This interview is very affirming when it comes to my work. I feel much same the way when it comes to an area or place. I stop and photograph something because it is interesting me and makes me want to make a photograph of it. Thank you very much for this wonderful interview.
When I was learning how to process color film and color prints in the late 70's I presumed that transparency film was the superior medium until I made a side by side test with color negative film. There was no comparison whatsoever. Transparency film was never meant to be printed and thus every print was a giant compromise. Negs were sharper with a vastly superior tonal range and palette. Nice to see him say that.
How on earth did I miss this? It's one of the best sofa conversations and it's wonderful to hear from Jem with such insight and humility. No sensationalism that is so prevalent in podcasts just intelligent conversation. Long may the sofa sessions continue.
I'm ashame to say that I didn't know about Jem Southam, I made my research I loved his approach of landscape photography, it comforts me in the work that I've been doing on nature for almost a decade. Thanks!
Hopefully this film has been an insight into his work. We have his books in our library and the book shop if you are interested in seeing some of his work.
📸 Thanks for commenting and giving us some feedback, we are taking everything on board as we develop this new series. There are plenty more interviews in the pipeline so please stay tuned for some more films coming soon 📸
Earlier prints were on photo paper printed using enlarger in darkroom. Now printed via inkjet/laser printers. All the dodge/burn, chemicals artistry in the analog process now digital via photoshop and Lightroom. Plus the physical photo print is no longer as crucial in the presentation. Like films, the variety of photo papers itself has shrunk.
These are fantastic. One wish for future versions (beyond Bruce Gilden) - can you put the photos they reference on screen? That would be superb.
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This interview is very affirming when it comes to my work. I feel much same the way when it comes to an area or place. I stop and photograph something because it is interesting me and makes me want to make a photograph of it. Thank you very much for this wonderful interview.
Love this interview and I love Jem and his work! This is looking like a fantastic series.
Thanks Scott. Great to have your feedback on the series. More films coming soon.
Glad to see this uploaded - I only wish it was longer! Southam's landscape photographs are among my favourites.
Hi @Monty Cantsin, Jem's work he discusses will soon be on show as part of Bristol Photo Festival if you are able to travel and see the show.
Excellent, Jem is actually my Cousin
Super series of work ! love watching. More please.
When I was learning how to process color film and color prints in the late 70's I presumed that transparency film was the superior medium until I made a side by side test with color negative film. There was no comparison whatsoever. Transparency film was never meant to be printed and thus every print was a giant compromise. Negs were sharper with a vastly superior tonal range and palette. Nice to see him say that.
Really pleased to see this conversation. An excellent insight into someone's working practice and from a peerless interviewer. More soon, I hope
There are a whole host of new videos on the way. 👀 peeled for a new video next week!
How on earth did I miss this? It's one of the best sofa conversations and it's wonderful to hear from Jem with such insight and humility. No sensationalism that is so prevalent in podcasts just intelligent conversation. Long may the sofa sessions continue.
Thanks Jon, we love hearing from our supporters and will keep making similar engaging content for you.
I'm ashame to say that I didn't know about Jem Southam, I made my research I loved his approach of landscape photography, it comforts me in the work that I've been doing on nature for almost a decade. Thanks!
Hopefully this film has been an insight into his work. We have his books in our library and the book shop if you are interested in seeing some of his work.
@@MartinParrFDN Thank you!
Love the number of surprised ‘really?’ comments Martin makes during this interview.
Pleased to see this as a video interview not podcast. Perhaps interject with referenced images. Looking forward to further episodes!
📸 Thanks for commenting and giving us some feedback, we are taking everything on board as we develop this new series. There are plenty more interviews in the pipeline so please stay tuned for some more films coming soon 📸
Wonderful insight
Thank you for commenting @IceCreamGorilla
Could somebody explain to me why todays papers for printing aren´t as good as they used to be? Mr. Southem talks briefly about this at 11:15min.
Earlier prints were on photo paper printed using enlarger in darkroom. Now printed via inkjet/laser printers. All the dodge/burn, chemicals artistry in the analog process now digital via photoshop and Lightroom. Plus the physical photo print is no longer as crucial in the presentation. Like films, the variety of photo papers itself has shrunk.
Thanks for your comment Jaroslaw, we will ask Jem when he next visits the foundation. Thanks for taking the time to comment.
tell him he can use platinum if he wants high detail