I like how his cutting arcs don't form a circle, but follow an extreme elliptical arc--like he's punching the sword out there, and emphasizing streamlined push-cuts with a thrust quality over the more typical percussive slash. He's like me in that sense. Looks like I have a new martial-artist role-model to emulate :) (I may practice German Longsword rather than kenjutsu, but there's little the two don't share.)
Sensei is teaching the 3rd Kenjutsu kata in this video. The kamae that is being used is Hassogamae in Komagawa kaishin ryu. Sensei is actually not moving fast, for him, in these videos. He will be teaching at my dojo in San Diego in June.
The hand-on-elbow exercise interests me a lot. I'm trying to figure out the mechanics. It reminds me of many techniques involving aiki age - aiki sage in Daito ryu aikijujustu. In places, it looks like Sensei is using it to subtly take kuzushi, to make uke move his weight to one foot. I'd welcome your insight as a student of his. Also, very curious to know how this is expressed without that contact.
@@gratefulape12 This technique is different than aikiage and aikisagae in that there is more disappearing. Okamoto sensei did not teach kenjutsu, I have trained with him on several occasions. There is more disappearing here, from touch and ultimately vision. It is hard to explain and needs to be felt in order to understand. So no movement forward and no 'lifting' of the arm. If you touch Sensei;s back when he is doing large sword movements, there is nothing felt. The whole back is quiet and relaxed. Less physical connection at the point of contact and yet you are gathered, kuzushi.
lol u would be dead n a flash smh..Imagine being on the battlefield against swordsman this godlike smh and he just a mere shell of whatthese guys looked like taking in account they were battle hardened warriors with many many kills..
Ok I got it to see his speed you have to watch his feet and keep his hands in your peripheral vision he moves from his feet up beautifully Watch him from the waist up and you will never see it coming
I think the HEMA movement could stand to take a few pointers from this guy. Most people aren't used to honing their physical intuition and self-control to such fine polish.
@dhx84 I've seen a lot of Kuroda Soke clips on youtube and on Kick Ass Moves. I would say that like a great many soke of kobudo, everything's right there in plain sight. The first "trick" is being able to understand what he's told you to do (even though he's done his best to tell you completely openly), and the second is in getting your body to do it. I think there's one or two study groups in USA, one in Paris, and of course the sohonbu dojo is in Japan.
What is the name of this kata? Also, what is the name of the kamae when he rotates the bokken, and counters with the 'ha' facing upwards towards the face?
This is an old comment, but for general knowledge: the straight back and upright posture is common for Edo period styles as they were mostly used and tested on the wooden floors of a dojo. Conversely, lower, wider, more bent and leaning postures can be seen in styles that date to historically battlefield-tested and subsequently well-preserved styles of earlier periods such as Kashima Shin-ryu, Katori Shinto-ryu, Maniwa Nen-ryu and allegedly Kuroda's curriculum. The reason is simply that a lower posture is more stable on uneven and unpredictable surfaces while crouching and ducking also provides temporary shelter from high overhead blows.
About 1:14 and on : The problem with this kind of training, and most other martial training/sparring is that the students respect the master so much that they will always "indulge" him into succeeding anything he wants to demonstrate. That's how you see aikido demo where students are flying everywhere at a flick of the master's wrist, which is completely unrealistic. When you push this "accomplice" phenomenon to the extremes, you see scams like "no touch style", "qi projection technics" , "systema" etc. They work on the same principle: students do all they can so they don't become the one that embarassed their master in front of everybody, making him lose credibility. The pressure over each student shoulders is HUGE, they MUST validate the master no matter what. It's even akin to auto suggestion. Now i'm not saying that Kuroda isn't an expert in his art, just that most likely a vast percentage of the techniques he showcases wouldn't work in a real fight situation, like it's always the case with many martial arts.
if you would excuse and forgive me for replying to your comment but I need to make something clear to you my friend. every single martial art, whether it's Taekwondo, Goju ryu, or even kyushojutsu; came from china. so virtually all martial arts are the same. but it just so happens they're different in their own right. just like how we're all human beings but God just has it that we're different in many aspects, though we're the same. so no martial art. is better than the next. the only difference between two martial art practitioners are the degree of training or lack of practice in the art. furthermore : on the topic of compliance when the soke or master is demonstrating a technique. when you apply a wrist lock, a sword technique or even a fighting application such as a punch to the forearm when the attacker punches , it will hurt you if you do not conform to the technique. in Aikido for example they throw each other around almost like dolls. imagine if you did not apply a flip or a roll or a tumble when the master applies a joint lock. the rule is to roll or flip to avoid a sprain, a broken wrist, or a dislocated joint. if the master actually did the technique as it were intended; not only would the student be hurt but his own integrity as a role model for the school.
I get what you're saying. I simply don't believe this to be true. The simple fact that, not talking about sword arts obvsiouly, no kung fu or other fancy asian martial arts that are glorified gymanistics are present in MMA. Ju jitsu/Bjj ? Yes. Some Karate moves? Yes. Taekwondo? No. Kung fu? No. Aikido? no . Etc. THese don't work against fighters. They might work against everyday people in the street who can't fight but that's about it.
Let me tell you about myself for a moment. I am a hapkido student. In MMA there are certain pressure points and joint locks you simply can not apply to the fighter because watching a guys finger being bent in the wrong direction on TV or applying a shin pressure point in a jujitsu armbar hold is not appealing to viewers. Martial arts is the way of war. For the civilian martial arts is the way of SELF DEFENSE. Likening martial arts in a sport such as MMA is not possible if you do not consider the possibility of wrist lock in a match. Small joint locks are prohibited because wrists and fingers are the easiest joints to dislocated and break. Bjj and jujitsu are good martial arts in sport but let me tell you one thing. In mma an armbar might be fine to apply and you won't have to worry about teeth in your foot. But in the real world Bjj and jujitsu are dangerous to practice for the practitioner. You ever think whenever the jujitsu practitioner is about to apply the armbar on the ground that with just one stomp of the foot and he's knock unconscious? Or that when you're in the full mount on the armbar that you can just lodge your teeth in to their flesh to prevent your arm from breaking? Sport and martial arts are two different things my friend. Aikido in a real situation, kung fu, taekwondo, are like gold in the street. But not in the ring. The techniques would work fine against any human but simply not in an MMA ring.
I hate to break it to you, but what you're saying is simply not true. These arts are extremely difficult to understand unless you've trained in internal arts. There is an immense amount of power and strategy that exist within Ken/Iaijutsu and Aikijujutsu that everyday martial artists don't understand.
+Daniel Arief I was impressed at first, but upon closer inspection I think we're being tricked. If you look closely at 1:54, you can see that Kuroda sensei and his student move incredibly quickly at EXACTLY the same time. I suspect this is because somebody edited the video and deleted a couple of frames to make the movement appear faster. The same thing seems to happen at 2:14. Reduce the speed to 0.25 to see them move more clearly. I don't doubt these men are very skilled, but this seems too good to be true.
I can't judge it, the video might be slightly edited, I have watched many of his videos, he does move super fast. I trained for quite some time tried his technique, did a video, play it back, and I am snail slow compared to Maitre Kuroda.
Daniel Arief I've seen him in several videos too, and he is indeed very fast. What I find very strange about this video however, is that he and his student move their upper bodies and swords to completely different positions at exactly the same moment, within 4/100 of a second. The strange thing is that their feet seem to move in a normal way.
After a closer look, i think they do move that fast. look at the movement of their hakama, its still natural. I believe he is a master of transferring energy from his foot and whip it super fast onto his upper body.
Some people think they know everything in the world. Do you really think Kenjutsu sensei don't know how to hold the sword. Actually you don't know anything just show off.
HEMA での両手剣の戦いでこれらのテクニックを適用しました。誰も私に勝てませんでした。 先生、ありがとう。
黑田鐵山師傅的絕技已成歷史(1950-2024)
2024-3-3往生~~
讓人永遠懷念的高手!!!
This great master is like a samurai from the past, his martial art is so pure and seems so formidable!
鉄山先生、予備動作が全く無いし速すぎるから2コマ漫画みたいになってる
正面で受けたら怖すぎる、そして凄すぎる、現代の本物の達人
he is like a tight wound spring but not tight wound and not a spring. incredible core. he's like a lightning.
So much respect. This man is an amazing swordsman.
xD I can't believe that in 2019 someone could fall up for this xD
rest in peace to a brilliant swordsman
身体の中心からの動き出しと、手の柔らかさ。この方は本当に、凄い…
Thank you for uploading this video 🙏
平和な日本に武術とか胡散臭いもんしかないと思ったらこりゃ本物だ・・・黒田鉄山かっこいい・・・
Thank you for sharing this. Kuroda sensei is a true master!
he seems like a really nice guy. Loved the section where sensei instructs the newbie...
普通の人が10の動作で一つの動きなら黒田先生は五か六の動作で一つ動きだからいくらやっても速さは敵わないですね、脱力、体の正中線がブレない、無駄な動きが無い、全て極めて出せる技
Truly outstanding. Thank you for posting this.
One of the few unique ways to use the sword that I find pretty practical.
Kuroda is one of the greatest swordsmen i have ever seen
I like how his cutting arcs don't form a circle, but follow an extreme elliptical arc--like he's punching the sword out there, and emphasizing streamlined push-cuts with a thrust quality over the more typical percussive slash.
He's like me in that sense. Looks like I have a new martial-artist role-model to emulate :)
(I may practice German Longsword rather than kenjutsu, but there's little the two don't share.)
i find his movements most interesting, very different then what i am typicaly use to seeing.
今まで、どの動作の動きも、経過さえ全く見えなかったのが、辛うじて経過だけなら認識出来ました。
いや、今でも全く見えないですけど。どういう経過なのか、何となく解ると言うか…
前に立ったら、全く受けられる気がしませんけど、どれだけ昨日まで自分が手を使わないとか言いながら、ハンドスピードに注目していたか、分かります。
刀の速さはもちろんだけど、弟子に敬語で話しているのにも驚いた。
達人とはそういうものなのだろう。
弟子は指導料を払う道場の顧客だから敬語を使うのは当然。弁護士が顧客に敬語を使うのと同じ。道場に習いに来ている人達も皆、自分の職業ではその道の達人である。例えば、この道場の弟子に歯科医がいて、黒田氏がその歯科医の元に治療に行けば、歯科医が先生で黒田氏は患者になる。
黒田先生の考えでは、弟子は自分の技術を教える相手ではなく、自分の稽古相手なのだそうです。
自分の稽古の荒さを教えてくれる鏡と言う事ですから、敬意を払っているのだと思います。
HollyNihon その見方も一般的には正しいでしょうけれど、武術武道の世界は、お金のやりとりでは換算できない部分があり、弁護士や客商売や学校などの世界ともまただいぶ違います。
お金を払っているからその対価として何かをもらう、という等価交換の構図だけではないものでも構成されています。
流派や団体によって程度は違いますが、本質的には弟子はお客さんではなく、武術は商売ではないです。
@@CitronCoffee 一般的に言って、大人が大人に対して対等の存在として敬語で接するのは、日本の社会常識だと思いますけどね。なんであれ、教える人とその人の講義や稽古を受ける人の関係は対等です。もし、武術などの世界でそうでないのであれば、そちらのほうがおかしい。私のような門外漢から見ると、黒田氏の態度はごく普通です。他の習い事の世界でよくみられる人間関係と同じです。氏は、ごく普通のことを普通にやってらっしゃると感じます。弟子に対して敬語で接してると言って驚いているコメントは、私からすれば奇異です。
斎藤 正
そうですね。そもそも大人同士で丁寧なのが当たり前、年齢関係なく礼儀があるのが当然といえばそうだと思います。
例えば、茶道や小唄、舞踊などの習い事ならばその通りでしょう。
しかし一点だけ考慮に入れなければならないのは、武道武術の世界は、戦国の昔から、支配階級や軍隊組織、封建制度そのものとつよく相関して発展してきた世界だということです。上の者が下の者に丁寧語で頼んでいては組織が運用できません。市井で自由に道場を開いた人たちも、その前歴は武士で、絶対的に主君に仕える立場でした。良かれ悪しかれそういう側面を含む世界であり、これもまた今でも日本社会だということをご理解いただければ幸いです。
もちろん、現代ではそういう軍隊的な要素はなくなっている流派も多いですが、上意下達のやり方が一定の成果を出してきたのもまた事実です。(短期間で戦闘力を上げるのに有効だったわけです)
(誤解のないように)私は肯定しているわけではありません。歴史的経緯からそうだったというだけです。
旧日本軍「上官が死ねと言ったら死ね」、高校の部活「先輩の命令は絶対」のような理不尽な根性論が、今では、会社「有休取らずに残業してね」になっていると危惧するものであります。
消える動きの一つの方法は、動きの軸を通常と違うポイントに持っていくこと。使い手の体との関係で木刀をみてしまうと消えてみえる。けど、空間とか、あとは地面との関係でみると何をしてる中わかりやすい。立会の時には、それがわかってれば対応可能。
Sensei is teaching the 3rd Kenjutsu kata in this video. The kamae that is being used is Hassogamae in Komagawa kaishin ryu. Sensei is actually not moving fast, for him, in these videos. He will be teaching at my dojo in San Diego in June.
The hand-on-elbow exercise interests me a lot. I'm trying to figure out the mechanics. It reminds me of many techniques involving aiki age - aiki sage in Daito ryu aikijujustu. In places, it looks like Sensei is using it to subtly take kuzushi, to make uke move his weight to one foot. I'd welcome your insight as a student of his. Also, very curious to know how this is expressed without that contact.
@@gratefulape12 This technique is different than aikiage and aikisagae in that there is more disappearing. Okamoto sensei did not teach kenjutsu, I have trained with him on several occasions. There is more disappearing here, from touch and ultimately vision. It is hard to explain and needs to be felt in order to understand. So no movement forward and no 'lifting' of the arm. If you touch Sensei;s back when he is doing large sword movements, there is nothing felt. The whole back is quiet and relaxed. Less physical connection at the point of contact and yet you are gathered, kuzushi.
Easily the fastest swordsman I've ever seen
sensei you are AWSOME!!! blessings.
日本の剣術って剣道みたいなスポーツチャンバラだけかと思ってたけど、こんな芸術的な剣術もあるんやな
動きから無駄な部分を消して消して、残った動きが少ないから早く見えるのかな
1:54はみえない
このコメントを見たとき。
「んなアホな」
押して見た時
「んなアホな」
いやこれはやばいな、斬られる。
対峙したらリアルポルナレフ状態だなｗ
真剣でやられたら失神しそう()
カメラに映らないのはヤバい
最初のところ剣持ってるの気づかなかった
前に振ったときいきなり出てきてビックリしたわ
naurmin なるほどな…間合いを掴ませないようにしてるのかな
相手から見えない様に構えるのって難しいんですよ。
相手との間合いを測って、打ち込めるギリギリまで近づく。
一歩間違えれば自分が打ち込まれるんですよ。
i'm pretty sure he teleported at 1:54
Nope, just good core strength.
:P
lol u would be dead n a flash smh..Imagine being on the battlefield against swordsman this godlike smh and he just a mere shell of whatthese guys looked like taking in account they were battle hardened warriors with many many kills..
What The FUCK Was That..? Holy SHIT That's Fucking Scary..!
@@marcellismadness2552 smh smh smh smh smh smh smh
Ok I got it to see his speed you have to watch his feet and keep his hands in your peripheral vision he moves from his feet up beautifully Watch him from the waist up and you will never see it coming
速いのはもちろんだが、それとは別に重力に引き込まれてるというか、渦巻きに飲み込まれてく感じにも思えるなぁ。
太刀の捌きでここまで速い動きに驚きです。ここまで動けるのにどれだけの年月が掛かったか。左手の動き、指の動きも参考になり目線の高さが変わらない動作も参考になります。
子供のほうが動きは速いよ。遅いね。あたらないでしょ
3:33からが鳥肌
I think the HEMA movement could stand to take a few pointers from this guy. Most people aren't used to honing their physical intuition and self-control to such fine polish.
@dhx84 I've seen a lot of Kuroda Soke clips on youtube and on Kick Ass Moves. I would say that like a great many soke of kobudo, everything's right there in plain sight. The first "trick" is being able to understand what he's told you to do (even though he's done his best to tell you completely openly), and the second is in getting your body to do it. I think there's one or two study groups in USA, one in Paris, and of course the sohonbu dojo is in Japan.
1:54 O.O That was the fastest strike, I´ve ever seen with a bokken.
Respects to Sensei Kuroda...a true master of the sword.
Verdadeiro fundamento do Kendo. Primeiro Madeira, depois Aço.
What is the name of this kata?
Also, what is the name of the kamae when he rotates the bokken, and counters with the 'ha' facing upwards towards the face?
I think in one part he's explaining that the left arm covers the lenght of the sword before the engaging movement.
goodness damn, hes fast!
1:57 cobra strike! amazing stuff. thx.
半身が転じる時地面蹴ってないのスゴすぎて脱帽です。
@dhx84 I hope that this clip: Tetsuzan Kuroda: Taisabaki (Body Movements) will further illustrate my point.
Awesome man all around
Impressive technique.
1:54 the speed of light.
脇の下からの斬り上げエグい
Nice video!
Where comes it from?
@ShaShaZane88 you're right... very fast.
Sick movement starts at 1:52... So damn fast...
God like speed!
速い・・・というか、動きが見えない。動きの途中経過がわからない。途中経過が省略されたかのように、一瞬で動いている。消える動きとはこういうことか。
Thank you so much for sharing this! Kuroda Soke is amazing! which video is this from?
人間ってこんな動きが出来るんだな。
あんなのかわせるかｗ
加速装置使ったら反則だろ
Très intéressant 👍🏼👍🏼👍🏼❤️
だんだん加速じゃなくて最初の一瞬で最速になるって言ってたよね
Excellent!
元々新陰流っぽいですね。燕飛じゃないんですか？この技。居想会という所も似たような技やってましたが。
每门技巧各有所长！天下功夫唯快不破！
@asimov231
Is Kuroda a particularly secretive teacher? Or is he more open? Is he prone to keeping "trade secrets?"
この妖怪じみた雰囲気は「合気」から来てるらしいですね。動きを消す為のものらしい。
Subarashiiiii!!!!
この時の黒田さんの動きは本当に迷いなくて凄かった。錯視を部分部分で起こしてる上に、関節を仮想のポイントにおいて動き自体を滑らかに省略してスピードを出し、あとは動きをおなじ速さで止めないことでさらに反応しづらくしている。一言で言うと空間の使い方に命かけてるよね笑
対処法はなくもないけど刃物勝負だと相対的にかなうかどうかはわからん。
this is very interesting, i thought with Bushi arts you had to keep a good posture when using the sword, this guy is bending over every time
This is an old comment, but for general knowledge: the straight back and upright posture is common for Edo period styles as they were mostly used and tested on the wooden floors of a dojo. Conversely, lower, wider, more bent and leaning postures can be seen in styles that date to historically battlefield-tested and subsequently well-preserved styles of earlier periods such as Kashima Shin-ryu, Katori Shinto-ryu, Maniwa Nen-ryu and allegedly Kuroda's curriculum. The reason is simply that a lower posture is more stable on uneven and unpredictable surfaces while crouching and ducking also provides temporary shelter from high overhead blows.
I guess it's a good thing he has to here to point that out well done master! Lol
not a stick ... a Sword .. a Wooden Sword in the same shape as a Katana.
And holy moly he is really fast!!
the two people who disliked this video would not know Martial Arts if it fell on them!
後、柔術を極めた人ってこういう雰囲気になりますよね。誉めてるんですが、少し妖怪じみた感じが・・・ぬらぬらした。なんででしょうか？柔術の極意とは「陰」を極める事なのか？？？
You are incorrect here. The sword can be held this way with no problem if you are properly trained.
1:50
not only is his skill incredible, he has Bruce Lee's speed!!
About 1:14 and on : The problem with this kind of training, and most other martial training/sparring is that the students respect the master so much that they will always "indulge" him into succeeding anything he wants to demonstrate.
That's how you see aikido demo where students are flying everywhere at a flick of the master's wrist, which is completely unrealistic. When you push this "accomplice" phenomenon to the extremes, you see scams like "no touch style", "qi projection technics" , "systema" etc. They work on the same principle: students do all they can so they don't become the one that embarassed their master in front of everybody, making him lose credibility. The pressure over each student shoulders is HUGE, they MUST validate the master no matter what. It's even akin to auto suggestion.
Now i'm not saying that Kuroda isn't an expert in his art, just that most likely a vast percentage of the techniques he showcases wouldn't work in a real fight situation, like it's always the case with many martial arts.
if you would excuse and forgive me for replying to your comment but I need to make something clear to you my friend. every single martial art, whether it's Taekwondo, Goju ryu, or even kyushojutsu; came from china. so virtually all martial arts are the same. but it just so happens they're different in their own right. just like how we're all human beings but God just has it that we're different in many aspects, though we're the same. so no martial art. is better than the next. the only difference between two martial art practitioners are the degree of training or lack of practice in the art. furthermore : on the topic of compliance when the soke or master is demonstrating a technique. when you apply a wrist lock, a sword technique or even a fighting application such as a punch to the forearm when the attacker punches , it will hurt you if you do not conform to the technique. in Aikido for example they throw each other around almost like dolls. imagine if you did not apply a flip or a roll or a tumble when the master applies a joint lock. the rule is to roll or flip to avoid a sprain, a broken wrist, or a dislocated joint. if the master actually did the technique as it were intended; not only would the student be hurt but his own integrity as a role model for the school.
I get what you're saying. I simply don't believe this to be true. The simple fact that, not talking about sword arts obvsiouly, no kung fu or other fancy asian martial arts that are glorified gymanistics are present in MMA. Ju jitsu/Bjj ? Yes. Some Karate moves? Yes. Taekwondo? No. Kung fu? No. Aikido? no . Etc. THese don't work against fighters. They might work against everyday people in the street who can't fight but that's about it.
Let me tell you about myself for a moment. I am a hapkido student. In MMA there are certain pressure points and joint locks you simply can not apply to the fighter because watching a guys finger being bent in the wrong direction on TV or applying a shin pressure point in a jujitsu armbar hold is not appealing to viewers. Martial arts is the way of war. For the civilian martial arts is the way of SELF DEFENSE. Likening martial arts in a sport such as MMA is not possible if you do not consider the possibility of wrist lock in a match. Small joint locks are prohibited because wrists and fingers are the easiest joints to dislocated and break. Bjj and jujitsu are good martial arts in sport but let me tell you one thing. In mma an armbar might be fine to apply and you won't have to worry about teeth in your foot. But in the real world Bjj and jujitsu are dangerous to practice for the practitioner. You ever think whenever the jujitsu practitioner is about to apply the armbar on the ground that with just one stomp of the foot and he's knock unconscious? Or that when you're in the full mount on the armbar that you can just lodge your teeth in to their flesh to prevent your arm from breaking? Sport and martial arts are two different things my friend. Aikido in a real situation, kung fu, taekwondo, are like gold in the street. But not in the ring. The techniques would work fine against any human but simply not in an MMA ring.
I hate to break it to you, but what you're saying is simply not true. These arts are extremely difficult to understand unless you've trained in internal arts. There is an immense amount of power and strategy that exist within Ken/Iaijutsu and Aikijujutsu that everyday martial artists don't understand.
BagboyUchiha
Sorry but this is bullshit. I don't believe in this asian mythology of "internal" or "qi/chi/whatever". It simply is complete snake oil.
下から上への切りは相手の太刀筋を避けないと相打ちになってしまう
避け方のケースを是非教えてほしかった
中達也さんの空手もそうだけど、上体が動かずに素早いから反応できない。
凄いですね。
おぼろに見えることもありますが、全体の術理はとても分からない。
コマ落としで動いておられる。
「グッと」押さえて「パッと」変わるんでしょうけれど、その意味を正確に摑むのは，大変難しいですね。
1:50Godspeed
+kana san he switched foot faster then I blink
+Daniel Arief I was impressed at first, but upon closer inspection I think we're being tricked. If you look closely at 1:54, you can see that Kuroda sensei and his student move incredibly quickly at EXACTLY the same time. I suspect this is because somebody edited the video and deleted a couple of frames to make the movement appear faster. The same thing seems to happen at 2:14. Reduce the speed to 0.25 to see them move more clearly. I don't doubt these men are very skilled, but this seems too good to be true.
I can't judge it, the video might be slightly edited, I have watched many of his videos, he does move super fast. I trained for quite some time tried his technique, did a video, play it back, and I am snail slow compared to Maitre Kuroda.
Daniel Arief I've seen him in several videos too, and he is indeed very fast. What I find very strange about this video however, is that he and his student move their upper bodies and swords to completely different positions at exactly the same moment, within 4/100 of a second. The strange thing is that their feet seem to move in a normal way.
After a closer look, i think they do move that fast. look at the movement of their hakama, its still natural. I believe he is a master of transferring energy from his foot and whip it super fast onto his upper body.
やっぱ型通りって大事なんだね。
途中で出てきた白帯の門下生「あ、はい」しか喋らねーな
Almost faster than the eye can see.
this is ultimate bullshido but with bokken
Holy EFF!!...I didn't realize how fast this guy was until 1:57. I need to wear diapers when I watch this.
If I was alive Middle Ages ,I have never wanted to confront him at battlfield...
Now that guys fast :P
Yoshimitsu
アドバイスが高度すぎて理解できる気がしない、、
この動きは只者ではないですねー。。
3:52対峙した相手が苦しそう
もう俺には異次元過ぎて分からん。
左手首のことだと思うが･･･私にも正解かわからん。
@@飯沼達人元弟子です。
これは木刀のしのぎを上手く使うのですが、上手く相手の中に入る為に楷書の稽古を丁寧にやらないとこの技は使えないんですよ
後は１番重要なのは足裏の使い方
3:00
あ はい、あ はい、あ はい
1:54 lol
I replayed 1:54 longer than I watched the vid
1:54 …………え？
確かに1：54凄い…見えへん…ｗ
🔥🔥🔥
strong fight
0:40 💚
👇👇👇👇👇🥊
Body isometrics.
今の剣道ポイントだと急所反則
何度見てもわからないなあ。あと自動字幕がでたらめ過ぎて笑える。「地球を救った左が死んでるでしょとなった」ってなんだよ。
たまに色々な動画の自動字幕で爆笑してますw
Some people think they know everything in the world. Do you really think Kenjutsu sensei don't know how to hold the sword. Actually you don't know anything just show off.
.....so much focus at the sticks and not the lems you use?....
🔥🔥
strong fight
1:53 🖤💕🔥
👇 👇 👇🧡
お悔やみ申しあげます。