As an actor, it would be a dream to be directed by someone like him, most directors I've worked with are very utilitarian, always focused on the technical aspects and how audiences will view it rather than telling a story. Lynch I feel is the opposite, he shares a dream, and lets you play in it for a while, what a treat as a performer; I can see why Kyle and the rest of the cast loves working with him.
Well I had an acting teacher like this for 10 years and it was live theater but I swear she acted the exact same way and you might think it's a better teaching style but seriously it's challenging because they only accept perfection and if you don't listen and do exactly what they ask it ruins the take
He knows exactly what he wants but he really doesn't know how to communicate it to actors. There's a bts clip where he just goes up to a girl and says "you gotta be like a doll... You're... A doll... Y'know like a doll, act like a doll!" And that was the extent of his direction.
@@clanofclams2720 direct contact is completely different than seeing it as an outsider on the video. It's funny and weird when you watch it from the distance, but actors that are inside the scene and its atmosphere know what Lynch is trying to communicate even if it sounds gibberish. Actual working in theatre or filming the movie is quite untranslatable experience.
And remember folks this was shot as if it were a movie. Every single day of shooting on set or on location a full film crew was available. Completely different how normally series are shot. Just incredible. Ruth de Jong the production designer did an amazing job throughout the series. (With the convenience store as a highlight in that regard.)
I thought that radio station was a real location. I figured they found a mid century building (probably a genuine radio station) in a rural area where the architecture hadn't been changed, and set dressed it with furniture and props, radio equipment etc. I really have an eye for this kind of stuff, and the scale of the set and the way it showed the character moving through it from outside, through multiple rooms, it completely convinced me. Amazing.
Part 8 of Twin Peaks 2017 is without doubt one of the most extraordinary and fantastic pieces of cinema anyone could wish to experience. On television. Phenomenal stuff. It's like an art film. And how cool to watch The Master here doing his thing. What a specific vision he has. I'm in something of an awe seeing this clip.
Don't even have to be a kid to be scared of the forest at night. Its always pitch black at night unless man-made light is disturbing that darkness, and you never know what kind of realistic threat is lurking around the next tree.
I’ve spent a lot of time in the desert south of Boise and I know exactly what he’s talking about here. It’s very unsettling at night. They captured it perfectly in the show.
1:57 This was the moment that hammered home for me how important darkness is for David Lynch. "Black has depth.. you can go into it. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream." - David Lynch
Damn I would have love to worked with David Lynch, he's so careful about tiny details you can feel how passionate he is about the universe he has created, it's like this world really exists somewhere and he had seen it, so those tiny details all make senses. Plus he is a really great director to work with according to all his casts.
I think that Lynch is so detail-oriented that he inspires people to think absolutely everything in his work means something significant. The truly funny thing is that this implies that Lynch completely understands what he’s trying to communicate, which I don’t think is the case.
@@robertbusek30 More like he has a general idea of what he wants to do in a scene, but he still leaves room for sudden inspiration or spontaneity, because he's prone to changing his mind at times when a better idea comes along, sometimes in the middle in a scene (ie: seeing Frank Silva's reflection, for instance).
Mr. Lynch's description of Idaho's darkness at night is a lot like the Yakima area of Eastern Washington (coincidentally, where Kyle MacLachlan lives). Driving down the empty desert highways at night, the sky can look pretty, but it looks like the world beneath the sky just kinda vanishes into an eternity of darkness, from the edge of the road, off towards the mountains & foothills along the horizon.
"Everything is DARK!" Seriously he is my favourite director. He projects the ideas like a river, like flowing through something infinite ♾ just stopping on characteristic and unique times as waterfall and flood. Obviously is much more but I think of him like that haha
At the end with the Lynch opening the door. I have a strong feeling.. running through David's head was. That door squeak was beautiful... Where is my sound recorder? ❤️
It is so great to see this genius Director on set blocking and working with his actors. As a Writer/Director you learn so much from watching a master filmmaker like David Lynch work.
This is the water and this is the well. Drink full and descend. The Horse is the white of the eye and dark within. Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light?
Ah, it had been 10 long years since David Lynch made his last film Inland Empire when all of a sudden we found ourselves presented with a new David Lynch film six times longer than Inland Empire. It was truly a summer of blue skies and golden sunshine
Thank you for uploading! I'm so pleased they shot all of this behind the scenes footage. My favourite show ever; so insightful to see the effort that went into it and David's direction style.
It's just a conversation on the Black Lodge set, I think it's not the same day. It's like someone brought something up, linked to the radio station (planned as the set for the day after for example), and Lynch talks about how expansive it became. So I guess they were just talking on this set between other scenes.
I love that he really doesn't like over-lighting or over-exposing anything except when it's for his signature "lightning" effect he uses in so many works, not a lot of directors like that, he likes shadows and black space in his films, I remember him making the same point in his book about blu rays and high definition complaining you can see all the bolts and screws in the set pieces and that ultra high definition reveals too much haha
SD/non-remastered works are the best, seriously, and exactly for that reason you mentioned and all the rest. SD/4:3 is what the director worked with, so it absolutely should stay that way. there's so much to manipulate to get stuff on the screen, why butcher that for the sake of HD?? who cares!
@@spriteluver Only if it's shot on Video. If the movie was shot on a small format film we should have the highest quality scan possible, otherwise it'll just look pixelated and compressed rather than the natural film fuzziness.
* *David Cripps* * - I agree with that statement. Isn't there another season scheduled? Google told me *NOTHING.* It's either a hushed project, or it'll never be.
@@Watcher4111 Yes, I went in expecting it to not work....I did not expect it to be so good, in fact some of my favourite TV of the year. Episode 8 was extraordinary!
"...Okay. Your character's actually an actor who doesn't want to get blacklisted in Hollywood by a prominent director. There. That enough motivation for you?"
I still remember watching this the night it aired, and asking myself, "What the fuck did I just watch?". Then I watched the encore. And then it hit me like 10 tons of lead. This, and Breaking Bad's "Ozymandias" are my two favorite episodes of any Television show ever made. And Kudos to Showtime for letting Lynch finally bring this to the fans. I can only imagine what Season 3 wouldve been like had ABC actually renewed it for one more season. And I actually cringe at the very thought.
I dunno. If Lynch was back in the drivers seat in 1991, I think it would have been good. After all, the last fifteen minutes of the Season 2 finale has kept us all talking for thirty years…
Sadly, the first two seasons are leaving Netflix at the end of June. Looks like I might have to shell out some cash to buy them on Amazon Prime Video. 🙄
I like how he tells her to be scared and mesmerized and “really make a big deal out of it.” I think that could possibly be his note to every actor in every part of his filmography.
Definitely seems to connect. Mike's hunger to kill resided in his left arm. Plus Teresa Banks and Laura both had their left arms go dead on them. Dougie Jones as well.
If you do some quick searching on things like Left Hand Path (LHP), it'll make more sense. Note: I'm not saying it's a reference to LHP specifically, but the left hand was oft associated with evil or occult long ago
@@Professor_Utonium_ Yes, the Devil lurks on the left, which is why you throw salt over your left shoulder. Also, the English word “sinister” comes from the Latin word for “left.” Basically, we lefties are evil… 😈 Left handed people are also apparently more creative. Does anyone know if Lynch himself is a leftie?
@@nighmeansnear in the last few episodes of Season 2, we see people’s right arms having tremors (some random patron of the Double R, Cooper, and Pete).
I always loved how the entire outside of the radio station through the windows is just pitch black. It reminds me of how dark the streets were when I was a kid.
He wasn’t going for the beautiful aesthetic after all. It would’ve distracted us and the horror would’ve been perhaps diluted, at least visually. Like David said, he was going for a pitch black aesthetic throughout the episode.
Watching behind the scenes like this is always funny, specially when you see a character that's supposed to be scary like the woodsman just being a normal dude
On the other hand, Lynch also seems open to going with an actor’s instincts and going with the random things that happen on set (like Frank Silva being in a shot and becoming BOB).
it is sad (in cinema) only if you work in shitty project you dont like. otherwise it is normal in filming that many things would be done for no reason , cut out or whatever. when you work in something interesting your will is to make everything as easy as possible to director and the team to work freely. there could be many changes and new ideas in the shooting moments and you cant complain that something you work on for days is not even visible. is something we know . Is better to have a set ready at his maximum whatever decision will be taken because then you will not regret. Details sometimes are also visible even if you dont remember them. you feel them. and especially is also good for actors, directors and all team to be in such a set that could let you forget that you re in a "fake world".
Upon seeing the woodsmen, did anyone else think of the homeless person behind Winkie’s in Mulholland Drive? Also, when Lynch talked about the turntable (4:20), was anyone else reminded of that damned ceiling fan in the Palmer house?
This is the water and this is the well, drink full and descend, the horse is the white of the eye and the darkness within This is the water, and this is the well...
I love how pretty much every scene in Twin Peaks is just David trying to explain to people a dream he had.
lol I was just thinking it sounds like he's describing a dream.
That's how he operates.
Now I feel like the whole Twin Peaks show is his dream!
@@AwardWinningGardens
But who's a dreamer?
I think that's pretty much his entire career since he obtains ideas through transcendental meditation lol
David lynch directs exactly like you'd imagine he'd direct
Makes is extremely easy for the actor, he knows exactly what he wants you to do.
As an actor, it would be a dream to be directed by someone like him, most directors I've worked with are very utilitarian, always focused on the technical aspects and how audiences will view it rather than telling a story. Lynch I feel is the opposite, he shares a dream, and lets you play in it for a while, what a treat as a performer; I can see why Kyle and the rest of the cast loves working with him.
Because he is an old pathetic obvious m0r0n🤦♂️😅🤣
Well I had an acting teacher like this for 10 years and it was live theater but I swear she acted the exact same way and you might think it's a better teaching style but seriously it's challenging because they only accept perfection and if you don't listen and do exactly what they ask it ruins the take
Anyone notice Lynch looks ten years younger when he's on set directing compared to talking business. He comes alive when he's working.
Cause its was in 2015 or 2016
@@dzenacs2011 I think he meant because he enjoys Directing so much, it’s like he’s a child on set, not an adult.
The man knows exactly what he wants and exactly how to communicate it to his actors
Mark of a truly good director
and that, is really something
Not just the actors. I think he’s talking to the lighting director at 2:00
He knows exactly what he wants but he really doesn't know how to communicate it to actors. There's a bts clip where he just goes up to a girl and says "you gotta be like a doll... You're... A doll... Y'know like a doll, act like a doll!" And that was the extent of his direction.
@@clanofclams2720 direct contact is completely different than seeing it as an outsider on the video. It's funny and weird when you watch it from the distance, but actors that are inside the scene and its atmosphere know what Lynch is trying to communicate even if it sounds gibberish. Actual working in theatre or filming the movie is quite untranslatable experience.
"It's f-----g pitch black!"
- David Lynch
"got a light?"
- that poor black guy who just wanted a light
This is the water
Ooooh watch out for the bad words !
Coop should have ordered his coffee “black as a desert night”
"If he gives you any trouble, you squeeze it harder, okay?"
I love this man
Fun fact:
*This is the water, and this is the well. Drink full, and descend. The horse is the white of the eyes, and dark within*
*whistles Rammstein*
Fire ! Walk with me !
...elihwnaem..
1:48 "Put the pick in there, Pete, and turn it 'round real neat."
Bobby killed Mike ahahhaahaha
"I grew up in the 50's... in the desert"
And remember folks this was shot as if it were a movie. Every single day of shooting on set or on location a full film crew was available. Completely different how normally series are shot. Just incredible. Ruth de Jong the production designer did an amazing job throughout the series. (With the convenience store as a highlight in that regard.)
Thays why its only one cult tv series. Only season 3. Compariable to real cult movies
we got an 18-hour Lynch feature film and it's a modern masterwork
one of the best things I saw in recent years
how lucky we are to have gotten this series ❤
Episode 8 was a modern masterpeice.
I took acid before watching it. Granted I watched 6 and 7 beforehand which were great. But my god that was mindblowing.
Alex Cairoli when something that experimental gets broadcast, there’s hope
NIN
I was drunk and high and have never been further on the edge of ANY seat lol
@@Th3Downz ye. I just watched it and appreciated it without having to enhance it
"if he gives you any trouble you'll squeeze him harder ok? - Mhmm"
That was funny af lmao
That´s why we love David
😭😆
I thought that radio station was a real location. I figured they found a mid century building (probably a genuine radio station) in a rural area where the architecture hadn't been changed, and set dressed it with furniture and props, radio equipment etc. I really have an eye for this kind of stuff, and the scale of the set and the way it showed the character moving through it from outside, through multiple rooms, it completely convinced me. Amazing.
Agreed. Especially the dimensions of the rooms and how they relate. That wasn’t a set designer but an architect.
Me too, I never once considered that it wasn't real
Part 8 of Twin Peaks 2017 is without doubt one of the most extraordinary and fantastic pieces of cinema anyone could wish to experience. On television. Phenomenal stuff. It's like an art film.
And how cool to watch The Master here doing his thing. What a specific vision he has. I'm in something of an awe seeing this clip.
I remember - part 8 blew me away, for a good while.
@@beyondvger3682 Yes, you can't deny its sheer power.
It was probably the best episode of a TV show I've ever seen. Still blown away by it
The way he describes how he wants the dark cinematography of the shot to look like, that's how you direct something
The thumbnail looks like Lynch is being haunted by the ghostof Lincoln.
That woodsmans actor is actually a professional Abe Lincoln impersonator.
Maybe it represents Lynch being haunted by that ridiculous season 2 Ben arc. 😂
The forest gets dark like that too. I remember being a kid and being in the woods the first time late at night. It's wild.
It's freakish as hell, that's what it is. No wonder people think all kind of weird shit keeps hiding there.
And ever since Twin Peaks I lie down and look up at the firs swaying in the wind and creep myself out a little.
Don't even have to be a kid to be scared of the forest at night. Its always pitch black at night unless man-made light is disturbing that darkness, and you never know what kind of realistic threat is lurking around the next tree.
"...and and, you just pop his head, just like that..."
Only David Lynch could make make that comment sound completely normal…
I mean, LIKE THAAT
😂🤣
Perfect choice of words for a man who's blown millions of people's minds. 😂
I’ve spent a lot of time in the desert south of Boise and I know exactly what he’s talking about here. It’s very unsettling at night. They captured it perfectly in the show.
I love his spider jazz hands when he is explaining things
Lynch has such strong 'cool grandpa' energy. The man never lost his joy.
Hard to pick an all time favorite director but David is for sure in my top 3. Watching him work is almost as alluring as the finished product
1:57 This was the moment that hammered home for me how important darkness is for David Lynch.
"Black has depth.. you can go into it. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream." - David Lynch
Damn I would have love to worked with David Lynch, he's so careful about tiny details you can feel how passionate he is about the universe he has created, it's like this world really exists somewhere and he had seen it, so those tiny details all make senses.
Plus he is a really great director to work with according to all his casts.
I think that Lynch is so detail-oriented that he inspires people to think absolutely everything in his work means something significant. The truly funny thing is that this implies that Lynch completely understands what he’s trying to communicate, which I don’t think is the case.
@@robertbusek30 More like he has a general idea of what he wants to do in a scene, but he still leaves room for sudden inspiration or spontaneity, because he's prone to changing his mind at times when a better idea comes along, sometimes in the middle in a scene (ie: seeing Frank Silva's reflection, for instance).
Me too ! 👍
Mr. Lynch's description of Idaho's darkness at night is a lot like the Yakima area of Eastern Washington (coincidentally, where Kyle MacLachlan lives).
Driving down the empty desert highways at night, the sky can look pretty, but it looks like the world beneath the sky just kinda vanishes into an eternity of darkness, from the edge of the road, off towards the mountains & foothills along the horizon.
Yakima Is where Kyle was born, he lives now in New York
Facts 2 u both cert'd
"Everything is DARK!"
Seriously he is my favourite director. He projects the ideas like a river, like flowing through something infinite ♾ just stopping on characteristic and unique times as waterfall and flood. Obviously is much more but I think of him like that haha
David Lynch holds the door for the Woodsman, right after the boss talk. One of the greatest things I've ever seen.
DethronerX that’s one of the greatest things you’ve ever seen?
Ig u haven’t seen many things
@@stupididiot6993 LOL Well, "One of the"
Because he's the big Director and also really empathetic
DethronerX ok respond to him not the op 😣 nah nah its cool
I could watch hours of this.
Same theres so little behind the scenes on all of his work
Get the From Z to A Twin Peaks box set. It has more than 8 hours of behind the scenes material from season 3 called Behind the Curtain.
At the end with the Lynch opening the door. I have a strong feeling.. running through David's head was. That door squeak was beautiful... Where is my sound recorder? ❤️
I just rewatched this and you're so right haha!
Probably that's exactly right
I think it’s a fake sound.
It is so great to see this genius Director on set blocking and working with his actors. As a Writer/Director you learn so much from watching a master filmmaker like David Lynch work.
Always impressed at the clarity of David's vision
It's because he's been there ... in his dreams, his dark dark dreams.
I’m just so consistently amazed by his vision
3:36 he even acts out the woodsman’s walk. Such a good director
Yeah. So he’s like a focused genius goat-zombie straight off a 90’s GQ cover, when he direcrts. Total, fucking chill. Love it!
When Lynch gives his instructions, it sounds like he's casting spells on them.
Indeed.
This is the water and this is the well. Drink full and descend.
The Horse is the white of the eye and dark within.
Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light? Gotta light?
Drink full and descend
Thanks I wasn't sure what the Woodsman was broadcasting
"... everything is DARK ...."
Everything is LIGHT Everything is sound everything is ELECTRICITY Everything is fire Everything is dialectic everything is LOGOS MAGNUS OPUS.
@@nexusebtuoy okki
It's like he's describing a memory.
Ah, it had been 10 long years since David Lynch made his last film Inland Empire when all of a sudden we found ourselves presented with a new David Lynch film six times longer than Inland Empire. It was truly a summer of blue skies and golden sunshine
Thank you for uploading! I'm so pleased they shot all of this behind the scenes footage. My favourite show ever; so insightful to see the effort that went into it and David's direction style.
I don't think I've ever herad a more captivating description of a desert at night. "fucking pitch black."
It's great hearing Mr. Woodsman speaking in a completely normal tone
It's amazing how straightforward his approach to directing is and that's exactly where it ends on being straightforward for him.
This is gold material. I could watch movie about Lynch making movie in movie theater for 3 hours at least.
Is NOBODY gonna point out that David was talking to his crew in the set for The Black Lodge? Is that just where they have lunch and chill?
Imagine eating lunch in the black lodge. That’s a big flex.
burteriksson he isn’t?
It's just a conversation on the Black Lodge set, I think it's not the same day. It's like someone brought something up, linked to the radio station (planned as the set for the day after for example), and Lynch talks about how expansive it became. So I guess they were just talking on this set between other scenes.
The Red Room/The Waiting Room. The Black Lodge is the place above the convince store
What the fuck is a "literal" set? Fuck you and your English.
I love that he really doesn't like over-lighting or over-exposing anything except when it's for his signature "lightning" effect he uses in so many works, not a lot of directors like that, he likes shadows and black space in his films, I remember him making the same point in his book about blu rays and high definition complaining you can see all the bolts and screws in the set pieces and that ultra high definition reveals too much haha
SD/non-remastered works are the best, seriously, and exactly for that reason you mentioned and all the rest. SD/4:3 is what the director worked with, so it absolutely should stay that way. there's so much to manipulate to get stuff on the screen, why butcher that for the sake of HD?? who cares!
@@spriteluver Only if it's shot on Video. If the movie was shot on a small format film we should have the highest quality scan possible, otherwise it'll just look pixelated and compressed rather than the natural film fuzziness.
the woodsman walking off into the dark is one of the greatest ending shots i've ever seen.
Season 3 was hands down my favourite Twin Peaks season
* *David Cripps* * - I agree with that statement.
Isn't there another season scheduled? Google told me *NOTHING.* It's either a hushed project, or it'll never be.
@@JamminClemmons I don't think it will happen, but I'd love to be wrong
It's a different show entirely
I was afraid it would be disappointing, but wow no
@@Watcher4111 Yes, I went in expecting it to not work....I did not expect it to be so good, in fact some of my favourite TV of the year. Episode 8 was extraordinary!
God I love watching him direct. It's amazing. What you see on screen is exactly how Lynch wants it.
This episode fucked me up. It was so eerie and so weird and so disturbing.
One of the best scenes l have ever witnessed on television.
“I’m sorry Dave, I just don’t get it. What’s my character’s motivation?”
"You really want a light"
"You'll figure it out !"
@@LordNimonYT That's hilarious. I was just thinking, "Okay, HE knows what he wants. But what the heck must everyone else be thinking?"
Where is it?
"...Okay. Your character's actually an actor who doesn't want to get blacklisted in Hollywood by a prominent director. There. That enough motivation for you?"
I still remember watching this the night it aired, and asking myself, "What the fuck did I just watch?". Then I watched the encore. And then it hit me like 10 tons of lead. This, and Breaking Bad's "Ozymandias" are my two favorite episodes of any Television show ever made. And Kudos to Showtime for letting Lynch finally bring this to the fans. I can only imagine what Season 3 wouldve been like had ABC actually renewed it for one more season. And I actually cringe at the very thought.
I dunno. If Lynch was back in the drivers seat in 1991, I think it would have been good. After all, the last fifteen minutes of the Season 2 finale has kept us all talking for thirty years…
The gentleman gets older and wiser everyday 🌲☕🌲
But you don't
Fred Rogers shut up fred
Fred Rogers shut up Fred
Your little trees and coffee are perfect!
Oh, I want more! This is delicious, but I need to see every moment! I know that speech by heart and the woodsmen was my favorite part of The Return!
I was so fucking captivated by this whole scene, I didn't know if it was going to end. Fuck man, I gotta rewatch TP!
Sadly, the first two seasons are leaving Netflix at the end of June. Looks like I might have to shell out some cash to buy them on Amazon Prime Video. 🙄
I love how David directs. He's...well direct about what he wants and how you should act and I just love the man.
Episode 8 deserved the Golden Globe and Lynch should have got Best Director. Most brilliant episode in history of Television!
To command dream like logic and abstraction with such confidence and bravado! Legend!
He makes directing seem so easy.
2:15 is me going through my day
Episode 8 is one of the greatest achievements in television. Every scene in this episode is a lesson in cinema.
Gives you any trouble you squeeze him harder 😂 you are the man Dave
I like how he tells her to be scared and mesmerized and “really make a big deal out of it.” I think that could possibly be his note to every actor in every part of his filmography.
“Holds the mans head with his left hand”. Left hand. That’s a clue dammit! Lol
Definitely seems to connect. Mike's hunger to kill resided in his left arm. Plus Teresa Banks and Laura both had their left arms go dead on them. Dougie Jones as well.
If you do some quick searching on things like Left Hand Path (LHP), it'll make more sense. Note: I'm not saying it's a reference to LHP specifically, but the left hand was oft associated with evil or occult long ago
He does for them both left handed in the actual filming of it.
@@Professor_Utonium_ Yes, the Devil lurks on the left, which is why you throw salt over your left shoulder. Also, the English word “sinister” comes from the Latin word for “left.” Basically, we lefties are evil… 😈
Left handed people are also apparently more creative. Does anyone know if Lynch himself is a leftie?
@@nighmeansnear in the last few episodes of Season 2, we see people’s right arms having tremors (some random patron of the Double R, Cooper, and Pete).
That episode was my favorite shortfilm of David Lynch in the whole run of "Twin Peaks - a limited series event".
Someone described the Twin Peaks return as a visual audio spell
I always loved how the entire outside of the radio station through the windows is just pitch black. It reminds me of how dark the streets were when I was a kid.
It's so clear he knows exactly what he wants and what he's doing.
He’s such a legend. I bet he’d be fun to hang out with
I like how specific he was with what hand to use when popping heads
It's neat to see this in color
Mr. Lynch built his own nearly-fully-functional radio station from scratch?
Dang, I'm jelly.
:)
I love this man so much.
One of the best scenes in television history.
He seems like a legitimately good person, with a sick mind. 😊
i think he’d truly resent that kind of description
The colors at that station are so beautiful it's a bit pity they were lost in the black and white scene.
He wasn’t going for the beautiful aesthetic after all. It would’ve distracted us and the horror would’ve been perhaps diluted, at least visually. Like David said, he was going for a pitch black aesthetic throughout the episode.
@@ArmanKhan-js8lc I know he wasn't. But it's still a pity : )
Is there MORE footage like this ... That amazed me ... Funny this was in the blu ray extras !!! I have the blu ray box where is it
"You'll pop his head" mind blowing 😉
Loved twin peaks wish we had another season such a cliff hanger awesome
his direction
is poetry
wow.. to be directed by David Lynch. what an honor
Lynch is an absolute treasure
The final product of that scene was one of the creepiest and mesmerising pieces of film I've ever seen.
i like sabrina at 1:00 looking like shes in another dimension listening to david speak
You know that lady is an awesome producer and it shows!
Watching behind the scenes like this is always funny, specially when you see a character that's supposed to be scary like the woodsman just being a normal dude
the greatest hour of television ever broadcast...
I wouldnt be able to remember all the directions. Actors have more professional skill than people realize.
Yeah same. He'd have to walk me through it about 5 times
On the other hand, Lynch also seems open to going with an actor’s instincts and going with the random things that happen on set (like Frank Silva being in a shot and becoming BOB).
i bet they have script
does his hair just look that fucking good all the time
Decorating sets must be a bit of a sad job: so many meticulous details in every room here yet many of them are never really caught on camera!
This BTS gave me a real appreciation of the work set artists do. So much effort and thought
They are caught though! The mind instinctively knows when you're watching a low budget set with little detail.
it is sad (in cinema) only if you work in shitty project you dont like. otherwise it is normal in filming that many things would be done for no reason , cut out or whatever. when you work in something interesting your will is to make everything as easy as possible to director and the team to work freely. there could be many changes and new ideas in the shooting moments and you cant complain that something you work on for days is not even visible. is something we know . Is better to have a set ready at his maximum whatever decision will be taken because then you will not regret.
Details sometimes are also visible even if you dont remember them. you feel them. and especially is also good for actors, directors and all team to be in such a set that could let you forget that you re in a "fake world".
And then it all gets destroyed, because studio is on a tight schedule and someone else need to build new set in a place of yours.
@@LazarusGordon Good post! I agree. The satisfaction of a job well done is often more than just the end results.
Pete, you did a good job. It ended up looking dark, real dark, pitch black, everything was dim.
Upon seeing the woodsmen, did anyone else think of the homeless person behind Winkie’s in Mulholland Drive? Also, when Lynch talked about the turntable (4:20), was anyone else reminded of that damned ceiling fan in the Palmer house?
does anyone know what the brand is of the jacket Lynch is wearing? It's the best jacket I have ever seen.
This is the water and this is the well, drink full and descend, the horse is the white of the eye and the darkness within
This is the water, and this is the well...
David Lynch: Just pop his head. Pop his head. You just pop his head.
😄
😂
This is a donut. It is very sweet and very good.
"how am I supposed to exactly pop his head ? Maybe I shouldn't ask that question.."
Gotta light?
Wow! It is freaking frightening character.
"..got a light..?"
So disappointed hearing the woodsman speaking with a regular voice! 😂
Funny, robert broski is an abraham lincoln lookalike and plays it in like every movie :D
"everything is dark!"