So incredible to have this for free on TH-cam! Boris Berman is a famous interpret of Prokofiev's music, and this is high-level teaching that I could only have dreamed of back in college.
This is one of the best master classes I've ever seen. It was focused, cohesive and clearly presented. I was especially impressed, starting at 19:15 that he cautioned the student about the dangers of the percussive technique he was recommending, and rather than just saying "So be careful," he showed him how to monitor the muscle tension in the forearms. I didn't expect to stay for the full 31:21 minutes, but I couldn't tear myself away.
What a difference between the master and the student. From the moment the video starts you can tell the student "has the notes" but "not the music". Then Berman sits down and plays the exact same "notes" but the "music" of Prokofiev comes out ... experience.
When I got to the section teaching finger staccato, a lewd joke came to mind, but creating a new account (after this one would surely get banned) is a pain, so I 'll just keep it to myself. All kidding aside, this is a beautiful piece of music, and the Precipitato is one of my favorite passages and always moves me. I tried to learn how to play it once but I gave up after a month, as I knew I would never be able to play it at a high level. Then I tried to turn it into a block chord heavy McCoy Tynerish original interpretation with my band at the time, but that ended up terrible too, so I guess I'll just leave that one to the top players in the world and I'll just keep enjoying listening to it.
I've enjoyed this whole series of master classes on several of these works. Especially this one, since I'm working on it. Berman is dead-on with his assessment. The student did get all the notes, but the style has yet to mature. I'm unfortunately having the opposite problem. I've learned much from this. I wonder if Prof. Berman is available to come to the Midwest. I for one would greatly appreciate it!
Oy. That must have been painful for Berman. He was very diplomatic, although there was small crack in the dike when the kid didn't even know the Brahms PC1...you could practically see Berman's eye's roll to the back of his head, lol
@Errol Garden The pianists are sitting on what’s called an artist bench, or artist piano bench. Most likely from Jansen ... cost around USD 800 - 1,200 (for Jansen brand...other brands can be found much cheaper).
Le Professeur et très bon mais le pianiste semble ne pas voir que le piano est d abord et fondamentalement un instrument à percussion… qu il nous faut lineariser par la technique de jeu et suivant la partition…
@@konstantinkhachaturyan4279 Я так не думаю, на самом деле есть три типа инструментов: ударные (барабаны, фортепиано, клавесин…), линейные (скрипка, труба…) и смешанные (классический или электронный орган… линейной дихотомией) или для пения. инструмент всегда актуален, даже жизненно актуален для человечества, вот что самое трудное на фортепиано: заставить его петь снова и снова...
10:00-15:00 is a complete nonsense. physical laws of piano as an instrument makes this a non-starter and a nonsense. He is probably talking about some inner phychological game that brings out the imaginary sound of his but... this is a nonsense, we need to say this in XXI century. Piano is a percussive instrument unlike the violin say.
This change of motion of arms has an influence on the way the keys are effectively pressed even if it is not direct (this reminds me my golf teacher telling to "finish the motion", this motion including the part after hitting the ball)
So incredible to have this for free on TH-cam! Boris Berman is a famous interpret of Prokofiev's music, and this is high-level teaching that I could only have dreamed of back in college.
This is one of the best master classes I've ever seen. It was focused, cohesive and clearly presented. I was especially impressed, starting at 19:15 that he cautioned the student about the dangers of the percussive technique he was recommending, and rather than just saying "So be careful," he showed him how to monitor the muscle tension in the forearms. I didn't expect to stay for the full 31:21 minutes, but I couldn't tear myself away.
Bravo Caleb! 👏 Plus in front of a master who has written a whole book and has extensive records on the subject!
What a difference between the master and the student. From the moment the video starts you can tell the student "has the notes" but "not the music". Then Berman sits down and plays the exact same "notes" but the "music" of Prokofiev comes out ... experience.
I'd say it's a talent differential, not an experience one.
best teacher in the planet
He is! I had the pleasure of working him when my professor was on sabbatical.
The most interesting piano master class I have ever heard. Bravo.
Bravo Berman!!!
Way to go Caleb!
When I got to the section teaching finger staccato, a lewd joke came to mind, but creating a new account (after this one would surely get banned) is a pain, so I 'll just keep it to myself. All kidding aside, this is a beautiful piece of music, and the Precipitato is one of my favorite passages and always moves me. I tried to learn how to play it once but I gave up after a month, as I knew I would never be able to play it at a high level. Then I tried to turn it into a block chord heavy McCoy Tynerish original interpretation with my band at the time, but that ended up terrible too, so I guess I'll just leave that one to the top players in the world and I'll just keep enjoying listening to it.
Don't give up. Us something is the head, or the bridge of a song, as an inside joke, see if anyone in the audience notices.
I've enjoyed this whole series of master classes on several of these works. Especially this one, since I'm working on it. Berman is dead-on with his assessment. The student did get all the notes, but the style has yet to mature. I'm unfortunately having the opposite problem. I've learned much from this. I wonder if Prof. Berman is available to come to the Midwest. I for one would greatly appreciate it!
Comment pourrais-je assez remercier Sabine Lacoarret de m avoir enseigné le Piano , une Vie d interprétation n y suffira pas …
huge hands.
Does anybody know what piece Berman plays around 18:30 after he plays the excerpt from Brahms Concerto No. 1?
Scherzo from Beethoven sonata 18
Oy. That must have been painful for Berman. He was very diplomatic, although there was small crack in the dike when the kid didn't even know the Brahms PC1...you could practically see Berman's eye's roll to the back of his head, lol
06:43
Extremely interesting
Does anyone know how those piano chairs are called ? (brand, model etc.)
@Errol Garden The pianists are sitting on what’s called an artist bench, or artist piano bench. Most likely from Jansen ... cost around USD 800 - 1,200 (for Jansen brand...other brands can be found much cheaper).
@@derinderruheliegt Thank you very much :)
@@derinderruheliegt For a sec, I though you were talking about the piano instead of the bench, my mind went bongus, only USD 800 -1200????
nobody seems to care that they are all insane :) i cannot believe my eyes
Idiots with masks
Looking a gift horse in the mouth, but I found the high frequency beep picked up on Berman’s mic tremendously distracting. Such a shame.
Ну,почему я не понимаю по-английски?😔
Ну,никогда не поздно выучить))
Хотя бы на уровне комментариев))
Успехов!!
@@konstantinkhachaturyan4279 на уровне комментариев понимаю. Но это слишком мало.
Значит надо идти дальше...
Тем более он говорит медленно и внятно..))
@@konstantinkhachaturyan4279 буду стараться😇
Le Professeur et très bon mais le pianiste semble ne pas voir que le piano est d abord et fondamentalement un instrument à percussion… qu il nous faut lineariser par la technique de jeu et suivant la partition…
Фортепиано не ударный инструмент...если по нему не колотить...
@@konstantinkhachaturyan4279 Фортепиано технически является ударным инструментом, но правильный пианист может заставить его петь
Значит надо поменять определение..
Оно давно устарело..
@@konstantinkhachaturyan4279 Я так не думаю, на самом деле есть три типа инструментов: ударные (барабаны, фортепиано, клавесин…), линейные (скрипка, труба…) и смешанные (классический или электронный орган… линейной дихотомией) или для пения. инструмент всегда актуален, даже жизненно актуален для человечества, вот что самое трудное на фортепиано: заставить его петь снова и снова...
@@jeffparis2419 клавесин уж никак не ударный...он - щипковый..
Это однозначно..
Mask????????
Dude learn the TRUTH!!!
Idiots with masks
10:00-15:00 is a complete nonsense. physical laws of piano as an instrument makes this a non-starter and a nonsense. He is probably talking about some inner phychological game that brings out the imaginary sound of his but... this is a nonsense, we need to say this in XXI century. Piano is a percussive instrument unlike the violin say.
This change of motion of arms has an influence on the way the keys are effectively pressed even if it is not direct (this reminds me my golf teacher telling to "finish the motion", this motion including the part after hitting the ball)
@@josephmathmusicno. have you aquainted yourself with the key mechanism?
If you press each key at exactly the same speed and for exactly the same amount of time it doesn't make a difference.
This statement is correct.