Imagine that you are in the year 922 AD, sitting in the Original Somnath Mandir at 3 Am and this rendition is being offered to Mahadev. And you become fluid and flow in this Rhythm experiencing Shiv Tatwa within your being.
I don't claim to be an expert listener of our classical music, but of late I've developed an insatiable appetite for Hindustani classical music. Bhairav, with its heavy, serene aura, comes to me as a personification of Mahadev's meditative side. And without any disrespect to any Khayal vocalist, I feel like this rendition reached closer to the rasa of Bhairav than any of the Khayals that I've heard. I'm forever grateful to the channel for having shared such invaluable rendition on a public platform. God bless this music!
1😊 get out I don't me Supari, Siri ring Lee make them umbilical Liam Yadav Anchor, Charlie Mengal by Shuba Niladri. No Oscar Google Bullion Varsha, the Premier League upon McDonald's Gonzalo gang ha Factoty
I don't know why we are not promoting dhrupad as much as khayal and thumri, Ghazals. It is better than all modern forms, in my opinion. It's more divine, evokes more emotions.
There are not too many Dhrupad singers, Khayal singers are plentiful. Uday Bawalkar ji is the probably the only leading exponent of Dhrupad, there were initially 4 Gharanas in Dhupad, out of whih only one Dagar Bani survives to this date, others have become extinct. You are right, Dhrupad is much more divine and emotional, than Khayal because, Dhurpad is made for singing in Devotion to Gods, whereas Khayal evolved in Mughal Courts for purpose of entertainment. There should be more promotion of Dhrupad, but very very few exponents of this form of music
Dhrupad comes across as somber and serious, and is daunting for most people until they have enough of an inculcation in Hindustani classical music, IMO. But here's hoping Dhrupad's resurgence continues ...... it seems to have a small but avid following in many countries.
@@boiragirules please do not show hatred with such glorious music. The best known exponents of Dhrupad music is the dagar family with Ustad Aminuddin Dagar being a recipient of Padmabhushan.
Absolute masterpiece. I agree with everyone who says dhrupad must be popularised all over the world. If there is anything close to divinity in music,it is undoubtedly dhrupad.
Every time I listen to this marvellous interpretation I discover fresh wonders. I was lucky enough to listen to Uday Ji live a few times. One feels truly transported to another universe. The whole group is marvellous. There is something primordial about drupad. Uday ji is the true heir to the Dagar dynasty.
Being a khayal student.. this dhrupad gives a new dimension to what I consider Hindustani Music.. The layakari with the Pakhawaj is mind blowing.. The taan like singing with the syllables mesmerized me.. Totally different from Khayal.. The bhaav(mood) of Raag clearly depicted! Pranaam.. would continue listening Dhrupad.
Some ragas just simply suit the dhrupadiya style. Bhairav is a prime example. Malkauns also goes very well in the dhrupadiya style. It's just that the Kalyan, Khamaj, Bilawal thaat ragas don't sound as fluent and exciting in dhrupadiya style.
@@DC-zi6se Yes, correctly said. Now I am a regular dhrupad listener and my khayal seems to be influenced with the dhrupad I listen to. The sounds of Rudra veena by Asad ali khan saheb ji hypnotises me! Indian music is amazing and so beautiful that I can't write it down. And the point regarding raags you mentioned is very accurate. Bhairav, Malkauns, Multani, Shree, Poorvi, Darbari, Miyan malhar and so many raags having a serious nature struggle a bit in khyal.. these raags find complete expression only in dhrupad. Dhrupad is reviving and it will soon be more famous among audience. 😁🙏❤️
@@bhavyakumarsaini1639 Great! The only Khayal artist I think, who truly united (or at least seemed to have) Khayal and Dhrupad was Ustad Amir Khan, ever since he died, vocal gymnastics has taken over khayal and dhrupad has lost popularity. Ustad Amir Khan is the only exception, He had the vocal gymnastics required for Khayal but also had the patience and grandeur of the dhrupadiya style. One, more is Ustad Sharafat Hussain Khan, but he is more close to pure dhrupad. Overall, Ustad Amir Khan's style balances out both ends.
धृपद गायनाच्या केंद्रस्थानी असणारी भाव निर्मिती, सुरांसह श्रृती, अणुश्रृती घेत घेत मींडकारी, आलाप जोड व धीरगंभीर मृदंगाच्या थापीसह मध्यम लयीतील ईषस्तवन या सर्वच निकषांवर पंडित उदय भवाळकरांचे गायन मन मोहित करते. सकाळचा हा भक्तिरस प्रधान राग मनाला सहज अंतर्मुख करतो व गायन हे ऊपासनेचे सर्वात निकटचे साधन का म्हणतात ते समजते. उत्तम गायन सादर केल्याबद्दल धन्यवाद.
Bhairav IMMORTALISED. At a long long distance in time, somewhere in the distant future, Human civilization would remain indebted forever to INDIA and it's musicians for producing this sort of DIVINE MUSIC. Such tracks like this should be properly archived. Many kudos and accolades for those organisations which are actively engaged in promoting this sort of music. Many thanks for sharing this track.
सच में और इसमे Government ne gav ke artists ko platform karke dena chahiy... Aisa nahi kiya to ye itna bada culture kabhi gav ke logo ko malum nahi hoga.. Sirf UPSC walo ko study me hai study karne se kya hota wo reserve karna ho to kuch execution hona jaruri hai..
Thanks for this upload. There is something very primordial about Dhrupad that rarely is experienced with Khayal. For those interested in hearing something similar, check out Raga Record's Senior Dagar Brothers live in Kolkota - Raga Todi. Sublime. This was a high quality recording made at a house concert.
Thanks to the organizers for such an excellent recording system. Many times it happens that the movement in the mandra and taar saptak doesn't gets captured on the recorder. The Tanpura, percussion and vocal is distinctly and clearly audible. Thank u!
Thank you for your appreciation Devansh Phadke. We try to take as much care over all aspects of the video and audio to give the best possible experience to the rasikas.
I haven't heard some of the finest stars of Indian classical vocal sing Bhairav to this degree of detail, finesse and devotion. The best in recent times.
You may try Bhimsenji, Jasraj ji, Rajan Sajan Mishraji, of yesteryears, Niyazuddin Faiyaaz UddinKhan Sahabs, Amir Khan, Bade Ghulam Ali Khan, Salamat Nazakat Ali of era before, or Jayteerth Mevundi, Kaivalyakumar, Mita Pandit, Manjusha Kulkarni and of course many more in Vocals, not adding Instrumentalists
I am nearing 93 a regular concert goer from 1950 in Mecca of classical music Calcutta. Never heard legend khayalias of 50/60/70 eg Omkarnathji Paluskarji BGAK Sahib Amir Khan Shahib Bhimsenji ever singing Bhairav. Recall buying a cd of Bhimsenji in London from Bharatiya Vidya Vhavans small shop in west Kensington -( raga record of USA), sun standard rendition, not seen a single cd or Lp/ cassette of any of these greatsnothing available in you tube. Mallikarjun Mansur used to sing Bhairav. Out of later khayalias Mishras and Ulhasji sang Bhairav. Out of great instrumentalists only NB played Bhairav in DLMC. NO performance of RS AAk or Vk available anywhere. When and where you heard Bhairav from them. A cd of Gangubaiji is available with me superbly sung. None from other female greats. Pl don’t try to pretend to be mr know all😢
I am going to add a few lines in my upcoming novel about the Bhairav. I recommend you to listen to raag Bhairav, Prabha Atre on youtube. And request you to inform you your impact as a western listener as my novel is written in English. 91-9822204884. Thank you in advance.
This Bhairavi is performed in perfect clarety, easy to follow untill capture, even for a Frenchman like me. I am very found of Druppad since Daggar Brothers took part in the 24 hours of Raga at Odeon/Paris in the 80 ties. Nice to see that the new generation takes over the holy flame in such a brillant manner.
Not sure what you mean by same god etc. Raag has nothing to do with a particular god except for some myths about their origins perhaps. As for prayer for a specific god, any Hindu deity could be prayed with any raag - there are no "rules" about it but may be some popular conventions. Now about these two raags. These are in fact two completely different beasts. Almost nothing to do with each other. Both are what are called as "Janak Raag" (lit. generator raag) or "Thaat" (style/template, read Wiki for "Thaat"). The basic set of notes for the two are different, the way they develop ("dynamics") is different and the moods they evoke are also different. Both use all the 7 notes in ascending and descending movements. If one is singing in C, then Bhairavi notes will be "C Db Eb F G Ab Bb C" and Bhairav notes will be "C Db E F G Ab B C" with b indicating the "flat" version. This makes a world of difference in itself, but their different dynamic makes even bigger difference!
Thank you very much for your clear answer. I understand now the differense of these 2 raags. Yes, nothing to do with the gods. Just 2 different ragas. Thank you for showing me precisely how different they are. This is indeed very kind of you because I am a pure ignorant but I appreciate a lot.
Your kind information will help me to adjust the tanpura. I am a retired old man. During years I used to listen for hours to Ustad Hussain Sayeedudin Dagar. I love his Rag Bhairavi, even it seems impossible for me to chant with him. As I found Uday by hazard looking for Daggar's Bhairavi, I started to love Uday'Bhairav until I spend hours trying to imitate him step by step, chanting with him for hours until my voice changes as well as my moods. This my best prayer to God . I also believe that God does n't care of the name we use . All my gratitude to all those who keep the true Spirit of India ever alive.
+shridhar poul Thank you for your support. We're glad you appreciated Udayji's performance. Just to let you know, we are organising a two-day event called "Gayatri" at Ravindra Natya Mandir on 18th and 19th March celebrating women artistes in Hindustani Classical music. The featured artistes will be Ashwini Bhide Deshpande, violinist Kala Ramnath, sitarist Sahana Banerjee and dhrupad vocalist Pelva Naik. For more details and updates regarding the event please visit our Facebook page from time to time at facebook.com/firsteditionarts. And thank you once again for your continued support. Look forward to seeing you at all our future events.
One of great Devine experience listening to this Duvpad.......I started listening making room light off... relaxed seating on floor....it really settle ur turbid mind....and at end you found urself calm and energetic too....many thanks to these great musician 🙏😍
Thank you for sharing. I was fortunate to find this while I watched an early morning snow drape the open earth in a glittering desert blanket of stillness.
Greetings and love from USA, Fantastic. This require discipline, dedication. Method acting is becoming part of the character. This is “ method singing” , where one become the music itself. Panditji has done this perfectly … So well that the listener is pulled into it as well. Hindustani classical at its best.😀☺️🥰
Incredible control over breathing and voice throwing. Udayji perhaps has the longest breathing cycle which gives his sustained notes a greater impact. The ghamakas from 47-50.00 min are just mind-blowing with its sonorous dignity.
Soul-stirring! Something ethereal about Dhrupad. Moves you very deeply. So fortunate we have such maestros to pass on their knowledge to the younger generation.
He sings with a huge amount of concentration and seriousness....even though the fun element is missing, he leaves a very wonderful impact. Heard him "live" in Indore recently too......
I have had a good fortune of listening to Uday Bhawalkar performing live many times. It's always the most serene and peaceful experience. Thanks for uploading this video. It's 90 minutes of bliss.
So beautiful & so much to learn from it. Something so soothing in this rag just close eyes & listen for hours humming getting darshan of Maa Sharda❤❤❤❤❤
To me as a layman it seems to be a more fundamental form of music which is also enjoyable like khayal gayaki. It perhaps brings out the form of the raga in a better way.
Dhrupad focuses on purity and divinity in the performance, while khayal focuses on entertainment while singing. Very few khayal singers focus on divinity. Being a khayal student, I was also running after crisp taans for entertainment, but now I love to listen dhrupad! Dhrupad is the ultimate music!
What my gurus call margi sangeet. If the voice is produced in synchrony with tanpura with proper learning of voice culture and movement of prana, a spiritual connection can be realized. That’s what I learnt from my gurus, the Gundecha Brothers!🙏🏽🙏🏽🙏🏽
This pure Music must remain pure...as today's Reputed Dhrupad Singer like Gundecha Brothers bringing illfame to our traditional Parampara. Dont make it a money-making, Dollar earning business as seen today. Good,.
Dhrupad singing requires certain personality traits , psychological skills of steadiness of mood patience and calmness For me it is very meditative. People with ADHD fir example should learn it for self regulation
Dear Swami: good to wish but world is very big and time eternal, human creation endless. In this vastness, such lofty wishes at a personal level may feel possible but humanity wont have any use for this or any other for that matter. This fact does not diminish this particular rendition or all of music! Enjoy for what it is now. Next moment is neti neti neti.
I can't fathom I arrived at this music via Ritviz. My initiation towards some serious classical music is today. What a fabulous genre and can't even think of appreciating Pandit ji. Thanks for teaching Dhrupad and I hope my son gets to learn from you.
My favourite reindition of this song is Sayeedudin Dagar then Bhawalkar ji powerful version & a wonderful Thumri Singer has sung this as well-Shubhra Guha. We are so blessed, so much of choice and interpretation. Why go looking for the purity of roots? It will reach the great lord Shiva himself & Pashupati Mahadeva had indigenous roots- before any of these mainstream religions came. If you heard the elder Dagars you could feel them steeped in Bhakti..Bhakti may have seeds in religion but flowers into greater humanity...
I have noticed something which wasn't there earlier. The pakhawaj player starts playing before the composition begins. I think it's a new development. I saw it recently at sawai gandharwa music festival at Pune where Vijay ghate started playing the tabla before Pandit hariprasad chourasia had finished the jhala
Imagine that you are in the year 922 AD, sitting in the Original Somnath Mandir at 3 Am and this rendition is being offered to Mahadev. And you become fluid and flow in this Rhythm experiencing Shiv Tatwa within your being.
😇😇😇😇🙏
922 AD? why that specific date?
What great merit we must have accumulated over many lifetimes, to hear such sublime sounds.
I don't claim to be an expert listener of our classical music, but of late I've developed an insatiable appetite for Hindustani classical music. Bhairav, with its heavy, serene aura, comes to me as a personification of Mahadev's meditative side. And without any disrespect to any Khayal vocalist, I feel like this rendition reached closer to the rasa of Bhairav than any of the Khayals that I've heard. I'm forever grateful to the channel for having shared such invaluable rendition on a public platform. God bless this music!
1😊 get out I don't me Supari, Siri ring Lee make them umbilical Liam Yadav Anchor, Charlie Mengal by Shuba Niladri. No Oscar Google Bullion Varsha, the Premier League upon McDonald's Gonzalo gang ha Factoty
❤❤
....listening is a long journey
I don't know why we are not promoting dhrupad as much as khayal and thumri, Ghazals.
It is better than all modern forms, in my opinion. It's more divine, evokes more emotions.
Because Dhrupads are ancients and it is Hindu and others have islamic ifluences...
There are not too many Dhrupad singers, Khayal singers are plentiful. Uday Bawalkar ji is the probably the only leading exponent of Dhrupad, there were initially 4 Gharanas in Dhupad, out of whih only one Dagar Bani survives to this date, others have become extinct. You are right, Dhrupad is much more divine and emotional, than Khayal because, Dhurpad is made for singing in Devotion to Gods, whereas Khayal evolved in Mughal Courts for purpose of entertainment. There should be more promotion of Dhrupad, but very very few exponents of this form of music
Dhrupad comes across as somber and serious, and is daunting for most people until they have enough of an inculcation in Hindustani classical music, IMO. But here's hoping Dhrupad's resurgence continues ...... it seems to have a small but avid following in many countries.
@@boiragirules please do not show hatred with such glorious music. The best known exponents of Dhrupad music is the dagar family with Ustad Aminuddin Dagar being a recipient of Padmabhushan.
@@MrBelzzz Yeah converted from Hinduism..the Dagar lines...
Absolute masterpiece. I agree with everyone who says dhrupad must be popularised all over the world. If there is anything close to divinity in music,it is undoubtedly dhrupad.
If you have done nothing else in life except listen to this piece, it will have been worth it
Spritual singing
The bliss when he hits that higher Sa at 38:53! The all-consuming nature of the shadaja!
u r right
The first time Panditji expresses taar Sa, he holds it steady, without any quivering, for 35 seconds! It was incredible!
Padit ji is my most favorite performer, because of his meditative approach while performing a raga.
Every time I listen to this marvellous interpretation I discover fresh wonders. I was lucky enough to listen to Uday Ji live a few times. One feels truly transported to another universe. The whole group is marvellous. There is something primordial about drupad. Uday ji is the true heir to the Dagar dynasty.
Being a khayal student.. this dhrupad gives a new dimension to what I consider Hindustani Music.. The layakari with the Pakhawaj is mind blowing.. The taan like singing with the syllables mesmerized me.. Totally different from Khayal.. The bhaav(mood) of Raag clearly depicted! Pranaam.. would continue listening Dhrupad.
Some ragas just simply suit the dhrupadiya style. Bhairav is a prime example.
Malkauns also goes very well in the dhrupadiya style.
It's just that the Kalyan, Khamaj, Bilawal thaat ragas don't sound as fluent and exciting in dhrupadiya style.
@@DC-zi6se Yes, correctly said. Now I am a regular dhrupad listener and my khayal seems to be influenced with the dhrupad I listen to. The sounds of Rudra veena by Asad ali khan saheb ji hypnotises me! Indian music is amazing and so beautiful that I can't write it down.
And the point regarding raags you mentioned is very accurate. Bhairav, Malkauns, Multani, Shree, Poorvi, Darbari, Miyan malhar and so many raags having a serious nature struggle a bit in khyal.. these raags find complete expression only in dhrupad.
Dhrupad is reviving and it will soon be more famous among audience. 😁🙏❤️
@@bhavyakumarsaini1639 Great!
The only Khayal artist I think, who truly united (or at least seemed to have) Khayal and Dhrupad was Ustad Amir Khan, ever since he died, vocal gymnastics has taken over khayal and dhrupad has lost popularity.
Ustad Amir Khan is the only exception, He had the vocal gymnastics required for Khayal but also had the patience and grandeur of the dhrupadiya style.
One, more is Ustad Sharafat Hussain Khan, but he is more close to pure dhrupad.
Overall, Ustad Amir Khan's style balances out both ends.
@@DC-zi6se very well said sir!🙏😊
🙏🙏
best alive singer in the world, all kind of music included. and on the top of it he's an humble man, a true artist.
धृपद गायनाच्या केंद्रस्थानी असणारी भाव निर्मिती, सुरांसह श्रृती, अणुश्रृती घेत घेत मींडकारी, आलाप जोड व धीरगंभीर मृदंगाच्या थापीसह मध्यम लयीतील ईषस्तवन या सर्वच निकषांवर पंडित उदय भवाळकरांचे गायन मन मोहित करते. सकाळचा हा भक्तिरस प्रधान राग मनाला सहज अंतर्मुख करतो व गायन हे ऊपासनेचे सर्वात निकटचे साधन का म्हणतात ते समजते. उत्तम गायन सादर केल्याबद्दल धन्यवाद.
Bhairav IMMORTALISED. At a long long distance in time, somewhere in the distant future, Human civilization would remain indebted forever to INDIA and it's musicians for producing this sort of DIVINE MUSIC. Such tracks like this should be properly archived. Many kudos and accolades for those organisations which are actively engaged in promoting this sort of music.
Many thanks for sharing this track.
could not agree more.
This music should be preserved for the sake of whole mankind.
@@hemantghayal7709 shabd na ho amerikan bandhu ko sambodhit karne ke liye magar bhav mujhe pyasa nahi rakh sakta shayad,,,,,, ,,,,,,, ,,,,,,,
Tum swikaro til se bane tar ko ya tar ke anu til ko. Shabd bhav de. Shayad shabd hin abhav,,,,, ,,,,,, ,,,,,,,
I could feel Lord Shiv every second with ur performance
हर मन्दिर में प्रात काल यह राग चलाना चाहिए ताकि हर क्षेत्र को सुनने को मिले हमारे देव हमारे देवत्व जागें।
सच में और इसमे Government ne gav ke artists ko platform karke dena chahiy...
Aisa nahi kiya to ye itna bada culture kabhi gav ke logo ko malum nahi hoga..
Sirf UPSC walo ko study me hai study karne se kya hota wo reserve karna ho to kuch execution hona jaruri hai..
True 💯
Thanks for this upload. There is something very primordial about Dhrupad that rarely is experienced with Khayal. For those interested in hearing something similar, check out Raga Record's Senior Dagar Brothers live in Kolkota - Raga Todi. Sublime. This was a high quality recording made at a house concert.
Thanks to the organizers for such an excellent recording system. Many times it happens that the movement in the mandra and taar saptak doesn't gets captured on the recorder. The Tanpura, percussion and vocal is distinctly and clearly audible. Thank u!
Thank you for your appreciation Devansh Phadke. We try to take as much care over all aspects of the video and audio to give the best possible experience to the rasikas.
I haven't heard some of the finest stars of Indian classical vocal sing Bhairav to this degree of detail, finesse and devotion. The best in recent times.
You may try Bhimsenji, Jasraj ji, Rajan Sajan Mishraji, of yesteryears, Niyazuddin Faiyaaz UddinKhan Sahabs, Amir Khan, Bade Ghulam Ali Khan, Salamat Nazakat Ali of era before, or Jayteerth Mevundi, Kaivalyakumar, Mita Pandit, Manjusha Kulkarni and of course many more in Vocals, not adding Instrumentalists
I am nearing 93 a regular concert goer from 1950 in Mecca of classical music Calcutta. Never heard legend khayalias of 50/60/70 eg Omkarnathji Paluskarji BGAK Sahib Amir Khan Shahib Bhimsenji ever singing Bhairav. Recall buying a cd of Bhimsenji in London from Bharatiya Vidya Vhavans small shop in west Kensington -( raga record of USA), sun standard rendition, not seen a single cd or Lp/
cassette of any of these greatsnothing available in you tube. Mallikarjun Mansur used to sing Bhairav.
Out of later khayalias Mishras and Ulhasji sang Bhairav. Out of great instrumentalists only NB played Bhairav in DLMC. NO performance of RS AAk or Vk available anywhere.
When and where you heard Bhairav from them.
A cd of Gangubaiji is available with me superbly sung. None from other female greats.
Pl don’t try to pretend to be mr know all😢
This is almost a mythical performance, taking the listener to another plane and keeping him/her there for the duration of his recital. Simply amazing.
Listening to this on MahaShivratri is some next level experience. Takes you to a different space
Indian Classical music is DIVINE. I feel proud to be an INDIAN.
I'm Irish: I have no idea what's going on here but I actually really love it
I am going to add a few lines in my upcoming novel about the Bhairav.
I recommend you to listen to raag Bhairav, Prabha Atre on youtube. And request you to inform you your impact as a western listener as my novel is written in English.
91-9822204884.
Thank you in advance.
@@gopaljee5615 There were song forms in the Indian subcontinent much, much before Dhrupad came into existence.
And what are those?
I'm curious.
tell me@@chhayanat1
Wait and see..
he is singing a scale named Bhairav which is alien to Western Music totally .
So lucky to find out such a rare raaga versed in such a way.
My spirit has been feeling broken lately. This exquisite performance is drawing the poison out of my soul.
This Bhairavi is performed in perfect clarety, easy to follow untill capture, even for a Frenchman like me. I am very found of Druppad since Daggar Brothers took part in the 24 hours of Raga at Odeon/Paris in the 80 ties. Nice to see that the new generation takes over the holy flame in such a brillant manner.
Nuad Trainer Not Bhairavi. This is Bhairav. Two completely different beasts...
oh thanks for this . Could you please tell me the difference between Bhairav and Bhairavi ? May be same god but different Raga ?
Not sure what you mean by same god etc. Raag has nothing to do with a particular god except for some myths about their origins perhaps. As for prayer for a specific god, any Hindu deity could be prayed with any raag - there are no "rules" about it but may be some popular conventions.
Now about these two raags. These are in fact two completely different beasts. Almost nothing to do with each other. Both are what are called as "Janak Raag" (lit. generator raag) or "Thaat" (style/template, read Wiki for "Thaat"). The basic set of notes for the two are different, the way they develop ("dynamics") is different and the moods they evoke are also different.
Both use all the 7 notes in ascending and descending movements. If one is singing in C, then Bhairavi notes will be "C Db Eb F G Ab Bb C" and Bhairav notes will be "C Db E F G Ab B C" with b indicating the "flat" version.
This makes a world of difference in itself, but their different dynamic makes even bigger difference!
Thank you very much for your clear answer. I understand now the differense of these 2 raags. Yes, nothing to do with the gods. Just 2 different ragas. Thank you for showing me precisely how different they are. This is indeed very kind of you because I am a pure ignorant but I appreciate a lot.
Your kind information will help me to adjust the tanpura. I am a retired old man. During years I used to listen for hours to Ustad Hussain Sayeedudin Dagar. I love his Rag Bhairavi, even it seems impossible for me to chant with him. As I found Uday by hazard looking for Daggar's Bhairavi, I started to love Uday'Bhairav until I spend hours trying to imitate him step by step, chanting with him for hours until my voice changes as well as my moods. This my best prayer to God . I also believe that God does n't care of the name we use . All my gratitude to all those who keep the true Spirit of India ever alive.
Such a faultless nice voice and rendition of Rag Bhairav !
Matchless!! Faultless! Superb!!
Thanks alot😊😊
I was present at this concert to witness this magical bhairav live...divine!
+shridhar poul Thank you for your support. We're glad you appreciated Udayji's performance. Just to let you know, we are organising a two-day event called "Gayatri" at Ravindra Natya Mandir on 18th and 19th March celebrating women artistes in Hindustani Classical music. The featured artistes will be Ashwini Bhide Deshpande, violinist Kala Ramnath, sitarist Sahana Banerjee and dhrupad vocalist Pelva Naik. For more details and updates regarding the event please visit our Facebook page from time to time at facebook.com/firsteditionarts.
And thank you once again for your continued support. Look forward to seeing you at all our future events.
+First Edition Arts Channel sure and thanks a lot...appreciate your efforts.
Wish to see Dharbhanga tradition dhrupad vocalists also here.
who is the Guru?
Wow ameizing raga
One of great Devine experience listening to this Duvpad.......I started listening making room light off... relaxed seating on floor....it really settle ur turbid mind....and at end you found urself calm and energetic too....many thanks to these great musician 🙏😍
How great to live on this planet at this time.
Yours is a beautiful & touching comment, exhorting all of us to celebrate life. Thank you!
Udhay Bhawalkar shows a masterful sruddhi control which he employs skilfully to bring out the nuances of iraagam Bhairav.
Pranam to our ancient dhrupad music .,.,...... When I listen it feeling yes that is called sur sadhana.... Thanku very much guruji
Sound of Omkaar 😌
As usual a splendid rendition. Udayji has taken his dhrupad singing to a different height
Thank you for sharing. I was fortunate to find this while I watched an early morning snow drape the open earth in a glittering desert blanket of stillness.
awesome!
I was having no words when I listen guru g live in sangeet samelan..........
Serene, mesmerizing, can't escape the gravity of such performances
Never get bored listening to his soulful voice and excellent composition
GATE GATE_ This rendering is beyond all I can even think or feel_ Just pure divine presence. Thank you!
Those who disliked the video, do they even know the essence of dhrupad? Do they even know what music is???
Greetings and love from USA,
Fantastic. This require discipline, dedication. Method acting is becoming part of the character.
This is “ method singing” , where one become the music itself. Panditji has done this perfectly … So well that the listener is pulled into it as well.
Hindustani classical at its best.😀☺️🥰
What a magnificent singing and sooth flow of Bhairav. SO lovey to listen in DRUPAD style of music. Thanks for posting
Incredible control over breathing and voice throwing. Udayji perhaps has the longest breathing cycle which gives his sustained notes a greater impact. The ghamakas from 47-50.00 min are just mind-blowing with its sonorous dignity.
Dagar Brothers' Dhrupad style is the best, unparalleled n divine.
Soul-stirring! Something ethereal about Dhrupad. Moves you very deeply. So fortunate we have such maestros to pass on their knowledge to the younger generation.
Divine voice, divine path, divine sound. Goal and path merge. Nothing else but that.Nothing more than this.
All music is divine. Indian or western.
Heavenly. Transports one to deep self. Thank you.
This is so uplifting and completely groovy, Uday is transcendent, and Pratap is the most talented Pakhawajji!!!!!
He sings with a huge amount of concentration and seriousness....even though the fun element is missing, he leaves a very wonderful impact. Heard him "live" in Indore recently too......
This is not really a Raag to have fun with now, is it?
Our indian music is not for only entertainment,
@@dibyenduchakraborty1613 : Who can disagree with this?
@@dibyenduchakraborty1613 what a silly statement
Is the nom tom alaap and sudden and dramatic transition to the sadra not enjoyable?
a very satisfying concert ,kept me spellbound for more than 90 mins.made my day.
I have had a good fortune of listening to Uday Bhawalkar performing live many times. It's always the most serene and peaceful experience. Thanks for uploading this video. It's 90 minutes of bliss.
So beautiful & so much to learn from it. Something so soothing in this rag just close eyes & listen for hours humming getting darshan of Maa Sharda❤❤❤❤❤
Speechless.........Mai jb bhi aapko sunta hu bbssss...bhagwan ko dekh leta hu
To me as a layman it seems to be a more fundamental form of music which is also enjoyable like khayal gayaki. It perhaps brings out the form of the raga in a better way.
Dhrupad focuses on purity and divinity in the performance, while khayal focuses on entertainment while singing. Very few khayal singers focus on divinity. Being a khayal student, I was also running after crisp taans for entertainment, but now I love to listen dhrupad! Dhrupad is the ultimate music!
@@bhavyakumarsaini1639 absolutely - it's just incomparable pure sound beyond words, language and time barriers.
What my gurus call margi sangeet. If the voice is produced in synchrony with tanpura with proper learning of voice culture and movement of prana, a spiritual connection can be realized. That’s what I learnt from my gurus, the Gundecha Brothers!🙏🏽🙏🏽🙏🏽
So sweet & one feels like He is close to Shiva....so well sung wah
Absolutely surreal.
Yes, spoke to him just now, he confirmed it as of 2015
superb!!! simply awesome!!
Magnificent spell binding
Beautiful. Thank you.🌼🌼
this guy has such a clear, steady, deep voice. awesome
nia mascara what rhe guy he is ustad pls give him the respect
@@subhadipganguly959 Pundit 🙄
Being 'modern' does not mean you should be disrespectful.
Blessed to hear this❤
I am mesmerized. 🙏🙏🙏
I always listen shasteeya sangeeth which helps to reduce mind tension and become peaceful
Aha........divinity at its best...Pranam Guruji
So Divine. Pranam Guruji.
This pure Music must remain pure...as today's Reputed Dhrupad Singer like Gundecha Brothers bringing illfame to our traditional Parampara. Dont make it a money-making, Dollar earning business as seen today.
Good,.
so serene, so calming...just beautiful ...
Pure meditation.
Just Divine!
What a Rendition
Mesmerizing, divine performance !
Dhrupad is awesome
Dhrupad singing requires certain personality traits , psychological skills of steadiness of mood patience and calmness For me it is very meditative. People with ADHD fir example should learn it for self regulation
I totally second your statement. From my experience! :)
this is intense stuff. love it. real music. pure sound
Outstanding ...wah so lovely ..❤❤❤❤ one feels as if he is in another world.
so very inspiring . what inspiring rendition of this raga...
Thank you so much for your amazing energy and inspiration - blessings to you and your amazing musicians
Stunning. So inspired by your singing dear Uday Ji
Bhairavi moving like mind blowing
Majestic Panditji!
Thanks to FEA for supporting Dhrupad. What absolute divinity!
never heard this kind of fantastic dhrupad
Dear Swami: good to wish but world is very big and time eternal, human creation endless. In this vastness, such lofty wishes at a personal level may feel possible but humanity wont have any use for this or any other for that matter. This fact does not diminish this particular rendition or all of music! Enjoy for what it is now. Next moment is neti neti neti.
I can't fathom I arrived at this music via Ritviz. My initiation towards some serious classical music is today. What a fabulous genre and can't even think of appreciating Pandit ji. Thanks for teaching Dhrupad and I hope my son gets to learn from you.
sublime!!
Perfect rendition of Rag Bhairav with crystal clear notes
Masterpiece. Every morning I use to listen it. After my Rewaj.
Real taste of bhairav 😊😊🙏🙏
🙏🎖🙏🎖🙏
Most excellent!
Radhe Krishna!
Mesmerising.
pranam Pandit Ji, phenomenal rendition, pride of India you are.
... en extremely impressive first note ... almost incredible ....
My favourite reindition of this song is Sayeedudin Dagar then Bhawalkar ji powerful version & a wonderful Thumri Singer has sung this as well-Shubhra Guha. We are so blessed, so much of choice and interpretation. Why go looking for the purity of roots? It will reach the great lord Shiva himself & Pashupati Mahadeva had indigenous roots- before any of these mainstream religions came. If you heard the elder Dagars you could feel them steeped in Bhakti..Bhakti may have seeds in religion but flowers into greater humanity...
I have noticed something which wasn't there earlier. The pakhawaj player starts playing before the composition begins. I think it's a new development. I saw it recently at sawai gandharwa music festival at Pune where Vijay ghate started playing the tabla before Pandit hariprasad chourasia had finished the jhala
It is not a new development. Its been there since old times. Its a choice
Pakhawaj may join even as early as the jor, this is not a new practice but not very common.
Divine Experience
I cannot pass a day without listening to this great artist. He is pride of India.
Outstanding !! 👌🙏👏
That drumming is so hynpotising as well!! well done!