Rupaka Thalam Samam to 2 thalli edupu | Korvais
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- เผยแพร่เมื่อ 8 ก.พ. 2025
- This will be very useful for the budding artist, those who have started singing concerts and also for Mridangam players. This is a new concept in rupaka thalam samam to edam.
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This is such a beautiful composition that meets arithmetic constraints aesthetically. The basic issue is because of the thalam, the korvai needs to be of the form 12*n+2 (where n is number of avarthanams) and thus indivisible by 3. 12n+2 can be written as 12*(n-1)+14 and 14 can be written as 3+6+5 = 3+6+1+2+2. Thus if the purvangam is of the form 3*(3*(2n+1)) and the uttarangam is 6*(3*(2n+1)) and the karvais are spaced out as 0 in the first iteration 1 in the second and 2 in the third we have
P1=3*(2*k1+1) U1 = 3*(2*k2+1) (0)
P2 = 3*(2*k1+1) U2 = 3*(2*k2+1) (1) 3*(2*k2+1)
P3 = 3*(2*k1+1) U3 = 3*(2*k2+1) (2) 3*(2*k2+1) (2) 3*(2*k2+1)
When we add all the matras we have 18*k1 +9 + 36*k2 +18 + 5 = 12*1.5*k1 + 12*3*k2 + 12*1.5+14 = 12*1.5*(k1+1) + 12*3*k2 + 14. Thus when k1 is odd and for all values of k2 we have a korvai that will be 2 thalli from samam. In the video k1 is chosen to be 3 thus yielding a purvangam of 3 7s and k2 is varied from 2 to 3 to 4 in the three iterations, yielding 3 5s, 3 7s and 3 9s respectively.
And speaking of finishing with a flourish, the korvai ends with a neat thisra nadai (gathi bedham) where 3 9s are telescoped in the space of 2 9s in the last iteration.
Thanks much Balaji sir and to your student for sharing this lovely structure in context. Will look out for this in a concert.
Thankyou very much sir. It's wonderful explanation. Useful for the students .👍
Bale! Fantastic explanation. I found it hard to follow at first because of straight jump to the maths, but I get it now and it's really useful. For those trying to follow along, why starting with (2n+1) format? - 2n+1 just means an odd number. And using it as the base which gives us 5s, 7s and 9s as mentioned at the end.
Just great...literally breaking down to elements..aka...மாத்திரை...well done
Excellent explanation useful to both mridangist,nd vocalists also.
Thankyou
Such a wonderful selection of korvais sir.I loved the experimentation of 7s in the purvaNgam with 5s 7s and 9s.I will attempt this korvai in my next concerts.This is such a useful video that is easy to understand when it comes to korvai constructions.thank you and namaskarams ❤🙏
Moreover I love the kanakus❤
Thankyou very much.
Thqnk you balaji sir.
Welcome 🌹
Wonderful.
Thankyou 🌹
Your way of imbibing is fantastic and no wonder your disciple is so well versed and has a great range...god bless you
Thankyou
Excellent setup, what a beautifu butl simple calculations, Super RamRamRam
Thankyou
A well experienced teacher of all meaning with simple teaching method
Thankyou 🌹
Language malayalam
Very informative Korvai and clear explanation Sir! Nice singing by Sai Harinni too!
Thankyou
It.is to me.a personal teaching I am greatful to you gurugale Namaskaragalu
Thankyou
Very informative...I have written down the korvais...thank you Balaji. Your student also sang very well
Thankyou very much meera.
wonderful .. invaluable lessons!! Thanks for explaining in English also for all of us (saw a non-sense linguist comment, so had to balance it)
Thankyou 🌹
Hearty Wishes to Shri Melakaveri Balaji for descending to our level and sgaring his great experience. The knowledge of Layam will improve us to sing confidently. Great Seva. Pl continue. We will be able to appreciate Thani Avarthanas better.. sai premi
Thankyou. Sure I will .
@@melakaveri
For the present,keep your lectures for beginners to appreciate Layam better.
The sruthi and sahithyam aspects ,many understand..Layham is very important
For classical music.A new gate has been opened ! Gratitude.
Balakrishna
Excellent Balaji.
Thankyou Ravi
Very great sir. Super. Namaskaram🙏
Thankyou
explained and rendered well sir
Thankyou
Superb excellent Anna periyava charanam 🙏🙏🙏
Thankyou. Maha periyavaa saranam 🙏🏼
I am unable to follow the language as I am a Telugu speaking person. Still, I am able to follow the concept clearly. And obviously, it is very useful to me. thank you very much both guruji and the disciple.
Thankyou. I will speak fully in English from next time.
I spoke mostly in English.
Yes sir. You spoke in English mostly, and it is usefull. Dhanyavaadamulu
Really sooperb..may god bless you all🙏👏
Thankyou
Well rendered sir
Thankyou
Superb Sir
Thankyou
Wonderful Sir!
Thankyou
Excellent!
Thankyou
Thankyou
Excellent 🌹
Thankyou Balaji.
Super nice sir
Thankyou
Beautiful excellent
Thankyou
Super sir
Thankyou
Very nice explanation
Thankyou
🙏🙏🙏
🌹
Wonderful
Thankyou 🌹
Very useful for layman rasikas like me
Thankyou 🌹
It is so useful for all musicians
Thankyou
Very very nice
Thankyou
Very nice 👍🏻
Thankyou
Super anna
Thankyou shankar
Excellent sairam
Thankyou
மிகவும் நன்றி ஐயா
Thankyou
❤ you sir
Thankyou 🌹
Very nice
Thankyou
Superb.
Sir last round of kharaharapriya what did u do?
Thankyou
sir can you post similar ideas for adi talam?
the videos are very useful.thankyou
Sure.thankyou.
11:47 dear sir,although i didn't know carnatic music but i liked it very much pl.let me know is it like hindustani taal Rupak where we hv.7 beats ttin thina dina dhina,also i wld love to learn carnatic mudic theory n practical cld u please guide how can i learn ,wld u kindly teach me online?
Yes I can teach online.
Sir what did u do in the fast one in kharaharapriya
What we are singing is the chatusram madhya makalam only.
It saddens the audience deeply when such musical maestros tend to resort using English, not realising that it is from the ancient Thamil that their knowledge springs from. In the international arena affirm the sanctity and mystery of the profound Thamil please. Other races are proud of their language unlike Thamilians particularly the learned Bramins.
Thankyou for your information 💐
I am going to present my videos in English only. This is for the Musicians all over the world.
Music has No Language Barriers.
Don't interpret this towards Race, Language and Religion.
This is I am doing as a service to the Music Rasikas and Young Budding Artistes without any caste, creed or Religion
If possible share the knowledge you have regarding the Carnatic Music or any field .That will be Very Good for the Society around you. Don't waste your time like this.
Particularly I spoke most of the time in Thamizh(it should be pronounced like this) in this video.
Not as you mentioned as Thamil