Браво! Молодец! Национальное достояние России! Если как максимум сравнивать с великими (с Кристиной Дойтеком) - это очень достойно, а, как минимум, это В РАЗЫ лучше того, что я слышал когда-то на новой сцене Большого.
That´s simply fantastic. Here on TH-cam exist some videos of hers with this merciless aria with different results- it´s no drama for me, a singer is not a robot. Sometimes there´s no energy for different reasons and than the things don´t work as desired. But this video: impressing, nearby an ideal as a bitchy Queen of night. Impressive singing.
@@operabilia , you seems to be a soprano with lots of experience and success for this role. It's impressing that this aria is so easy for you. Congratulation. But i just wrote that i admire this performance.
@@Sir.Larselot No problem at all! Yes, we should admire this: vocally, it's beautiful, she has the guts to sing it. She still misses the fiery fire and intensity that makes a real great dramatic Königin. She will learn, she's still young!
@@operabilia , i think there's a lot of "fiery fire" in her performance. She's one of the best singers for the Queen, i´ve heard in my life and I'm a passionate opera lover and professional musician. That doesn't makes my opinion to an ultimate truth of course. Just an opinion. Regards :)
Yeah there's a short drag right before she delivers the F6, but I've heard performances incredibly more flawed than this one. I like her more than most though I don't know if anyone can beat Diana Damrau.
belcantospecialist utahdan231 Natalie and Edda are definitely top tier QotN's, with very comparable vocal performances. However, I do tend to find Natalie's German pronunciation a little off sometimes. She does give a really good stage performance, though, which for me is an important criterion of being a good QotN. In this regard, I have only seen Edda in a "stage-like" performance (costumed and with 'facial acting') so I can't make a fair judgement of her. Edita, though, I'm not too keen on. She repeatedly skips ahead of the music in the videos I've seen, and she also doesn't move about at all while she's singing. She just stands there with her arm out. The aria is hard af so nobody can blame her for standing still, but in terms of evaluating her performance I think its important that a QotN either display some mobility or use dramatic performance to provide an excuse for the absence it. Edita doesn't do either of these sufficiently, so for me she can't be an all-round top QotN, which requires more than just being physically capable of singing the aria.
"Spargi d'amaro..." is from the other opera named "Lucia di Lammermoor". Type "Albina Shagimuratova Lucia" in Yahoo search and you will certainly find it here
Nice try, but no cigar. It's not enough just to nail the top Fs. There must be hysteria, rage, and a diabolical sense of utter hatred for her mortal enemy. This lady sounds like a housewife who got caught in a fender bender. Edda Moser's supremacy in this role remains unchallenged.
Thanks for your try to rank her singing. I have listened to her recital in the hall. At the end of Lucia's cadenza I started experiencing the feeling of bursting inside, as if I was the part of a certain emotional string orchestra, where I was playing the role of a medium between the music and the rest of universe, like a violin bow or something in a way. Those were my personal impressions on her singing "live". Bring my apologies if they are opposite your suspicion about her emotional expressions. I'm glad you could manage to listen to them both Albina Shagimuratova and Edda Moser live (what a great time you have had in your life) and made your personal judgement. Sincerely, Alex
![🔴 ฟุตบอลแชมป์กีฬา 7HD แชมเปียน คัพ 2024 [รอบรองชนะเลิศ]](http://i.ytimg.com/vi/zPm8ClLVhoE/mqdefault.jpg)
![[Part 1] ทารกน้อยถูกทิ้ง👶 หญิงชราเก็บขวดขายเลี้ยงดูเขาจนโต #โลกการละคร](http://i.ytimg.com/vi/nPTDvFCExks/mqdefault.jpg)
Сила и мощь вокала энергия улет.пробивает.Спасибо от всей души.дай Бог здоровья,Любви,творчества🥰
Великий Моцарт! Величественная Шагим уратова! Божественно!
Браво! Молодец! Национальное достояние России! Если как максимум сравнивать с великими (с Кристиной Дойтеком) - это очень достойно, а, как минимум, это В РАЗЫ лучше того, что я слышал когда-то на новой сцене Большого.
Bravissima! Bella voce da regina della notte!
She nails the high F's. Excellent.
her )*
OMG she’s amazing!
Очень чисто, шикарно!
Das sind Weltstarqualitäten 😍❤❤❤
ECCELLENTE, STRAORDINARIA !!!
Brava!! Brava!!! Brava!!
She's the real deal.
Once again, it's such a pleasure to hear from all of the experts! LOL
Сложнейший вокал, мощь и сила,с нежными трелями, браво.❤
BRAVISSIMO 🌹💐👏💐🌹💐👏💐🌹💐👏💐🌹💐👏💐🌹💐👏💐🌹💐👏💐🌹🌹💐👏💐🌹🌹👏💐🌹💐👏💐🌹💐👏👏💐🌹💐👏
Now that's vocal presence!
Absolutely excellent, she is going to own this role for a while.
That´s simply fantastic. Here on TH-cam exist some videos of hers with this merciless aria with different results- it´s no drama for me, a singer is not a robot. Sometimes there´s no energy for different reasons and than the things don´t work as desired. But this video: impressing, nearby an ideal as a bitchy Queen of night. Impressive singing.
This passage is not difficult. The first aria of the Queen is far more difficult.
@@operabilia , you seems to be a soprano with lots of experience and success for this role. It's impressing that this aria is so easy for you. Congratulation. But i just wrote that i admire this performance.
@@Sir.Larselot No problem at all! Yes, we should admire this: vocally, it's beautiful, she has the guts to sing it. She still misses the fiery fire and intensity that makes a real great dramatic Königin. She will learn, she's still young!
@@operabilia , i think there's a lot of "fiery fire" in her performance. She's one of the best singers for the Queen, i´ve heard in my life and I'm a passionate opera lover and professional musician. That doesn't makes my opinion to an ultimate truth of course. Just an opinion. Regards :)
@@Sir.Larselot Same for me and I agree. Best.
she can sing the paint off the wall. BRAVA
Идеальное исполнение. Браво
Браво, браво, браво!!! 👍❤️
Конечно, она бесподобна) а ещё я люблю эту арию в исполнении Натали Дессей
She does a good Queen. She is a natural sprinto with agility so her voice is perfect for this.
Sounds like a coloratura to me, definitely not a spinto.
Wonderful. Albina Shagimuratnova..*¨*•.¸¸ ॐ¸¸.•*¨*•♫♪
Великолепно! Благодарю за наслаждение!
DAVVERO STRAORDINARIA!
perfecto y espectacular
got to see her at SF opera in 2013... she was a little flat, but still always a joy to watch someone give this a shot.
The best!!!
Ecco la vera REGINA della notte !
Fabulous! Another Russian star is born!
ESPLENDIDA
Перфекционистка. В опере нельзя по другому
КАЙФ!!!
кайф!
She seems to be struggling a little bit, but good performance anyway!
Yeah there's a short drag right before she delivers the F6, but I've heard performances incredibly more flawed than this one. I like her more than most though I don't know if anyone can beat Diana Damrau.
Natalie Dessay, Edda Moser.
Michael Heliotis Edita Gruberova can bit her.
belcantospecialist utahdan231 Natalie and Edda are definitely top tier QotN's, with very comparable vocal performances. However, I do tend to find Natalie's German pronunciation a little off sometimes. She does give a really good stage performance, though, which for me is an important criterion of being a good QotN. In this regard, I have only seen Edda in a "stage-like" performance (costumed and with 'facial acting') so I can't make a fair judgement of her. Edita, though, I'm not too keen on. She repeatedly skips ahead of the music in the videos I've seen, and she also doesn't move about at all while she's singing. She just stands there with her arm out. The aria is hard af so nobody can blame her for standing still, but in terms of evaluating her performance I think its important that a QotN either display some mobility or use dramatic performance to provide an excuse for the absence it. Edita doesn't do either of these sufficiently, so for me she can't be an all-round top QotN, which requires more than just being physically capable of singing the aria.
where did albina Shagumuratova sing Spargi D'amaro Pianto?
"Spargi d'amaro..." is from the other opera named "Lucia di Lammermoor". Type "Albina Shagimuratova Lucia" in Yahoo search and you will certainly find it here
@@AlexanderValentinov Хорошо, Спасибо
She kind of looks like a young Marilyn Horne.
파미나 : 어머니! 아무리 그래도 너무하.....
밤의 여왕 : 끼어들지 마라!
She looks more like the fairy mother to me than the queen of the night
Nice try, but no cigar. It's not enough just to nail the top Fs. There must be hysteria, rage, and a diabolical sense of utter hatred for her mortal enemy. This lady sounds like a housewife who got caught in a fender bender. Edda Moser's supremacy in this role remains unchallenged.
Thanks for your try to rank her singing. I have listened to her recital in the hall. At the end of Lucia's cadenza I started experiencing the feeling of bursting inside, as if I was the part of a certain emotional string orchestra, where I was playing the role of a medium between the music and the rest of universe, like a violin bow or something in a way. Those were my personal impressions on her singing "live".
Bring my apologies if they are opposite your suspicion about her emotional expressions. I'm glad you could manage to listen to them both Albina Shagimuratova and Edda Moser live (what a great time you have had in your life) and made your personal judgement.
Sincerely, Alex
Sure. She was a good Liudmila, but this performance lacks the necessary expression.
Il recitativo troppo rigido da perdere voce
Invidiosa sei