Also available in Resolve. What he is illustrating are simple luminosity blended Curves (also available in Photoshop for 20 years or more.) These are then masked into different areas of the image using the images overall luminosity, using whatever technique is available in your software. It is Not something only available in Pemiere
Hmm... well it does look different with different footage, but the texture layer work everytime and the tone masks need the blur to work. If you want you can send me some examples where it doesn't work for you. Wetransfer link here? :) I'm interested to see as well.
@@JooWorks Joo I just bought your tutorial on ACES please I need a complete step by step tutorials please that you can upload in your free master class of ACES
@@mr.tcheck1570 do you mean that you bought the ACES lite course? Thanks. There is quick start quide and even a bit longer 30min workshop on how to use ACESlite, right inside the course. Can you find them?
@@JooWorks yes i have study all of them but i would like a step by step process to achieve a good cinema color and I love your work too much I’m in africa trying to do this like you
@@JooWorks is a pleasure for me to learn from your course Pls help me with teal and orange process Even on lighting contrast that can make you achieve a cinematic color In postproduction
nice to see you back round here!! keep on creating this awesome content!
my man joo!!!! long wait for your videos !!! :p ...thanks for giving one custom killer video again
I'm always so impressed by what people are able to do with A7iii 8bit footage.
long time no see and this is va gift, ty Joo !
I asked for it (on premiere Pro ) you done it bro. You're the best bro! Thank you
Great video. Thank you Joo
This is brilliant. Thank you!
Videos like this is what makes me hold back on switching to Davinci from Premiere. Love your work man. Bought you GH luts and theyre amazing 🙏🏻
Also available in Resolve. What he is illustrating are simple luminosity blended Curves (also available in Photoshop for 20 years or more.) These are then masked into different areas of the image using the images overall luminosity, using whatever technique is available in your software. It is Not something only available in Pemiere
Man, you are a genius!!!
It was amazing! Some tricks are just with experience
dude you are the best
seriously
this is very useful, thank you for the great way to make it pop
What version of premiere pro are you using?
Hey Joo but these techniques dont always work they work in your example because there is tonal separation, Thi cant be really used any only of footage
Hmm... well it does look different with different footage, but the texture layer work everytime and the tone masks need the blur to work. If you want you can send me some examples where it doesn't work for you. Wetransfer link here? :) I'm interested to see as well.
HI how can we work the texture with davinci we need also a tutorial on that
There is a tutorial on my channel about that. :) it's uploaded two weeks before this one.
@@JooWorks Joo I just bought your tutorial on ACES please I need a complete step by step tutorials please that you can upload in your free master class of ACES
@@mr.tcheck1570 do you mean that you bought the ACES lite course? Thanks.
There is quick start quide and even a bit longer 30min workshop on how to use ACESlite, right inside the course. Can you find them?
@@JooWorks yes i have study all of them but i would like a step by step process to achieve a good cinema color and I love your work too much I’m in africa trying to do this like you
@@JooWorks is a pleasure for me to learn from your course
Pls help me with teal and orange process
Even on lighting contrast that can make you achieve a cinematic color In postproduction
GENIOUS! 🔥🔥
i love you man
🔥🔥
your technique makes me feel like a criminal
You remind me of the viral Jesus guy