Imo, it's not possible to KNOW the composers intent and even if we do think we KNOW, how are we to translate that into music making? Even if a living composer tells us what they want, we can only make an approximation as to apply that to a performance. With that being said, why is it apparently, that there is so much stress that we interpret something with the composer in mind> WHY?
Not only helpful for flutists - this is fantastic thoughts for all kinds of musicians . Thanks for sharing it on youtube
This is a wonderful and really, priceless, series for flutists and teachers. Thank you, Carnegie Hall Master Class, and thank YOU, Mr. Pahud.
This is really helpful.. I wish I could be able to meet someone like Emmanuel Pahud!
great serious for all flute player
Morning sweet cheeks! With music like that id be keeping my headphones on all day 😘😘😘
What? lol 😂
Imo, it's not possible to KNOW the composers intent and even if we do think we KNOW, how are we to translate that into music making? Even if a living composer tells us what they want, we can only make an approximation as to apply that to a performance. With that being said, why is it apparently, that there is so much stress that we interpret something with the composer in mind> WHY?