Marcel Prawy meinte einmal, wenn man die Stimmen der Tebalidi und Nilsson zusammenläge, dann hätte man die der Jeritza. Wie auch immer, wunderbar war sie auf jeden Fall. So ein Leuchten in einer Stimme hört man selten!
Marcel Prawy meinte einmal, ihre Stimme sei wie eine Mischung aus Tebaldi, Nilsson und Rysanek gewesen. Das kann ich zwar nicht hören, wunderschön ist es aber trotzdem!
Jeritza was the first Ariadne, in both versions, Strauss selected her and worked with her, always. If she sang in this speed, fast or slow, this was and is the real speed.
@@greatmomentsofopera7170 Of course! Many years have passed, and many ways of play this music, more slow or fast, and we are accustomed to our present way of performing, and it's ok, but also we have the opportunity to hear most of the first performers of great part of the XX century music, and to have precious first hand information. 🙏
![FILM: Maria Jeritza - Ritorna vincitor [Aida] - 1933 (CORRECT PITCH)](http://i.ytimg.com/vi/8GC9Y-Xrsms/mqdefault.jpg)
Just glorious! This must have been really something to hear live! There Re just so many singers I wish I could have heard live! Sigh…
Fine music,Aloha from Hawaii - I just Love Maria singing
Marcel Prawy meinte einmal, wenn man die Stimmen der Tebalidi und Nilsson zusammenläge, dann hätte man die der Jeritza. Wie auch immer, wunderbar war sie auf jeden Fall. So ein Leuchten in einer Stimme hört man selten!
A wonderful singer
That first B-natural is glorious!
A great operatic star.
Marcel Prawy meinte einmal, ihre Stimme sei wie eine Mischung aus Tebaldi, Nilsson und Rysanek gewesen. Das kann ich zwar nicht hören, wunderschön ist es aber trotzdem!
It's way too fast!!
😲
Jeritza was the first Ariadne, in both versions, Strauss selected her and worked with her, always. If she sang in this speed, fast or slow, this was and is the real speed.
I was thinking how slow various parts of it felt...!
@@greatmomentsofopera7170 Of course! Many years have passed, and many ways of play this music, more slow or fast, and we are accustomed to our present way of performing, and it's ok, but also we have the opportunity to hear most of the first performers of great part of the XX century music, and to have precious first hand information. 🙏
Do you think the recording time limits of these old records might have something to do with it, too?