$UPER THANK$!!! Thanks for watching my videos! Please SUBSCRIBE to my channel!! I appreciate it! Check the Description for Amazon Affiliate Links to VINYL/DVDs/Books and other cool products related to this video! Check the description for a link to Camilla's TH-cam channel!
Great stuff , so by the ending of it , it fades but can go into natural science , changing dimensions . maybe you can keep it in mind , would be interesting to hear your comment . Thanks for the reaction
So much of what Alex plays is subtle and provides the background and mood. If you listen to some of the earlier stuff you may notice things you didn't before. As a bass player I didn't appreciate what he added to the music for years, now I can't help but notice it.
@@davemiii yeah, I did too… but as far as I can tell, they never played this live! I agree about the solo.. I could have listened to that for 5 more minutes!! Be well, my friend!
This is such a terrific, under appreciated song. A rare Rush love song. I think the reason Alex stands out more on this album is that he sounds so much more different from other guitar players on this album (and all the ones to come).
Nice reaction Justin. Almost all us fans wished for a longer guitar solo at the end. I would happily listen a couple extra minutes of Alex playing. Again like in the case of Tears, there's a Dream Theater live cover of this song with John Petrucci extending the solo. You could check it out. Dream Theater founding members were big big fans of Rush.
Geddy's singing is what makes Rush...Rush. Even though I'm a drummer, it was his vocals that caught my attention when I first heard A Farewell to Kings. He has a three-octave range and his timbre is a perfect fit for the type of music they play.
Justin, As an old guy, I've been a fan of Rush ever since I saw them live in 1976 for $6 at the Taylor County Coliseum in Abilene, TX. They were touring the show that became All The World's A Stage. It's always good to see someone listen to them with a "critical ear" and slowly discover just how talented they are, learn how many layers there are in their music and realize it takes more than just one listen to really grasp everything and appreciate the creativity. I'm very impressed how you will take time and share your honest feelings about each song. I'm also very impressed you are actually going through their discography! You're going to be busy for a long time. I guess what I want to say is Thank You! Welcome to the army of Rush fans. Enjoy the "Headlong" ride. (You'll get the reference eventually.
Something so unique and pleasing about Alex's arpeggios. He'll find two or three chords with common notes and use those common notes as open strings for the arpeggio. Usually letting them ring out. He's does it so much and it's great.
Such a great solo on the fadeout and why did they fade it out so soon???? They fade out an awesome solo too soon as well on a song called "Mission" from Hold Your Fire (coming up later on your channel hopefully!). I think Geddy wrote the lyrics for this song so you can't blame Neil for the "dragons" reference. But I think in this case (like with Madrigal) "dragons" aren't used in a D&D sense but more of a literary tool to represent some powerful and overwhelming force. Both songs refer to slaying the dragon with words alluding to the idea that words and what we say can be super powerful. More powerful than swords. And it's interesting that both references are in "love" songs. Be careful what you say and how you say it to your significant other or you may hurt them more than you realize. You mentioned that Hugh Syme is the unofficial fourth member. For a long time Terry Brown (the producer) was considered (even by the band) as the unofficial fourth member because they were so close and had such a long relationship. Plus Terry saved that first record and mentored Rush on recording throughout those early records. Later Rush would decide that they wanted a different viewpoint and stopped working with Terry. The last record with Terry is Signals so it will be interesting to hear your commentary on how Rush's sound changes after that. It might be worthwhile to note the different producers they use on the later albums get your take on how they influence how those albums sound. Finally, I think Hugh's last name is pronounced "sime" with an "eye" sound in the middle.
I started watching you mainly because I love RUSH and you also resemble a dude I met my first year in community college that I used to hang out and party a lot with. As far as Geddy's voice goes, it's something that grows on you over time. The first time I heard him was on "Fly by Night" when I was in the Army at the Yakima Firing Range in 1975. It was on a portable, transistor radio and everyone who heard it said: "man, that guys voice is really weird". But over the years I've grown and matured with RUSH and they're one of my top 10 bands of all time. I'm almost 70 now and still rockin' hard. If I could manage to go out while listening to "Lessons" from 2112 I'd be a happy camper. It's one of my favorites by them but I don't know why. It just strikes a chord inside of me. Keep up the good work man. You are a kewl dude and I'll continue to enjoy watching you as you grow in your appreciation of RUSH! Peace ....out.
To be honest, I could not remember this song. When you played it, it all came back to me. Loved the solo. Tomorrow’s song is full of twists and turns. Saw them play it some… 42.. years… ago… 😬
Played this song on my casette recorder when i was in the army 1981. Then all of a sudden someone opens the door violently from my room and said who likes Rush here
Coming along on this journey with you has given me a new appreciation for '70s and '80s Rush. Being a fan of the band from the beginning, it so great to hear the musical progression of Rush from start to finish and seeing you appreciate this is wonderful to see. Rush's body of work is so incredibly huge, there is something for everybody to enjoy.
It's cool that you like the slower, ballad-type songs from Rush. "Different Strings" is a beautiful song. Yes, the lyrics are of fantasy and fiction mixed with heart. Since I first heard PW back in Jan, 1980, I had wished Alex's solo at the end was longer. And I'm certain that most Rush fans agree. Now we're onto the other bookend song of the record, "Natural Science." The journey began with classic tune, "The Spirit of Radio" and ends with another foray into the nether regions (that's the only hint you'll get from me 😉). Peace! ✌
Hey Justin.... My only comment as a long time fan of Rush, is that I consider Terry Brown (long time producer and real person in charge of the band sounding as it sounds) as the real 4 member of the band. You will notice a change after the Signals album, and also, Terry was complaining of the predominance of the synths in the songs. Saludos from Panamá in Central America!!
Beautiful song, with a great opener Who's come to slay the dragon. Dream theater did a good cover of this. You hit it on the nail, it's a Alex album, being a guitarist that's why it's one of my favourites, wait till you get to counterparts album 9 albums away !!!😁
I think you’re responding to Alex’s guitar voice developing. It, along with Geddy’s voice, seem to have matured like 10 years in the span of time between AFTK and Permanent Waves. And the next album similarly shows evolution in sound and originality, as does Signals. Molting each time into a new form of the band. Crazy cool.
Late to the party here a bit but enjoyed the visit. A guy name (Tyler Warren) has a channel here on TH-cam where he covers the Permanent Waves entire album brilliantly! Definitely worth a look ya'll!
Well great reaction. Its your taste and your way expressing yourself. And that's what is good about your reactions, You my friend are in for a treat coming up in the next few albums, and then you will hit a brick wall with synths. Tough time for us Rush fans, well for some at least, but then it takes off again. The music these guys put out over the years of me listening have really had a huge influence on my music style. Glad we are on this journey together welcome aboard.
I just learnt about Hugh Syme now , Did not know about him till now , He is a Canadian award winning Graphic Artist that has done album covers for various bands including Rush , Styx , Megadeath , Aerosmith and others , He is also a piano player that has appeared on Rush tracks , , another interesting thing I just learnt about Geddys brother does the stage video visual for the Rush concerts ,
I have been a huge Rush fan since I was 15 , first time hearing Tom Sawyer on the radio. Went to a record store in downtown Toronto and wow they have other albums? Bought them all. One thing with Rush was the excitement of a new album. What would it sound like? Because you knew it would be different then the last. Speaking of last Clockwork Angels is there opus your in for a treat. If you can find the time read the book first. Love taking this journey with you 👍
This album always had a bright sound to it to me, kind of like when you buy certain guitar strings and the guitar sound is just so much brighter, that's the tone on Permanent Waves. Get ready to rock out on Natural Science
I think what you're finding here, Justin is that Lerxt was finding his particular style rather than emulating things that his heroes and influences were doing. I won't spoil it for you, but MP is a revelation!
Finally made it to my favorite Track on the album and one of my favorite rush songs. This shit really moves me. And its Permanent Waves on Different strings..or different strings on Permanent waves? 🤔💭🤣🤣🤣
Geddy's voice is unusual. It has a higher pitch and has a different quality to it. Not a bad quality, just one that's different. And when faced with something different or unexpected, it's natural for it to be distracting and to not be sure how to take it. Once you get used to it, it's not unexpected or different anymore and you find that he actually has a very warm, friendly voice and can sing very well. It's just one of those quirks about Rush that makes them different. This song is a nice little ballad that gives you a chance to rest before the final opus. Alex does great work on this album, but so do Neil and Geddy. Neil's drumming is inspired through a lot of songs, Geddy's bass is top-notch (heck, Geddy's bass playing gets better and better with age), and Geddy's vocals are some of his best yet. He's really mastering his voice, and this album has more melodic vocals. They said it was this album that gave them the experience to make Moving Pictures, which is top-notch classic album and is on many top ten lists. I prefer this album a little more, but it's a close call. Tom Sawyer rightfully gets attention as their best song, but Spirit of Radio is such a freaking wonderful song! If one song can sum up all of Rush, it's that one.
Funny how everyone and I mean EVERYONE says the exact same thing about Alex fading out on the solo like DAMN, I wish he would’ve played that out A LOT longer, but in true Alex form, it’s just what the song called for and NOT about how much he could showboat on a track😉😉🤘🖖✌️🎸🎸🥁🎤🎹🥇🇨🇦🎼🔥👌👍
For me personally, I think this record is the first record with this "sound/mix", very distinct instruments that blend together well. I think the previous albums had a more "muddy" mix/feel to them and this sounds bright....to me. I feel Perm waves, moving pics, Grace under pressure, signals, and some of Power Windows were my fav albums. My opinion is that with the "Hold your fire" album they moved into a new sound/direction which didn't appeal to me as much. Curious if you will have a similar reaction to those albums as well. I must say that there are some great songs in those later albums too, just the albums hit differently to me personally. As always love watching reactions to Rush!
Rush has said this was a pivotal album for them, as they felt they had reached a new point in their ability to put it all together. While the next album is considered their best, they said “Moving Pictures” wouldn’t have been what it was without “Permanent Waves”. I’m not a musician. The early works, Xanadu, 2112, hemispheres album were special to me. This era was great too, before the keyboard took over.
I think why you are identifying with Alex on this album, is that he's using new chords and their arpeggios. He's always done that, but he's finding more "delicious" chords to use. Remember: Rush never repeats themselves. New album. New direction. New sound. and yes, more synths from album to album. But, no synths on Counterparts. And a return to the big fat chords and riffs. And you have to realize, Alex is very humble. They all are. He doesn't play a guitar solo, unless one is needed. And if you see, Different Strings fades out with an outro solo. And who doesn't wish that they went on for another few minutes.
Maybe the reason Alex is more noticeable IS that you've changed how you listen to Rush, based on last week's set of reactions. Another reason is maybe Alex just doing stuff that jumps out at your more on this record than on previous records. (It's my opinion that AFTK is the first record where Alex finally started stepped out of Page's shadow enough to sound like a unique player.) Whatever the reason, I think it's great you're connecting more with him. He does some cool stuff and is as strong an element in Rush sounding like Rush as are his band mates.
Prog Rock always used a lot of mythology and legend type references in their lyrics and even in their imagery.. Wakeman, Yes, Asia are classic examples.
Great song, and criminally too short. I get why you identify this as an "Alex" record. If you go back, his parts on previous albums tended to be more just about the chords (with a pretty limited sound overall.) But starting here he starts really exploring arpeggiation, inversions, and a lot more color with his effects and technique. I think they all benefitted from the new studio and what newer technology had to offer. Plus Terry Brown seemed to up his game as well, finding fresh engineering tricks to give the whole album a brighter sheen.
A beautiful song. Another hidden gem. I do like it slightly better than Tears. Like Tears, this is a slower-paced song with lyrics by Geddy. Hugh Syme, as with Tears, is also credited with piano. This is the only song from Permanent Waves that was never played live. Love the guitar solo at the end. Too bad they fade it out.
Alex's style is different on this album, begins the classic Rush sound. I loved his work on 2112, Passage to Bangkok, all Caress of Steel, By Tor ect- a harder, heavier tone often mixed w blues, or distortion. Permanent Waves to Grace under Pressure a "cleaner"? tone. Back to grittier rock on Counterparts to the heavy heavy tone on the Snakes..& Clockwork. They're all good but there is something that often does stand out more in the guitar in this period esp PW - P/G.
I think your noticing Alex more for a couple of reasons. 1: you're starting to realise, he's fucking brilliant. 2: his tone on this album is just exquisite. Moving Pictures ratchets it up - yet again !
I can’t remember or if you said how far into the RUSH catalog this time around! I would definitely like you to at least go to the Signals album. 74-82 are called THE MUSICIANS-MUSICIAN part of RUSH’S career or as I call it: THE TERRY BROWN YEARS! My favorite period of RUSH all time.
I can't remember if I seen it or not. I've been following you for a long time. I'll check it out. Thank you for responding. That's what I really like about your channel you respond to your messages.
😂 Of course! 😁 I swear I did a 🐲 Dungeons & Dragons Campaign at least once a month between 76-84... 🙄 Then I had to be an Adult. Hard to keep up Campaigns & Characters when you start working 9-5 is all's I'm saying! 🤗 So yeah, again with the Dragons! 🥰🐰
Hey Justin, I love you doing all the Rush! Something completely out of place and off the wall from Prog Rock but have you done anything on Savoy Brown, a great band that deserves a listen...Just a thought for you
@@JustinPanariello Check them out man a great blues band that started in the mid 60's with fantastic albums Raw Sienna, Street Corner Talking, Hellbound Train a long history of great stuff in my opinion. Pull Tell Mamma , Wand Dang Doodle, She's gotta ring in his nose and a ring around her hand, plus many more.
Yep solo needed to be longer. Anyways next up: Natural Science. Best song on album IMO. First 2 minutes is slow and isn't perfect (imo) but the rest is perfection, as good as Rush gets, again IMO.
When I was younger, like when this album came out, I didn't care that much for this song. Too slow. But as I've aged, and slowed down a little myself, I've come to appreciate it more.
Alex had more to give. Who faded out? I liked Hugh's contribution, but would have loved more as well. Completely agree Alex stands out more on this record. Just wait for Natural Science. Everyone is going off. Its going to be a big finish. See you tomorrow.
Hugh Syme... rhymes with... Scene of the crime... close. Tastes like lime! Nope... too sublime. Maybe I can mime it. Hey Brother... got a dime? Let me spice it up... parsley, sage, rosemary, and thyme. It's an uphill climb... feel free to chime in.
Yeah Geddy's voice is sometimes an acquired taste, if youve been listening for a while if you still don't like it then you may not ever, I know a lot of people like that lol.. glad you came around though ha
Is it just me or is the sound quality of this and all his permanent waves reactions just awful? major injustce for the best rush album. There's HD uploads on youtube, please listen to those!
yeah I'm not sure why the audio came out so crappy. I've heard it on Spotify already and now I have it on vinyl sooo definitely have heard it 'correctly' now.
$UPER THANK$!!!
Thanks for watching my videos! Please SUBSCRIBE to my channel!! I appreciate it!
Check the Description for Amazon Affiliate Links to VINYL/DVDs/Books and other cool products related to this video! Check the description for a link to Camilla's TH-cam channel!
Great stuff , so by the ending of it , it fades but can go into natural science , changing dimensions . maybe you can keep it in mind , would be interesting to hear your comment . Thanks for the reaction
No doubt you feel the way you do. I always said this is Rush’s greatest album. Every track is A+
So much of what Alex plays is subtle and provides the background and mood. If you listen to some of the earlier stuff you may notice things you didn't before. As a bass player I didn't appreciate what he added to the music for years, now I can't help but notice it.
The only complaint I have of this beautiful song is that that guitar solo does not last long enough at the end. This is a great track.
Yeah listened to this last night, went looking for a longer version (live etc) but was bummed to not find anything.
@@davemiii yeah, I did too… but as far as I can tell, they never played this live! I agree about the solo.. I could have listened to that for 5 more minutes!! Be well, my friend!
@@juliebrockett3471 Hi Julie!!!! Have a great weekend hon!🤘🏻👍
@@jimtatro6550 you too, Jim!! Don’t get too hot 🥵!
You got the right, thanks
This is such a terrific, under appreciated song. A rare Rush love song. I think the reason Alex stands out more on this album is that he sounds so much more different from other guitar players on this album (and all the ones to come).
@@thatsnice99 Quit watching if you hate them! You constantly down rate them so why are you watching?
@@thatsnice99 You might want to ask them if their songs suck. They probably put a lot of work in to make Neil’s lyrics work.
@@thatsnice99 Every Rush album during this era had “productions” that were never intended to be played live.
@@thatsnice99 Well this song obviously 🙄
Nice reaction Justin. Almost all us fans wished for a longer guitar solo at the end. I would happily listen a couple extra minutes of Alex playing. Again like in the case of Tears, there's a Dream Theater live cover of this song with John Petrucci extending the solo. You could check it out. Dream Theater founding members were big big fans of Rush.
Geddy's singing is what makes Rush...Rush. Even though I'm a drummer, it was his vocals that caught my attention when I first heard A Farewell to Kings. He has a three-octave range and his timbre is a perfect fit for the type of music they play.
Justin,
As an old guy, I've been a fan of Rush ever since I saw them live in 1976 for $6 at the Taylor County Coliseum in Abilene, TX. They were touring the show that became All The World's A Stage.
It's always good to see someone listen to them with a "critical ear" and slowly discover just how talented they are, learn how many layers there are in their music and realize it takes more than just one listen to really grasp everything and appreciate the creativity.
I'm very impressed how you will take time and share your honest feelings about each song.
I'm also very impressed you are actually going through their discography! You're going to be busy for a long time.
I guess what I want to say is Thank You!
Welcome to the army of Rush fans. Enjoy the "Headlong" ride. (You'll get the reference eventually.
Something so unique and pleasing about Alex's arpeggios. He'll find two or three chords with common notes and use those common notes as open strings for the arpeggio. Usually letting them ring out. He's does it so much and it's great.
Such a great solo on the fadeout and why did they fade it out so soon???? They fade out an awesome solo too soon as well on a song called "Mission" from Hold Your Fire (coming up later on your channel hopefully!).
I think Geddy wrote the lyrics for this song so you can't blame Neil for the "dragons" reference. But I think in this case (like with Madrigal) "dragons" aren't used in a D&D sense but more of a literary tool to represent some powerful and overwhelming force. Both songs refer to slaying the dragon with words alluding to the idea that words and what we say can be super powerful. More powerful than swords. And it's interesting that both references are in "love" songs. Be careful what you say and how you say it to your significant other or you may hurt them more than you realize.
You mentioned that Hugh Syme is the unofficial fourth member. For a long time Terry Brown (the producer) was considered (even by the band) as the unofficial fourth member because they were so close and had such a long relationship. Plus Terry saved that first record and mentored Rush on recording throughout those early records. Later Rush would decide that they wanted a different viewpoint and stopped working with Terry. The last record with Terry is Signals so it will be interesting to hear your commentary on how Rush's sound changes after that. It might be worthwhile to note the different producers they use on the later albums get your take on how they influence how those albums sound.
Finally, I think Hugh's last name is pronounced "sime" with an "eye" sound in the middle.
So soft and gentle, words that flow with the music, then the guitar cries at the end leaving us wanting more. The magic of RUSH.
I started watching you mainly because I love RUSH and you also resemble a dude I met my first year in community college that I used to hang out and party a lot with.
As far as Geddy's voice goes, it's something that grows on you over time.
The first time I heard him was on "Fly by Night" when I was in the Army at the Yakima Firing Range in 1975.
It was on a portable, transistor radio and everyone who heard it said: "man, that guys voice is really weird".
But over the years I've grown and matured with RUSH and they're one of my top 10 bands of all time.
I'm almost 70 now and still rockin' hard. If I could manage to go out while listening to "Lessons" from 2112 I'd be a happy camper. It's one of my favorites by them but I don't know why. It just strikes a chord inside of me.
Keep up the good work man. You are a kewl dude and I'll continue to enjoy watching you as you grow in your appreciation of RUSH! Peace ....out.
This album came out the year I graduated HS. Good times indeed.
We can change it to “who comes to slay the giant” It’s a metaphor.
Knew you’d like that tune. I think it is so overlooked in their catelogue.
This is such a beautiful song and like others have said I also wish Alex's solo at the end was longer.
Cheers
Always wished this one was longer, especially the instrumental at the end. After Tears there was no doubt you weren’t going to like this one.
First time hearing this beauty in isolation...I always drink the album down in one 😁 NS coming...Epic!!
To be honest, I could not remember this song. When you played it, it all came back to me. Loved the solo. Tomorrow’s song is full of twists and turns. Saw them play it some… 42.. years… ago… 😬
Played this song on my casette recorder when i was in the army 1981. Then all of a sudden someone opens the door violently from my room and said who likes Rush here
Coming along on this journey with you has given me a new appreciation for '70s and '80s Rush. Being a fan of the band from the beginning, it so great to hear the musical progression of Rush from start to finish and seeing you appreciate this is wonderful to see. Rush's body of work is so incredibly huge, there is something for everybody to enjoy.
I know, 🥰 right! 😁🐰
It's cool that you like the slower, ballad-type songs from Rush. "Different Strings" is a beautiful song. Yes, the lyrics are of fantasy and fiction mixed with heart.
Since I first heard PW back in Jan, 1980, I had wished Alex's solo at the end was longer. And I'm certain that most Rush fans agree.
Now we're onto the other bookend song of the record, "Natural Science." The journey began with classic tune, "The Spirit of Radio" and ends with another foray into the nether regions (that's the only hint you'll get from me 😉). Peace! ✌
It's wonderful, how Alex leaves us wanting more~~~My favorite guitarist and he tickles my funny bone!
Natural Science! 7/8 wonderland! Let’s Gooo! Can’t wait.
Geddy bass playing on this one I've always enjoyed the different lines he takes.
Hey Justin.... My only comment as a long time fan of Rush, is that I consider Terry Brown (long time producer and real person in charge of the band sounding as it sounds) as the real 4 member of the band. You will notice a change after the Signals album, and also, Terry was complaining of the predominance of the synths in the songs.
Saludos from Panamá in Central America!!
Another great reaction another great Rush song!!!
Definitely in my top 3 Rush songs this one 🤘🏻
Great song differences. They rock!! Great to hear on the road. Just pay attention!! YN
for years I've thought there must be some studio tape lying around somewhere with Alex playing on at the end.
Would love to hear it.
Beautiful song, with a great opener Who's come to slay the dragon. Dream theater did a good cover of this. You hit it on the nail, it's a Alex album, being a guitarist that's why it's one of my favourites, wait till you get to counterparts album 9 albums away !!!😁
I love Counterparts!
@@debbieplato5107 Rush came back with a big hammer on that album.
@@JohnnyMegabyteCanada Yes, for sure. Such an interesting band, always kept you guessing as to what they would do next.
Love love love it!! Loved that you loved it!! It needs to go with that solo for at least another 5 minutes!! Be well and God bless… from Texas!!
Great job Justin 👍👍👍👍
Just a great song
I think you’re responding to Alex’s guitar voice developing. It, along with Geddy’s voice, seem to have matured like 10 years in the span of time between AFTK and Permanent Waves. And the next album similarly shows evolution in sound and originality, as does Signals. Molting each time into a new form of the band. Crazy cool.
Been watching for awhile. Just wanted to say thanks for examining the evolution of Rush.
Cool thanks Don!
Late to the party here a bit but enjoyed the visit.
A guy name (Tyler Warren) has a channel here on TH-cam where he covers the Permanent Waves entire album brilliantly!
Definitely worth a look ya'll!
Well great reaction. Its your taste and your way expressing yourself. And that's what is good about your reactions, You my friend are in for a treat coming up in the next few albums, and then you will hit a brick wall with synths. Tough time for us Rush fans, well for some at least, but then it takes off again. The music these guys put out over the years of me listening have really had a huge influence on my music style. Glad we are on this journey together welcome aboard.
Magical!, TRUTH FILLED
Thanks mate!
I just learnt about Hugh Syme now , Did not know about him till now , He is a Canadian award winning Graphic Artist that has done album covers for various bands including Rush , Styx , Megadeath , Aerosmith and others , He is also a piano player that has appeared on Rush tracks , , another interesting thing I just learnt about Geddys brother does the stage video visual for the Rush concerts ,
Whoever it was that decided songs should fade out needs to be fired for eternity! It is a crime against music! Great track! Great album.
I have been a huge Rush fan since I was 15 , first time hearing Tom Sawyer on the radio. Went to a record store in downtown Toronto and wow they have other albums? Bought them all. One thing with Rush was the excitement of a new album. What would it sound like? Because you knew it would be different then the last. Speaking of last Clockwork Angels is there opus your in for a treat. If you can find the time read the book first. Love taking this journey with you 👍
This album always had a bright sound to it to me, kind of like when you buy certain guitar strings and the guitar sound is just so much brighter, that's the tone on Permanent Waves. Get ready to rock out on Natural Science
Rush is like scotch. You may think it tastes like crap but suddenly you’re drunk and happy!
Love this slow groove. Great open highway tune. Fun to play also. lol
I think what you're finding here, Justin is that Lerxt was finding his particular style rather than emulating things that his heroes and influences were doing. I won't spoil it for you, but MP is a revelation!
Finally made it to my favorite Track on the album and one of my favorite rush songs. This shit really moves me. And its Permanent Waves on Different strings..or different strings on Permanent waves? 🤔💭🤣🤣🤣
Geddy Lee's finest lyrics in my opinion
Geddy's voice is unusual. It has a higher pitch and has a different quality to it. Not a bad quality, just one that's different. And when faced with something different or unexpected, it's natural for it to be distracting and to not be sure how to take it. Once you get used to it, it's not unexpected or different anymore and you find that he actually has a very warm, friendly voice and can sing very well. It's just one of those quirks about Rush that makes them different. This song is a nice little ballad that gives you a chance to rest before the final opus. Alex does great work on this album, but so do Neil and Geddy. Neil's drumming is inspired through a lot of songs, Geddy's bass is top-notch (heck, Geddy's bass playing gets better and better with age), and Geddy's vocals are some of his best yet. He's really mastering his voice, and this album has more melodic vocals. They said it was this album that gave them the experience to make Moving Pictures, which is top-notch classic album and is on many top ten lists. I prefer this album a little more, but it's a close call. Tom Sawyer rightfully gets attention as their best song, but Spirit of Radio is such a freaking wonderful song! If one song can sum up all of Rush, it's that one.
They should have kept that solo going longer, though.
Funny how everyone and I mean EVERYONE says the exact same thing about Alex fading out on the solo like DAMN, I wish he would’ve played that out A LOT longer, but in true Alex form, it’s just what the song called for and NOT about how much he could showboat on a track😉😉🤘🖖✌️🎸🎸🥁🎤🎹🥇🇨🇦🎼🔥👌👍
For me personally, I think this record is the first record with this "sound/mix", very distinct instruments that blend together well. I think the previous albums had a more "muddy" mix/feel to them and this sounds bright....to me. I feel Perm waves, moving pics, Grace under pressure, signals, and some of Power Windows were my fav albums. My opinion is that with the "Hold your fire" album they moved into a new sound/direction which didn't appeal to me as much. Curious if you will have a similar reaction to those albums as well. I must say that there are some great songs in those later albums too, just the albums hit differently to me personally. As always love watching reactions to Rush!
We all as RUSH fans wish this song could be a few minutes longer to flesh out that guitar solo.
Also Alex clearly loves harmonics.
Rush has said this was a pivotal album for them, as they felt they had reached a new point in their ability to put it all together. While the next album is considered their best, they said “Moving Pictures” wouldn’t have been what it was without “Permanent Waves”. I’m not a musician. The early works, Xanadu, 2112, hemispheres album were special to me. This era was great too, before the keyboard took over.
I think why you are identifying with Alex on this album, is that he's using new chords and their arpeggios. He's always done that, but he's finding more "delicious" chords to use. Remember: Rush never repeats themselves. New album. New direction. New sound. and yes, more synths from album to album. But, no synths on Counterparts. And a return to the big fat chords and riffs. And you have to realize, Alex is very humble. They all are. He doesn't play a guitar solo, unless one is needed. And if you see, Different Strings fades out with an outro solo. And who doesn't wish that they went on for another few minutes.
Listened to this last night, was looking for a longer version, no luck!
It's Hugh Syme (rhymes with Lime)
Maybe the reason Alex is more noticeable IS that you've changed how you listen to Rush, based on last week's set of reactions. Another reason is maybe Alex just doing stuff that jumps out at your more on this record than on previous records. (It's my opinion that AFTK is the first record where Alex finally started stepped out of Page's shadow enough to sound like a unique player.)
Whatever the reason, I think it's great you're connecting more with him. He does some cool stuff and is as strong an element in Rush sounding like Rush as are his band mates.
If I close my eyes, I can see the black light and velvet posters..lol..
Prog Rock always used a lot of mythology and legend type references in their lyrics and even in their imagery.. Wakeman, Yes, Asia are classic examples.
Great song, and criminally too short. I get why you identify this as an "Alex" record. If you go back, his parts on previous albums tended to be more just about the chords (with a pretty limited sound overall.) But starting here he starts really exploring arpeggiation, inversions, and a lot more color with his effects and technique. I think they all benefitted from the new studio and what newer technology had to offer. Plus Terry Brown seemed to up his game as well, finding fresh engineering tricks to give the whole album a brighter sheen.
A beautiful song. Another hidden gem. I do like it slightly better than Tears. Like Tears, this is a slower-paced song with lyrics by Geddy. Hugh Syme, as with Tears, is also credited with piano. This is the only song from Permanent Waves that was never played live. Love the guitar solo at the end. Too bad they fade it out.
Yeah I was doing my "homework" last night and listening to this track and looking for a live version (by Rush) but couldn't find anything.
yes it's a smash
I always thought this song was written to give Neil a bit of a rest as they mostly performed it right after a drum solo.
...and you haven't even hit Natural Science yet. Permanent Waves is bookended by my 2 favorite Rush songs. Epic album in every way! Even the Syme art.
Anyone else wanna try that 32nd-note hi-hat?
Alex's style is different on this album, begins the classic Rush sound.
I loved his work on 2112, Passage to Bangkok, all Caress of Steel, By Tor ect- a harder, heavier tone often mixed w blues, or distortion.
Permanent Waves to Grace under Pressure a "cleaner"? tone.
Back to grittier rock on Counterparts to the heavy heavy tone on the Snakes..& Clockwork.
They're all good but there is something that often does stand out more in the guitar in this period esp PW - P/G.
❤ ❤... ❤
I think your noticing Alex more for a couple of reasons.
1: you're starting to realise, he's fucking brilliant.
2: his tone on this album is just exquisite.
Moving Pictures ratchets it up - yet again !
just wondering if the Dragon reference could have been from lyrics for the Sir Gawane (sp?) they never used? or a tie-in?
I can’t remember or if you said how far into the RUSH catalog this time around! I would definitely like you to at least go to the Signals album. 74-82 are called THE MUSICIANS-MUSICIAN part of RUSH’S career or as I call it: THE TERRY BROWN YEARS! My favorite period of RUSH all time.
plan was to do the entire discography start to finish
What was your first Rush video? I want to look it up
Spirit of Radio.. you'll see it. From back in January I think. Thumbnails look different... lol. Will probably be pretty wild to watch now lol
I can't remember if I seen it or not. I've been following you for a long time. I'll check it out. Thank you for responding. That's what I really like about your channel you respond to your messages.
😂 Of course! 😁 I swear I did a 🐲 Dungeons & Dragons Campaign at least once a month between 76-84... 🙄 Then I had to be an Adult. Hard to keep up Campaigns & Characters when you start working 9-5 is all's I'm saying! 🤗 So yeah, again with the Dragons! 🥰🐰
Look for the video when Alex says that the keyboard isn’t a real instrument anyway !
Happy for Justin that Rush didn't name this song "Différentes Chaînes"
Hey Justin, I love you doing all the Rush! Something completely out of place and off the wall from Prog Rock but have you done anything on Savoy Brown, a great band that deserves a listen...Just a thought for you
Haven't heard of them actually
@@JustinPanariello Check them out man a great blues band that started in the mid 60's with fantastic albums Raw Sienna, Street Corner Talking, Hellbound Train a long history of great stuff in my opinion. Pull Tell Mamma , Wand Dang Doodle, She's gotta ring in his nose and a ring around her hand, plus many more.
that solo needed another 2 minutes of development
Yep solo needed to be longer. Anyways next up: Natural Science. Best song on album IMO. First 2 minutes is slow and isn't perfect (imo) but the rest is perfection, as good as Rush gets, again IMO.
This song is perfect to me, except fading out at the end😢😊😊
When I was younger, like when this album came out, I didn't care that much for this song. Too slow. But as I've aged, and slowed down a little myself, I've come to appreciate it more.
Yeah, hehehe, early Geddy Lee vocals could CUT GLASS! Really like his lower register timbre, though...
Alex had more to give. Who faded out? I liked Hugh's contribution, but would have loved more as well.
Completely agree Alex stands out more on this record. Just wait for Natural Science. Everyone is going off. Its going to be a big finish.
See you tomorrow.
Hugh Syme... rhymes with... Scene of the crime... close. Tastes like lime! Nope... too sublime. Maybe I can mime it. Hey Brother... got a dime? Let me spice it up... parsley, sage, rosemary, and thyme. It's an uphill climb... feel free to chime in.
His last name is pronounced S-eye-m not Sim like in simulation.
Thanks for sending me that video link the other day.... stay tuned 12pm EST today!
Great song, great vibe. Not sure if I would call it an Alex record, but to you point, he is probably carrying more the melody.
It's always pained me, how they don't continue with the ending, for at least half a minute longer... 15 seconds would have sufficed!
I know what you mean! That solo is so explosive. I even have to turn up the volume at the end of it to make it last a couple seconds longer!
@@user-qi2jj5nh4h 😂... Me too!
Yeah Geddy's voice is sometimes an acquired taste, if youve been listening for a while if you still don't like it then you may not ever, I know a lot of people like that lol.. glad you came around though ha
First time I heard Rush I hated his voice and didn't like them. Later I became one of the biggest Rush nerds there is.
its not literally dragons he's singing about you know that right?
trigger word lol😂
Is it just me or is the sound quality of this and all his permanent waves reactions just awful? major injustce for the best rush album. There's HD uploads on youtube, please listen to those!
yeah I'm not sure why the audio came out so crappy. I've heard it on Spotify already and now I have it on vinyl sooo definitely have heard it 'correctly' now.