I’ve been wanting to work on Tangerine, so just yesterday I listened to Stan Getz. His turnaround at the end of the head is so sublime, it’s just wonderful. While I don’t have the time or ability to transcribe his whole solo, I can learn that phrase and try that as a jumping off point for developing my own ideas. There’s a real sense of excitement that comes with getting hooked on the line. You convey that very well. Thanks for sharing.
I agree, you can’t swing too much however it would be hard to swing more than these guys! I got to play with Herlan Riley briefly 30 years ago-still remembering the great swing of his playing’
It’s always inspiring to see real musicians sharing thoughts on music. Thank you so much for making this video despite all the unpleasant TH-cam shenanigans.
That is New Orleans...and the fact that all the Marsalis family explores all types of music. I think it is awesome, I would love if somehow things like this could open the door to a duo session talking about how they go through the process.
Nice breakdown of a great tune! Many of us have been told to "listen more" but without any specifics or direction, so self-discovery was the main mode. This was very helpful, thank you and Happy New Year!
I think the truncated form/solos works great for live settings! gives a chance to connect with the audience more and create time for more tunes. Also being an overthinker, its good that the audience doesn't hear me solo every tune. Sometimes my best contribution is the interpretation of the head.
Nuggets, Bob! Your videos always give me nuggets to practice and to live by. This time it was sympathetic goose bumps, as well. Simplicity sometimes wins over complexity. There is nothing like a small in-the-pocket rhythm section. For me, it’s a horn player’s dream. And, yeah, a single A on the way out leaves listeners wanting more. That’s what it’s about. Thanks and may the new year treat you well.
You are the instrument! Great way to put it. I had a trombone teacher who told me to think of the bell as my mouth, not separate from me, but a part of me. Great video. I have that CD and haven't listened to it in a long time. Thanks for sharing!
Mature musicians making music... succinct description of these recordings of Wynton and his father. The rhythm section is tight and contribute to the melodic movement. Some of the greatest tunes
Took me literally decades to "learn how to listen". As you (probably), I used to spend the majority of my time just listening to the saxophone player, whether it was 'Trane, Stitt, Grossman.....whoever. We all need to do that but I've since found there was SO much I missed. About 5 yrs. ago I literally almost drove off the road when listening to Sonny Stitt play a medium swing tune. For the first time I realized how STRAIGHT he played his 8ths....like bone straight....and how much he articulated (literally tonguing every 8th note). It honestly made me hit the shoulder of the road because I was dope slapping myself as to how in the hell I *never* noticed that. Especially since I'd been listening to him for for about 30 freaking yrs. Same with 'Trane, Rollins, Mobley, etc. Those guys ALL played very straight 8ths a LOT of the time. Rhythm section swinging their d***s off and Sonny blowing straight 8ths. Who'da thunk? Rant off. ;-)
Bingo. George Garzone first opened my eyes/ears to that. If you want to swing, play your 8th notes straight, but slightly behind the beat. (caveat being as tempos slow down that becomes less true for single-time lines). Drive safe! :)
Hey, Dave here 👋 what I got was a USB CD drive, I rip CDs to mp3s then load those onto a thumb drive for the car. Not sure how that approach will work for rewinding for you, but it's nice for listening, like CD changers used to be.
I use a TASCAM CD player. It loops and adjusts tempo while maintaining a constant pitch. Great for transcribing. Had it for years. Not sure if that’s a thing anymore.
Not sure I’ve said this before but I get so much out of listening to tunes with an experienced player. Thanks Bob! That whole recording is a gem from start to finish!
the english vocabulary that you utilize to get the concept of the technical reference in question across, is perfect. it immediately sticks and documents itself comprehensively into my mind. This is something that really stiands out and I truly appreciate about all your videos. Musicians of any level can grasp the subtle nuances that you flesh out and explain, and even if I dont comprehend a concept, i can at least vicariously geek out on the sound of it lol
Thank you for posting and talking about this tune. Growing up I never really cared for the tune. I would sorta skip it. But now that I’m older I like it. Thank you for pointing out some details. I really like hearing you talking about music in that way. I find it fun and engaging 🙏 . 🦩 Thank you 🦩
So, when you want to use a tune - just ask us to pull it from spotify or lets us double tab a yt you can link to. Did you upload your vid to your studio?
Thank you. Your enthusiasm and insight has changed the way I practice. We are often told to listen to the greats but almost never told HOW to listen . I've spent far too much time working on the mechanics of a machine ( sax ) whereas now I am focusing more on developing the musician inside of me. Good stuff. Keep it up
Hey, I’m sure you can dispute any copyright claims and state fair use. The content gets automatically flagged, and legally speaking you are in the right, so youtube SHOULD remonetize the video. TH-cam’s copyright system is kinda broken though… Great video as always!
I love this - getting inside your head! (BTW I heard all the music - fantastic!) YOU are the instrument. LOVE IT. So true, but never really thought about it that way before. I now have a new perspective. I am sorry for the YT issues. Grrrrr. What you do is so important to the music! I go out and purchase much of what people like you talk about. You are providing free advertising! Crazy. OK back to the video - Great stuff, Bob. It is so helpful to hear what triggers you about certain music and how you hear it, etc. I learn so much from you. Thank you!
In my later years(not a pro or old😂) I have been paying more attention to the little details as well. My early years of jazz consisted of Grover Washington, Najee, Kenny G...you get the point. What I immediately noticed is a hauntingly romantic sound in the chorus similar to the feeling in Ben Webster's Tenderly. 2 completely different time feels but just shows the bridge when you start 'listening'! Thanks for the upload sir. I love your content and glad I discovered you on this second half of my jazz journey.
Herlin Riley is both a walking museum of music as well as a force of nature so kinetic that he swings himself into the future--he is never static. Just listening to him play the tambourine is masterclass in it of itself, am I right? The question of swing feel and rhythmic precision gets me both excited and frustrated. There is so much out there if you want to explore improvisation--actually, there's too much. Formulas for scales, substitutions for harmony, and step by step processes with etudes galore. But whenever the conversation turns to swing feel, the answer seems to be "just listen." I wish that we had the opposite in jazz ed--and that the REAL foundation of this music got it's due--RHYTHM and PULSE. I've been studying a lot of Mike Longo and Barry Harris as of late, and there's plenty of cross over. Both seem to suggest that jazz time is not something that can be written down. Rather, swing feel is a result of polyrhythmic layering. Barry used to talk about feeling that 6:4 (3:2 polyrhythm doubled for the whole measure of 4/4) when playing a ballad, or the 3:4 feel with uptempo tunes. Mike Longo went even further with translating all that he learned from Dizzy Gillespie. Glad to see more material about deep listening and swing feel. I'm just hoping that Jazz Ed gets the hint, and starts leaning more towards the rhythmic side of the music.
Happy new year, Bob! Watching from Germany, so apparently it works. If I remember correctly, GEMA (German ASCAP basically) found some sort of agreement with youtube a couple years ago.
✨😁🙏I wish TH-cam knew that they need to broadcast more of such beautiful live videos of yours to let us enjoy this great music and your ideas, never mind not taking the exit. So enjoyable 🥰thinking about us being the instruments, certainly check out the track. Rumba yes 👌but I felt the Tango at parts of the song, greets from Germany 🇩🇪 and a Happy New Jazzy Music Year ✨
Great video. What sucks about TH-cam and the copyright stuff is others who seem to of pulled the right strings put up educational video on music and for most part are left alone.
This reminds me of this track off of Phil Woods Album "Greek Cooking". The song is "Zorba The Greek" th-cam.com/video/3zMcrgPl9jA/w-d-xo.htmlsi=Y_5PSR9MztbD1qHi You have to wait for it, but at 1:28 when Phil comes in it's just the most swinging solo you've ever heard.
Super cool analisys, thanks for sharing with us! Sucks that youtube doesn't allow for more of this type of video, should definitely be considered fair use....
I’ve been wanting to work on Tangerine, so just yesterday I listened to Stan Getz. His turnaround at the end of the head is so sublime, it’s just wonderful. While I don’t have the time or ability to transcribe his whole solo, I can learn that phrase and try that as a jumping off point for developing my own ideas. There’s a real sense of excitement that comes with getting hooked on the line. You convey that very well. Thanks for sharing.
Thank you for being down to earth and yet touching on such profound matters and articulating them with such passion. And for sharing them with us.
Definitely a Tango like feel, piano goes in and out but is pretty clear.
I agree, you can’t swing too much however it would be hard to swing more than these guys! I got to play with Herlan Riley briefly 30 years ago-still remembering the great swing of his playing’
It’s always inspiring to see real musicians sharing thoughts on music. Thank you so much for making this video despite all the unpleasant TH-cam shenanigans.
That is New Orleans...and the fact that all the Marsalis family explores all types of music. I think it is awesome, I would love if somehow things like this could open the door to a duo session talking about how they go through the process.
Nice breakdown of a great tune! Many of us have been told to "listen more" but without any specifics or direction, so self-discovery was the main mode. This was very helpful, thank you and Happy New Year!
I think the truncated form/solos works great for live settings! gives a chance to connect with the audience more and create time for more tunes. Also being an overthinker, its good that the audience doesn't hear me solo every tune. Sometimes my best contribution is the interpretation of the head.
Nuggets, Bob! Your videos always give me nuggets to practice and to live by. This time it was sympathetic goose bumps, as well. Simplicity sometimes wins over complexity. There is nothing like a small in-the-pocket rhythm section. For me, it’s a horn player’s dream. And, yeah, a single A on the way out leaves listeners wanting more. That’s what it’s about. Thanks and may the new year treat you well.
You are the instrument! Great way to put it. I had a trombone teacher who told me to think of the bell as my mouth, not separate from me, but a part of me. Great video. I have that CD and haven't listened to it in a long time. Thanks for sharing!
Mature musicians making music... succinct description of these recordings of Wynton and his father. The rhythm section is tight and contribute to the melodic movement. Some of the greatest tunes
Admiro el trabajo y la enseñanza que das a tus oyentes y alumnos, es verdaderamente fascinante.❤
Took me literally decades to "learn how to listen". As you (probably), I used to spend the majority of my time just listening to the saxophone player, whether it was 'Trane, Stitt, Grossman.....whoever. We all need to do that but I've since found there was SO much I missed.
About 5 yrs. ago I literally almost drove off the road when listening to Sonny Stitt play a medium swing tune. For the first time I realized how STRAIGHT he played his 8ths....like bone straight....and how much he articulated (literally tonguing every 8th note). It honestly made me hit the shoulder of the road because I was dope slapping myself as to how in the hell I *never* noticed that. Especially since I'd been listening to him for for about 30 freaking yrs. Same with 'Trane, Rollins, Mobley, etc. Those guys ALL played very straight 8ths a LOT of the time. Rhythm section swinging their d***s off and Sonny blowing straight 8ths. Who'da thunk?
Rant off. ;-)
Bingo. George Garzone first opened my eyes/ears to that. If you want to swing, play your 8th notes straight, but slightly behind the beat. (caveat being as tempos slow down that becomes less true for single-time lines). Drive safe! :)
Hey, Dave here 👋 what I got was a USB CD drive, I rip CDs to mp3s then load those onto a thumb drive for the car. Not sure how that approach will work for rewinding for you, but it's nice for listening, like CD changers used to be.
I use a TASCAM CD player. It loops and adjusts tempo while maintaining a constant pitch. Great for transcribing. Had it for years. Not sure if that’s a thing anymore.
Not sure I’ve said this before but I get so much out of listening to tunes with an experienced player. Thanks Bob! That whole recording is a gem from start to finish!
the english vocabulary that you utilize to get the concept of the technical reference in question across, is perfect. it immediately sticks and documents itself comprehensively into my mind. This is something that really stiands out and I truly appreciate about all your videos. Musicians of any level can grasp the subtle nuances that you flesh out and explain, and even if I dont comprehend a concept, i can at least vicariously geek out on the sound of it lol
aw man, that's fantastic. thank you.
Thank you for posting and talking about this tune. Growing up I never really cared for the tune. I would sorta skip it. But now that I’m older I like it. Thank you for pointing out some details. I really like hearing you talking about music in that way. I find it fun and engaging 🙏 . 🦩 Thank you 🦩
It used to be "Don't text and drive". Now it'll be "Don't transcribe and drive"
😄
So, when you want to use a tune - just ask us to pull it from spotify or lets us double tab a yt you can link to. Did you upload your vid to your studio?
I love this video, would like to see more of these!
Thank you.
One of my all-time FAV feeling albums. thanks fro sharing broski!
Thank you. Your enthusiasm and insight has changed the way I practice. We are often told to listen to the greats but almost never told HOW to listen . I've spent far too much time working on the mechanics of a machine ( sax ) whereas now I am focusing more on developing the musician inside of me. Good stuff. Keep it up
Hey, I’m sure you can dispute any copyright claims and state fair use. The content gets automatically flagged, and legally speaking you are in the right, so youtube SHOULD remonetize the video. TH-cam’s copyright system is kinda broken though…
Great video as always!
I love this - getting inside your head! (BTW I heard all the music - fantastic!) YOU are the instrument. LOVE IT. So true, but never really thought about it that way before. I now have a new perspective. I am sorry for the YT issues. Grrrrr. What you do is so important to the music! I go out and purchase much of what people like you talk about. You are providing free advertising! Crazy. OK back to the video - Great stuff, Bob. It is so helpful to hear what triggers you about certain music and how you hear it, etc. I learn so much from you. Thank you!
Happy New Year 🎉🙂🥳
In my later years(not a pro or old😂) I have been paying more attention to the little details as well. My early years of jazz consisted of Grover Washington, Najee, Kenny G...you get the point. What I immediately noticed is a hauntingly romantic sound in the chorus similar to the feeling in Ben Webster's Tenderly. 2 completely different time feels but just shows the bridge when you start 'listening'! Thanks for the upload sir. I love your content and glad I discovered you on this second half of my jazz journey.
Amazing deep dive Bob. Thank you. Teaching how to listen is such a great service.
Happy New Year!
Wishing you the best for 2024 !
Yes! I felt it, as the segment played. A women's tone for a series of well chosen notes.. Sweet like Swiss chocolate..
Herlin Riley is both a walking museum of music as well as a force of nature so kinetic that he swings himself into the future--he is never static. Just listening to him play the tambourine is masterclass in it of itself, am I right?
The question of swing feel and rhythmic precision gets me both excited and frustrated. There is so much out there if you want to explore improvisation--actually, there's too much. Formulas for scales, substitutions for harmony, and step by step processes with etudes galore. But whenever the conversation turns to swing feel, the answer seems to be "just listen." I wish that we had the opposite in jazz ed--and that the REAL foundation of this music got it's due--RHYTHM and PULSE.
I've been studying a lot of Mike Longo and Barry Harris as of late, and there's plenty of cross over. Both seem to suggest that jazz time is not something that can be written down. Rather, swing feel is a result of polyrhythmic layering. Barry used to talk about feeling that 6:4 (3:2 polyrhythm doubled for the whole measure of 4/4) when playing a ballad, or the 3:4 feel with uptempo tunes. Mike Longo went even further with translating all that he learned from Dizzy Gillespie.
Glad to see more material about deep listening and swing feel. I'm just hoping that Jazz Ed gets the hint, and starts leaning more towards the rhythmic side of the music.
Bob, love your enthusiasm and insight into this!! As always you are an inspiration. Thanks TH-cam for allowing us in Australia to view it 😎
Thanks for sharing man. Appreciate it!
Great Video!! Critical listening is key.
Hal Galper also has a cool video talking about “ the instrument is an illusion”
i love this. i love your love when you talk about music ❤
Happy new year, Bob! Watching from Germany, so apparently it works. If I remember correctly, GEMA (German ASCAP basically) found some sort of agreement with youtube a couple years ago.
Happy New Year, Bob! Let's gooooo! The copyright stuff is crazy, especially for educators.
Yeah, it has that Tango feel
This is awesome. Thanks for doing this 👏🏻
Swingin' Happy New Year!
✨😁🙏I wish TH-cam knew that they need to broadcast more of such beautiful live videos of yours to let us enjoy this great music and your ideas, never mind not taking the exit. So enjoyable 🥰thinking about us being the instruments, certainly check out the track. Rumba yes 👌but I felt the Tango at parts of the song, greets from Germany 🇩🇪 and a Happy New Jazzy Music Year ✨
Thanks man, my dad used to sing that song.
Listening is the the whole deal. Flamingo was a huge hit for Earl Bostic. Keep the flame bro!
This should be a series, “Commutin’ with Bob”
Great video. What sucks about TH-cam and the copyright stuff is others who seem to of pulled the right strings put up educational video on music and for most part are left alone.
23:25 BIG facts
Thank you Mr.. i practice with my flute now!
Watching from Argentina and sounds great!!
Fine in Canada. Enjoying your video so far, Bob. 😊
Chris Cheek also has a really beautiful rendition of Flamingo. Definitely check it out!
Thanks! Will do
@@bobreynoldsI love the low D he hits at the very beginning BOP-miingooo
Yes, don't do this. Fantastic information in a dangerous way. Love
❤
"Can't sing can't swing". Love the way you listen to the music and the way you explain!!! You would have been better singer than sax player!!😂
😊 thanks
This reminds me of this track off of Phil Woods Album "Greek Cooking". The song is "Zorba The Greek" th-cam.com/video/3zMcrgPl9jA/w-d-xo.htmlsi=Y_5PSR9MztbD1qHi You have to wait for it, but at 1:28 when Phil comes in it's just the most swinging solo you've ever heard.
It's a Tango Feel at the beginning.
16:01 he really wanted to say "these motherf******"
All fine in The Netherlands. Blessed 2224!
Heard all the clip OK in the UK
Super cool analisys, thanks for sharing with us! Sucks that youtube doesn't allow for more of this type of video, should definitely be considered fair use....
Watching from Germany! So far so good :)
Is this a Chessboard I see there in the background? ^^ lovely :)
Bob, I looked for you on Patreon but didn’t find you. Are you not there?
I’m not
How about X?
It’s a tango
Flamingo, not Tangerine!
Tango
7:38 I think it starts as a tango
Yes, but the piano is more like playing a rumba thing
man... send me the audio file and i'll extract your voice from it
🥳☮️🎵🎶🎷
Rumble