Which of Zubin Mehta's many orchestras? and what venue? Such wonderful bite, sinew, and drive to the accompaniment, and OH 1:42 -- not to mention around 3:20... oh heck, the whole thing! She's so, SO good, wow. Her face is beautifully expressive as she sings too, and such a nice nod to Mehta at end.
Good job Mozart got as far as this with the Great Mass or we wouldn’t have this beautiful exuberant music. Just love Anne Sofie Von Otter’s performance.
Her vowel consistency has long been her signature. From top to bottom, there is never a break in the melismas and the pure "ah." She is one of those "singers' singers." Similar to Goerne or Barbara Bonney. She never relied on flash.
I have always thought that Anne Sofie von Otter was not a mezzo but a soprano voice; and to be more precise, a second soprano (or, in the french baroque terminology, a "bas-dessus"). In the partition, this aria is destined to a "Sopran II" and it suits very well to Mrs. Otter but it is obvious that her high register sounds easier than the low register. The choice she made to sing the mezzo repertoire allowed her to save her voice for a long career.
Oui c est entendu et admis c est une merveilleuse cantatrice. Mais n oublions pas Mozart et cette superbissime écriture. Cet aria existait déjà, si je ne me trompe dans Davidde Penitente, inachevé je crois,dont il a tiré cette oeuvre magnifique
@@draganvidic2039 I meant that her tonality is versatile , mezzo soprano, being in between soprano & alto, the latter is the lowest register, while the former is highest. I hope i don't sound patronizing. Thanks for asking.
She is a superb singer, but the heavy vibrato and the rather heavy tone is better suited to music of a later period! Sometimes we find that a very young girl with a thin and half-trained voice, sings the sweetness & lightness & subtle gradations in a better way. Opera singers trained on hyper-dramatic Verdi and Puccini, are not always the best interpreters of Mozart. young girl
Anne Sophie Von Otter makes me proud to exist in this world.
Definitely one of my favorites.
That is just so very beautiful.....she is so natural in her singing....
Her voice is so rich, colorful and beautiful! Just WoW... ❤️
Which of Zubin Mehta's many orchestras? and what venue? Such wonderful bite, sinew, and drive to the accompaniment, and OH 1:42 -- not to mention around 3:20... oh heck, the whole thing! She's so, SO good, wow. Her face is beautifully expressive as she sings too, and such a nice nod to Mehta at end.
Good job Mozart got as far as this with the Great Mass or we wouldn’t have this beautiful exuberant music. Just love Anne Sofie Von Otter’s performance.
Her vowel consistency has long been her signature. From top to bottom, there is never a break in the melismas and the pure "ah." She is one of those "singers' singers." Similar to Goerne or Barbara Bonney. She never relied on flash.
Extraordinary! My sincerest compliments to the beautiful lady!
Merveilleux! Merci Anne Sofie!
Wonderful! Love her joyous interpretation as well. 😀
¡Brillante!
Esta aria es terriblemente difícil.
Y aquí se muestra cómo debe cantarse.
Brillo total.
Hola! Hermosa interpretación...! Me recuerda la de Victoria de los Ángeles...
extraordinaire , quelle voix !!
I have always thought that Anne Sofie von Otter was not a mezzo but a soprano voice; and to be more precise, a second soprano (or, in the french baroque terminology, a "bas-dessus"). In the partition, this aria is destined to a "Sopran II" and it suits very well to Mrs. Otter but it is obvious that her high register sounds easier than the low register. The choice she made to sing the mezzo repertoire allowed her to save her voice for a long career.
Los genios nunca morirán quedarán en el recuerdo de la humanidad su estrella jamás se apagará Mozart ((( Sami )))**
Superb. The joy shows!
Genialidades muchas inolvidables muy pocas los genios nunca morirán quedarán en el recuerdo de la humanidad ((( Sami )))**🇲🇽
Wow wow wow
I enjoy it so much♡
Nous Te louons, Seigneur, d’avoir béni Anna Maria Pertl et toute sa descendance.
La mejor interpretación del laudamus te en la historia
I am so happy to see her come back on 27 August in “Autumn Sonata” during the Baltic Sea Festival at Stockholm Berwaldhallen.
Magnifique 😢
The unusual voice of Mezzo, I like her .
Oui c est entendu et admis c est une merveilleuse cantatrice.
Mais n oublions pas Mozart et cette superbissime écriture.
Cet aria existait déjà, si je ne me trompe dans Davidde Penitente, inachevé je crois,dont il a tiré cette oeuvre magnifique
Crystal clear.
BOSSED IT.
Superlativa...
sublime
wow!
Gorgeous
She registers as soprano, mezzo soprano and alto, how do you like that?
Jorge Schneider
What do you mean?
She is a lyric mezzo.
@@draganvidic2039 I meant that her tonality is versatile , mezzo soprano, being in between soprano & alto, the latter is the lowest register, while the former is highest. I hope i don't sound patronizing. Thanks for asking.
Jorge Schneider That’s correct
Sous la direction de Zubin Mehta .
Can't and dare not imagine how Cecilia Bartoli will look like when singing this piece. LOLS.
OMG - gargling singing does not suit this music
How can you not love this woman? Speaking as a man of course!
Dea!!!!
첫소절의 당당 함!!! 너무 멋지지 않는가
I think she is a undeveloped dramatic soprano rather than a mezzo. 😮
She is a superb singer, but the heavy vibrato and the rather heavy tone is better suited to music of a later period! Sometimes we find that a very young girl with a thin and half-trained voice, sings the sweetness & lightness & subtle gradations in a better way. Opera singers trained on hyper-dramatic Verdi and Puccini, are not always the best interpreters of Mozart.
young girl