Jens, on my bucket list after this horrible stage of our world passes: to meet You! You are in my opinion, the best teacher on TH-cam, and there are so many great ones. Love all your videos and thank you for your knowledge and passion. 👍🏼👍🏼👍🏼😎🎼🎶🎵🎸🎵🎶🎼
I had a lot of requests for doing a video on Harmonic minor in Jazz, so here it is! It is a mystery to me how people think that this scale can be left out if you want to play Jazz. If you have ideas for lessons the do let me know, good suggestions are always welcome. What are you finding difficult? :) Content: 0:00 Intro 0:55 A harmonic minor 2:47 E7 - In Minor and in Major 5:36 G#dim - More than just A minor progressions 6:04 The Subdominant Diminished Chord 7:53 Fmaj7(#9,#11) - Harmonic minor Poly Chord 8:30 The Chord and the Extensions 9:33 Like the video? Check out my Patreon Page
Hey Jens! Thanks for the content :) I'm curious if you think the melodic minor or harmonic minor scale might be more useful in jazz. Both have their place but it is a lot more to memorise both and I seem to get by mainly with the melodic minor, especially with the altered scale. I'm guessing it's really just to have more colors in your vocabulary, but interested in hearing your thoughts
6:33 Jens: you forgot the ninth scale degree on the C dominant chord. I've been working very hard on this video. It is easily one of your top ten videos you have ever made on TH-cam. I'm thinking about giving you a one time donation of about five dollars soon. I've been working on chords mostly the last year or so. Now that I've learned the chords and feel, I've started to turn my attention towards lines. It really helps that I worked on the swing and cadences first though.
With the current scenario I’m going back and learning aspects of theory/scales that I ignored early in my playing...found that I LOVE harmonic minor tonality. This video is perfectly timed for my studies right now, thanks!
I don't know it all. Lots of studying. I hope this helps. One of my favorite jazz songs is Autumn Leaves...I think this was written originally in G minor ..At the end of the song we play a Dominant D7.( D F# A C ) Most of the song is written G natural minor. ( G A Bb C D Eb F G).. at the end we do the G Harmonic minor. (G A Bb C D Eb F# G). The D7 notes are in this. Without the Harmonic minor we would have to put the Dmin7 (D F A C) In it's place. There is almost no tension notes in the vii7 (D min7). So it really makes a poor substitute for a D7 chord. About 10 years ago. I was introduced to modes. I play mostly by 👂. I seem to remember this a song that is Dorian. That of course is a way to think of it.
@@JensLarsen Jen's ..working on a version of Autumn leaves. It is in Amin 7. I harmonized the Harmonic scale. First I wrote about the A harmonic minor. Its just the natural minor with the b7 turned into the leading tone B. First I write the A min scale ..which comes from the scale a minor 3rd up. The ( C ) scale. Aolian mode or 6th mode. (A B C D E F G A). So if I am playing in A min. I would normally go the V7 of the Natural minor.. PROBLEM..There isn't one..Whaaat? The E min7 didn't even sound like the song. So I got the Dom.E7. That also means I am not playing natural minor. So I make a quick trip to the harmonic minor .It has all the notes of the E7. (A B C D E F G# A). Just looking at we see the E7 chord in it.
Great video! As a TH-cam taught guitar player, I am currently working on chording and progressions all over the neck. I would appreciate a video where you take a chord progression, and play it in it's various locations all over the neck. Thank you for your content!
This is a bit of an outside analysis, but in your F major example, you could see that as a D harmonic minor with the C natural being a chromatic passing tone to Bb. (This would fit into your example of borrowing the harmonic minor and using it in a major II-V-I).
Great lesson, I'm getting used to your videos, always useful for jazz guitarists. Thank you for sharing your music and your knowledge. Regards from Tunisia.
If you ever need something man ! You can count on me! 👍 I’ve learned so many things with your channel and I don’t even play guitar ! I play piano 🎹 greetings from Guatemala
Although this bad conditions corona virus etc.You re still keep on making videos.What can I say to this? What a good person you are.Great as always.👍👍👏👏👏👏
Another great video; thank you, Jens! I really like the explanation about how the harmonic minor fits a particular use of the dim7 chord (beginning at 6:45). Diminished chords can indeed be tricky. A lot of theory books tell us that the diminished (whole-half) scale fits the dim7 chord perfectly. This is true if you play the dim7 in isolation, but it actual practice a lot depends on the context in which the dim7 chord is used. If you mechanically use a whole-half scale every time you see a dim7 chord, you can end up with some funny notes that sound unreasonably out of key. I have learnt from experience that the approach you take here is often what works best: it's best not to forget that we are still playing in a given key. So, it is OK if we leave the notes of the originals key (or the the scales suggested by surrounding chords) unchanged expect the notes that you MUST change to fit the chord tones of the dim7 chord. This way we sometimes end up with scales that do not even have standard names, but still the lines sound more natural. Maybe you could make a video on how you deal with dim7 chords (if you haven't yet done so). I'd be really interested!
@@JensLarsen Oh, I must have overlooked that one; thank you! It's amazing that you've made a video on every possible topic and can still come up with something fresh every week. 🙂
My first book was Leon White improvisation which gave the same scale a different name according to the root of the chord which I thought that was a better way of playing over unfamiliar chord changes I was handed on stage. However this concept of fitting the scale to the chord progression is easier to understand and hear.
Great Lesson, Very organized, Bice thank you! One Hint: I miss a bit "shredding" your example on the 2 beats G#dim would have sounded more brilliant if you would have played 8 notes over it...I would advice scales with added chromatisism in a 16th musical landscape, makes it interesting to listen to, with your technique would sound great! i checked ot Chad a Great saxophone teacher and he came up with some great shredding on dim chords with addd chromatisim, Maybe you could also something like that. I think we guitarsit could still learn a great deal of our saxophone brothers...
Greeting Sensei it’s been a while! I just have 2 questions: 1. What’s happening to the chords individually when they change from Am7 Bo Cmaj7 Dm7 Em7 Fmaj7 G7 to Amin/maj Cmaj7(#5) G#dim ? 2. Why do the other chords stay the same ? Apart from E7 because that made sense.
You can actually answer that yourself, but you need to learn how to construct diatonic chords. Watch this video and then use that on A harmonic minor: th-cam.com/video/GJ9BmH9BkP0/w-d-xo.html
I definitely would not call steely dan pop. The Aja album is simply flawless and is some of the best, most interesting and complex music. I’m amazed that you do not like it.
@@georgeeldridge7954 A lot of very produced music doesn't appeal to me, but I don't think a discussion of this will really lead anywhere. It will boil down to this: I listened to it, it did not do anything for me. In the end, that is where it stops.
Hey Jens, greetings to your danish kingdom....interesting and inspiring content...a big thanx for that...as you mentioned to play over that Maj7 #11 with a #9, I just wanted to share (I'm shure you already know it ;-) is to play over a maj7-chord with the maj-scale a whole step above (e.g. Dmaj-scale over Cmaj7-chord)... I found that by accident and was surprised how good the b9 sounded in that case...I really like it....what do you think about that?....keep well and fit..kind regards from Germany
Hallo Jens, Bedankt voor al je video´s, eerst was het level wat te hoog voor me maar ik heb er al zo veel van geleerd en het gaat steeds beter. Als je na alle corona toestanden weer een optreden hebt in omgeving Rotterdam dan kom ik zeker kijken. Waar kan ik dat het best in de gaten houden? Groetjes, Esther
Hi Jens.barney Kessel plays this polychord (bes f a cis e a)low string to high )in stella by starlight.he eens the song too with this chord.kenny burrell in" just a sitting and a rocking".gcebdis fis
Am6 isn't a diatonic chord of A-Harmonic-Minor (6th isn't in the scale), nevertheless you always resolve to this type of chord in your progressions, it sounds fine, but is it correct?
Great video, Jens. I have an off-topic question i hoped you could help me out with: I rarely know which notes (and their function) I'm playing when improvising - I have major/minor/blues scale internalized and just shut my brain off when soloing, but recently, I started learning triads in all inversions across the fretboard in order to help visualizing chord tones. My question is, would you recommend thinking of/learning chord tones relative to the actual chord, or relative to the key? Take the IV chord for instance - would you think 4-6-1 (Root, third, fifth) relative to the key, or just 1-3-5? De bedste hilsener, Andreas :)
Tusind tak! Hvis du går hen på min TH-cam kanal og ser den video der hedder The Most Important Scale Exercise for Jazz, så kunne det give dig nogle gode ideer 🙂
Jens-- I've gotten a lot out of your videos on the various minor scales. Wish I could attach the output of an Excel spreadsheet I programmed for generating all the 15 arpeggios you've mentioned over the years for any desired melodic minor scale. My question: Haven't seen anything from you on the harmonic major, which I tend to naturally drift into during soloing over doms, guided only by my ear. I think I understand why I arrive there: it adds the b9 #9 and b13 to a dominant chord without taking on the #4. For my playing, I don't seem to want to take the lydian sound all the time. Is there a reason you've not discussed this scale? Could it be it as simple as your ears like lydian and mine don't? ...Ralph/Denver CO
So you can use the 5th mode of the harmonic minor scale to solo over a dominant flat 9 chord, e.g, 5 th mode of the Em harmonic scale over a B7 flat 9? Is that correct ? Or use the B half - whole scale as an option. ?
Jeg spiller klaver og har begyndt ogsaa at spille guitar. Jeg kan godt lide at spille jazz akkorder. Fra den harmoniske skala kan spille man spille minor ii V I . For eksemple Dm7 b5 til G7b9b13 til Cm6/9. Det laerte min jazz klaver laerer mig. Men at gaa fra klaver akkorder som ligger lige ved siden af hinanden og transfere til jazz guitar akkorder virker maaske ikke. Paa guitar proever jeg ogsaa ikke at flytte for meget rundt.
@@JensLarsen Yes, indeed. The closest thing I can think of is that I binge-watch chiropractor adjustments, all the cracking and stuff. Yes, I'm mental! 🥴
Yamaha SG 1000, 2000, or 3000 (can't tell which model). I have one and they are superb and not too expensive 2nd hand. I bought mine in 1984 and still have it. They are heavy and playing a long gig with one isn't good for your back. Santana played a beautiful SG3000 with pearl inlay.
![Demonstrating The Modes of Harmonic Minor [MUSIC THEORY / SCALES]](http://i.ytimg.com/vi/qk8uobP4uJE/mqdefault.jpg)
Jens, on my bucket list after this horrible stage of our world passes: to meet You! You are in my opinion, the best teacher on TH-cam, and there are so many great ones. Love all your videos and thank you for your knowledge and passion. 👍🏼👍🏼👍🏼😎🎼🎶🎵🎸🎵🎶🎼
Thank you José! :)
I know a Jose Molina in McDowell county NC. Are you that Jose?
I totally agree!!
Not even an opinion man. Jens is the best by far and that’s a fact.
I had a lot of requests for doing a video on Harmonic minor in Jazz, so here it is!
It is a mystery to me how people think that this scale can be left out if you want to play Jazz.
If you have ideas for lessons the do let me know, good suggestions are always welcome. What are you finding difficult? :)
Content:
0:00 Intro
0:55 A harmonic minor
2:47 E7 - In Minor and in Major
5:36 G#dim - More than just A minor progressions
6:04 The Subdominant Diminished Chord
7:53 Fmaj7(#9,#11) - Harmonic minor Poly Chord
8:30 The Chord and the Extensions
9:33 Like the video? Check out my Patreon Page
Good lesson. I struggle with harmonic minor. I get chord envy from listening to pianists.
Hey Jens! Thanks for the content :) I'm curious if you think the melodic minor or harmonic minor scale might be more useful in jazz. Both have their place but it is a lot more to memorise both and I seem to get by mainly with the melodic minor, especially with the altered scale. I'm guessing it's really just to have more colors in your vocabulary, but interested in hearing your thoughts
@@joenathanweber You need both. If you don't have harmonic minor then you don't have a tonal option for dim chords and b9 chords with a 5th in them.
Thanks Jens: this is the video lesson I've been looking for. I didn't think I was ever going to get out of the mixolydian of harmonic minor.
6:33 Jens: you forgot the ninth scale degree on the C dominant chord. I've been working very hard on this video. It is easily one of your top ten videos you have ever made on TH-cam. I'm thinking about giving you a one time donation of about five dollars soon. I've been working on chords mostly the last year or so. Now that I've learned the chords and feel, I've started to turn my attention towards lines. It really helps that I worked on the swing and cadences first though.
With the current scenario I’m going back and learning aspects of theory/scales that I ignored early in my playing...found that I LOVE harmonic minor tonality. This video is perfectly timed for my studies right now, thanks!
Thanks master, respect from Chile
Glad you like it!
This is Greek to me, but I strongly believe that if I listen to it enough and I practice it enough, one day I'll be a fluent Greek speaker!
Go for it :)
Believe me, it's much easier than learning a new language. But it's similar...
I don't know it all. Lots of studying. I hope this helps. One of my favorite jazz songs is Autumn Leaves...I think this was written originally in G minor ..At the end of the song we play a Dominant D7.( D F# A C ) Most of the song is written G natural minor. ( G A Bb C D Eb F G).. at the end we do the G Harmonic minor. (G A Bb C D Eb F# G). The D7 notes are in this. Without the Harmonic minor we would have to put the Dmin7 (D F A C)
In it's place. There is almost no tension notes in the vii7 (D min7).
So it really makes a poor substitute for a D7 chord. About 10 years ago. I was introduced to modes. I play mostly by 👂. I seem to remember this a song that is Dorian. That of course is a way to think of it.
@@JensLarsen Jen's ..working on a version of Autumn leaves. It is in Amin 7. I harmonized the Harmonic scale. First I wrote about the A harmonic minor. Its just the natural minor with the b7 turned into the leading tone B. First I write the A min scale ..which comes from the scale a minor 3rd up. The ( C ) scale. Aolian mode or 6th mode. (A B C D E F G A). So if I am playing in A min. I would normally go the V7 of the Natural minor.. PROBLEM..There isn't one..Whaaat? The E min7 didn't even sound like the song. So I got the Dom.E7. That also means I am not playing natural minor. So I make a quick trip to the harmonic minor .It has all the notes of the E7. (A B C D E F G# A). Just looking at we see the E7 chord in it.
Thank you for the fantastic lesson Jens. God bless and protect you and your family
Great video! As a TH-cam taught guitar player, I am currently working on chording and progressions all over the neck. I would appreciate a video where you take a chord progression, and play it in it's various locations all over the neck. Thank you for your content!
Good Teacher.
I Studied Jazz and like his videos very much.
Greetings from Austria
Thank you! :)
This is a bit of an outside analysis, but in your F major example, you could see that as a D harmonic minor with the C natural being a chromatic passing tone to Bb. (This would fit into your example of borrowing the harmonic minor and using it in a major II-V-I).
Great lesson, I'm getting used to your videos, always useful for jazz guitarists. Thank you for sharing your music and your knowledge. Regards from Tunisia.
I love that harmonic minor sound. Thanks Jens.
Thanks Robert! :)
As a new subscriber from Canada, I want you to know that I really enjoy your lessons and I am motivated to work on your recommendations.
Harmonic Minor is my favorite Minor Variation! A very fun and versatile way to play!
Thanks RC!
@@JensLarsen You are always very welcome!
RC32
Absolutely!!
If you ever need something man ! You can count on me! 👍 I’ve learned so many things with your channel and I don’t even play guitar ! I play piano 🎹 greetings from Guatemala
Awesome! Thank you!
Although this bad conditions corona virus etc.You re still keep on making videos.What can I say to this? What a good person you are.Great as always.👍👍👏👏👏👏
Thanks again, Jens. Love your work.
You're very welcome! :)
Difficult, but so interesting and colorful. Thank you.
Thank you sooooooo much
Thanks for pushing forward, Jens! Great lesson!
It's a big help thank you... new subscriber here
Another great video; thank you, Jens! I really like the explanation about how the harmonic minor fits a particular use of the dim7 chord (beginning at 6:45). Diminished chords can indeed be tricky. A lot of theory books tell us that the diminished (whole-half) scale fits the dim7 chord perfectly. This is true if you play the dim7 in isolation, but it actual practice a lot depends on the context in which the dim7 chord is used. If you mechanically use a whole-half scale every time you see a dim7 chord, you can end up with some funny notes that sound unreasonably out of key. I have learnt from experience that the approach you take here is often what works best: it's best not to forget that we are still playing in a given key. So, it is OK if we leave the notes of the originals key (or the the scales suggested by surrounding chords) unchanged expect the notes that you MUST change to fit the chord tones of the dim7 chord. This way we sometimes end up with scales that do not even have standard names, but still the lines sound more natural. Maybe you could make a video on how you deal with dim7 chords (if you haven't yet done so). I'd be really interested!
Exactly! I did make a video 🙂th-cam.com/video/1egY4wnLLuA/w-d-xo.html
@@JensLarsen Oh, I must have overlooked that one; thank you! It's amazing that you've made a video on every possible topic and can still come up with something fresh every week. 🙂
@@gaborkovacs7134 Thanks! That is indeed a little difficult sometimes :)
thank you
Hi Jens, loving the videos. Another possibility is with IVm7 chord if you use the I harmonic minor. This gives 1 2 b3 #4 5 6 b7.
Yes, I have a video on that linked in the description :)
Thanks for your lessons
It's my pleasure
My first book was Leon White improvisation which gave the same scale a different name according to the root of the chord which I thought that was a better way of playing over unfamiliar chord changes I was handed on stage. However this concept of fitting the scale to the chord progression is easier to understand and hear.
Gave you a shout in a live video on Facebook I was doing told all my fellow players you can learn alot from you
Thanks Justin!
Cool thank you
You can also find a maj7(#9) built off the b6 in Harmonic Major. It's a fantastic sound! Also cool if you voice the #11 in there.
Great Lesson, Very organized, Bice thank you! One Hint: I miss a bit "shredding" your example on the 2 beats G#dim would have sounded more brilliant if you would have played 8 notes over it...I would advice scales with added chromatisism in a 16th musical landscape, makes it interesting to listen to, with your technique would sound great! i checked ot Chad a Great saxophone teacher and he came up with some great shredding on dim chords with addd chromatisim, Maybe you could also something like that. I think we guitarsit could still learn a great deal of our saxophone brothers...
Greeting Sensei it’s been a while! I just have 2 questions:
1. What’s happening to the chords individually when they change from Am7 Bo Cmaj7 Dm7 Em7 Fmaj7 G7 to Amin/maj Cmaj7(#5) G#dim ?
2. Why do the other chords stay the same ? Apart from E7 because that made sense.
You can actually answer that yourself, but you need to learn how to construct diatonic chords. Watch this video and then use that on A harmonic minor: th-cam.com/video/GJ9BmH9BkP0/w-d-xo.html
Nice lesson -
Glad you liked it!
I liked the solo over the changes in the intro. Very Steely Dan-like.
Thank you! (Even if I don't really like Steely Dan :D)
It is actually a solo on the Cole Porter song Night and Day :)
@@JensLarsen I know the Porter tune and have actually played it. I'm intrigued: why don't you like the Dan? Is it their cynical lyrics?
@@hubertvancalenbergh9022 No, I don't like the music. I was never really into that kind of pop
I definitely would not call steely dan pop. The Aja album is simply flawless and is some of the best, most interesting and complex music. I’m amazed that you do not like it.
@@georgeeldridge7954 A lot of very produced music doesn't appeal to me, but I don't think a discussion of this will really lead anywhere. It will boil down to this: I listened to it, it did not do anything for me. In the end, that is where it stops.
Do you know Reinier Baas? He is one of my favorite guitarists and he is from your neck of the woods! Peace Jens.
I know him but not very well. We have been in exam commissions together few time.
I love the dk!! I lived in horsens!!
Thank YOU!!!
Nice explanation.👍
Hey Jens, greetings to your danish kingdom....interesting and inspiring content...a big thanx for that...as you mentioned to play over that Maj7 #11 with a #9, I just wanted to share (I'm shure you already know it ;-) is to play over a maj7-chord with the maj-scale a whole step above (e.g. Dmaj-scale over Cmaj7-chord)... I found that by accident and was surprised how good the b9 sounded in that case...I really like it....what do you think about that?....keep well and fit..kind regards from Germany
This is a very popular scale in Afghani music as well.
Excellent Video
That chord at 9:00 is epic!
Hallo Jens,
Bedankt voor al je video´s, eerst was het level wat te hoog voor me maar ik heb er al zo veel van geleerd en het gaat steeds beter.
Als je na alle corona toestanden weer een optreden hebt in omgeving Rotterdam dan kom ik zeker kijken. Waar kan ik dat het best in de gaten houden?
Groetjes,
Esther
Dankjewel, Esther! Volgens mij is het makkelijkste mijn website en mijn newsletter om dat te doen. Ik spel welles in Cafe LaBru
Hi Jens.barney Kessel plays this polychord (bes f a cis e a)low string to high )in stella by starlight.he eens the song too with this chord.kenny burrell in" just a sitting and a rocking".gcebdis fis
Am6 isn't a diatonic chord of A-Harmonic-Minor (6th isn't in the scale), nevertheless you always resolve to this type of chord in your progressions, it sounds fine, but is it correct?
If you watch the video, I actually explain that.
Great video, Jens. I have an off-topic question i hoped you could help me out with: I rarely know which notes (and their function) I'm playing when improvising - I have major/minor/blues scale internalized and just shut my brain off when soloing, but recently, I started learning triads in all inversions across the fretboard in order to help visualizing chord tones. My question is, would you recommend thinking of/learning chord tones relative to the actual chord, or relative to the key? Take the IV chord for instance - would you think 4-6-1 (Root, third, fifth) relative to the key, or just 1-3-5? De bedste hilsener, Andreas :)
Tusind tak! Hvis du går hen på min TH-cam kanal og ser den video der hedder The Most Important Scale Exercise for Jazz, så kunne det give dig nogle gode ideer 🙂
@@JensLarsen Tak, det vil jeg gøre!
❤
Do the same on harmonic major please
Harmonic Major is really cool; I second your request (assuming he hasn't already done it).
Great content, as always, Jens!
How about a vid listing/discussing the ten most influential albums of your developing years?
Thank you! :) Like this one? th-cam.com/video/rewhHzkr8K4/w-d-xo.html
Great! I was thinking in more general terms, as opposed to only guitar albums.
Ok, but at least you have something to check out right away 🙂
Yessir, I did...and I went right to iTunes Store and bought the Wes!
Thanks for the tip!
Play some, Skynard man!
🍻 Jens. Stay safe
Thanks Nicholas!
Jens-- I've gotten a lot out of your videos on the various minor scales. Wish I could attach the output of an Excel spreadsheet I programmed for generating all the 15 arpeggios you've mentioned over the years for any desired melodic minor scale. My question: Haven't seen anything from you on the harmonic major, which I tend to naturally drift into during soloing over doms, guided only by my ear. I think I understand why I arrive there: it adds the b9 #9 and b13 to a dominant chord without taking on the #4. For my playing, I don't seem to want to take the lydian sound all the time. Is there a reason you've not discussed this scale? Could it be it as simple as your ears like lydian and mine don't? ...Ralph/Denver CO
So you can use the 5th mode of the harmonic minor scale to solo over a dominant flat 9 chord, e.g, 5 th mode of the Em harmonic scale over a B7 flat 9? Is that correct ? Or use the B half - whole scale as an option. ?
Yes, B7(b9,b13) is the dominant in E harmonic minor. The diminished sound is different since that is a different chord namely a B7(13b9#11)
Jens Larsen thank you for the fast response. You are the jazz guitar master !!
Jeg spiller klaver og har begyndt ogsaa at spille guitar. Jeg kan godt lide at spille jazz akkorder. Fra den harmoniske skala kan spille man spille minor ii V I . For eksemple Dm7 b5 til G7b9b13 til Cm6/9. Det laerte min jazz klaver laerer mig. Men at gaa fra klaver akkorder som ligger lige ved siden af hinanden og transfere til jazz guitar akkorder virker maaske ikke. Paa guitar proever jeg ogsaa ikke at flytte for meget rundt.
Spicy! The gypsy jazzers like to use this for the iib5-V in minor. As a bonus, I got to see a good bra ad after your video!
Haha! That's strange 😁
@@JensLarsen It might have to do with the lovely Danish women! ;)
@@ChuloDavidcito I thought it was you online behavior that determined it?
@@JensLarsen Yes, indeed. The closest thing I can think of is that I binge-watch chiropractor adjustments, all the cracking and stuff. Yes, I'm mental! 🥴
That is a beautiful guitar. What model is that?
Yamaha SG 1000, 2000, or 3000 (can't tell which model). I have one and they are superb and not too expensive 2nd hand. I bought mine in 1984 and still have it. They are heavy and playing a long gig with one isn't good for your back. Santana played a beautiful SG3000 with pearl inlay.
It is an SG1000 from 1975 :)
@@JensLarsen It is a beautiful guitar.
Wish I still had my SG2000...
Did I miss the link to the subdominant diminished video?
If you did then you can look in the video description for a playlist :)
great tools in your videos.all these beautiful sounds are exposed
Glad you like it! It is fun to explore what is possible 🙂
Jake Lizzio brought me here
wait wtf, i just realized all aug chord notes are maj 3 apart, all dim7 chord notes are min 3rd apart... I don't think I belong here lol
Do u like Jerry Garcia?
No, I am not really into his music. Doesn't mean that I think he is bad, just not my thing.
Are you German?😇
Nope 🙂
hoofdstukken, nice
Too much chatting
It seems U r not teaching , only confusing
Or maybe this lesson is a little above your level? That is possible, right?
@@JensLarsenLesson made complete sense to me, your videos are incredible 🙏
❤