Corporate Group Shot, Quick And Easy - Lighting Tutorial
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- เผยแพร่เมื่อ 22 พ.ค. 2024
- In this lighting tutorial you will learn how to shoot a quick group portrait.This is for when a client says at the last minute, "Can you shoot the three of us together, the five of us together?" And you have to do a quick change up so you'll be able to get that group shot quickly. Because everyone's waiting and they want to go. So I found this is the easiest way to set that up. So take a look and learn my quick solution to a last minute group shot request.
Tamron 35-150mm f/2-2.8 Di III VXD Lens:
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Westcott FJ400 Strobe Light:
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Westcott FJ 200 Kit:
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Westcott 36" Rapid Box Switch Octa-M:
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55-Degree Wide Umbrella Reflector with Honeycomb Grids (FJ400/Bowens/Godox Mount):
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Timestamps:
00:00 Outdoor Corporate Group Shot
00:20 Lens Choice - Tamron 35-150mm
00:30 Lens Focal Length
00:40 F-stop
01:07 Choosing your background
01:41 Lighting - Butterfly
01:51 Use two lights for larger groups
02:08 Shutter
02:18 Rim Light
02:28 Camera Angle vs Background
02:52 Posing
03:18 SKB Cases - Robert Verdi
03:42 Quick Turnaround Lighting
04:36 Tripod vs Hand Held
05:04 Shutter Speed
05:22 Westcott FJ400 Strobe Light
05:41 Last Minute Quick Group Portrait Lighting
06:20 F-stop
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The Slanted Lens is a photography and video TH-cam channel where we feature photography and lighting tutorials, camera reviews, photo and video related product reviews and industry business tips. Our founder, Jay P. Morgan, has been working as a Commercial Photographer and Film Director/DP in the Los Angeles area for more than 30 years developing an impressive list of clients from Paramount to McDonald's. Jay P.'s experience with elaborate set design and extensive lighting are key to the success of his illustrative work. Jay P has also taught college level photography and video courses for many years. He is happy to share his knowledge with you. Join us by subscribing and asking questions that we are happy to answer!
I always appreciate tips on how to handle group shots. Well done, and thank you!
You bet! Glad you found it helpful!
Great video and information! I wish I'd seen this video about a month ago! My group shots would have come out better. Thank you Jay P!
I always like your videos ! Thank you for sharing so many tips here!
Thankx for those valuable tips on group shots ! 👍
My pleasure! Thanks for your comment!
Great video as always, thank you.
You are very welcome. Thanks for watching!
Another great video!!!
Thanks again! Appreciate your support!
Well done thank you for the tips.
My pleasure! Glad you found it helpful!
Was everyone in focus at f5.6?
Great video thanks for sharing these tips. When it comes to focus mode and focus points what do you typically use in this kind of a setting.
I use a single focus point and I put in on the person who is not at the very front, but near the front.
Fantastic! Thank you. Going to try this tomorrow for a big outdoor awards ceremony. It's just me so I have to be quick and have minimal gear to move. Am using a 60" umbrella though. Would a soft box be better? Up high with the light pointing down is exactly what I was wanting to get confirmation on. Love it. You saved me. 🙏 Waving from NZ!
Hope your shoot went well! Thanks for your comment!
@@TheSlantedLens Thank you, yes it did! Ended up shooting bare bulb because the wind was wanting take my umbrella. It worked without really well!!
I love that photography and music, my 2 passions, intersected in this video with the ad!
I hope you are well.
TSL is always informative! Love TSL! Question, how far away from the group were you?
I was about 20 feet away.
@@TheSlantedLens Thats what I was thinking.... about 20-ish ft away for a good DOF.
Do you gell the flash with cts or cto when working out doors with a group?
How did you meter for the flash?
Thanks for another fantastic tutorial!
Quick question, I have a company portrait shoot coming up, and the location is in a restaurant. I'm guessing I'll have limited space, low light, and limited time. I would appreciate any suggestions or recommendations.
Same principles apply for shooting indoors. The Butterfly light overhead will work out great if you have the ceiling height. You might want to check out this tutorial as well: th-cam.com/video/JrHvCH8imQY/w-d-xo.html
@@TheSlantedLens Thanks! That video is great. Not only is the info relevant and super-helpful, but it's fun to see how much your production has evolved over the years.
Agree :)
Glad you agree. Thanks for watching!
Excellent! what was the F stop you used here? and what about the flash power? 🤔 thanks!
Check out the video, we show the aperture in the video. Power settings don't give you a good picture of what happened there because, my modifier might cut down more light than yours, or the distance might not be the same. But generally speaking I get about f/8 between 6 and 7 feet from the subject at around full power with the strobe.
@@TheSlantedLens thanks!
Did you use the softbox or bare bulb on those…you showed both.
Quick Question: Did you meter the strobe or go TTL? Thank you.
I always use the strobes on manual and meter. TTL is not successful in this situation because it gives you an auto exposure that is going to change. I prefer to meter and shoot on manual with strobes.
I have an upcoming shoot in about a month with a number of groups in an indoor setting. Some may be up to 10-15 people. Can I get by with just one light?
I would use 2 lights up front for that. And a third rim light.
@@TheSlantedLens That's the issue...I only have one light.
Ah! The skinny blue suit and brown shoes uniform. 'Gotta wonder if 20 years from now if the guys in the photo will realize they're wearing the 2020s version of a leisure suit? 😂
Something to wear to vintage parties!
🤣🤣🤣@@TheSlantedLens
Pro tip, add 4 orange cones to your kit. Someone could roll right into that parking spot not seeing the stands.
Good tip! Thanks for sharing!
Hahaha The lady is going What sign ?