden 👍
Your tone across the range of your instrument is really gorgeous. Love your phrasing, too. It never sounds like you're just running dry exercises.BTW, I always loved Patti Austin's version of "Cry Me a River."
thanks! just finished part 2 of this video today
God, you're bloody good. Thanks. Love your content.
Really nice trick! You have such an amazing tone on your instrument
best lessons on u tube for theory and performance.
Your videos are absolutely amazing and life changing! A lot of people have noticed how different and better my song writing & piano impRov have been since I started binging your channel 🙌 keep it up
I like the question asking format of the video, it helps keep my music theory muscles sharp (no pun intended).
Ah! Such a good video! Thanks
Congratulations, you have just unlocked and beaten the Branford super-boss level!
You make soprano sax sound beautiful, my thanks for that!
Such fun stuff! Tasty! Thanks!
It took me a second to realize this melodic chunk is an "Insen" scale. Thanks for the great video!
Absolute favorite jazz related TH-cam channel.
This is a nice simple way to think about minor 251s. I use it all the time on guitar
I'm a musician and I love jazz, but I'm not a jazz musician, so I didn't know the theory behind this lick, though I've surely heard it before. Thank you!
Wow! This is awesome, thanks so much.
Nice to see the genius behind the tips and improv tips and everything else you do.
Cheers, this is great stuff. I think this lick is also perfect as a jumping-off point into melodic minor modes, as it clearly outlines that scale, behaving as the "correct" mode with each chord type as you've applied it here. It even conveys the avoid note/hexatonic angle. It's really all right here, built into this CMAR lick. On guitar (which I play), this could even anchor your fingering system for MM scale/modes up and down the neck -- i.e. learn the lick in all positions, then fill in the three remaining scale tones around those shapes. Then 11 keys to go. Anyway, this is really valuable teaching, is mainly what I'm saying 😉
Beautifully put together video ..as always, thanks Nick.
Precious content as always...many thanx for sharing, Nick....this approach opened many doors spontaneously for me and tickled my creativity in a second....kind regards from Germany
Great lick! I’ve been playing a version of this pattern without knowing the theory behind it. Thank you for the knowledge sir!
I was just working on this lick with my teacher. Your video gives me plenty of new ideas. Thank you!
This is So great education! Super interesting, inspiring and useful.
Thanks for identifying at least one song that uses it (Cry Me A River). I haven't had my first cup of coffee for the day and would have gone mad trying to place it. I wouldn't have heard another word you said until that was resolved!
Very very beautiful. I'm going to need to watch your video a couple of times before the theory sinks in :)
Nailed again.. Thanks..!
You are a fantastic Teacher and an exellent saxophonist.Thanks for the ideas.
This is the exact lic that Barry Harris denounces in his video "Giant Steps". Love the video I just thought it was funny.
Ha. I remember that.
“Horn players get on that lick and they can’t let it go”
Que sonidos tan bellos. Una clase impecable. Maestro, felicitaciones
very inspiring - I also like your background sounds/voicings very much 🙂
you are just fantastic! your ideas are very interesting !! thanks for sharing your recognition with others!🤙🙏🏻
Your tone is great!!!!
Another great video, clearly explained as always. Really appreciate your guidance, thank you
Along these lines, Superstar by the Carpenters leads off on the 9th. Same with Wild is the Wind. It would be interesting to apply this harmonisation technique to a lot of covers, I guess.
I can superimpose the " Cry me a river" riff over a A7#5 starting from E#...after the E7b5 it sounds good for me and makes an endlessly chord progression...I am right? Thanks for all mister Jazz duets! God Bless you
Thank you, master!
1978. The movie Midnight Express uses that pattern in its melody.
amazing sound! brass instruments are my (second) best... (I am a guitar player! and in "extreme" genres, but I dig so much in jazz! maybe it's my degree in contemporary music that helps me understand the theory, but I enjoy jazz music as much as black or death metal!). I love your content!
m7b5 moving up a minor 3rd then up again a M3 is a good chordal hack for this line.
The structure of a minor triad
That's the trick. The formula to be used over iim7(b5)/V7 (b9 b13) / Im 6 9. 3 minor/3 major.
Amazing sounds... Thanks for sharing
They also sound like the notes played on Inspector Frost with David Jason
Awesome lesson. Thank you
Thank you so much sir 🌹🌹💐💐🙏🙏
Superb! Fantastic! Thanx! God bless!
Hey JazzDuets! Nice vid bro. Viewer from the Philippines!!
I LOVE videos like these with very concrete ideas for me to play around with, can be hard to find this kind of content when it comes to modal sounds, I guess because it's so free and vast, but sometimes you just find relationships that sound particularly great.
From my point of view: ingenious. Thanks for sharing, greetings from germany.
@ELY4 CP germans foundet blue note records, lol.
You're so amazing! I've learned so much with you since you started this type of videos like 3 years ago
Gracias a tus videos desde hace como 3 años vengo aprendiendo a comprender muchas formas super practicas y funcionales de apreciar el lenguaje musical! GRACIAS! Saludos desde Neuquén
Beautiful and interesting.
BTW: I got this sudden urge to watch Poirot ...
Really useful lick , bro . Thanks !
Sos un capo. Gracias por compartir
I really like your channel! Thanks for teaching Jazz music.
Excellent clip!
Very informative! Thank you!
Great lesson and I love that wonderful tone. What type of mouthpiece and reed are you using?
Seriously nice tone you have there!! 👍 The Singers Unlimited have a great version of this classic song, too! 👍🙂‼️
th-cam.com/users/BrazucaTranscription
th-cam.com/users/BrazucaTranscription
Brilliant once again - and extreme usefull. Thanks, Nick. I should move to Argentina and take lessons from you.
I love this🔥👍
Love the content but pretty much every jazz musician knows that lick, but kudos it never gets old. 👍🎷
Yeah, it’s one of the first licks I learned actually. It was a video of Barry Harris talking about all the lame licks horn players tend to use lol
Yessss!!!! I love it hope you can bisit here Philippines to do workshop!
So good thank you
Sensacional!!!
Love this tune always have and you break the analysis up over the best part. Thank you, so lovely. Playing it right now on my flute. Would be nice on clarinet too. ❤️🙏
Love this lick, been using it since I first got into jazz. It’ll definitely pop up on my channel videos somewhere.
P.s. this lick is reminiscent of a short melody I once heard on a Jimmy Neutron Movie where they first meet the villain “Beautiful Gorgeous”. Transcribed it as a kid and didn’t know it was just a minor triad arpeggiated and landing on the 9 instead of the root.
P.s.s. BEAUTIFUL SOPRANO TONE!
It’s amazing
Interesting. This is exactly what McCoy Tyner played over the turnaround of Mr PC live in Europe.
Thank you sir. ⚘
La belle dans san?Same key too!!
excelente información. Gracias.
So beautiful😍
6:20 --> In D7#9 you write #9 (E#) as the minor third (F). Enharmonic is correct but not the note acording to the main chord (D7#9). Otherwise excelent videos and sound, learning a lot thanks
th-cam.com/users/BrazucaTranscription
Love your channel. 🎷🎶
Queste frasi sono convincenti e musicali
Mesmerizing!
Brilliant! Sounds great!
Don't forget about "Careless Whisper"!
of course!
Carpenters- Superstar too..at least the 3 initial notes
🤣🤣🤣
Please, let’s forget....
Master!!! Thanks you!!
Awesome Material!
Good stuff!!!
Os mais belos estudos que se pode encontrar no universo de infinita diversidade que é o TH-cam, só lamento não ser em português ou trazer a tradução pelo menos, muita coisa eu perco por não ter fluência no inglês... parabéns pelo conteúdo e quando puder fazer com legenda seremos no mínimo mais um terço de inscritos heim...
Great ideas!
Fabulous!
Its in Joni Mitchell’s version of Goodbye Pork Pie Hat, second verse:
“Love is never easy.. It’s short of the hope we have for happiness”
Also in the saxophone solo in Mingus’s version which she grabbed that melody from.
@@MikeNeer ya that's the one I heard too
De lujo brother 🎼🎶🎵🎸📟💻🇲🇽🙋♂️
I Love it
Echoes of Careless Whisper too ....
I love you man
Wunderbare Klänge! From Germany
This pattern is from the book “Patterns for Jazz”, by Oliver Nelson.
That was published 1966, some 10 years after Cry me a River was . what page BTW?
Make me think of the intro to "Overkill" by men at work
What note of the lick would you start on if the I chord of the progression is a maj7? Thank you. Great video.
Excelente 👏👏🇧🇷
Intro was so reminiscent of Michel Petrucciani for me
7:50 so siiiiccckkkk
And then the cream goes on the cake putting the riff in reverse.
Very yummy
As always, your instructional videos are always inspiring. May I ask what set up are you using? Mouthpiece ligature horn? Thanks cheers from Pennsylvania
Thanks for the interesting video. I am wondering about one thing though. Why trying to figure out the lick over the A-7(b5) chord by the detective work you mentioned when you can find the lick over this chord just by using these chord notes: 11 - m3 - b7- b5 - 11 - m3?
I say that in the video
5:56 reminds me of final fantasy 6, Tera's theme
Mmmh? Do tell my friend. I appreciate that.