Rossini La gazza ladra Pesaro 1989
ฝัง
- เผยแพร่เมื่อ 6 ก.ย. 2024
- Teatro Rossini
La gazza ladra - nuova produzione
Melodramma di Giovanni Gherardini
Musica di Gioachino Rossini
Edizione critica Fondazione Rossini/Ricordi, a cura di Alberto Zedda
Direttore Gianluigi Gelmetti
Regia Michael Hampe
Scene e costumi Carlo Diappi
Interpreti
Fabrizio Roberto Coviello
Lucia Luciana D'Intino
Giannetto William Matteuzzi
Ninetta Katia Ricciarelli
Fernando Ferruccio Furlanetto
Il Podestà Samuel Ramey
Pippo Bernadette Manca di Nissa
Isacco Oslavio Di Credico
Antonio Pierre Lefebvre
Giorgio Francesco Musinu
Ernesto Marcello Lippi
Il Pretore Enzo Capuano
Coro Filarmonico di Praga
Maestro del Coro Lubomír Mátl
Orchestra Sinfonica della RAI di Torino
Bravissima ❤
L'avrò ascoltata decine di volte e la trovo ancora stupenda😍. La musica è meravigliosa e i cantanti sono ottimi, in particolare Ramey, che si distingue come un rossiniano perfetto, dotato di una recitazione insuperabile.❤❤❤
Superlativa, come sempre, la direzione di Gelmetti e carinissima la tradizionale scenografia. 😊
18:38, 1 scena
20:00, Manca Di Nissa
21:50,
23:50
28:00, 1 recitativo
30:00, di piacer
36:30, recit
38:05,
39:50, coro?
41:23, Vieni fra queste braccia, Matteuzzi
43:28, cabaletta
46:39, Brindisi Pippo
51:56, recitativo
53:00, conta delle posate, Furlanetto
53:48, recit accompagnato
56:15, tempo d'attacco?
1:04:20, Il mio piano ..., cavatina, Ramey
1:10:58, recitativo
1:14:21, Melologo, e recit accomp.
1:18:00, cantabile, terzetto
1:20:44, siamo soli, tempo di mezzo?
1:24:00, Scontro tra Ramey e Furlanetto
1:25:35, Infelice (cantabile stupore)
1:26:35, cabaletta
1:30:05, recit
1:35:21, finale?
1:43:37, largo
1:49:10, tempo di mezzo
1:52:54, intervista con Mariotti
2:07:50, Bruno Cagli
2:08:45, sul carattere di Ninetta
2:09:52, trama del 2 atto
2:12:12, recit
2:14:55, duetto, Nina e tenore
2:23:42, recit
2:25:50, Si per voi, duetto Nina potestà
2:34:50, applausi a tempo per Ramey
2:35:42, recit.
2:37:19, duetto Nina e Pippo
2:47:20, recitativo
2:47:54, Furlanetto e D'intino
2:49:46, Accusata di furto
2:56:10, recit
2:56:37, aria D'intino
3:01:15, brano strumentale
3:04:00, condanna Ninetta
3:08:00, melologo condanna
3:08:50, Ah qual colpo, ensamble
3:11:45, arriva il tenore
3:16:15, a cappella
3:24:45, recitativo
3:26:30, furto della Gazza
3:30:00, arioso Ninetta
3:36:25, ritrovo refurtiva
3:39:00, Qual fremito, ensamble
3:41:38, Queste grida di letizia
Act 1
At the house of Fabrizio Vingradito and his wife Lucia there is joy for the imminent return of their son Giannetto from the war. One of the servants, Ninetta, is in love with Giannetto and all want the two to marry, except Lucia, who blames Ninetta for the recent loss of a silver fork. Isacco, a local peddler, visits and asks about Ninetta, but Pippo, Fabrizio's manservant, sends him away. Giannetto arrives and goes inside with Lucia while Ninetta prepares for the party. Once they have gone, Ninetta's father, Fernando Villabella, arrives, also from the war. However, he was sentenced to death after fighting with his captain and is now a deserter. He asks his daughter to sell two pieces of family silver to go towards his expenses while he is on the run. The Mayor arrives with intent on seducing Ninetta, and she claims that her father is just some vagrant. The Mayor's assistant delivers the arrest warrant for a deserter (Fernando), but as the Mayor has forgotten his reading glasses, Ninetta is asked to read the warrant, and makes up a description of someone totally unlike her father. The Mayor continues to force his attentions on Ninetta, at which Fernando almost reveals himself in anger. The three leave, and a magpie flies down and steals one of Lucia's silver spoons.
Isacco passes by again, and Ninetta sells him the silver her father had entrusted to her. Giannetto and others return, and Lucia notices that a spoon is missing. The Mayor starts an immediate investigation, stating the draconian penalty for domestic theft: death. Lucia and the Mayor accuse Ninetta, who in her distress drops the money she had exchanged from Isacco. The peddler is brought back and reports that he has already sold the spoon, but he recalls the inscription "F.V.", initials shared by Fabrizio and Fernando. The stunned Ninetta, desperate to protect her father, is unable to refute the accusations, and the Mayor orders her arrest.
Act 2
Antonio, the prison warder, takes pity on Ninetta and says that he will get a message to Pippo and let Giannetto visit her. Ninetta convinces Giannetto that she is innocent. The Mayor now arrives and tells Ninetta that if she accepts his advances he will get her freed - she replies that she would rather die. The Mayor is called away, but Antonio has heard all and offers to help Ninetta any way he can. Ninetta asks Pippo to sell a gold cross and put some money for her father in an agreed hiding place - a chestnut tree. Ninetta is brought to trial, found guilty, and condemned to death. Fernando rushes to the court to save his daughter's life, but is too late; he too is sent to prison.
Ernesto, a military friend of Fernando, bursts in looking for the Mayor and holding a royal pardon for Ninetta's father. Pippo shows him the way and is given a silver coin for helping, but the magpie snatches it and flies up to the tower. Pippo and Antonio pursue the thief. Ninetta is taken to the scaffold and makes her final speech to the crowd. From the tower, Pippo and Antonio cry out that they have found Lucia's silver in the magpie's nest and they ring the bells. The crowd hear their words and hope to save Ninetta, but shots ring out and they conclude that they are too late. However, Ninetta appears walking down the hill - the shots were mere rejoicing. Ninetta celebrates with her companions but is worried about her father. He then appears with Ernesto and all - except the Mayor - enjoy a happy ending.
e' la versione di riferimento di questo capolavoro di Rossini.
Se non cantava Ricciarelli, sì.
@@kbhprinsesse Perché, cos' ha che non va la Ricciarelli?
@@mirjamdevries9376 her tehcnique isn't good enough and wavery top notes are unpleasant because she has sung too heavy parts.
E' un vero gioiellino, ricordo dei vecchi tempi in cui a Pesaro si facevano ottimi lavori nel rispetto di Rossini.