The funny thing about the lyric “please squeeze to the rhythm, prevent my heart from stopping” is that this song is 109 bpm, which means it’s between the 100-120 bpm rate of cpr. You can do cpr to vampire reference in a minor key.
@@pencilRC1i know this is very, very late. But, i think its referring to the relationship, like, instead of a hookup, our titular nameless protagonist wants to, idk, have them be the ride or die. Cheers mate, have a good one!
@@pencilRC1it's actually just using "last nail in my coffin" which is similar to "the straw that broke the camel's back" basically meaning the thing that really seals the deal, in this case death maybe? Anyways it uses this and says don't let this be the final straw
3:05 this part lives rent free in my brain and makes me vibe so hard it's not even funny. i need this part to replace all the blood on my veins and run inside them instead
I just LOVE how the title says "in a minor key" rather than "in A minor, as in the actual key", it really contributes to the campy, over-the-top feel of the song, which figures given that it's a Vampire Reference, rather than a specific narrative
I think it is poking fun at the way that technical criteria get argued about when debating what goth music is, and what is "goth adjacent" or "popular with goths but not actually goth". Given that some people argue about his music being goth or not. Minor keys are among the characteristics of goth music but some universally agreed goth music canon are not in a minor key. Like all the commonly agreed upon criteria, it gets selectively dropped when such an overwhelming percentage of goths like a sound that it becomes untenable to call it merely "popular with goths but not goth". Then with the Friday line there is the reference to a famous non-goth hit song by the most beloved goth band ever, The Cure, who have made more pop songs than goth songs and have several albums that people argue about being technically goth or just dark but not meeting the strict technical criteria. So I think that neverending internal subculture negotiation over what goth canon is and how to define the requirements, is what the song is really about, but I am not sure exactly what comment he is making on it, except that it is being delivered with humour as usual.
I absolutely adore will's soft and tender singing on this song. I kinda wish he used that type of singing style on other songs. edit: it seems my thirst for more seductive vocals has been quenched by Deftones.
"I'd kill the man I am for one chance to be yours, babe" wait, is she falling in love with the new man or the one who changed his entire self around for her? what the hell kind of pledge is that? the desperation in the singer's voice matches that of the lyrics o.o
Hey, question. My favorite song from Will Wood since discovering him a few months back is Laplace's Angel -- I've been playing it on loop for hours and hours and I absolutely never get tired of it. The moment I heard this song I noticed the similarities between this and Laplace's Angel (same key, same type of chorus/chord progression type stuff) except Laplace's Angel is loud and chaotic where this song is quiet and sincere. Genuis Lyrics also says that this song references his older songs a bit (it's about how his old singing persona is dead, but you can visit it in those older songs if you like) so do you guys think that the correlation with Laplace's Angel is intentional or just a similarity that happened because of how he tends to write music and I'm reading into it too much? (As a songwriter myself I know what it means to write two songs and unintentionally make them mirror each other in a lot of ways, so if it's the latter that would make sense too.)
In the Livestream after the album's release someone pointed out the similarities, he said that it wasn't intentional, but it makes sense to him that there would be similarities to previous works. I'm paraphrasing of course, but that's the jist.
Will has actually said that contrary to popular believe, this is a love song, not a song about his past. While I think some parts make small hints towards it, if you know the context it was meant in, it's easy to see how the song's intended meaning is diffrent.
Well, here we go, I'm turning over The same old leaf again The seraphim on my shoulder whispering "Please don't turn your head" 'Cause if it weren't for the everything Then anything could happen If anybody needs me, I'll be in my coffin Girl, I guess you're just my style You know I dig you like a tomb And I'm sorry for the things I've done, and all I ask of you But please, squeeze it in rhythm Prevent my heart from stopping If you still want me, come and find me in my coffin If you need me, I'll be in my coffin You could come knocking, and I'll raise hell for you So if anybody needs me, I'll be in my coffin I'll be up day-walking, back from the dead for you If you need me, I'll be in my coffin You could come knocking, and I'll raise hell for you Ooh, oh-oh-oh-whoa, if you need me, I'll be in my coffin I'll be up day-walking, back from the dead for you Well, maybe I should switch up the style of my mistakes The hearts or promises I tend to prefer to break Oh, but stop the world and melt with me Friday, I'm in love again If you still want me, come and find me in my coffin Hold my hands, we'll dance the 12-step on my grave I'd kill the man I am for one more chance to be yours, babe No, I ain't begging, I'm just saying, it's an option Don't let the latest be the last nail in my coffin If you need me, I'll be in my coffin You could come knock, and then I'll raise hell for you Oh-whoa-oh-oh, oh, if you need me, I'll be in my coffin I'll be up day-walking, back from the dead for me
Well, here we go, I’m turning over The same old leaf again The seraphim upon my shoulder Whisper please don't turn your head ‘Cause if it weren't for the "everything" Then anything could happen If anybody needs me I'll be in my coffin [Verse 2] Girl, I guess you're just my style You know, I dig you like a tomb And I'm sorry for the things I've done And all I ask of you But please, squeeze it in rhythm Prevent my heart from stopping If you still want me, come and find me in my coffin [Chorus] If you need me, I'll bе in my coffin You could come knocking, and I'll raise hell for you So if anybody needs mе, I'll be in my coffin I'll be up day-walking back from the dead for you [Instrumental Break] [Chorus] If you need me, I'll be in my coffin You could come knocking, and I'll raise hell for you Oh, if you need me, I'll be in my coffin I'll be up day-walking back from the dead for you [Verse 3] Well, maybe I should switch up The style of my mistakes The hearts and promises I tend to prefer to break Oh, but stop the world and melt with me Friday, I'm in love again If you still want me Come and find me in my coffin [Bridge] Hold my hands We'll dance the 12-step on my grave I'd kill the man I am For one more chance to be yours, babe No I ain't begging, I'm just saying It's an option Don't let the latest be The last nail in the coffin [Chorus] If you need me, I'll be in my coffin You could come knocking, and I'll raise hell for you, woah If you need me, I'll be in my coffin I'll be up day-walking back from the dead for you
The funny thing about the lyric “please squeeze to the rhythm, prevent my heart from stopping” is that this song is 109 bpm, which means it’s between the 100-120 bpm rate of cpr.
You can do cpr to vampire reference in a minor key.
This is a peice of knowledge that I didn't know I needed. Thank you
if i ever need CPR, please do it to this song it'd be funny
Oh wow my mind isn't in the gutter it's in all the way in hell lmao
Honestly bro, same here
Honestly this song feels like depression but flirty, idk if that makes sense but yeah.
Idk why i qlso underwtqnd
seductive depression if you will
@@explodingegg123 Yes, exactly!
no bc why do i somehow understand and relate 💀
That absolutely makes sense
This is like the opposite side of the same coin as Yes, To Err is Human So Don't Be One
this is like the 3rd song will has made about vampires i think, and ALL of them are good
what are the other two? need to know as vamp enthusiast hehe
@@aliiqwn8778 I know they're referring to Vampire Culture, but I'm not sure what the other one is. Maybe Chemical Overreaction?
"yes to err is human, so don't be one" !
@@GlipGlig thank you!!!
correct!! i forgot to mention it was vamp culture and yes to err is human :)
Oh my, "Don't let the latest be the last nail in my coffin" is an incredibly spicy line.
I don’t get it 🤨
@@pencilRC1i know this is very, very late.
But, i think its referring to the relationship, like, instead of a hookup, our titular nameless protagonist wants to, idk, have them be the ride or die.
Cheers mate, have a good one!
@@The_wheels_turn_ever_forward OHH
@@pencilRC1it's actually just using "last nail in my coffin" which is similar to "the straw that broke the camel's back" basically meaning the thing that really seals the deal, in this case death maybe?
Anyways it uses this and says don't let this be the final straw
3:05 this part lives rent free in my brain and makes me vibe so hard it's not even funny. i need this part to replace all the blood on my veins and run inside them instead
I need to hear this one part at all times everyday
I couldn’t have said it better, there’s something so good about it
LITERALLLY SO ME
IKR HEKP
YES that is 100% the best part :D
why is he so good at making vampire music??? sir
Maybe he's a vampire who knows:)
@@bored4331theory
Cause he is one
I just LOVE how the title says "in a minor key" rather than "in A minor, as in the actual key", it really contributes to the campy, over-the-top feel of the song, which figures given that it's a Vampire Reference, rather than a specific narrative
i'm not sure if i understood u correctly but minor keys are spelled in lowercase letters 😭 sorry if i misunderstood or something like thatjfjfc
@@lybasilyA minor key is a minor key with the root being A, while a minor key is just you know, a minor key
@@eugeneimnotgonnatellyoumyl5513 oh alr then!
I think it is poking fun at the way that technical criteria get argued about when debating what goth music is, and what is "goth adjacent" or "popular with goths but not actually goth". Given that some people argue about his music being goth or not.
Minor keys are among the characteristics of goth music but some universally agreed goth music canon are not in a minor key. Like all the commonly agreed upon criteria, it gets selectively dropped when such an overwhelming percentage of goths like a sound that it becomes untenable to call it merely "popular with goths but not goth".
Then with the Friday line there is the reference to a famous non-goth hit song by the most beloved goth band ever, The Cure, who have made more pop songs than goth songs and have several albums that people argue about being technically goth or just dark but not meeting the strict technical criteria.
So I think that neverending internal subculture negotiation over what goth canon is and how to define the requirements, is what the song is really about, but I am not sure exactly what comment he is making on it, except that it is being delivered with humour as usual.
i'm attracted to this song in every way possible
Do not fuck the CD
@@BossKnight too late
Same 😭
@@heyheyhii NOT THE CD
this is the funniest comment ever to me for some reason
1:05 Laplace's angel reference
1:56 6up 5oh reference
DUDE I JUST REALIZED THE 6up 5oh REFERENCE WOAH
Laplace angel reference?
FINALLY i thought i was the only one who noticed them
@@Aresofthevoid The rhythm is the same in that part
This song makes me wish I could tango
This song makes me wish i could do salsa for some musical
It's a fun dance, and there are tutorials on youtube :D
i could die and kill for the “so hold my hands...” part.
are we not going to talk about how hot this song is?
i think it's the vampires that make it hot
@@aromanticfranziskavonkarma fr
OH MY FOD FR ITS GOT THE SAME TYPA HYPNOSTISM EFFECT AS WKJ
@@idonotknowwhattonamethis5664 GOD I LOVE THIS SONG ITS JUST SO JDIRIFJFJKCOSOIFJFJD
especially from 2:56 to 3:19
2:55 OHHH MY LORDDDD I LOVE THIS SONG
I absolutely adore will's soft and tender singing on this song. I kinda wish he used that type of singing style on other songs. edit: it seems my thirst for more seductive vocals has been quenched by Deftones.
It seems that will wood is trying to seduce us, with vampire music
@@Sunnfloweropposum its working
I can't count the number of times I've played this video, I even memorized all the comments💀✋
LMAOOO😭😭😭😭
Lol.
@@jack101starZ OMG HI I WATCH UR VIDEOS???
@@jack101starZWOAHHHH WILD JACK SIGHT !!!
1:54 cop out🤨
I love how the song sounds flirty and like a love note, not just with the lyrics but also the rhythm and slowness of it
"Where you going"
"If you neeeedd meeeeee. I'll be I my coffin~"
@damm_skippy Osc quote
LD album..
fellow multifandomee :000
@damm_skippy Yassirrr >:D
this song is in one of the camp counselors at the summer camp i recently went to's dnd playlist because of me and i'm very proud of that
did you go to Camp Here And There
"I'd kill the man I am for one chance to be yours, babe"
wait, is she falling in love with the new man or the one who changed his entire self around for her? what the hell kind of pledge is that? the desperation in the singer's voice matches that of the lyrics o.o
2:08 "Please, don't come back to me" (I think lmao)
I've always thought it said "don't come back for me"
@@Aresofthevoid maybe.
Hey, question. My favorite song from Will Wood since discovering him a few months back is Laplace's Angel -- I've been playing it on loop for hours and hours and I absolutely never get tired of it. The moment I heard this song I noticed the similarities between this and Laplace's Angel (same key, same type of chorus/chord progression type stuff) except Laplace's Angel is loud and chaotic where this song is quiet and sincere. Genuis Lyrics also says that this song references his older songs a bit (it's about how his old singing persona is dead, but you can visit it in those older songs if you like) so do you guys think that the correlation with Laplace's Angel is intentional or just a similarity that happened because of how he tends to write music and I'm reading into it too much? (As a songwriter myself I know what it means to write two songs and unintentionally make them mirror each other in a lot of ways, so if it's the latter that would make sense too.)
In the Livestream after the album's release someone pointed out the similarities, he said that it wasn't intentional, but it makes sense to him that there would be similarities to previous works. I'm paraphrasing of course, but that's the jist.
OMG I NOTICED THAT TOO
Will has actually said that contrary to popular believe, this is a love song, not a song about his past. While I think some parts make small hints towards it, if you know the context it was meant in, it's easy to see how the song's intended meaning is diffrent.
I'm assuming the similarity is intentional, since will wood makes use of repeating motifs so much
Well, here we go, I'm turning over
The same old leaf again
The seraphim on my shoulder whispering
"Please don't turn your head"
'Cause if it weren't for the everything
Then anything could happen
If anybody needs me, I'll be in my coffin
Girl, I guess you're just my style
You know I dig you like a tomb
And I'm sorry for the things I've done, and all I ask of you
But please, squeeze it in rhythm
Prevent my heart from stopping
If you still want me, come and find me in my coffin
If you need me, I'll be in my coffin
You could come knocking, and I'll raise hell for you
So if anybody needs me, I'll be in my coffin
I'll be up day-walking, back from the dead for you
If you need me, I'll be in my coffin
You could come knocking, and I'll raise hell for you
Ooh, oh-oh-oh-whoa, if you need me, I'll be in my coffin
I'll be up day-walking, back from the dead for you
Well, maybe I should switch up the style of my mistakes
The hearts or promises I tend to prefer to break
Oh, but stop the world and melt with me
Friday, I'm in love again
If you still want me, come and find me in my coffin
Hold my hands, we'll dance the 12-step on my grave
I'd kill the man I am for one more chance to be yours, babe
No, I ain't begging, I'm just saying, it's an option
Don't let the latest be the last nail in my coffin
If you need me, I'll be in my coffin
You could come knock, and then I'll raise hell for you
Oh-whoa-oh-oh, oh, if you need me, I'll be in my coffin
I'll be up day-walking, back from the dead for me
Incase no one has told you lately, you are doing gods work Percival Rustbolt
tbh, sounds like a mashup between laplace’s angel, yes to err is human so don’t be one, and the demo for 2econd 2ight 2eer
BARK BARK BARK
my friend started singing despacito when I played this
Well, here we go, I’m turning over
The same old leaf again
The seraphim upon my shoulder
Whisper please don't turn your head
‘Cause if it weren't for the "everything"
Then anything could happen
If anybody needs me
I'll be in my coffin
[Verse 2]
Girl, I guess you're just my style
You know, I dig you like a tomb
And I'm sorry for the things I've done
And all I ask of you
But please, squeeze it in rhythm
Prevent my heart from stopping
If you still want me, come and find me in my coffin
[Chorus]
If you need me, I'll bе in my coffin
You could come knocking, and I'll raise hell for you
So if anybody needs mе, I'll be in my coffin
I'll be up day-walking back from the dead for you
[Instrumental Break]
[Chorus]
If you need me, I'll be in my coffin
You could come knocking, and I'll raise hell for you
Oh, if you need me, I'll be in my coffin
I'll be up day-walking back from the dead for you
[Verse 3]
Well, maybe I should switch up
The style of my mistakes
The hearts and promises
I tend to prefer to break
Oh, but stop the world and melt with me
Friday, I'm in love again
If you still want me
Come and find me in my coffin
[Bridge]
Hold my hands
We'll dance the 12-step on my grave
I'd kill the man I am
For one more chance to be yours, babe
No I ain't begging, I'm just saying
It's an option
Don't let the latest be
The last nail in the coffin
[Chorus]
If you need me, I'll be in my coffin
You could come knocking, and I'll raise hell for you, woah
If you need me, I'll be in my coffin
I'll be up day-walking back from the dead for you
Chad
Is it possibly to romantically attracted to a song 😳
No. Go to sleep. /j
@@kewlcat69 What does “/j” mean? I see everyone saying it, but have no idea what the meaning is
@@Mr.SoggyShoes it's a tone indicator! The j here stands for "joking", to let people know the comment is meant in jest :)
does this mean will was a vamp kid in highschool
Reminds me of Laplace’s Angel.
thank you percival rustbolt i owe you my life
IS NO ONE GONNA SAY HOW HOT TJIS SONG IS??(?
This song is sooo 🤤🤤
Blank space
Heyy hope you have a good dayy!!!
this is a certified Cardan Greenbriar classic
you are SO fast bro thank you so much
This is one of my favourite songs from the albums fhfhfjhf i say one of because all of them are so good 😭😭
I love you for making this
Will's falsetto is so impressive and smooth
my dude you are fast thank you
right who put the drugs in this song?
0:28 Is it just me or does the instrumental in this part sound really similar to Cicada Days?
How.
This just came out 6 hours ago
This song is too good for the last comment to be from a month ago
This sounds like a weird love song he sung to a girl he liked
3:06
Does anyone possibly know the chords for this song? I'm trynna learn to play it
Ok so I got Am, Dm, Dm7 and A, I figured out a few other chords but I'm not sure what they are...
i learned the song from this chord sheet, hope it helps :) tabs.ultimate-guitar.com/tab/will-wood/vampire-reference-in-a-minor-key-ukulele-4293857
i can totally imagine Astarion singing the part onward of 3:00
Is he being serious or sarcastic? who knows.
I LOVE IT
*Sexily studies for my exams.*
you're so fast omg
summer two years ago, take me back for i will come soon
oh my goddddddddddd
Pozdrawiam Pana Włodzimierza Drewno 😂❤🎉
How are so so fast-
alucard song
3:37