I was playing the same riff over and over with no breaks for four years. Unfortunately my wife left me and took the kids away, I lost my job and my own family staged an intervention. Thanks to this video, I was finally able to finish the song! Thanks! 😀
What a talented human being Jacob Dupre is, I can listen to him play and talk all day long! He's got such a great vocabulary stemming from so many genres, very impressive fella -
Piece of advice: Just because a cliche is a cliche doesn’t mean you get to ignore it...it’s still part of the musical language and therefore, regardless of your own artistic opinion, you should strive to know as much about the language as possible so you can converse fluently with other musicians. Now, if you only want to create music for yourself...meaning you don’t need to learn to speak it with others or you constantly want to invent your own musical languages...creating music that is always new and genre-breaking, then this advice will probably not mean much to you. However, if you give greater value to being a more complete musician who can drift between different styles with ease, then this advice should be a main part of your daily practice.
Exactly. Even if you think these endings are cliche or they're not of interest to you musically, learning them shows you what to avoid! Knowledge is power and in this case, knowledge of common musical language is creative power.
There’s also the idea that many people could be at an earlier stage in learning music and would be very happy and content to just be able to perform standards from jazz/pop/rock/country at a better level...they will not see learning these as a waste, but as a step forward.
@@JacobDupre Yep, that too. Being someone who ends up playing a lot of different genres with different bands, I totally see the value in these. I hope Sweetwater does even more videos like this because I think a lot of folks who want to become well-rounded players could get a lot of use out of this
Excellent advice for musicians who play casuals and pick up gigs! Even if you have never met the other guys on stage, everyone should have some common vocabulary.
For those of you who understand the purpose of this video and why I made it, thank you. For those of you who don’t, please read the comments of the ones who do...it might help you understand 🙂
Mant thanks for the videos you post Jacob - I'm working my way through all of them and have learnt a huge amount. You explain the concepts clearly and it's perfect for intermediate players like myself looking to develop and get introduced to other styles. Thanks again!
Here’s one the Beatles used very early on. The outdo to “ Tell Me Why “ it’s in the key of D . I’m doing this off top of my head. It’s coming off of the V chord ( A ) . Maybe it’s a Bm-Ab-E-A-D . I should listen to it. Two beats on Bm-Bb ,and one beat on E-A-D . Very jazzy sounding for a pop song .
I think it's Bm Bm, Bb Bb (I think your Ab was a typo?), Asus4 A, D. The pairs of chords not separated by a comma are a dotted quarter note followed by a dotted half note. You're right, it's a cool ending and an early tip off-that the Beatles would turn into leaders, not followers. There are lots of ways to season it slightly differently, like putting the last A chord over an E (or Eb) bass, or fooling with the rhythm.
Musicians should also know the chromatic walkdown ending starting on the tritone. It's more commonly used when playing jazz standards, but in that genre, it's used all the time.
Another common ending along these lines would be starting on F# (in the key of C) going down chromatically, or circle of 5ths (or a combination of the two) to C.
Indeed. And (for the benefit of others reading this) the reason it works just as well when you combine the two versions is that the chromatic version is just a circle of 5ths sequence where every second jump is substituted by its tritone partner (a flattened 5th higher or lower)
1 3 4 #4 5 6 7 1 is found in a lot of traditional jazz im surprised in wasnt in the video. It might be thought of as a fast version of the first one tho
lxxwj the line i described is more based on rhythm with single notes rather than the full chords he uses, but like i said its really just a fast version of the one in the video
I whished you would have filmed this from piano players view all the way. It is rally hard to follow by just hearing him say what chord hes playing without actually seeing it...
The video was cut in an odd way for the blues ending variation 2. You skip the explanation of the bassline in Bb (you go from A to B), and then you mention the counter point going down on the bass and up on the chords but you never actually played it.
The first one's an old cliche ending that's been around for a few generations. It was always played on the Muppet Show in the '80's, as one example. The second one has been around probably even longer---it goes by the name "Shave and a Haircut--Two Bits!" There's an absolutely hilarious take on this in the movie "Who Framed Roger Rabbit?" You can find it here on TH-cam, just look for the scene where Judge Doom is looking for Roger in a bar and is tapping it out on the walls.
@@Rusli1659LPSoldier Indeed. And for those who are interested in the details, they played the minor feel (b6) variation here on the third beat, it's also available in major (6). Also the twiddle on the second beat is optional, sometimes it's just a dotted repetition of the same note.
This isn’t really for composing your own music. It’s for sitting in on a jam night. If everyone knows these you can play something appropriate at the end of a blues jam or something and everyone can follow without rehearsals first.
Yea. Aimee had a great vid recently which made spelling notes in chords very easy to understand. Basically, notes in chords need to have the sharps and flats for the triad notes adjusted so that pairs of alphabetic letters have exactly one letter between them, like A C E for a minor chord, A C# E for a major chord, not A Db E (because D and E are next to each other in the alphabet). When a seventh or ninth gets added, they should be one letter away from the tonic, so in Bethan's example, if D was the tonic, D7 would have a C in it which is OK, and Db must have a Cb in it (not a B, because that is two letters away from D). The main reason is so that when the chords are notated, the triads look like triads: if one note is on a line (or a space), so will all the other notes be. Otherwise intervals of a third may look like a second or a fourth, which makes sightreading even more difficult than it is already. It is probably too obvious to point out (except for raw beginners) that it is only the alphabetic letter 'value' of a note which determines where it is placed relative to the lines of the musical staves, and that's why the choice of letters matters.
Well, thats 5 cliched pop/entertainer/function/talkshow band endings played for clueless and often drunk audiences that only value light and meaningless entertainment and distraction in music. Not universal by any means.
These are endings you 'should know', as suggested by the title of the video. Now you know which endings to avoid using! If you know the rules and cliches, you can meaningfully break them.
Hiroko Kaku you are right. The reality of working as a musician is you often don’t get much time for rehearsing or writing arrangements. Sometimes you only get the soundcheck to make it work. And when time is short, one of these endings will probably be your first go to, something common everyone knows and can remember at the show. So knowing them in all keys and some of their variations will allow you to hang with professionals. If there is a musician who doesn’t care about that and just wants to be an “artist” (pinky up), I guess they can just be happy always writing original endings for all their songs. They should just realize there are certain kinds of gigs they won’t be able to do. But again, it all depends on the kind of musician you want to be. This video is geared towards someone who strives to be well-rounded, not an artist with all original songs.
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
After you watch, give this video a thumbs up and subscribe! 😎🤘
I was playing the same riff over and over with no breaks for four years. Unfortunately my wife left me and took the kids away, I lost my job and my own family staged an intervention. Thanks to this video, I was finally able to finish the song! Thanks! 😀
And now your song is over too and you are left with nothing........except a stinger somewhere down the line, when you never know. Be on guard.
Bwahaha!
bluenetmarketing Jesus 😂
"you know that I love you more than I love you" lyrical genius
the entire lyrics of _I'm_ _Sitting_ _in_ _a_ _La_ _La_ _Waiting_ _for_ _My_ _Ya_ _Ya_ are breathtaking
I was really happy to hear that song here.
The best ending is the one where the band starts to look at each waiting for anybody to take the initiative and nod.
What a talented human being Jacob Dupre is, I can listen to him play and talk all day long! He's got such a great vocabulary stemming from so many genres, very impressive fella -
Piece of advice: Just because a cliche is a cliche doesn’t mean you get to ignore it...it’s still part of the musical language and therefore, regardless of your own artistic opinion, you should strive to know as much about the language as possible so you can converse fluently with other musicians. Now, if you only want to create music for yourself...meaning you don’t need to learn to speak it with others or you constantly want to invent your own musical languages...creating music that is always new and genre-breaking, then this advice will probably not mean much to you. However, if you give greater value to being a more complete musician who can drift between different styles with ease, then this advice should be a main part of your daily practice.
Exactly. Even if you think these endings are cliche or they're not of interest to you musically, learning them shows you what to avoid! Knowledge is power and in this case, knowledge of common musical language is creative power.
There’s also the idea that many people could be at an earlier stage in learning music and would be very happy and content to just be able to perform standards from jazz/pop/rock/country at a better level...they will not see learning these as a waste, but as a step forward.
@@JacobDupre Yep, that too. Being someone who ends up playing a lot of different genres with different bands, I totally see the value in these. I hope Sweetwater does even more videos like this because I think a lot of folks who want to become well-rounded players could get a lot of use out of this
a big amen to that!
Yup. They call em standard outros for a reason..
The way I learned various endings was by studying endings provided in my Yamaha PSR keyboard auto accompaniments
I can relate
Excellent. I had the psr 400 😂
Me too....
my strat doesn't have any of that :(
Roedor same 😆 niether does my j bass
I've been purchasing gear from Sweetwater for YEARS, and it never occurred to me to subscribe to their channel until this appeared in my cue.
Excellent advice for musicians who play casuals and pick up gigs! Even if you have never met the other guys on stage, everyone should have some common vocabulary.
You forgot the one where the drunk bass player falls off the stage
Beautiful
Lol
Yep. true story man. I really like this video. It helps me a lot. I compose my one music. Feel free to check it out
At one gig our Drumer slept in, while playing.
LMAO
For those of you who understand the purpose of this video and why I made it, thank you. For those of you who don’t, please read the comments of the ones who do...it might help you understand 🙂
Yeah, I remember last time we were covering "Welcome to the Jungle," and I yelled out,
"BASS-EE!"
*basie
@@CalvinLimuel , you get the award for no sense of humor, my friend. 🤣🤣🤣
and that how a song in Bb ends in E.
@@dirtylint , LMAO
wait so did they do it?
THANK YOU!!! I have been looking for the name of the Basie ending for 5-6 years! I called it the tink tink tink ending.
Thx for this. My favorite ending is number 3!
Mant thanks for the videos you post Jacob - I'm working my way through all of them and have learnt a huge amount. You explain the concepts clearly and it's perfect for intermediate players like myself looking to develop and get introduced to other styles. Thanks again!
This is really useful for people just starting out and more seasoned players.. many thanks.
I saw u in a rush video, now watching ur video, gosh u are so amazing, even your voice!!!
I need this in my fingers.
Nicely played Jacob , you sound great man.
Nice song choice with Lee Dorsey's "Ya Ya".
Very helpful! More of that pleeease!
Here’s one the Beatles used very early on. The outdo to “ Tell Me Why “ it’s in the key of D . I’m doing this off top of my head. It’s coming off of the V chord ( A ) . Maybe it’s a Bm-Ab-E-A-D . I should listen to it. Two beats on Bm-Bb ,and one beat on E-A-D . Very jazzy sounding for a pop song .
I think it's Bm Bm, Bb Bb (I think your Ab was a typo?), Asus4 A, D. The pairs of chords not separated by a comma are a dotted quarter note followed by a dotted half note. You're right, it's a cool ending and an early tip off-that the Beatles would turn into leaders, not followers.
There are lots of ways to season it slightly differently, like putting the last A chord over an E (or Eb) bass, or fooling with the rhythm.
Kudos to Jacob! Awesome content and great playing and singing!
Musicians should also know the chromatic walkdown ending starting on the tritone. It's more commonly used when playing jazz standards, but in that genre, it's used all the time.
nord stage 3... neat piece of art
Excellent.
Nice playing guys. Great little video teaching a lot!
👍
Great Nick! Miss SB so much
Thanks for letting us know!
Love it, thanks guys!
How did the Ellington ending not make this list
Drumsolo is always the best ending xd
This is nice.
That's the perfect ending, when the drummer play tricks with the sticks.
Another common ending along these lines would be starting on F# (in the key of C) going down chromatically, or circle of 5ths (or a combination of the two) to C.
Indeed. And (for the benefit of others reading this) the reason it works just as well when you combine the two versions is that the chromatic version is just a circle of 5ths sequence where every second jump is substituted by its tritone partner (a flattened 5th higher or lower)
I like the string bass ending of this arrangement I made.
Great Band 🔥
Super useful. Thanks!!
Awesome
Well done!!!!
What gear was the bass player using?
Great share. Thanks.
At 3:13 they edited out a chord. It’s supposed to have a Bb7 before the B diminished.
Yeah I thought I missed something there!
Yup, I caught that, too.
I thought I had blacked out for a second.
We just do a slow fade out over the course of 5 hours so that way everyone leaves without us having to them the show is over
hevquip 😂😂😂
love the bass line 7:24♡♡♡♡
Woowwwwwww you are so awesome Men!
I would love to know your EQ settings on the Nord. That is a great piano sound.
If I recall correctly and from looking at the Go Pro shot, all I had on was the stock setting for the Royal Grand 3D YaS6 XL 5.4.
Great. Thanks. It just sounded so great.....@@JacobDupre
1 3 4 #4 5 6 7 1 is found in a lot of traditional jazz im surprised in wasnt in the video. It might be thought of as a fast version of the first one tho
hotdogskid yeah i thought that would be on here for sure.
it's kinda in there, separated into two parts lol
3:00
lxxwj the line i described is more based on rhythm with single notes rather than the full chords he uses, but like i said its really just a fast version of the one in the video
1 2 3 4 2 7 1
I followed all the instructions here and now the ladies won't stay off of me...Sweeeet Water!
11:07 my favorite ending was "Shave and the haircut two bits".
Catchy right?
Or the cockney rough equivalent: "Stick it in yer fam'ly ... al-BUM!"
I whished you would have filmed this from piano players view all the way. It is rally hard to follow by just hearing him say what chord hes playing without actually seeing it...
7:33 What is that little "lick" that Jacob Dupre does on the keyboard? I find it to be a common way of "talking" on the piano/keyboard in jazz.
He was playing the chord tones over the miniii
It seems to be a bebop ‘answer’. Simple improvisation
Man i hope it was played in C maj..
Probably the most American endings I've ever heard.
Good thing we’re in America 🇺🇸
The most United Statians ending you should say. America is a continent.
Aaron Carter Dude, only 3.6% of the world's population lives in the USA. The other 96.7% is watching this video from outside the USA.
Yep, even motley crue use those
alienorbiter It’s cute that you equate population dispersion with the dispersion of TH-cam consumers. Cute, and ignorant.
That second-to-last 'fun ending'- what's that one called? Just came from a Game Grumps video where they're talking about it (weirdly enough).
You guys are good and fun. So where do you play?
Are there any videos of just the band playing with no teaching component?
i'm her ejust waiting him to say "heyy, i'm playin heeeaa, i'm playin heaaa"
Some interesting ideas here, thx
You find this interesting? Man you should go out more. This are the most basic, uninteresting, please the masses, lazy endings you will ever hear.
Do you ever pl as y for people from this venturygranndpa?
9:09 El maestruli
Such an amount of musical knowledge in the purpose of sounding so flippin corny. You rock fellas !
Great video! May wanna work on levels tho, had to turn the volume up and down throughout. Other than that fantastic
You need to know the Ellington ending
6:50 🔁
Stephen King on the bass.
Ha ha ha! Good call!
Nice one, ta 4 that 😀👍
Eccentric.
Love me some nick
🔥🔥🔥
Admirers
How do you play the bonus ending
The video was cut in an odd way for the blues ending variation 2. You skip the explanation of the bassline in Bb (you go from A to B), and then you mention the counter point going down on the bass and up on the chords but you never actually played it.
Somebody tell me what those very last two endings they did! I've heard it at least once on every cartoon I can think of
The first one's an old cliche ending that's been around for a few generations. It was always played on the Muppet Show in the '80's, as one example. The second one has been around probably even longer---it goes by the name "Shave and a Haircut--Two Bits!" There's an absolutely hilarious take on this in the movie "Who Framed Roger Rabbit?" You can find it here on TH-cam, just look for the scene where Judge Doom is looking for Roger in a bar and is tapping it out on the walls.
You forgot "The Theme" ending!!!
Wow!!!
Does anyone know where is the last ending at 11:07 originated from? It's literally heard and overused almost everywhere.
it's called "Shave and a haircut two bits" if you're wondering.
bass charts? plz
So we’re in G major hahah... G major face 10:39
11:08 what is the name? pls
"shave and a haircut two bits".
that's the common one
What? No fade out?
@Sweetwater what do you mean by spaces by Octaves?
Umaru Chan which spot in the video was this?
Jacob Dupre
At the 6:00 mark.
@@dadduorp Instead of being spaced at the interval of a third, it's an octave plus a third (ie a tenth)
Need help: What’s the name of the tune played at 11:08 ?
See the answers to the same question by "Divine Feline"
What cymbals was Nick using for this vid?
These are more like boogie chords
Shave and a hair cut - always a good ending 🙂
All i can see is the nord....
You mean the nerd he is? because I am a little nerd as well. lol. I compose my own music. You can check out how big of a nerd I am.
11:08 is there a name for that riff?
it's called "Shave and a haircut two bits"
that's the common ending and a catchy one.
@@Rusli1659LPSoldier Indeed. And for those who are interested in the details, they played the minor feel (b6) variation here on the third beat, it's also available in major (6). Also the twiddle on the second beat is optional, sometimes it's just a dotted repetition of the same note.
3:12 you skipped the 4 (Bb) chord.
Drum du du dum dum p drum dum
I want to learn the bonus ending, my teacher did that as fun and now I wanna learn it qwq
This audio needs to be compressed, my speakers almost blew after adjusting for the talking and then the band came in.
Look in the camera lens!
🤔
i dont like it coz i cant really see what ur playing
Music endings for toddlers is the right title
Oh dear god no, PLEASE think up real freakin' endings to your songs. And also, no fade outs.
What's wrong with fade outs?
chill, these are just tools and alternatives from specific genres you may never consider just because you're not writing necessarily on that genre
This isn’t really for composing your own music. It’s for sitting in on a jam night. If everyone knows these you can play something appropriate at the end of a blues jam or something and everyone can follow without rehearsals first.
not your own songs. but like classic jam tunes.
So yes, absolutely know these endings, but please learn how to spell your chords correctly! Db7 has a Cb not a B... for example... :P
Yea. Aimee had a great vid recently which made spelling notes in chords very easy to understand. Basically, notes in chords need to have the sharps and flats for the triad notes adjusted so that pairs of alphabetic letters have exactly one letter between them, like A C E for a minor chord, A C# E for a major chord, not A Db E (because D and E are next to each other in the alphabet). When a seventh or ninth gets added, they should be one letter away from the tonic, so in Bethan's example, if D was the tonic, D7 would have a C in it which is OK, and Db must have a Cb in it (not a B, because that is two letters away from D).
The main reason is so that when the chords are notated, the triads look like triads: if one note is on a line (or a space), so will all the other notes be. Otherwise intervals of a third may look like a second or a fourth, which makes sightreading even more difficult than it is already.
It is probably too obvious to point out (except for raw beginners) that it is only the alphabetic letter 'value' of a note which determines where it is placed relative to the lines of the musical staves, and that's why the choice of letters matters.
Well, thats 5 cliched pop/entertainer/function/talkshow band endings played for clueless and often drunk audiences that only value light and meaningless entertainment and distraction in music. Not universal by any means.
Not claiming to be universal at all. Just ‘should-know,’ and frankly, why shouldn’t you?
Tis only music.. a series of notes that are pleasing to the ear
These are endings you 'should know', as suggested by the title of the video. Now you know which endings to avoid using! If you know the rules and cliches, you can meaningfully break them.
these are kinds of back up planes when you don't have much time rehearsal and do the arrangement
Hiroko Kaku you are right. The reality of working as a musician is you often don’t get much time for rehearsing or writing arrangements. Sometimes you only get the soundcheck to make it work. And when time is short, one of these endings will probably be your first go to, something common everyone knows and can remember at the show. So knowing them in all keys and some of their variations will allow you to hang with professionals. If there is a musician who doesn’t care about that and just wants to be an “artist” (pinky up), I guess they can just be happy always writing original endings for all their songs. They should just realize there are certain kinds of gigs they won’t be able to do. But again, it all depends on the kind of musician you want to be. This video is geared towards someone who strives to be well-rounded, not an artist with all original songs.
cliche
This is for spontaneous real-time improvising in ensembles, which relies on cliches because not everything is pre-agreed.