17:24 What a bunch of pretty girls. I can't help wondering what became of them. I just hope they got through the war all right and lived long, happy lives.
This influenced me so much. It takes me out on many rainy nights and tells me to just walk alone with an umbrella on some dark streets with a lot of trees.
Come to think of it, rainy early morning walk is great, especially somewhere with a lot of water and mist. But in my city there's only lights reflected in puddles at night, which is also nice.
in the mountains of Vietnam I walked through clouds and the mist was like a fine spray of haze that was not only intoxicating but brought fear within as you cannot see for a few seconds and you can easily fall off the winding road but the fear is only a few seconds as you feel the softness of the rain while the clouds slip by like wafts of white smoke it is then that the rain starts splashing and the clouds are gone and you feel the sky is breaking under the pouring rain ... then the sunshine breaks through and it is all calm once again.
EHH? I'm Vietnamese. I know your fear. Take your eyes away for a moment to look at the valley and in the opposite direction, some containers or trucks will come out of the mist with blaring yellow eyes. Walking is nice, riding a motorbike like me is scary af. Everytime I go there I just want to ride on the most horrible dirty rocky roads cuz there's no big traffic.
oh you from Viet? I was speaking about Sapa and the land of the dancing clouds I only mentioned fear for a few seconds as everything vanishes in the clouds and you are neither here or neither there.. lol
This is another wounderful movie as very interesting with good story as many of Japanese pre-WWII movies had very interesting stories and actors and actresses were well respresented.
20:48 - This scene is one of the strangest and most erotic in 1930s Japanese cinema. The beautiful Mieko Takamine (who was only about 19 at the time) portrays a character who is playing "hide and seek" with the blind hero. But he can *smell* her and knows she's there, even though she refuses to speak or even acknowledge her presence. The use of subjective camera (ironically involving a character who can't see) and the general air of ambiguity is fascinating.
erotic ? i think that is the wrong word, I would say romantic or sensual. The movie is well directed although the blind men antics at times flirt with annoying unrealistic level like kabuki theater where abstract exaggeration is expected but not here. This lighthearted humor counterbalances the darker themes of this movie ingeniously and paints a picture of strangers getting to know each other while travelling. We never know what the man with the adopted boy troubles are, and we barely get to know the beautiful Mieko Takamine shady situation. But all this feels all too familiar, unfinished issues, cruel life (if you think about the blind man unrequited love for the hopelessly beautiful tokyo lady, she never even gets a name), things not happening (the tokyo man clearly not finding a way into the lady's heart, gives up), and at the end nothing is resolved. This is very realistic even if the blind men antics aren't. I am not sure i understood the last scene, are those policemen escorting her or is she simply travelling to the next city. There is a lot of saddness, tenderness, in this movie, also resignation and escape through light comedy.
Thank you very much for the movies you have uploaded. I have really enjoyed them.Please try to find some of Tamizo Ishikawa's films.Please take care of yourself.
The english subtitles are totally out of sync. But it's really hard to tell exactly for how many seconds... I couldn't even tell if they come too early or too late...
Ma critique : à partir de la 20'48" à 22'20"du film = durée de 2'32" en sept scènes de 22 secondes environs ; "De regards magnifiques d'Amour intenses et odorants et dans un silence troublant , de la jeune fille Mieko de 19 ans envers l'aveugle Shin'ichi. (d'anthologie du cinéma, très peut vu des scènes aussi intenses et pourtant la jeune fille n'est ni belle et en plus filmé avec une photographie flout)".
A truly beautiful and touching film. 12 yrs have past, but thank you for making it available to all of us.
素晴らしい映画を有り難う御座います！
ラストの徳大寺伸さんの迫真の演技に涙しました‼️清水監督の感性の豊かさ、按まさんの言葉の、一つ一つが、ずっしり身に染みます‼️素晴らしい映画をアップして頂きまして感謝、感謝申し上げます✨
又、又お邪魔してしまいました😢😅
本日で9回観ました‼️何度観ても「徳の市さん」の「哀惜の「表情」」が「涙😭😢」に「曇り」切ないですね😢
子供の「世界」を撮ったら「世界一」の「清水監督」の「大傑作」ですね🎵「簪」の「田中絹代さんが」「三枝子姉さんの「東京の「女」にのり移り、ラストは「有り難うさんの「旅がらすの「桑野道子さん」になってしまいました😅😢
「幸せ」は訪れず、「東京」に戻れずじまいに、更に「哀しみ」がつのりました😅😢
清水監督さん「是非「戦禍」に遇わず「幸せ」を掴んで下さい🎉😂😢❤
イヤ😂😅素晴らしい作品ですね✨連日、清水宏ワールドの「コミカルさのなかの「哀惜感」満載に涙😢と共に感動しています🎉😂
三日間、清水監督の作品に触れています❤一昨日は、「有り難うさん」昨日は、「簪」でラストの本作は8回見になりました🎉😅
特に大好きな「徳大寺伸さんの「徳」さん」の「快演」は、「ブルーリボン賞の「最優秀男演賞」ものですね❤🎉「東京の女」の「見えない「影のある女」への「思慕❤🎉」が空回りしての「ラストシーン」は最高ですね🎉
又「高峰三枝子は、「簪の「田中絹代さん」「有り難うさん」の「渡り鳥の「桑野道子」さん繋がります🎵いずれにしても、「影のある女」の「描き方」が三作三様で感服しました‼️
清水監督に連日、癒され、このコロナ禍、「元気」を頂き、感謝致します🎵❤🎉
按摩ギャグのおかしさ、切ない物語に素敵なカメラ。またお気に入りが増えました。
私の生まれる前年の作品に出会え、そこに写っている当時の日本の風景に心から感動し、懐かしい気持ちで一杯になりました。 二度と戻らない綺麗な日本の当時のたたずまいの貴重な記録映画でもあると思いました。
素敵な映画をアップロードして下さりありがとう！
I mean how? How can this be so beautiful and moving and with such understated performances and be from 1938.
I would not ask that question of any Japanese movie made in the 1930s. I'd be asking that question if the movie had been made in the last 10 years.
私が生まれる10年も前の作品です。こういう、貴重な作品を見られた事に感謝いたします。その当時の雰囲気や人の考え方などとても勉強になります。
いい映画見せてもらいました。無駄なシーンがないですね。役者さんたちの演技も的確です。佳品という言葉にぴたりとくる作品ですね。
this is a very beautiful film. if only all restorations of 1930s Japanese films were this crisp.
貴重な映画をありがとうございます。
按摩、女中、めくら、今では使うのも憚られるこれらの言葉が差別語などではなく、ただの日本語であるということが、この映画を観ても分かりますね。
めくら に対して めあき とか、もともとの日本語がとても魅力的であったのだなと思えます。
一部の行き過ぎた 進歩的 と称する人たちのおかげで魅力的だった日本語が毒されてしまいました。
なんとかもともとの日本語を取り戻せないものか。試行錯誤しています。
そうですね、女中がだめでメイドがいいなんておかしな国になりましたね
按摩さんの演技がお見事！ 静かな峠の宿に，騒々しい現実から逃避するような情感にしみじみと浸ることができました。感謝です。ひたひたと軍靴の音の響き増す時代の，嵐の前の静けさを特異な視点で切り取った感があります。座頭市の動の世界とは対照的な一画を堂々と形づくっていると云ったら過言でしょうか。
又、お邪魔させて頂きました❕
昨日は「有り難うさん」一昨日は「風の中の子供」清水監督は「子供の世界」を、細かく叙情豊かに描きながら、本作は「あんまさん」の心を切なく、哀しみと、「東京の女」との叶わぬ恋をラスト迄描き、涙、涙でした‼️「徳の市」さん、余りにも、素晴らしい迫真の演技「徳大寺伸さん」に感動しています‼️
改めてアップして戴きまして、感謝申し上げます‼️
又又お邪魔致しました‼️本作も、7度観ました❤🎉
「按摩さん」の負けじ魂、共に「徳の市さん」の「やるせなさ」は「哀しみ」の「開いた」眼の如く😢ラストシーンに、思わず涙😅😢しました‼️
高峰三枝子さんの「東京の女」の「美しい」事、「浮世絵」の様でした❤
清水監督の「ワールド」に、拍手喝采ですね😊
又又お邪魔してしまいました😅😢
何度観ても「按摩さんの「情感」と「やるせなさの「徳さん」に「哀しみ」がつのります😅😢
「徳さんの「見えない「目配り」は「東京の「女の「思慕」ならず」「自分自身のやるせない「哀しさから」「脱却」したい「もどかしさ😮😢」ですね😢😅
２つ「ミステリアス」が有ります😅一つは「山の中の「旅館」なのに」何故「鯨屋」と「名付け」たのでしょうか?
そしてもう一つは「金を盗んだ「犯人は」誰でしょうか?😅😢
まさか「月光仮面」では有りませんねぇ😊😮
是非「教えて」下さい😅😢😂
最後の優しい徳の市への思いやりとして、嘘をついた高峰東京の女。
警察官に検挙され、付き添われる東京の女の姿が美しい。また徳の市はそれを知るや知らずやの切ない田舎の宿場町の物語。印象深いエンディングで良き時代の映画だったと思います。
高峰さんが犯人でしょうね。最後に乗乗合馬車に乗り込む刑事と警官が旅館街と、神妙な高峰の状況を慮って、また徳の市を裏切りたく無い女心と別れの一大見せ場だったと思います。
@@osamushi94 様おはよう御座います早速コメント有り難う御座います🎵
「素晴らしい推理」ですね‼️
感服致します！
他の方の「推察」では「見もしらない年配の「おじいさん👴」との事ですねぇ⁉️
ところで、もう一つ「不思議」な事、「何故「山奥の「宿」で、「鯨や」という」「宿の「名前」だったのでしょうか？
不思議ですね⁉️
教えて😭⤵️下さいませ‼️
@@jun4506 様
作者の当時の気持ち推測しようもないですけど、私にとって鯨ってそんなに特殊な感じではありませんでした。私の実家はずっと昔、ある盆地で魚屋をしておりましたが鯨の肉はいつも食べていました。また、昔の慣用句にもいろいろ使われていたと言う。当時、日本は世界との関係で軍部の強化など元気なまとまりが必要で、子どもの遊びでも、勝ったらみんなでえいえいおーって、鬨の声をあげていました。そのときの声も時の声とか鯨波の声とかで表されていて、監督スタッフも、その時代を表す鯨が好きだったのかもしれませんね。それで海洋日本の象徴鯨の大きさと大きい老舗旅館を鯨の如くそばの旅館では1番大きいと言うイメージでつけたのかもしれませんね。
でも山奥にも鯨は居ました。山鯨と書いて、イノシシや、山に出没する獣の類を表していたので、個人的にはコチラのクジラだと思います。
TH-camで昔の映画を見られるのでありがたいですね。風景を見て未だ私は昭和の中で生きております。
17:24 What a bunch of pretty girls. I can't help wondering what became of them. I just hope they got through the war all right and lived long, happy lives.
Beautiful movie. Thank you.
This influenced me so much. It takes me out on many rainy nights and tells me to just walk alone with an umbrella on some dark streets with a lot of trees.
Come to think of it, rainy early morning walk is great, especially somewhere with a lot of water and mist. But in my city there's only lights reflected in puddles at night, which is also nice.
in the mountains of Vietnam I walked through clouds and the mist was like a fine spray of haze that was not only intoxicating but brought fear within as you cannot see for a few seconds and you can easily fall off the winding road
but the fear is only a few seconds as you feel the softness of the rain while the clouds slip by like wafts of white smoke
it is then that the rain starts splashing and the clouds are gone and you feel the sky is breaking under the pouring rain ... then the sunshine breaks through and it is all calm once again.
EHH? I'm Vietnamese. I know your fear. Take your eyes away for a moment to look at the valley and in the opposite direction, some containers or trucks will come out of the mist with blaring yellow eyes. Walking is nice, riding a motorbike like me is scary af. Everytime I go there I just want to ride on the most horrible dirty rocky roads cuz there's no big traffic.
oh you from Viet? I was speaking about Sapa and the land of the dancing clouds
I only mentioned fear for a few seconds as everything vanishes in the clouds and you are neither here or neither there.. lol
Sean Nessman ややみ
It may be a nostalgic feeling, but what a beautiful scene.
Gone with the time, the beauty of Japan.
No return river of time.
lol
The beauty of atom bomb
The acting was brilliant. What a fantastic movie.
wonderful! thank you!
Thanks for the upload! Nice little movie by a very underrated director.
Muchas gracias pot la traduccion al español❤❤
I have fixed the timing. Thank you for your patience and thank you for watching.
Beautiful movie. Thank you so much for sharing.
thanks for putting together this beautiful movie.
This is another wounderful movie as very interesting with good story as many of Japanese pre-WWII movies had very interesting stories and actors and actresses were well respresented.
beautiful! great refined and profound and elegant movie
傑作ですねこれ
Thank you for the transcription. It speak some Japanese but not enough to completely follow the dialogue.
楽しくみました。この年で戦前の映画にであい嬉しいです。
Magnificent movie considering the era....
嬉しい。
All the Japanese movies are wonderful.. whether its black and white..or colourful..its always with full of emotions..😍
British movies are better..
I like the natural scenes shown in the film. Besides, people spoke more meaningfully then. They were sincere when they communicated with each other.
勝新太郎の座頭市はこの徳大寺伸の演技を参考にしたんじゃないかな
上手い
勝新太郎は分かりませんが、座頭市シリーズの第一作を企画した久保寺生郎に子母澤寛の座頭市物語の映画化を薦めたのは清水宏だったそうです
20:48 - This scene is one of the strangest and most erotic in 1930s Japanese cinema. The beautiful Mieko Takamine (who was only about 19 at the time) portrays a character who is playing "hide and seek" with the blind hero. But he can *smell* her and knows she's there, even though she refuses to speak or even acknowledge her presence. The use of subjective camera (ironically involving a character who can't see) and the general air of ambiguity is fascinating.
erotic ? i think that is the wrong word, I would say romantic or sensual. The movie is well directed although the blind men antics at times flirt with annoying unrealistic level like kabuki theater where abstract exaggeration is expected but not here. This lighthearted humor counterbalances the darker themes of this movie ingeniously and paints a picture of strangers getting to know each other while travelling. We never know what the man with the adopted boy troubles are, and we barely get to know the beautiful Mieko Takamine shady situation. But all this feels all too familiar, unfinished issues, cruel life (if you think about the blind man unrequited love for the hopelessly beautiful tokyo lady, she never even gets a name), things not happening (the tokyo man clearly not finding a way into the lady's heart, gives up), and at the end nothing is resolved. This is very realistic even if the blind men antics aren't. I am not sure i understood the last scene, are those policemen escorting her or is she simply travelling to the next city. There is a lot of saddness, tenderness, in this movie, also resignation and escape through light comedy.
Mieko Takamine was uncredited in this movie. She should've been given top billing!
And if you think she's beautiful, you should hear her sing.
@@reynaldoflores4522 Is her singing voice on TH-cam?
@@heinrichvon Yes. On several sites. Try searching for her 1942 song " Southern Bride ". It was very popular during the war.
@@heinrichvon no
オラの母ちゃんが生まれた年だよ。
なんだか、見入った。
ラストのトテ馬車に乗った女を追って走る徳一が切なくて哀れ。
nostalgic, beautiful
The music is so beautiful. Especially in the walking opening scene. I know it's by Senji Itô, but does anyone know where to find it?
A superb film from one of Japan's finest directors
Thanks for sharing.
Thank you very much for the movies you have uploaded.
I have really enjoyed them.Please try to find some of
Tamizo Ishikawa's films.Please take care of yourself.
thank you.
52:15 この時代でもオッケーって言うんですね
Jun Yokoyama who played the boy, is 91.
Wow! That is fascinating! How old was he in this movie? 10?
masterclasse du goat
gracias por poner subs en español!!!!
湯治場を周って稼ぐ按摩が、当時はいたんだね。揉み療治だから白衣を着てるね。冒頭の日守新一と徳大寺伸の、道中の掛け合いは絶妙だね。
Bellisima pelicula...
Amazing movie
So sorry I meant Tamizo Ishida's films.
皆お洒落だな
Thanks!!
Margaret Allmond
@@daviddaigle3133 David Daigle
The english subtitles are totally out of sync. But it's really hard to tell exactly for how many seconds... I couldn't even tell if they come too early or too late...
ce film est magnifique!
盲目のあんまさんの話ですか、面白い
ロケ地が気になりました。どこでしょうか？
草彅剛君主演でリメイクされた方「山のあなた・徳市の恋」を先に見ました。
現代版も凄く良くできていて、ほぼそっくりです。現代版は景色の色もとても綺麗です。
🎉🎉🎉🎉🎉❤❤❤❤❤
ここはどこの温泉地なんでしょう？
昔の映画を放映すると、御断りのテロップが流れてきます。山田洋次監督の作品も殆ど、御断りが入ってます。この頃の、台詞が面白いのに・・・ 映画館も途中から入場できないのも可笑しい。 時間ですよのＴＶドラマ、時代劇のＴＶドラマ、乳首に、モザイク入れるのも余計な事だな・・・
Ma critique :
à partir de la 20'48" à 22'20"du film = durée de 2'32" en sept scènes de 22 secondes environs ; "De regards magnifiques d'Amour intenses et odorants et dans un silence troublant , de la jeune fille Mieko de 19 ans envers l'aveugle Shin'ichi.
(d'anthologie du cinéma, très peut vu des scènes aussi intenses et pourtant la jeune fille n'est ni belle et en plus filmé avec une photographie flout)".
外国の人も解るんだな。国籍が違えと情緒てんのは通じるもんだんだなぁ、人間の本質は結局は同じかもしれんと当たり前の事に今更気づく
shiosai o mitai doozo
何というか奇妙な映画でした。
按摩、めくらなど現代では放送禁止用語となっているが、なんでも言い換えればよいというのも
なんだかなあ。
Interesting movie! The boy I'll admit was pretty annoying!
it's not his youth, this is a typical Japanese boy behavior. Abrupt and direct but also dilligent.
Interesting that only the blind can be masseurs
Touchy but no looky
Others could be, but the blind excelled at it for obvious reasons. That and the fact that the career offered them gainful employment.
白目向いてるのは芝居か?
46:19
の