Hi Tim, had a look at the Ted greene site, can you recommend any of the comping exercises at roughly this level? Or "a clear day", another vid you did. I had a look through the page but the difficulty level is extremely high for most of them
Hi Tim not sure if you’ll see this on an old video, but most of the chords seem to be Drop 2, often with root replaced with 2 or 5 with 6 etc. did Ted or yourself think of these chords as Drop 2? Thanks!
I've just discovered Ted Greene's fantastic playing and I'm so grateful to find the stacks of resources you have on him! Do you do skype lessons or anything like that? I'm from Australia though so time zones could be an issue.
I do teach via Skype, I've taught a few students in Australia, the time diff is a difficulty but not impossible to overcome. Visit www.timlerch.com and send me a note and we can get connected.
Other worldly voicings. I also, like the traditional way you played it when you sang along. It would have been beautiful to hear Dinah Washington sing it along with your guitar playing. I can only imagine.
Hello! Tim. I like to hear you play the guitar！Do you play the guitar when it is used with a “fixed do" or “Moveable do” thinking ? This problem has been bothering me for a long time, I hope you can help me answer. Thank you very much!
Vicky , im not sure what you are asking sorry there must be something being lost in translation.If you can try asking again in a different way I would be happy to try and answer you.
What the person means, if I can express it, is like this: in Spain, for example everyone calls chords C, D, E etc as Do, RE, mi... But then sometimes people talk about Do not as the C note (or C chord) but as a concept meaning the root of the scale. So for example if you are performing in the key of F, you would call the F note: "Do". The idea of fixed Do and moveable Do refers to Do as a concept meaning route, or Do meaning always C. Hope that made sense. In choirs it's quite common to use Do, re, mi to mean root, second, third and so on, irrespective of th key.
I would like to ask you, when you play the guitar with "fixed do" or "Moveable do" concept? Fixed do: for example C KEY scale（do re mi fa sol la si do) C D E F G A B C for example G key scale ( sol la si do re mi #fa sol) G A B C D E F# G Moveable do : for example C KEY scale（do re mi fa sol la si do) C D E F G A B C for example G KEY scale（do re mi fa sol la si do) G A B C D E F# G
Sound great, Tim.
Thanks for improving the sound and for the excellent lesson walking through Ted's page.
Wonderful playing and thorough teaching style. Inspirational.
love it thanks for the great voicings just learning this now!
Hi Tim, had a look at the Ted greene site, can you recommend any of the comping exercises at roughly this level? Or "a clear day", another vid you did. I had a look through the page but the difficulty level is extremely high for most of them
Hi Tim not sure if you’ll see this on an old video, but most of the chords seem to be Drop 2, often with root replaced with 2 or 5 with 6 etc. did Ted or yourself think of these chords as Drop 2? Thanks!
I've just discovered Ted Greene's fantastic playing and I'm so grateful to find the stacks of resources you have on him! Do you do skype lessons or anything like that? I'm from Australia though so time zones could be an issue.
I do teach via Skype, I've taught a few students in Australia, the time diff is a difficulty but not impossible to overcome. Visit www.timlerch.com and send me a note and we can get connected.
I like your videos. Do you make your living with the guitar?
I overlooked some how for the last nine years
Other worldly voicings. I also, like the traditional way you played it when you sang along. It would have been beautiful to hear Dinah Washington sing it along with your guitar playing. I can only imagine.
Hello! Tim.
I like to hear you play the guitar！Do you play the guitar when it is used with a “fixed do" or “Moveable do” thinking ? This problem has been bothering me for a long time, I hope you can help me answer. Thank you very much!
Vicky , im not sure what you are asking sorry there must be something being lost in translation.If you can try asking again in a different way I would be happy to try and answer you.
What the person means, if I can express it, is like this: in Spain, for example everyone calls chords C, D, E etc as Do, RE, mi... But then sometimes people talk about Do not as the C note (or C chord) but as a concept meaning the root of the scale. So for example if you are performing in the key of F, you would call the F note: "Do". The idea of fixed Do and moveable Do refers to Do as a concept meaning route, or Do meaning always C. Hope that made sense. In choirs it's quite common to use Do, re, mi to mean root, second, third and so on, irrespective of th key.
I would like to ask you, when you play the guitar with "fixed do" or "Moveable do" concept?
Fixed do: for example C KEY scale（do re mi fa sol la si do)
C D E F G A B C
for example G key scale ( sol la si do re mi #fa sol)
G A B C D E F# G
Moveable do : for example C KEY scale（do re mi fa sol la si do)
C D E F G A B C
for example G KEY scale（do re mi fa sol la si do)
G A B C D E F# G
movable for sure, and i don't use do re mi but rather 1 2 3 4 etc
thanks for watching.