Michael de Miranda is to Samba percussion as Bob Ross is to landscape painting. I mean that the only the best way. These patient, precise lessons are great!
This is a great way to prime yourself for learning about PolyRhythms! :] You've also successfully mapped out a way to concretely & simply explain something that often seems to dwell in the realms of superstition & mystery... that is " *FEEL* "
Who is listening to this in 2020? It is still very culturally "intricate" to know about samba, and it will continue to be forever. And it is very funny that it cannot be written on the score, but it can be felt, as a dialectical part of a language. Thanks for the lesson Michael.
Geetings from Japan. Very easy to understand the 'secrecy of groove' with plain English! The very similar explanation I've seen was from the tutorial video by Stanton Moore, the groove drummer of New Orleans. I wish I can see another version of lesson using Pandeiro with which I am struggling to get the 'feel' now!
This is outstanding exercise and lesson, thank you. In totally different genre - Second Line drumming from New Orleans - there is rhythm concept called playing "in the cracks" which means in-between straight 8th notes and swung 8th notes (e.g. the first and third triplet). So he exercise is to play straight 8th and slowly move it to fully swung 8ths, and then back to straight -- the correct rhythm is half way between and is called "in the cracks".
+Eduardo Vilar Thank you! I'm not specialized in the rhythms from Peru... I need a lot of information about those rhythms before I make a tutorial about this.
Thank you for this tutorial! Have one question. How to speed up? When speed is faster than 115-120 my right arm becames like a stone and I can't play.: ( Especially viradu
There’s no real way to notate it using European compositional music notation… (except for using 32nds/64ths to push the note “back” off the beat.) (And yes 2 years late lol.)
Michael de Miranda is to Samba percussion as Bob Ross is to landscape painting.
I mean that the only the best way. These patient, precise lessons are great!
Thank you so much! Enjoy my paintings!
Obrigado, Michael. Acho que eu precisava de uma explicação dessas assim, feita para estrangeiros. Sensacional. Obrigado.
whow, the essence of the samba syncopation! It really has to do with the maracas and the tamborim! Thnx so much
Thank you and I wish you good luck with it!!
This is a great way to prime yourself for learning about PolyRhythms! :]
You've also successfully mapped out a way to concretely & simply explain something that often seems to dwell in the realms of superstition & mystery... that is " *FEEL* "
Awesome the change in his face to make the exact point about about what the music needs
Who is listening to this in 2020? It is still very culturally "intricate" to know about samba, and it will continue to be forever. And it is very funny that it cannot be written on the score, but it can be felt, as a dialectical part of a language. Thanks for the lesson Michael.
Thank you very much, Denizard!!
Eu
I want to learn everything about samba! Thanks!
I wish you good luck!!
Geetings from Japan. Very easy to understand the 'secrecy of groove' with plain English! The very similar explanation I've seen was from the tutorial video by Stanton Moore, the groove drummer of New Orleans. I wish I can see another version of lesson using Pandeiro with which I am struggling to get the 'feel' now!
+nshig Thank you! There are video's on my channel about pandeiro. Matthias gave some very good information about this subject. Check him out!
Clear lesson. I've understood even if i'm french ! 😅 Thank you !
That is great, Ingrid! I hope you can use it and I wish you good luck!
@@MichaeldeMiranda Muito obrigado !
Incroyable ! I was looking for this pattern to apply to my drum kit ;
Thank u
D
Thank you and good luck with it!!
Exelente material de estudio, muchas gracias, Michael
Muchas gracias, Ismael!!
This is outstanding exercise and lesson, thank you. In totally different genre - Second Line drumming from New Orleans - there is rhythm concept called playing "in the cracks" which means in-between straight 8th notes and swung 8th notes (e.g. the first and third triplet). So he exercise is to play straight 8th and slowly move it to fully swung 8ths, and then back to straight -- the correct rhythm is half way between and is called "in the cracks".
Nice lesson! This timing goes for different instruments besides the tamborim, and also different genres in Brazilian music. Cheers!
Thank you and enjoy it! Cheers!
Thank you for your helpful information. I just noticed this delicate detail.
Songwut Ch You are welcome and I am glad you like this video!
Great lesson as always!Muito obrigado for sharing your knowledge
Thank you very much. I am creating new videos on www.patreon.com/MichaeldeMiranda and perhaps you want to join me there?
Muito bem explicado.
Muito obrigado!!
Cheers from brazil! Thank You !
Cheers from Germany!
!I just loved this...
John van Gurp Thank you, John and I wish you good luck!!
@Susan Kennedy we have people in our samba band who try to write everything down in little notebooks. I can't do that stuff, I just have to feel it.
hi thanks :) sharing your knowledge
The swirl turns it into some very exotic to my westerner drummer ears
Very nice! Thanks for the lesson. :)
Do you plan to do tutorials on afroperuvian rhythms, like landó or festejo?
Greetings from Brazil!
+Eduardo Vilar Thank you! I'm not specialized in the rhythms from Peru... I need a lot of information about those rhythms before I make a tutorial about this.
+Michael de Miranda Thanks for the answer! :)
Si quiere maestro siga dando clase por favor si le interesa sobre ritmo de Argentina me gustaría verte dar tu muestra. Saludos
I continue to give lessons (on Patreon). I love love rhythms from Argentina and I like to learn more about it.
Thank you for this tutorial! Have one question. How to speed up? When speed is faster than 115-120 my right arm becames like a stone and I can't play.: ( Especially viradu
Thank you! It is a lot of practicing to get it faster and still play relaxed. Don't loose too much energy on the second note of the virado....
Thank you!
You're welcome, Valentina!!
What's the backing bass rhythm percussion sound calling????
It is the surdo. The "bassdrum" that they use in samba.
@@MichaeldeMiranda Thanks mate!!!
Thanks for the tutoriel
+hamza dakkak You're welcome! I wish you good luck!!
Michael de Miranda thank you
Hi youre so good
Thank you very much, Nia!
excelente !!!!!
+Cristian Villegas Gracias!
i don't get it. I can hear the difference but why does it becomes lazy. Can someone explain this in notes for me.
There’s no real way to notate it using European compositional music notation… (except for using 32nds/64ths to push the note “back” off the beat.) (And yes 2 years late lol.)