How Did I Get Here? Talking Heads Vocal ANALYSIS of "Once In A Lifetime"
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- เผยแพร่เมื่อ 16 ต.ค. 2024
- I'll admit, the first time I heard Talking Heads, I just didn't get it. "Life During Wartime" was so quirky, fun and uplifting with an absolutely devastating and crippling theme that I was lost for most of the analysis. But I got it, and I'm starting to understand the genius that is David Byrne!
Join professional opera singer Elizabeth Zharoff, as she listens to Talking Heads perform "Once In A Lifetime" for the first time.
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Performed by Talking Heads - Words and Music by David Byrne
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I definitely recommend watching the original video without interruptions. Here's the link: • Talking Heads - Once i...
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Elizabeth Zharoff is an international opera singer and voice coach, with 3 degrees in voice, opera, and music production. She's performed in 18 languages throughout major venues in Europe, America, and Asia. Currently based somewhere between Los Angeles and Tucson, Arizona, Elizabeth spends her days researching voice, singing, teaching, writing music, and recording TONS. She also plays Diablo and Dungeons & Dragons.
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The concert movie "Stop Making Sense" is one of the best things ever made
I watched it obsessively first time around and I still think this is true. As a piece of complete music film it is right up there with the greats. Effectively the entire music set is built in real time starting with Byrne coming on with an acoustic guitar and a cassette machine. It is a collection of footage from the tour and I think the only bit that was dubbed was at the very end when David Byrne says to the crowd... 'does anyone have any questions?' The extras on the original DVD (not seen the recent remaster) are very odd but funny.
Absolutely. And this clip is a perfect example of why. The first 85% of the song is a single shot. Nobody would ever do that in a concert film today
I can't even listen to the studio version of Burning Down The House. I have to listen to the live version from Stop Making Sense.
"Stop Making Sense" is THE best concert film ever made. I will fight and die on this hill.
Top candidate for best concert film of all time.
The song is an existential crisis. The singer suddenly finds himself in the middle of a life, with a house, a wife, a car, etc. But he has no idea how he ended up where he is. The days have just gone by, same as they ever were, and suddenly he's here. And he wonders what else there could be, where else he could go. (Where does that highway lead to?) It's a realization that you only have one lifetime, and if you don't pay attention, every day will be the same as it ever was and it'll be over and you won't know what happened.
Agreed @methodmask - my #1 song of all time for the message (and the music, but message first), it's my cell phone ring tone for frequent reminders
Agree to disagree. It's mainly about finding new places to find water, such as underground or at the bottom of the ocean.
Exactly. A mid life crisis. Wake up one day to find yourself in a mundane life having let day after day go by without seizing them, doing what is expected of you, never engaging in anything, sleeping through life. Every day same as it ever was, same as the one before. Letting time drift by like water into the past. Then you wake to your existential crisis; MY GOD HOW DID I GET HERE?
I often think this is something that men feel more strongly than women (I could be wrong). Just like Roger Hodgson sings in 'Take the Long Way Home' - "When you look through the years and see what you could have been" or when Thoreau writes "The mass of men lead lives of quiet desperation". Or the trope of the high school jock who wakes up 20 years later and wonders where it all went. Also, Elizabeth has missed the point of "My God what have I done!'. It's not the elation of making the top 10 in something it's the despair of not reaching whatever goals you had set for life
@@jeffmiller9778 agreed. Perhaps Elizabeth has not felt that as she seems to reach for the stars and get there. Those of us who only made the moon realize we had potential we let slip away like water until it is too late and realize what we wasted; the most precious things time and youth.
I know it myself. Outwardly it doesn’t look it I am a doctor and live my ideals in treating others with respect. Inwardly I compromised out of anxiety and could have been so much more. I’m 60 and for years have been wrestling inside with the My god what have I done demon.
Elizabeth, the opera singer asking "How did I get here?" She's doing another vocal analysis. Same as it ever was, same as it ever was.
Stop making sense Mark. Say something once, why say it again.
She got here by taking it to the river.
Hey, atleast she's not Burning down the house.😂
And She Was.... On the Road to Nowhere
She's living on nuts and berries.
The “my god what have I done?!” line is not spoken in victory but horror…
It's spoken in confusion.
@@themessenger2948You’re both right. It’s a sort of midlife crisis in song form.
And being an old fart, I completely relate. Life seems like it happens when you’re not looking. You blink and suddenly it’s decades later, and you’re not sure how it got past you so fast. You don’t know where it’s going next, you can barely process where it’s already been, but you know it happens all too fast, and your time is suddenly so much shorter than you expected.
And more often than not, it hasn’t gone where you hoped it would.
@@scionofdorn9101 You are so right.
I really reads: 'What have I done letting the days go by?'
Right.
This is one where the studio version is the thing you really need to listen to. A very brilliant and influential production by Brian Eno. They did their best to reproduce it here, but it’s not quite the same. Byrne sings all the harmonies on the record. The music video is also very famous, and would give you an even bigger dose of Byrne’s performance style. 🙂
100% This live album contains my favorite versions of all the tracks EXCEPT this one. What they captured in the studio for this song was simply magic. Beautiful.
If anyone can remember way back when MTV used to play music videos, this song was in HEAVY rotation.
I prefer the studio version, too. The into is an organ played thru a digital delay - I figured out how to play it once. The live version is a synthesizer playing triplets using an arpeggiator. Its a hard song to pull off. Something about it is simply lost when played live.
One thing I love about the live version is the really powerful visual of the side lighting throughout and especially the shot of the two singers leaning backward, gradually moving forward just in time to sing.
THIS! She's not getting the experience of how the song was presented to the world originally. And in this version, the backing singers really dominate, which kind of bugs me. It is distracting.
@@Diamond_Skies This is my favorite performance of the song. However, I did see this version first, before I saw the original video. Byrne's body movements are so much more extreme than in the official video.
I'm fairly certain you can hear Brian Eno's voice singing in the background on the original version of the song.
I'm convinced David Byrne is a genius. His performances are truly mesmerizing. His on-stage performances are like a cross between a southern Baptist minister giving a fiery sermon and an astrophysicist giving a PhD dissertation. The song lyrics are too. It crosses all boundaries and yet reaches all with both its profoundness and uniqueness.
David Byrne is convinced David Byrne is a genius. Not necessarily wrongly but he has an unpleasant tendency to deny or ignore anyone else's creative space.
So many bands have lead singers who forget that what went in the final song is not what they first brought to the band. Days of collaboration and jamming in the studio with creative musicians but it's somehow still "my song".
He is actually, well beyond 140.
@@nagoranerides3150 He actually got his brain put on the right way around after the band broke up because of his behaviour. He admits it took like a decade and a bit to fix himself.
The nice thing about being a jerk is that it's a curable condition.
I'll second that. Brian Eno was so intrigued with a band that didn't do the usual love songs, but played "songs about buildings and food" that he became their producer and they actually put out an album called "Songs About Buildings and Food." Byrne was delving into the human spirit in song the way nobody else was, unafraid to get into things way off the beaten path in a way that still managed to resonate with plenty of people, especially since the instrumentation was sometimes so different and intriguing and powerful too. "Well, this is something different ..." and "Wow, what IS that"" are responses I'd hear from people first hearing The Talking Heads or David Byrne's solo efforts on The Catherine Wheel.
This performance, Stop Making Sense, deserves to be watched in full. It flows in a way that doesn't hit you when you watch it broken up.
Amen!
A remastered version is coming out soon in theatres, I believe. It will be a must-see.
Agree, but this is an analysis with comments. You have to interrupt to explain. You can watch the original video if you prefer a not interrupted version.
@@ichirofakename I feel like that released before already (A24 produced it). It's on HBO Max. But maybe they're releasing it again due to demand. It is... very good. Even today.
@@cornbredx I bet you're right.
The original concept for this song was reportedly inspired by a middle-of-the-night sermon heard on a radio. The exaggerated speaking was mimicking the preacher, who kept on saying "You may find yourself..." and "you may ask yourself..."
You can hear something like that in "My Life in the Bush of Ghosts"
@@dkhnova Yup, and what a powerful album that was!
You may be looking at the original album credits regarding the supporting vocals. But for this, the band includes Lynn Mabry and Ednah Holt on backup vocals.
and they were magnificent.
Thank you for updating this. They were mixed in quite heavy in this version and it's wonderful because the main line and the harmonies are fairly interchangeable in terms of the overall impact of the song.
Well, Lynn Mabry was one of the Brides of Funkenstein, so yeah.
@@Biomirth - They were mixed in TOO heavily. Backing singers should NOT be drowning out the lead vocalist. I can't even watch the rest of this.. they're destroying a magnificent arrangement.
This is probably a remaster, because I've watched this video at least 80 times and I've never heard the female vocal that far forward in the mix.
Not just because it's my favorite song in the whole world, but "This Must Be The Place (Naive Melody)" is well worth a listen. It was never a hit, but it's been covered countless times by so many different artists.
It really is one of the most beautiful songs ever!
Yes❤
I didn't know it was covered by anyone,, but it sure deserves it. I've heard nothing but adoring words about it from everyone who has heard it and/or watched it performed in the movie.
@@MarcIverson The Sure Sure do a fantastic cover. Highly recommend checking it out!
@@chriskenobii4111 Cool, thanks, I'll check it out. Hard to imagine covers of so many Talking Heads songs. They're just so different!
My pick for the most profound pop song ever, capturing that moment when you look back at your life and the bizarre and unpredictable chain of events that got you to wherever you are. "Well.... How did I get here?" Who knows?
"Look where my hand was!"
Contingency is a helluvathing. Now consider your line of ancestors.
@@ajmell7 considering the basically random nature with which he wrote the lyrics, just imitating a random Faith preacher he heard on the radio, and then mumbling a chorus until it generally formed phrases... Profound isn't the word that I would use.
Also in the Movie… for this song they just stayed on him the whole time until the end…great choice.
Wise indeed
7:45 "Anyone else think he looks like Cillian Murphy? Dude, you just won an Oscar."
Actually, David Byrne won his Oscar in 1987 :-)
That’s a paddlin’
David Byrne actually graduated with a degree in Arts and I believe that's how he approaches his music. He approaches songs as individual art exhibits rather than music and the result is what you see on display in the entire "Stop Making Sense" concert film.
I don't think Byrne graduated. In Frantz memoir he seemed to suggest that Byrne dropped out.
Very interesting thanks for sharing that tidbit
Jim Morrison had a similar approach
Still an incredible intellectual which guess made it hard to work with him but fascinating for us! I must get around to reading "How Music Works".
Very cool 3 of the members went to Rhode Island school of design.( art college)
The gentleman on the keyboards at the intro is the LEGENDARY Bernie Worrell.
You MUST SEE entire show! Its a whole.
The whole concert was filmed as a movie and truly is a work of art
@@josephebaronzzi3197 Well, four concerts and a day or three in the empty theater. A great concert film isn't just a matter of filming a concert.
I saw this film as a 15 year old in 1984. My older brother, who was a huge Talking Heads fan took me and it changed my thoughts on music forever.
I just watched it for the first time since then a week ago, when I came across it accidentally on MAX. It is still one the best 'concert films' ever made.
As much as I would love Elizabeth to break down all the songs individually, I must encourage her to set aside two hours and watch it in context from start to finish. It is simultaneously a visual and musical masterpiece. And I would hate for her to miss out on the experience to give us bits of it for content. It's to important a moment in music to be missed.
I just realized Elizabeth hasn't seen the big suit yet! 😮 She's got a lot of smiles coming. 😁
She's going to freak out , big analytic situation ....
😂
And you may ask yourself, MY GOD! WHAT HAVE I DONE!
All. The damn. Time.
Speaking of Oppenheimer.
There are *many* ways to think of what that lyric means.
@@singaporesammy Best comment ever!
😂 yeah, it's like crossing the Rubicon River by Caesar. Once in a lifetime...then you realise 😮🎉😱😣🤯my God, what have I done...
You have a much more positive interpretation than I do. I hear a lament for not taking the once-in-a-lifetime chance, ("what have I done?" sounds like despair, not exultation) and being stuck with nothing better to do but run out the clock watching the days go by.
I suppose that's illustrative of how our different lives have gone.
After "Stop Making Sense" was released on video I'd regularly throw it into the VCR at a video store that I worked at. People would walk into the store and stand in front of the screen and stare at it for at least 20 minutes, memorized by the performance. Later, my friends and I would use elements from the show when talking about each other. "Andy will be late, again" while making the chopping motion down their forearm. "Bill has another girlfriend..." - and everyone makes the chopping motion down their forearm.
I've always gotten a 'getting baptised' feeling from this song. It is amazing. These guys are mind blowing.
The moves were co-choreographed by legendary choreographer Toni Basil. Yes, the one who also sang "Hey Mickey". She's 80 years old and still dances every day. Look her up!
She was in "Head", the Monkees' movie
Go Toni! ❤
She also choreographed and danced in David Bowie's Glass Spider Tour.
I question some of Jonathan Demme's directorial decisions, such as holding on a close-up of Byrne for this entire song, thus missing the movement of all of the other performers. That is an all-too-common pitfall among live show directors. (Demme still delivered some great images for most of the movie though.)
Fascinating 😮
A mark of brilliance is when a performance raises more questions than it answers and moves beyond "this is the way it is". My takes: the "limbo" pose was when life beat him down until he almost collapsed - but he made his way back up. And the "what have I done?" was a cry of anguish/regret from something remembered. Tremendous, cerebral lyrics, and always a proper amount of funk backing.
Elizabeth should do a live show where she watches this movie. Start to finish with a live breakdown
I support this. I love every minute of this concert-film.
Yes!! 👍👍👍👍👍
It would be 25 hours long.
"David Byrne's American Utopia" is a mindblowing performance, and a must-see. I wish i had the chance to watch it live back when they did it on Broadway. He's a genious!
Yes, that’s fantastic!
Letting the days go by, I find myself with a once and a lifetime chance of listening to Elizabeth analyze The Talking Heads.
The late 70's and early to mid 80's were just a renaissance of new music
Roxy music ❤
Nick Cave❤️
These movements were planned performance art. He filmed himself working out different moves while putting these performances together. This is a complete art piece.
The members of the band Talking Heads were students at Rhode Island School of Design so they're very visually oriented as well.
Including the stills and video flashing on-screen behind him, sometimes supporting the mood or words and sometimes in intriguing counter-point.
Oh my God how much do I love the image of her singing the hills are alive! Oh she must’ve sounded so wonderful and that is just the sweetest thing and it’s so beautiful that that was one of her bucket list her life list items. She’s so delightful. I’m going to tell you the world the way it is this person takes me on a ride that makes life worth living. Thank you Elizabeth
David Byrne is a perfect example of how being neurospicy can be a superpower.
"Neurospicy" Wonderful word.
This performance reminds me of the movie Falling Down.
Elon Musk as well
@@uzazil uh...no. his superpower is apartheid.
@@thembill8246 That was his father's. He has aspbergers, which is why he can do so much at the same time. All successful people are assholes, it's how the become successful. But the face he created PayPal, sold it to create tesla and space x and all the other companies to actually better mankind for better or worse is commendable.
I love your reaction and love the talking heads and agree with how deep they really were, especially during this time when most songs were not. I also love the energy of their music .
You need to watch the entire movie of this concert - it truly is like pictures at an exhibition, each song a piece of art, from beginning to end, resulting in a complete mural. A process from start to finish - chaotic order.
Dang, Elizabeth, that is one of your best reactions yet! Just hit so many areas and so much fun. ❤
“Stop making sense” is one of the biggest concert movie ever made, and you reaction on both Talking Heads live songs is from that movie. From first song “PsychoKiller” to the end, you one day must watch all, it is just too good as musical performance not to be seen.
You can make Patreon movie party and watch and listen that masterpiece, and later edit some songs or reactions for YT.
You were on right path with Martin Jr Luther, David watch the hours of TV evangelist at the end of 1970’s, so that he can create a person moves and vocals for this song, cause when he wrote lyrics, he recognized that it could be preached in song.
Geniality, pure geniality.
Keep on good work Elizabeth ✌️👍
If you can find it, the movie that Talking Heads produced, “True Stories”, shows David in his best quirkiness. IMHO, Talking Heads and more appropriately David Byrne, are in the top 10 most important musical artists of the 20th century.
Tina Weymouth isn't singing. The female backing singers are Lynn Mabry and Ednah Holt. Jerry Harrison, Steve Scales, and Alex Weir also provide backing vocals during the concert - but I'm not sure I can hear them on this track...
Ahh. Another head need.
Nerd
Preach brother. Mabry and Holt were a perfect match for those concerts. And proved their aerobic prowess too.
David Byrne built the lyrics of this song on the research he did watching recordings of preachers and politicians. It's a sermon on modern life, how we fall into the rhythm of life and get pulled down into the water of ordinary days, time going by without our feeling it. His movements were developed watching rituals from different religions, especially Caribean faiths like Voudoun and Candomble, and faith-healing gatherings. If you watch the original music video of the song, you'll see clips from some of those rituals playing in the background as Byrne joins in the movements of the celebrants. (He eventually became a priest in the Candomble religion.)
"Burning down the house" is probably their most popular and well-known. And a must listen, if you're exploring the Talking Heads.
Also Wild Wild Life
@@jaime7203and Psycho Killer! Those plus Once in a Lifetime get the most radio play these days, on the rare occasions I hear Talking Heads played at all.
Got to be psycho killer. There are many as;eats to analyse
What about Road to Nowhere?
I think another song to check out in this vein of music would be Genius of Love by Tom Tom Club. Husband and wife duo of Chris Frantz and Tina Weymouth from the talking heads. Very interesting vocals throughout. 🤷🏼♂️
There is water at the bottom of the ocean.
It's so stupidly obvious it makes you question how you perceive reality.
If you haven't the full film of this concert, I highly recommend. It introduces new sound elements organically. First it's just David Byrne on the stage and they bring in each new instument and player bit by bit.
And Demme captured it quite beautifully. Most times for music it's a head-on static camera pointed at the singer with rest of the band kinda in the background. Cue close-up of a drum or a guitar. Look, they're playing this. It's very formulaic.
Seeing a side shot of a set of folks going absolutely ape shit directly at the audience is viscerally thrilling. We need more of that and less static one shots.
There's a character arc that runs through the whole concert, too. He starts of as the "Psycho Killer" guy, very nervous and freaked out, and by the end of the show, he's singing Al Green gospel music. But he also steps into different characters for different songs, but there's sort of a base character that runs through the whole thing. "Performance art" was a big thing in the 80s, and Byrne was into it, for sure. You should definitely watch the whole Stop Making Sense movie. It works really well both as a concert and as a film.
Amen!
Many have already said it, but... 'STOP MAKING SENSE'!!! Its an amazing introduction to them, and also just so happens to be one of, if not the best, live concert "documentaries" of all time. Keep up the great work 🤘
I'm fascinated by his control of his hands and shadowthrowing, particularly on the face - he knows exactly how it will look from the camera angle and he adjusts for it, and plays with it.
David Byrne's mind must be a fascinating place.
David Byrne's book, "How Music Works" explains how live performance and studio performances differ depending on the venue and audience. It's very much a MUST READ or listen on audio book narrated by David himself. The book is also a biography on himself and the band.
Did you know that David Byrne won an Oscar for his work on the score for "The Last Emperor" (1988)?
I didn't know he even did movie scores, that's cool!
I highly recommend watching this entire concert. It’s on hbo max. Every time I’ve watched it, I wanted to get up and dance. “Its like 60 minutes on acid”- David Byrne
While this is easily the best concert movie ever made, the first listen of this song really needs to be the studio version. The production is groundbreaking and immensely important. Brian Eno wasn't on the stage in the concert film. "Remain in Light" was lightyears ahead of everything else.
The backing vocals are so powerful because they are The brides of Dr. Funkenstein. Part of the Parliament/Funkadelic family.
Also Bernie the keyboardist is a genuine legend who is also in those groups
That was a brilliant analysis of one of my favourite songs ever!I heard it first when it came out originally!
Same as it ever was!
The Talking Heads are a band to listen to over and over again and all of their catalog, a truly inspiring and beautiful band
One of the greatest live performances ever, informing life moving forward in remarkable ways.
This song is so amazing. I don’t know if anyone’s mentioned it yet, but he actually ran around the studio before recording these vocals so he would sound like an out of breath preacher delivering a sermon. You would love his book How Music Works!
His physicality is fascinating; I'm in awe. It's some Charlie Chaplin level body language there. Pretty sure David Byrne came through an art school background?
His dedication to his performance is 10/10. My god. The place must have been electric. The people must have walked in and then walked out having changed a little.
I Believe The ART SCHOOL Was Rhode Island College Of Art & Design.👌👌👌
Loved how you discussed music, singing, talking, and philosophy so seamlessly intertwined together. One of your best reactions!
This is such a great concert/movie. I have probably watched it 50 times and certain songs 100's times. He's so much fun to watch and the entire band is just so entertaining and put on a great show.
Talking Heads were like a combination of New Wave & performance art. David Byrne is a TRUE artist, in every sense of the word. You need to be in that kind of mindset. He's really a musical genius, imo.
Also, the lyrics are actually quite deep and meaningful. Reflecting on your life and all the decisions you made, then still asking yourself. How did I get here?
I find him an absolute genius, and I'm so grateful to finally dive into his catalogue. This one in particular has left me particularly stunned and introspectively thinking about life and my own why!
@@TheCharismaticVoiceI am glad you find him a genius and he sure is one. I also can't wait to see you dig into more of the Talking Heads music category. You will find some of the greatest songs ever written and gems as well. The time always comes to find different styles that you will love and want to listen to again.
As I said on the last Talking Heads reaction, they met at RISD (Rhode Island School of Design) so a lot of their performance is actually that, performance. For this song he specifically studied and took influence from revival preacher styles for his vocal delivery. Thanks!
Once when David Byrne was asked to describe himself...he is quoted to say: "I'm not a completely comfortable person" Got to see Talking Heads way back in 1977. One great concert. Loved a lot of their songs as well as when they became the Tom Tom Club.
The 'head-slap' thing is mimicking
a faith-healer
Or it dramatizes the thought "Same as it ever was" hitting you hard enough to open your mind. Eternity? Nothing really changes? Everything is change?
I LOVE YOUR ANALYSIS & REACTION ELIZABETH TO THE MUSIC OF TALKING HEADS I GREW UP WITH ! ! !👌👌👌
David Byrne said the vocals were inspired by old time radio preachers. So your comparison to MLK Jr, a preacher, and to church is very apt
I have never commented on your channel until now......I am amazed at your analysis of this song and performance. I grew up listening to Talking Heads and a bunch of other ground breaking bands in that era. I thank-you for your perspective on what is so fascinating about this performance and you are spot on! David Byrne is special but I have to say the entire band was a magic combination! I'm glad the Talking Heads were going off when I was dialed into the music so heavily.
Watch the whole concert. My favorite from it is “Girlfriend is Better”. When he gets to the lyric “Stop Making Sense” I get producer guy from Pitch Meeting saying, “That’s the name of the movie!” playing in my head now.
Yes! My personal favourite too. I get that "they said the name of the movie" feeling from it everytime.
The open, 'Psycho Killer', with just a boom box and Byrne on the guitar, is such a haunting piece. It really sets the tone for the whole performance - you just know you're witnessing something profoundly, amazingly different.
I remember when this first came out on VHS and my trying-to-be-hip parents rented it... about 35 minutes in, I hear them calling me from the TV room. When I get there, they are looking perplexed and uncomfortable. "You don't like the music?" "The music is fine, but ... when does the plot start?"
Wow wow wow wow wow. Wow.
Talking Heads is my favorite band and Stop Making Sense is by far my favorite concert movie. It should be watched in its entirety. I hope someday Elizabeth takes the time to do so. It will give Elizabeth a lot of perspective and clarity for future analysis.
This is the most Brian Eno sounding talking heads track. I love it.
"I Zimbra" comes pretty close!
@@coordinatezero Loved the energy of that one too!
One of the 80s finest soundscapes of depth and awesome strangeness… I really enjoyed you hearing/seeing them for the first time and your honest analysis of Talking Heads. Another band which changed the vibe so beautifully in the 90s was Portishead, their depth difference wrapping Beth Gibbons amazing voice.
“Roads” or “Glory Box” would be great songs to check out first👍 I would love to hear your thoughts on this sublime music.
This show was genius, a real piece of performance art with some great songs
Roxy Music so deserves your analysis. "More Than This" is one of my all time favorite songs.
and Mother of Pearl!!
Love Roxy Music❤❤❤
In every dream house, a heartache is also really good
I think David is saying that many of us let the days go by. Not seizing the moment.
Reminds me of Su casa es mi casa from Infectious Grooves, in which they sing 'the ticking you hear is your life passing you by' repetitively. Sooo depressing! 😅
I think the genius of good lyrics like this song has is its ability to potentially mean many things depending upon one's perspective.
@@Shamanator i do think he had a fairly direct message to deliver and most of the comments are very similar, but yes, there are different variations of said message. Life (time) never stops and before you know it you’ve gone to college, got married, bought a house, had kids and now they ate married and it seems like yesterday! We do have to make more out of our lives and check off the bucket list items!
9:19, "He's such a fantastic actor." I'm not even convinced he's acting, the man is possessed by his art.
The "talking hand" reminds me of you! I never much questioned it in the RUSH video until you were so entertained by it. So, now, when I see it, it reminds me of Elizabeth.
Lots of folks here recommending the full concert film Stop Making Sense (and with good reason), but I also think you'd really dig David Byrne's American Utopia. It ran on Broadway, and the film was produced by Spike Lee - David really leans heavily into his performance artist bent, and it's simply magic.
Just so you know, Tina doesn’t sing for Talking Heads. But only for
Tom Tom Club. You should check that out. It’s also in “Stop Making Sense”.
I would definitely second the Tom Tom Club recommendation -- but maybe not for their performance on "Stop Making Sense". "Genius of Love" is a great song, but the version from that concert is pretty raw compared to the studio version.
So did Byrne have a sex change and assume Tina's identity for the chorus of "The Good Thing"?
Tina definitely sang background on some Talking Heads tracks.
Fun fact: I believe she learned bass guitar in the 70s only because Talking Heads needed a bassist and she had never played it before.
She is now widely considered one of the greatest bassists of all time.
I LITERALLY listen to you ….I love music….because you have so much passion and love music so much and it comes through so much….your passion is an example for everyone to find something that sparks real magic in them…so simply put ….you are delightful!!
I used to wonder if it was a coincidence that with his short hair Byrne used to remind me more of Anthony Perkins of Psycho than your typical rock star - and one of their big hits was "Psycho Killer".
That's a great song. Just hearing it mentioned in your comment I know it's going to be stuck in my head for hours.
I love David b. But I am so impressed with what you see in this performance. Your analysis has its own musical gestalt to it. It literally brought me to tears. It is every bit as creative as the what it is analyzing, creating a creative whole between the two artistic colors.
In every way, an iconic song and performance. If anything, has grown is stature as it has aged.
One of my favorite David Byrne quotes: "Lyrics are just a way to get people to listen to music longer than they would normally."
Nice. The Stop Making Sense concert movie is awesome. And I never have paid attention to the behind the scenes stuff, so I’m probably the last person to know that the drummer and the woman playing bass were the ones behind Tom Tom Club.
I heard that this concert was the go-to, so I've been focusing the live performances from it!
@@TheCharismaticVoice oh yeah, I didn’t watch the preview, so probably it doesn’t include the other people I mentioned, but that’s ok.
@@user-qq73r44 It does! Tom Tom Club was Tina Weymouth and Chris Frantz's side project, and they perform Genius of Love near the end of the film (while David Byrne has a costume change).
@@TheCharismaticVoiceyes this performance is possibly the best concert film ever. Every song in this film would make an interesting conversation about singing and performance.
Out of curiosity have the Kinks hit your radar yet? Lots of interesting stuff from them. You would particularly enjoy their song Have a cuppa tea.
@@jocgoit's definitely up there, but as far as concert films go, I would have to put The Bands The last Waltz as the top one!! That's a band the Elizabeth should most definitely react to!! The Weight, up on cripple creek, the night they drove ol Dixie down from said concert film.
The shot (~22 mins in your video) during "Time isn't Holding Us" where David has returned and we see across the stage at Lynn and Ednah slowly returning from their limbo, bathed in raw, white key light gives me chills every single time.
Me too. This is the first cut in the song up to this point. The whole song prior to this is the same camera. Jonathan Demme must have been having lunch at the time. The cut is amazing though. Like light shining in through the high window of a church or the stairway to heaven.
David Byrne is a genius, knew that back in the day and wasn't ever a huge fan...dude is genius, the whole ensemble are brilliant
This was one of my favourite songs for a while, when I was a kid and into my early teens (a long time after it was released). I couldn't really articulate it at the time, but I felt then (and still feel) it's about going through life on autopilot and the moment you realize you've been doing it for too long.
Circumstances had put me in "survival mode", which is a kind of autopilot since the more complex parts of the inner self, that give us personal agency, are unplugged and essentially firewalled from reality. I was stuck in that mode for some time after the circumstances that initially warranted it had (mostly) changed, and I think me latching on to this song was about implicitly understanding that, even if I couldn't fully grasp it or see a way out.
They first performed at CBGB’s opening for the Ramones. Epic punk scene back in the day. Blondie will always be my favorite though
Country, Bluegrass, and blues
Mom kicked my ass for sneaking off on the subway to see Talking heads, Blondie and the Ramones at CBGB's as a kid!😂😅
Even his newest stuff sounds great. And still physically active while he performs. He's 72.
David Byrne is just a fascinating artist. He paints, writes, he's just well rounded with a heavy dash of odd.
Talking Heads were such a great band
The whole movie of this concert has been in theaters over the past year! You NEED to see it in a theater without interruptions!! GO!!!!!!!
Kicks me back to my childhood watching "Down and out in Beverly Hills" loved that movie and the song was fitting
Was wondering if others would think of this, too. I love this song on its own, but I also love it in the context of that film. And Elizabeth, if you see this: Would recommend giving it a watch, if only to add an additional layer of context for this song. :)
Yes! The song placement at the end the end of the film is just perfect. I love when movie soundtracks get it bang on
Saw that in the theater when it came out. Director Paul Bartell and Mary were sitting right behind me. If you haven't seen their "Eating Raoul," it was hilarious too.
Loved (and still do) the music of Talking Heads and David Byrne. Saw both as a band and David Byrne on a solo tour and loved the live performances.
Perhaps I’m a pessimist, but I always interpreted the lyrics more as a commentary on not being mindful or purposeful. Just letting things happen without intention leading up to the “My God! What have I done?” moment when you realize you’ve been “letting the days go by”, perhaps wasting them and missing out on those once in a lifetime opportunities.
I agree. I think she's putting too positive a spin on things here, but that may just be her personality. Or it could reflect the "positivity" thing going on now online. Either way, this has always seemed to be pretty negative to me.
Well, there's positivity in both interpretations. In yours (which I happen to share), that sudden realization can be the impetus for change, the spark that lights the way toward a new direction. Many positive things are born out of people yearning to be released from negative things.
The first record I ever bought! David gave a shoutout to my uncle in his book 'How Music Works' and he was gracious enough to sign my copy at his office downtown. Thank you so much.
The Talking Heads have such an amazing catalogue.
I really think you would enjoy "Road to Nowhere", "And She Was", and "Burning Down the House".
I feel like you would really like David Byrne in person or in continued detail. He is indeed a bushwhacker, a brush-cutter, a wanderer, a bolt of cloth of a color never to be seen again. At the rate you're watching The Talking Heads you should be ready for his independent post-Heads music by 2093. At least that will keep us on our toes! (Please do more, sooner!).
In this live version there is an even greater emphasis on, "Time isn't after us, time isn't holding us!" We are not prisoners of time. We are released from time's constraints. Being concerned about time passing is as futile as to, "Remove the water, carry the water! Remove the water, from the bottom of the ocean!"
If you wanna get into the whole Oppenheimer thing, he does that too. The song is called, "Swamp".
And yes, these are all from the same show. They are from a Jonathan Demme documentary called, Stop Making Sense.
Produced and co-written by BRIAN ENO. Who also produced and co-wrote David Bowie's "Heroes".
A very great and influential musician.
@@footbru Apologies, don't want to come over as pedantic, but I thought Heroes was produced by Tony Visconti.
@@Rjhs001 OMG just lost my longwinded reply - have to retype. Thanks for your reply - at least I know I'm not still shadow blocked on this channel.
You are right. I've always assumed that Eno was some sort of "executive producer", but he is in fact listed as "collaborator" on the three Berlin albums. He's given equal writing credits on the song "Heroes".
I've watched Visconti's doco on creating the song, and just wrongly assumed he was some sort of "technical producer".
My understanding is that Eno created the bones of the song, the soundscape, and it sat until Bowie returned from wherever to finish it. Bowie asked Eno if he knew a guitarist to do some "shredding", so Eno called his old friend.
Meanwhile Bowie was producing Iggy and The Stooges. Producers everywhere.
I really think Eno gets ignored by America. Take the fact that he introduced Talking Heads to Fela Kuti, which influence is widely hailed as seminal in the album "Remain in Light". I've heard a story that he and David Byrne wanted Eno's name on the album - like "Talking Heads with Brian Eno", but the rest of the band wouldn't allow it (along with some other outrageous ideas from Byrne). And he produced "Fear of Music" before that.
AND THE INFLUENCE SHOWS.
The point is that Eno was instrumental in the creation of this song.
Thank you, Elisabeth. You remind me how lucky we were growing up. We made mix-tapes that could bounce between Pink Floyd, and David Bowie in "Ziggy mode" AND "New Romantic mode". We added some angry pure young Irish dudes (U2), padding it with an even younger Kate Bush, before throwing in some gay Pet Shop Boys genius together with a dude in admirably high heels called Prince alongside AC/DC, a "running" dude in Jeans called Bruce, a couple of gentlemen called "Paul and Art", a bit of late "Elvis" and "ABBA" for fun drizzled by everyone in the world meeting up with a very flashy live concert with a dude called Jean Michelle Jarre, after having our brains blow by some esoteric Germans called "Kraftwerk" and the equally mindblowing "Yello" from Switzerland alongside winners like Talking Heads.
People say things are "woke" now. They should seriously be exposed to the mixed-tapes of us who grew up in the '70s and '90s before going in for "selection" to scary stuff.
It is not my generation who invented "Rickrolling", but we sure knew to move the odd hip to this masterpiece and it prepared our generation well to receive Tracy Chapman's debut album later in the 1980s without being scared about suddenly being "woke" because of....gender(?) or whatever(?) these days.
We must all chill out a bit and embrace the music and wiggle that bum a bit with fellows. Let me see if I remember the old text-based way to indicate a butt shaking from back in the days of the fax machine:
(( ( )) (( | )) (( ) ))
I still got it and it is better than any emoji ever. "Once in a lifetime" -> me -> (( ( )) (( | )) (( ) ))
I have to say, you delved into the lyrics of this song waaaaaay deeper than I ever even thought about.
Have you ever done a Macy Gray episode? Wildly unique voice…
The Stop Making Sense live performance is great, but the official video is amazing, mainly due to the dance David choreographed with Toni Basil.
Overall, the studio recordi g with music video is better. This and Take Me to the River are the two songs from the show that lost something live. The rest of the concert elevated the original songs
Oh yuur! Wondered if anyone would name check Toni Basil LoL
My niece was named after the Oh Mickey track she did 😂
One of the things I notice about this live performance is the use of lighting where David Byrne is half in darkness and half in the light just as a person can be when questioning the moments of their life. As well the moments when letting go he comes more into the light. Great reaction, I always learn so much from your analysis. Thank you for all your time and effort and please watch the whole of Stop Making Sense. It is great to experience the performance and how much they squeeze out of the minimalist set-up to captivate the audience. I think it touches on that human element you brought up and the need to connect.
David Byrne being unapologetically on the autism spectrum is such a powerful sight to behold. Love him.
Lol, the talking hand was from The Rush video that you got such a kick out of! If you really want your mind blown sonically, check out some of these that you've listened to now on the studio cut. It will blow you away, especially this one from Remain In Light. That album is so significant and it really stunned everybody when it dropped. And the album cover is so iconic as well.
I'm not sure if I ever brought up one of my all time favorite bands from the same era as the Talking Heads. Have you ever heard of a band from New Zealand called Split Enz? They were the precursor to Crowded House and it's some of the most quirky and beautifully weird music. But the best vocal has to be Neil Finn doing "Message to my Girl". The original recording is amazing but there are tons of live performances out there. TAKE A DEEP DIVE DOWN TO NEW ZEALAND!
Split Enz were awesome!