It is rare that I love to watch the man play, as much as listen to what he plays. So many are over-the-top pretentious, melodramatic posers, who overgesticulate with magnificent insincerity. Andrei is so honest, uncomplicated, sincere, and basic. So genuinely lost in sound, I feel i want to join him. This man has an emotional maturity beyond his years. Yet, he's not afraid to show that the piano can also be plain hard work. The keyboard can be a battlefield. All those emotions jumping out at him. Battle on, Andrei! Battle on! Attack! Hurrah!
This performance was masterly, but I also grew to understand that I was receiving a master-class in interpretive playing. The orchestra performed in sympathy with the pianist's genial stylistic nuances, which gave the whole performance a depth of character which I enjoyed very much.
Over the last year I have listened to several very good performances of this concerto. Today I noticed how well orchestra is matching the soloist, sometimes the orchestra is too overwhelming it is so easy to overdo in the piece like this. A lot of energy, and the orchestra knows when to play down.
Very fresh rendition, not too overloaded with too much knowledge of previous performances and interpretations, 21 century, Shostakovitch has always been for a younger generation. Your turn, Russians of 21 century! Glory to Mravinksi, Ostrach, Kogan, Richter? Youth go forward, forward!
What a beautiful work! What Maxim Shostakovich did wrong when he performed this piece at the All Union Competition of young pianists and landed only in some insignificant "honorable mentioned" sixth place (credit to his last name)?
main thing one can clearly feel (if open-minded) the Soviet absurd and the 'mask' life in the 1st and 3rd movement. and rare Shostakovich's self-portrait without the mask - in the 2nd movement..
It is remarkable that great music can attract attention of even such simpleton like, you Adrei. On a broader scale it means that in great music everybody can find something for himself. And if you are young, you will learn, eventually, I also started like you.
Hello everyone, I wanted to ask you for a favor if it was not much to ask. I have to play the first movement of this Shostakovich concerto and I am struggling a lot writting the fingering so I wanted to ask you if you had ever played this concerto and if you would somehow share me your markings if possible, I swear this is the first time I do this. My apologies and thank you in advance. Keep up the good work everyone.❤️
Agreed, to call this piece difficult would be charitable. And, agreed, the first movement breaks some sort of physical barrier but truly need not. The second and final movements make up for that; you can tell all on stage are by then truly "in sync," while the conductor almost dances towards the end. A very good camera angle on Andrei throughout; watch him lock himself into the rhythm of the moment. And let him beat a hasty escape, for the poor kid likely needed a very hot towel wrapped around him offstage...
Actually, very much in line with the frantic interpretation of Shostakovich himself when he performed it as well as that of the composer's grandson when he performed it.
Although imprinted with the Lenny performance, I found this most vivid (more so than Kopbrienikov's commercial recording with Kamu). Here is the perfect example of the unique virtue of the live concert.
Whoever put that 'ad for GRAMMERLY 2/3 of the way through that divine second movement, deserves to me made to lisen to cow bells clanging at he end of his Leningrad (7th) Symphony, for all eternity!!!
Hear , Hear! No! On second thoughts, I'd rather NOT hear! If we HAVE to have ads, (unless you can afford £12:99 per month not to), couldn't they , at least, wait for a small pause in the music?????????
Le jeune pianiste percussif quand il le faut, mais bien musical sans rubatto superflu dans le mouvement lent qui chante naturellement. Andrei Korobeinikov, jeune interprète inspiré et merveilleusement accompagné par l'orchestre des jeunes musiciens.
exciting, then gloriously romantic, dreamy, then back to the excitement, with even more forward motion, impetus. fabulous piece of music and such execution! steely fingers!!
Honestly, I feel that the 1st movement was too fast for my taste. Having played this myself, I feel that a tenuto approach to that Allegro movement would give it so much more body, however not forgetting the whimsical nature of the piece. Yes this was written to be played a fast pace, but if it is too fast, then one loses the integrity of the piece
OK, spoilt by Kissin, Maxim S, etc., but round 8:40, Anatoly Levin's rubato seems rather more an unnecessary affectation than legitimate interpretation. My inner metronome too demanding, maybe, but how does unnaturally lingering on notes increase expressiveness? He's the player, it's his reading, this isn't a balanced studio recording, it's more a mic up close, but it's heavy and inexact in the early staccato triplets, and stumbling to keep up in the final bars.
For me, the first movement was far too fast, losing a lot of the humour of the music. Again toward the end of the Finale much was lost because it was simply too frenetic. He's a very talented young man but just because he can play it so quickly doesn't mean he has to! I wish him well.
However, Shostakovich wrote the first movement to be played at a 160 the quarter note. This is further supported by his recordings in which he does take this tempo at its fullest.
Где здесь "юмор"? Музыка полна напряжения и драматизма в первой части. Светлая вторая и блистательный финал. Потрясающее, живое исполнение. Браво Андрей ! ! !
Guillermo del Prado You're right, of course. But I think Shostakovich's tempi don't bring out the good humor of the music either! I'm not sure we can always trust composers... and I speak as one myself :)
'humour' seems an odd choice of word for the first movement. I don't really know anything about music but I didn't get that impression; to me it seems... I suppose 'edgy'? Sort, of, a barely contained anger, frenetic, half mad
I think this is a wonderful performance. The conductor ran it a bit fast at times and that is hid fault, not Andrei's. His technique is first rate and very Russian with tons of power. Andrei is a lovely guy. Never seen anyone get of the stage so quickly.
ラフマニノフも好きだけど、シャスタコービッチの作品は遊び心いっぱいの聞いていて本当に楽しい作品ですね。演奏も素晴らしくて感激です。動画ありがとうございます。
It is rare that I love to watch the man play, as much as listen to what he plays. So many are over-the-top pretentious, melodramatic posers, who overgesticulate with magnificent insincerity.
Andrei is so honest, uncomplicated, sincere, and basic. So genuinely lost in sound, I feel i want to join him. This man has an emotional maturity beyond his years.
Yet, he's not afraid to show that the piano can also be plain hard work. The keyboard can be a battlefield. All those emotions jumping out at him.
Battle on, Andrei!
Battle on!
Attack!
Hurrah!
theflaca And some of those emotions can seem so seductive at times. Little beggars!
magnificent insincerity LOL great comment, LangLang's top of the Liszt
Can I touch your bulbs?
What's important is the actual performance. So many listen with their eyes...
This performance was masterly, but I also grew to understand that I was receiving a master-class in interpretive playing. The orchestra performed in sympathy with the pianist's genial stylistic nuances, which gave the whole performance a depth of character which I enjoyed very much.
extremely overjoyed to have discovered this exciting and sincere pianist on ytube
Thank you for your posting and wonderful performance
The best version I have listened!
Чудо! Потрясающий музыкант!
the 2nd.movement gives that awesome sense of freedom as the violins liberate the piano.
So much talent and passion! Beautiful organ in the background. Thank you for sharing ❤️
проникновенно и грандиозно!! здесь вся русская пассионарность, самая суть ощущения жизни! Слушаешь и понимаешь свои истоки
何度この演奏を聴きに来たかわからないくらい聴いてますが、毎回感動します。ロシア人の持つ壮大さを感じます。
Это просто гениально.
Это сущность самой Музыки
My goodness..the speed of the finale is increbible..so exciting!!!
Russians are great !!! Great composers, great pianists!!!
Especially Rachmaninoff!!! ❤
Thank you for posting the great performance
눈물겹도록 아름다운 음악이군요....
Абсолютно гениально! Андрей Коробейников гениально играет!
Super ! Bravissimo !👏👏👏♥️
quelle magnifique performance ! très très beau ! bravo !
Masterly played,love the first movement.Great music from a Great composer.
Such a virtuosity meanss sooooo many hours of hard work.....
Over the last year I have listened to several very good performances of this concerto. Today I noticed how well orchestra is matching the soloist, sometimes the orchestra is too overwhelming it is so easy to overdo in the piece like this. A lot of energy, and the orchestra knows when to play down.
... Escucho el 2do movimiento y no puedo evitar caer en lágrimas de tanta grandeza.
Beautiful!!!
Powerful performance！
Very fresh rendition, not too overloaded with too much knowledge of previous performances and interpretations, 21 century, Shostakovitch has always been for a younger generation. Your turn, Russians of 21 century! Glory to Mravinksi, Ostrach, Kogan, Richter? Youth go forward, forward!
2nd movement,...so tender and expressive
Браво !!!
La música, el idioma universal. Gracias.
Good work, Andrei!!
Wow, what a Master!
What a beautiful work! What Maxim Shostakovich did wrong when he performed this piece at the All Union Competition of young pianists and landed only in some insignificant
"honorable mentioned" sixth place (credit to his last name)?
Bravo!Bravo!!
Amazing!!!!
main thing one can clearly feel (if open-minded) the Soviet absurd and the 'mask' life in the 1st and 3rd movement. and rare Shostakovich's self-portrait without the mask - in the 2nd movement..
lol? really?
That simple? This is a mask and this is not a mask? change your nickname first, impostor.
Coming along 6 years later, I have say that seems spot on to me, and it comes over in your fine interpretation. Молодец!
Val T it’s actually him.
It is remarkable that great music can attract attention of even such simpleton like, you Adrei. On a broader scale it means that in great music everybody can find something for himself. And if you are young, you will learn, eventually, I also started like you.
Hello everyone, I wanted to ask you for a favor if it was not much to ask. I have to play the first movement of this Shostakovich concerto and I am struggling a lot writting the fingering so I wanted to ask you if you had ever played this concerto and if you would somehow share me your markings if possible, I swear this is the first time I do this. My apologies and thank you in advance. Keep up the good work everyone.❤️
Beyond awesome
estupenda perfomance...gracias
Agreed, to call this piece difficult would be charitable. And, agreed, the first movement breaks some sort of physical barrier but truly need not. The second and final movements make up for that; you can tell all on stage are by then truly "in sync," while the conductor almost dances towards the end. A very good camera angle on Andrei throughout; watch him lock himself into the rhythm of the moment. And let him beat a hasty escape, for the poor kid likely needed a very hot towel wrapped around him offstage...
+johcafra Jeeeeeeeeeeez it was a piece he composed for his son to play for his student son to play at his graduation exercise
Actually, very much in line with the frantic interpretation of Shostakovich himself when he performed it as well as that of the composer's grandson when he performed it.
Oh wow after the cadenza in the 1mvt he takes it faster than shostakovich himself! still I like this performance
Excelente pianista!!!!
Although imprinted with the Lenny performance, I found this most vivid (more so than Kopbrienikov's commercial recording with Kamu). Here is the perfect example of the unique virtue of the live concert.
Whoever put that 'ad for GRAMMERLY 2/3 of the way through that divine second movement, deserves to me made to lisen to cow bells clanging at he end of his Leningrad (7th) Symphony, for all eternity!!!
Hear , Hear! No! On second thoughts, I'd rather NOT hear! If we HAVE to have ads, (unless you can afford £12:99 per month not to), couldn't they , at least, wait for a small pause in the music?????????
Dear Lord Mr Korobeinikov surely needs an extra round of applause for the first movement alone.
seriously excellent
excellent
Hervorragend Interpretation eines der unprätentiöse Klavierkonzert alle Zeiten. Alle Achtung.
Played that piece mysef...staggering concentrarion..
? piss easy composition; falls into one of the student concerti - of course it should be played extremely well by such a professional as AK
Subliem !!! Prachtig!!!Groots!!!
Le jeune pianiste percussif quand il le faut, mais bien musical sans rubatto superflu dans le mouvement lent qui chante naturellement. Andrei Korobeinikov, jeune interprète inspiré et merveilleusement accompagné par l'orchestre des jeunes musiciens.
1st movement, 0:00
2nd movement, 7:02 (though i wish it would last eternally)
3rd movement, 13:40
Someone said the performance was "too athletic", WHAT!!!!!! it was SUPERB.
exciting, then gloriously romantic, dreamy, then back to the excitement, with even more forward motion, impetus. fabulous piece of music and such execution! steely fingers!!
Honestly, I feel that the 1st movement was too fast for my taste. Having played this myself, I feel that a tenuto approach to that Allegro movement would give it so much more body, however not forgetting the whimsical nature of the piece. Yes this was written to be played a fast pace, but if it is too fast, then one loses the integrity of the piece
If this was played slower, really, the opening theme severely loses direction and momentum.
Que se puede decir de este concierto, solo que es extraordinario, muy difícil de ejecutar y que el sello de este autor se reconoce nota a nota.
I. Allegro 0:04
II. Andante 7:02
III. Allegro 13:40
Bravo Andrej!
grande appassionato
Bravo!!!
Too fast. We have the composers own recording of this, there should be no doubt on this.
Suuuperbe de ......sensibilité!!!!
I love Yefim Bronfman...
But I like this russian pianist too..I love the 2 movement!!!its unic!!!!!!!!!!!!
Very good!
Goood !! Andrei!! and I like 2nd movement.
How did good old Dimi get that togheter !!
Wowee Zowee!
Oh, my God, yes. Please bring back the Petersburg School. 7/16 motif in the third movement is rather Bulgarian.
This is how angry I feel sometimes!
The piece is so hard, he had to tell his fingers what to do.
Li pianis jam en la UK de Florenco! Poste li gaje ludis kun mia filo che plagho!
I wonder if anyone else has the ability to open and close his mouth every other note as Mr. Korobeinikov does!
I think this guy it's a student.
too fast interpretation in my opinion, but perfect technique! ;-)
7:03 - 13:40 ...
way too fast?
it s like rushing, to me, and lost some musical details....
Jackson Hei He's just full of young man vigour. give him 15 years.
+theflaca 15 years and almost bald... Hmmm...
+Joël Le Bras he'll have plenty of money to get a hair-transplant or a really cool toupea
+Joël Le Bras 15 years? try 30 Joel
Tell that theflaca, not me.
OK, spoilt by Kissin, Maxim S, etc., but round 8:40, Anatoly Levin's rubato seems rather more an unnecessary affectation than legitimate interpretation. My inner metronome too demanding, maybe, but how does unnaturally lingering on notes increase expressiveness? He's the player, it's his reading, this isn't a balanced studio recording, it's more a mic up close, but it's heavy and inexact in the early staccato triplets, and stumbling to keep up in the final bars.
Speed ruins character. The whimsical and child-like character of the piece is totally lost. Save the speed for Prokofiev.
no
For me, the first movement was far too fast, losing a lot of the humour of the music. Again toward the end of the Finale much was lost because it was simply too frenetic. He's a very talented young man but just because he can play it so quickly doesn't mean he has to! I wish him well.
However, Shostakovich wrote the first movement to be played at a 160 the quarter note. This is further supported by his recordings in which he does take this tempo at its fullest.
Где здесь "юмор"? Музыка полна напряжения и драматизма в первой части. Светлая вторая и блистательный финал. Потрясающее, живое исполнение. Браво Андрей ! ! !
Guillermo del Prado You're right, of course. But I think Shostakovich's tempi don't bring out the good humor of the music either! I'm not sure we can always trust composers... and I speak as one myself :)
anatoly bogdanov
I agree. Юмор Шостаковича всегда Горкий...
'humour' seems an odd choice of word for the first movement. I don't really know anything about music but I didn't get that impression; to me it seems... I suppose 'edgy'? Sort, of, a barely contained anger, frenetic, half mad
Toasted cheese sandwiches.
I think this is a wonderful performance. The conductor ran it a bit fast at times and that is hid fault, not Andrei's. His technique is first rate and very Russian with tons of power. Andrei is a lovely guy. Never seen anyone get of the stage so quickly.
2nd movement is way too slow.
+Thomas Minot no, it is not
Why does this piece always reduce me tears by the end??
Это просто гениально.
Это сущность самой Музыки
Bravo!
bravo and bravo again
I. Allegro 0:04
II. Andante 7:02
III. Allegro 13:40
I"m in rapture! What a pleasure! This is his time and our history and our future!
It is just a mad house! Crazy, crazy only in Russia and I love it!
Great concerto, terrible camera work. Thanks for the upload!
Ну и заряд!!! ))
Perlman is a genius, I listened him life.
A,Amazing!
Bello!