Craig Taborn - All True Night / Future Perfect - Nancy Jazz Pulsations (2014)
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- เผยแพร่เมื่อ 18 ก.ย. 2024
- Craig Taborn joue "All True Night / Future Perfect" à la Salle Poirel, dans le cadre du festival Nancy Jazz Pulsations, édition 2014.
Production : SUPERMOUCHE PRODUCTIONS.
En coproduction avec Vosges Télévision.
En association avec Mezzo et GIE Lorraine Télévisions.
@supermoucheprod
Craig Taborn - piano
Thomas Morgan - double bass
Gerald Cleaver - batterie
I would add these informations to the video description. This would make the video easier to be found by people searching for Morgan or Cleaver, for example.
Thank you for this great upload!
beautiful!
♥️♥️♥️
amazing
AAAAA excellent
WOW
Wonderful! I see Thomas Morgan on bass. Anyone recognize the drummer?
True, it will be hard to hear for many, but the structure is there.
Gerald Cleaver
First time I've heard Mr Taborn he's a bad man most contemporary jazz is as Felicia Rashard would say is just sad
Can any superfans confirm for me that the "Future Perfect" part of the song from the Chants album isn't a part of this video? The album version sounds like, as the title suggest, two pieces smooshed together, and I can't hear the second part here.
I have noticed the same thing
This one sounds like a Beat the Ground in that album
Quarter note = about 128 - 130
No rhythmic or tonal center. Seems like three guys doing their own thing rather than playing as an ensemble. I struggle to understand it. I'm not passing judgment, just my response to the music itself. Taborn's technique is terrific.
Bob Burns Yep, I was lost from the get-go. Couldn't even figure out the time signature. Tabor is reputed to be the greatest living jazz pianist. His technique is effortless but I lack the sensitivity and sophistication to appreciate it. This music leaves me cold and I think it's a good example of jazz evolving to a place so cerebral only the true connoisseurs can figure it out. (I notice the ending caught the audience by surprise so maybe I'm not alone.)
John Techwriter , listen to the base or to Craig's left hand for the signature beats rather than the drums.
Yes, hang in there and you start to hear Craig doubling the bass line with Thomas on Bass, and the drums in sync with the rhythm that creates -- around 6:43 or so. Not easy to hear if you are not used to this kind of playing, but it pays off if you are willing to hang in there with them.
Pretty easy to hear what's happening if you spend some real time listening to music! The interplay between the three has structural similarities to triple fugue in late Beethoven piano sonatas, in a less oblique sense. At the end of the piece, things come together in a fairly obvious manner.
I disagree, Brandon. As great as this music is, I wouldn't say it's easy to hear. Worth hearing, yes. Beautiful and cohesive, yes. Easy? No.