Note that Pachelbel uses two different harmony sequences attached to the same bass. First (bars 1..5), he uses a simple chord set: I, V, I, IV, V and returns to the tonic. Suddenly in bar 7 he switches to the parallel major (III) via its dominant (VII), then returns to the minor tonic using a classic cadence (IV, I, V, I). And this major appears not in every variation, sometimes both passages are in minor (later also both in major, with a major IV in the cadence). Really amazing...
It made a strong impact. I always feel baroque is more decidedly western (and more complex) than the later eras, The classical & romantic eras approach the lyrical beauty of modern pop and film songs and hence more relatable.
That is spectacular. Having fallen in love with this Ciacona, I have listened to your interpretation of it for, literally, dozens of times and still find it the best on TH-cam. Thanks a lot for this sublime joy!
Dear Simone, exactly what was already written - I really like you articulation way and tempo. I love Pachelbel and his Ciacona in your presenting is so wonderful. THANK YOU
Dear Simone, I immediately bought the CD set of your interpretation of the pachelbel keyboard works and I love it. I particularly like your way of articulation and choosing the tempi. Unfortunately Brlliant Classics got the birth and death date of pachelbel printed on the CD sleeves wrong, but the booklet seems to be correct. Maybe you could report that to them so they can fix it. Greetings from southern germany!
Hi Jens! Thank you very much, I'm glad you like my recordings of Pachelbel. I noticed that mistake and immediately reported it to Brilliant months ago.
L''ascolto dell'incisione integrale mi ha consentito di conoscere tutte le Fughe di Pachelbel, molte delle quali sono belle e interessanti. Poi ci sono molte altre cose che trovo molto interessanti, come alcuni Corali e le 5 Ciaccone, alcuni Temi variati per clavicembalo.
It Is an example of chaccone on a rising bass D,E,F,G,A instead of the most common descending D,C,B,A. Amazing
Note that Pachelbel uses two different harmony sequences attached to the same bass. First (bars 1..5), he uses a simple chord set: I, V, I, IV, V and returns to the tonic. Suddenly in bar 7 he switches to the parallel major (III) via its dominant (VII), then returns to the minor tonic using a classic cadence (IV, I, V, I). And this major appears not in every variation, sometimes both passages are in minor (later also both in major, with a major IV in the cadence). Really amazing...
It's also unusual that this bass line is completely invariable throughout the whole piece, unlike the Chaconne in F minor.
I think the organ is my new favorite instrument
This is my new favorite Chaconne
One of the most moving pieces of the early baroque period in my opinion. So fun to play too.
It made a strong impact. I always feel baroque is more decidedly western (and more complex) than the later eras, The classical & romantic eras approach the lyrical beauty of modern pop and film songs and hence more relatable.
Très beau, superbe contrepoint !!!
That is spectacular. Having fallen in love with this Ciacona, I have listened to your interpretation of it for, literally, dozens of times and still find it the best on TH-cam. Thanks a lot for this sublime joy!
Yes, this particular interpretation is so amazing
Stella is one of the best baroque organist I've ever heard, its performaces are not only flawless, but also truly emotional
Stupendamente sublime.
Magnifique Subliminal Incredible!...
Dear Simone, exactly what was already written - I really like you articulation way and tempo. I love Pachelbel and his Ciacona in your presenting is so wonderful. THANK YOU
Fenomenaal. !!!
Fantastic
Bellissima, bravo!
Dear Simone, I immediately bought the CD set of your interpretation of the pachelbel keyboard works and I love it. I particularly like your way of articulation and choosing the tempi. Unfortunately Brlliant Classics got the birth and death date of pachelbel printed on the CD sleeves wrong, but the booklet seems to be correct. Maybe you could report that to them so they can fix it. Greetings from southern germany!
Hi Jens! Thank you very much, I'm glad you like my recordings of Pachelbel. I noticed that mistake and immediately reported it to Brilliant months ago.
Way to go!!!
Superjojo
Interestingly, B flat is way less frequent here than B natural.
D minor and no B flat at the clefs?
It's an heritage of the ancient music, usually wrote in gregorian modes
@@SimoneStellaMusic What is "Gregorian mode"?
@@watchmakerful Sorry, tones
quase perfeita
L''ascolto dell'incisione integrale mi ha consentito di conoscere tutte le Fughe di Pachelbel, molte delle quali sono belle e interessanti. Poi ci sono molte altre cose che trovo molto interessanti, come alcuni Corali e le 5 Ciaccone, alcuni Temi variati per clavicembalo.
Fantastic