You can always tell it's Bill Bruford playing without actually knowing it's definitely him. Let me give you an example. Years ago after King Crimson split up, there was an musical advert for Barrs soft drinks (the Irn Bru specialists in Scotland). The advert was on the tv all the time, and l suggested to my "Yes" loving mates that it was in fact Bill Bruford playing drums on that musical tv advert. They told me that l was nuts, and that was never Bruford, but l knew his style, having bought all the Yes and Crim albums. Years later, Bill told a story somewhere that after Crimson split in '74, he started doing soft drinks jingles and session work to make his living. To this day, l don't know if l,m right or wrong about that one, but l,ll bet l,m right. Recognise his time signatures anywhere.
I over the years have become sort of bored with most drum solos. There's usually nothing personal or unique with a lot of drummers to me. A lot of them just sound the same and hardly ever change up their solos. Not Mr Bruford. His style and his solos were always so unique and so compelling to watch and listen to along with his brilliant drumming overall. He certainly was one of a kind with his own distinct style and sound. You always could tell when Bill was playing w/o seeing or knowing he was playing. He was my favorite drummer that for me never failed preform brilliantly and I've seen so many times live over the years and much more than any other performer. Every band he played in became some of my favorite bands of all times. What a brilliant musical legacy and great memories he's left us over the years. I wish him a really happy and well deserved retirement. Thank you so much Mr Bruford for brilliantly entertaining me and influencing me to venture and explore other musical adventures.
The drum solo had become a rock music cliché by the mid-1970s, with the most frequent example of percussion tedium being the three-minute take from In-A-Gadda-Da-Vida (IAGDV) performed Ron Bushy, the original drummer of Iron Butterfly. Drum-solo classics also include Toad by Ginger Baker of Cream, Moby Dick by John Bonham of Led Zeppelin and the short but highly influential Wipe Out by Ron Wilson of The Surfaris. What made IAGDV the kernel of the cliché was its connection to psychedelic rock, an easily dismissed sub-genre which gave way to hard rock, proto-punk, early metal, prog, fusion and more substantial genres with longer lifetimes and greater influence. Bill Bruford will always be considered a prog drummer due to his association with Yes and various solo ventures. Over 50 years after first hearing Roundabout on my way to sophomore year of college, that's much too small a box (i.e. prog is the box) to contain the expanse of his style and talent.
Always, Always, Always loved Bill Bruford's approach to the kit, he dares to go where no other drummers have gone before... May he continue to share the beauty of his talent and perspective with the world.
The GOAT lineup of Yes included Bill Bruford. Alan White was a good drummer, but BB’ jazz infused playing into prog rock elevated YES to its highest level! Thank you Bill Bruford!
I always felt Alan was chosen for his availability rather than his ability. Yes' personnel changes up until this point resulted in a better musician and better music. But not in this case. I wonder what Yes would have been like if Bill hadn't left? Its all for the best though, because if working on Close to the Edge was arduous enough, recording Tales might have killed Bill. I really wish Bill had one more tour with Yes. There are precious few live recordings with him, but nearly an entire tour with a very green Alan White was released.
Being a drummer, almost all drum solos I get to hear sound to me like practicing in front of an audience. I hardly hear any music in them. Now, when I first heard this solo here, in the late seventies, it instantly reminded me of someone throwing a drum kit (and the drummer too, perhaps ?) down a staircase which I found daring at least, considering the adequately elegant exit with only minor bruises. That being said, Bill is my hero since Roundabout, so there you have it.
Au contraire! This brutal attack on the skins left me waiting and hoping for more which, thankfully, you delivered in spades in the years to follow. This was the moment I realised drums could be exciting and thrilling and delightfully mischievous.
@@manonthemoogtrue I believe. ‘78 - ‘79 in the round had a melody version/ just never had it for me. The were on fire in ‘72… Steve did his best soloing textures - sound- with Bill.
I remember hearing this for the first time as a young teenage drummer and thinking: “What the hell is going on here?!?! This makes NO sense.” Of course, being young and stupid, I had bought into the Palmer/Bonham/Paice/et al. school of drum soloing, i.e., Faster/Louder/Longer = Better. Thankfully, we all grow up. This solo is a milestone in progressive music, a real gem (despite Dr. Bill’s lovable self-deprecation). Make no mistake, there is genius bubbling up from this 22-yr-old, and I doubt it was merely the coffee and adrenaline. Bravo.
Just recieved the Bill Bruford box "Make a song and dance", realize I´ve become a 60 year drummer and by that have had enough time to develop my own musical language. But still I realize that Bill Bruford's extraordinary creative ability is present in much of what I do (and what I try to achieve, both as a drummer, bass & guitarplayer, singer and songwriter), despite all the years of playing and all the influences that fill all kinds of music media today. Bill Bruford really is one of a kind! (Unfortunately I never had the opportunity to se Bill live, it would be a dream to get the opportunity to meet/see one of my biggest musical influenses in this lifetime)! Anyway, thank you Bill Bruford for all the music, innovation, ideas, things to work on and musical integrity! Greetings from Roger here from the Swedish West Coast! @BillBruford
@@rembeadgc any time Bill and Chris were playing was a treat. My favorite was the intro of Heart of the Sunrise. The light touch of BB on drums and the melodic sounds of CS’s Rickenbacker, I drift off to another musical realm when listening. 😌
The Mighty Mr. William Bruford. I heard a cover band do "All Good People" at a High School Dance when I was 13 years old in in 1973, ran out the next day, bought the Yes albums and became a Bruford Fan for Life. He is a true innovator. Listen to this solo integrating the Theme amidst Bill's percussive abandon. I love this solo. Bill was always thinking musically and that makes him far more than a drummer. The best thing I can say about Bill Bruford is I put him in the same class as Max Roach. And for those of you who don't know Max, go explore and find out what he innovated on the drums. Bill is right there with him for me!
I'd say you're being a bit hard on yourself, Bill. This was better than a lot of the drum solos I've heard from around that time. Sorry I never got to see you with Yes, but I did get to see you in the 80's with KC and those were truly great shows. My favorite was the first time on the Beat tour at my favorite venue, Merriweather Post Pavilion in Columbia, Maryland. Jon Anderson opened. Thanks for all the great music with Yes and KC! Peace from SF
The description is even more amusing than usual. And it seems to be fitting. Bill has always been my favourite drummer, I love his playing including his solos, but whenever I heard this one, It always reminded me that this was a young drummer way before his prime.
I feel much the same. Like many drum solos, the drummer's concerns seem to lean less towards making an interesting musical statement than towards showing off how much noise he can make all by himself. Though to the young Bruford's credit, there is perceptible leaning towards the former concern as well. And to the older Bruford's credit, he greatly improved on the solos over time.
Please make a good sounding version of the opening drum solo on BRUFORD AND THE BEAT (1982). It's always been my favorite drum solo by anyone! 😎🧐🥳💖❤🧡❤💛🧡💚💛💙💚💜💙🤎💜🤎💙💜💙💛💚🧡💛❤💓
Your evaluation is, as usual, accurate, self-deprecating, and reflective. This is in keeping with the established English tradition of not patting oneself on one's back. What you missed, however, was that this solo was amazingly precocious for a 22 year-old. When I first heard it, I was a 15-year old drummer, and it sailed right over my head. "What the hell is he trying to do here?" I asked. "Where are the bombastics? The double bass patterns? The amazingly fast singles?" Little did I know that this solo was an inventive piece of rebellion in a world of musical overkill. It was a flash of brilliance wrapped in brevity. There are elements here of the solo you were doing in 1971; you imported the best bits, trimmed the fat, and went many places in a little over 2 minutes. You showed us glimpses of jazz and rock phrasing, and then took us out at the end like a cannon. Well-done.
As the person who knows more about Bill Bruford than anyone else in this room, I have to say.. I loved reading your comments. You understand exactly where you are at this point in life, you don't shy away from posting this solo (which is not great) and you hadn't had the tongue lashing from Jamie Muir yet about you existing for music and not vice-versa. You were young and trying to prove yourself. I never reached (or came anywhere close) to your level, but I do remember being behind the set, being the only one playing and thinking in my head, "My God! I have no ideas on where to go with this!" A drummer's nightmare. Thank you for being you. Thank you for all of the inspiration you have given me over the years. You are the greatest drummer in this drummer's mind.
OK. Actually, I just listened to it for the first time in probably 30 years (I've been avoiding it)... and quite frankly, it's not as bad as I remember! I think there is a section in the middle where you get lost but overall, not too bad for a 22-year-old kid!
delighted to see this. been listening to it since 1975 - still love it and just randomly think of it - driving, eating pizza, pulling weeds. someone will be talking drums and i'll think "what do they think of the perpetual change solo." that thing at 1:57 - magico! the parts you continue to play as the band comes in are even more interesting. how telling is that of all the "famous" drummers who've solo'd, i don't remember any - but seem to know this one like a pet cat. you posting this, and all the commenters make it clear, i'm not crazy. this is awesome. you are awesome. thanks for giving me massive joy for 50 years!
One of my other favorite drummers (who has been off radar for too many years) is Michael Suchorsky. I was chatting with him after one of many Everyman Band (Suchorsky, Fogel, Yaw, and David Torn) gigs circa 1980. I commented on there not being a single drum solo throughout the night. "The whole set was my solo", was his reply. I never listened to drums the same way after that. And your own work took on an entirely different dimension to me as I paid more attention to how you integrated with the music as a whole.
Escuché a Bill por vez primera en heart of The sunrise y quedé totalmente loco!!! Y luego en five pert cent ...después también en lark tongue in aspic , starless and Bible Black y por supuesto Red , del king Crimson y sus discos solistas , los dos primeros discos!!! Todo ese material sigue siendo de primera hoy día y motivo de análisis y estudio, gracias maestro Bruford por tanta buena música y batería.
Since Yessongs was released with recordings of a few songs with Bill's playing on them -- there must be more! Hey, Atlantic Records! How cool would a Bill Bruford-only version of Yessongs be? Ok, ok, include Alan on a couple of songs if you hafta....
Bill comments in "Bruford and The Beat" that the way he hits the snare with his left hand was the result of holding his stick too far back, and thus having a slightly weak striking force, compensated by hitting on the rim to cut through the stage amplification at the time. The way he hit the snare back then was really unique, to my ear. Most drummers hit the rim too hard when they try to do it. Bill hit it lightly, and his stick hit the same place on the head consistently.
yeah, all said in the commentary, but Bill had something drastic individually in his drum sound, and a balance in his voicing, that Steve Gadd also had when he appeared at the scene a few years later......
I know this live solo hit after hit. I’m mad at you Bill for leaving before the tour ended. You’re not on every track on this iconic recording. I’ve had it ever since it came out 50 yrs ago.
You can always tell it's Bill Bruford playing without actually knowing it's definitely him. Let me give you an example. Years ago after King Crimson split up, there was an musical advert for Barrs soft drinks (the Irn Bru specialists in Scotland). The advert was on the tv all the time, and l suggested to my "Yes" loving mates that it was in fact Bill Bruford playing drums on that musical tv advert. They told me that l was nuts, and that was never Bruford, but l knew his style, having bought all the Yes and Crim albums. Years later, Bill told a story somewhere that after Crimson split in '74, he started doing soft drinks jingles and session work to make his living. To this day, l don't know if l,m right or wrong about that one, but l,ll bet l,m right. Recognise his time signatures anywhere.
You're right it's definitly him. Yes lost a Lot of strenght without him .
I over the years have become sort of bored with most drum solos. There's usually nothing personal or unique with a lot of drummers to me. A lot of them just sound the same and hardly ever change up their solos. Not Mr Bruford. His style and his solos were always so unique and so compelling to watch and listen to along with his brilliant drumming overall. He certainly was one of a kind with his own distinct style and sound. You always could tell when Bill was playing w/o seeing or knowing he was playing. He was my favorite drummer that for me never failed preform brilliantly and I've seen so many times live over the years and much more than any other performer. Every band he played in became some of my favorite bands of all times. What a brilliant musical legacy and great memories he's left us over the years. I wish him a really happy and well deserved retirement. Thank you so much Mr Bruford for brilliantly entertaining me and influencing me to venture and explore other musical adventures.
I agree with You
Drum solo time was always go get a beer and take a piss time for me. Even if'n it was Rush, sorry drummers 😁🤟 I was there for the ensemble.
The drum solo had become a rock music cliché by the mid-1970s, with the most frequent example of percussion tedium being the three-minute take from In-A-Gadda-Da-Vida (IAGDV) performed Ron Bushy, the original drummer of Iron Butterfly. Drum-solo classics also include Toad by Ginger Baker of Cream, Moby Dick by John Bonham of Led Zeppelin and the short but highly influential Wipe Out by Ron Wilson of The Surfaris. What made IAGDV the kernel of the cliché was its connection to psychedelic rock, an easily dismissed sub-genre which gave way to hard rock, proto-punk, early metal, prog, fusion and more substantial genres with longer lifetimes and greater influence. Bill Bruford will always be considered a prog drummer due to his association with Yes and various solo ventures. Over 50 years after first hearing Roundabout on my way to sophomore year of college, that's much too small a box (i.e. prog is the box) to contain the expanse of his style and talent.
totally well said !!
@@stevo43068Neil was no one to walk on his solos changed live if you listened
Thanks for posting this Mr Bruford, your coments are great to read. Edit:(forgive me, "Dr" Bruford).
Dr. Bruford
@@bartelmehs yes yes
Always, Always, Always loved Bill Bruford's approach to the kit, he dares to go where no other drummers have gone before... May he continue to share the beauty of his talent and perspective with the world.
The GOAT lineup of Yes included Bill Bruford. Alan White was a good drummer, but BB’ jazz infused playing into prog rock elevated YES to its highest level! Thank you Bill Bruford!
I always felt Alan was chosen for his availability rather than his ability.
Yes' personnel changes up until this point resulted in a better musician and better music. But not in this case.
I wonder what Yes would have been like if Bill hadn't left? Its all for the best though, because if working on Close to the Edge was arduous enough, recording Tales might have killed Bill.
I really wish Bill had one more tour with Yes. There are precious few live recordings with him, but nearly an entire tour with a very green Alan White was released.
@@manonthemoog I agree wholeheartedly! We did get to see Bill on the ABW&H (almost YES) tour and also the (god awful) Union tour.
July 1972 was a very sad month for me. I understand his reasons but never fully got over that loss.
I first heard this in ‘75 when my sister’s boyfriend brought the album over for a spin.
I enjoy reading Bill's intelligent video-descriptions as much as hearing him play. Thank you, Mr B! 🙂
I love this album. This is what turned me on to Yes. Big Blessings Mr.Bruford.
Being a drummer, almost all drum solos I get to hear sound to me like practicing in front of an audience. I hardly hear any music in them. Now, when I first heard this solo here, in the late seventies, it instantly reminded me of someone throwing a drum kit (and the drummer too, perhaps ?) down a staircase which I found daring at least, considering the adequately elegant exit with only minor bruises. That being said, Bill is my hero since Roundabout, so there you have it.
Au contraire!
This brutal attack on the skins left me waiting and hoping for more which, thankfully, you delivered in spades in the years to follow.
This was the moment I realised drums could be exciting and thrilling and delightfully mischievous.
It's my favorite live Yes song version, never to be done this well again. Bravo, Bill & Co.
I may be wrong, but I think Yes dropped this song from the set after Bill left and fid not play it again for a decade, probably more.
@@manonthemoogtrue I believe. ‘78 - ‘79 in the round had a melody version/ just never had it for me. The were on fire in ‘72… Steve did his best soloing textures - sound- with Bill.
My favourite drummer.
The best to ever pick up the sticks. I'm so glad I saw you all the times I did, because there's never going to be anyone like you again 🎶🎶❤️
I remember hearing this for the first time as a young teenage drummer and thinking: “What the hell is going on here?!?! This makes NO sense.” Of course, being young and stupid, I had bought into the Palmer/Bonham/Paice/et al. school of drum soloing, i.e., Faster/Louder/Longer = Better. Thankfully, we all grow up. This solo is a milestone in progressive music, a real gem (despite Dr. Bill’s lovable self-deprecation). Make no mistake, there is genius bubbling up from this 22-yr-old, and I doubt it was merely the coffee and adrenaline. Bravo.
Just recieved the Bill Bruford box "Make a song and dance", realize I´ve become a 60 year drummer and by that have had enough time to develop my own musical language. But still I realize that Bill Bruford's extraordinary creative ability is present in much of what I do (and what I try to achieve, both as a drummer, bass & guitarplayer, singer and songwriter), despite all the years of playing and all the influences that fill all kinds of music media today. Bill Bruford really is one of a kind! (Unfortunately I never had the opportunity to se Bill live, it would be a dream to get the opportunity to meet/see one of my biggest musical influenses in this lifetime)! Anyway, thank you Bill Bruford for all the music, innovation, ideas, things to work on and musical integrity! Greetings from Roger here from the Swedish West Coast! @BillBruford
One of the highpoints of the album along with your accompaniment of Chris Squire on "The Fish".
@@rembeadgc any time Bill and Chris were playing was a treat. My favorite was the intro of Heart of the Sunrise. The light touch of BB on drums and the melodic sounds of CS’s Rickenbacker, I drift off to another musical realm when listening. 😌
"Best" is subjective, but he is definitely one of the few. My favorite drummer by far - by a longshot.
The Mighty Mr. William Bruford. I heard a cover band do "All Good People" at a High School Dance when I was 13 years old in in 1973, ran out the next day, bought the Yes albums and became a Bruford Fan for Life. He is a true innovator. Listen to this solo integrating the Theme amidst Bill's percussive abandon. I love this solo. Bill was always thinking musically and that makes him far more than a drummer. The best thing I can say about Bill Bruford is I put him in the same class as Max Roach. And for those of you who don't know Max, go explore and find out what he innovated on the drums. Bill is right there with him for me!
Bruford and Palmer, they are the best
There are unique musicians. Bruford is unrepeatable.
Love every second of it, especially the four-bar segue into the outro. Also, the way the band ended this song is brilliant.
I've always LOVED this solo!! My favorite part of Yessongs!! Thanks Bill!!!!!!!
Wow. I hadn’t heard this in about 40 years. I gotta drag out some vinyl…. 😎
I'd say you're being a bit hard on yourself, Bill. This was better than a lot of the drum solos I've heard from around that time. Sorry I never got to see you with Yes, but I did get to see you in the 80's with KC and those were truly great shows. My favorite was the first time on the Beat tour at my favorite venue, Merriweather Post Pavilion in Columbia, Maryland. Jon Anderson opened. Thanks for all the great music with Yes and KC!
Peace from SF
I was at that show too.. truly amazing and will never forget it.. 🎶 ❤ 🤩👍
I saw The Allman Brothers, The Grateful Dead and Phish at MPP.
@@RadagastBrown420 I've seen many, many groups at MPP, too. It's such a great venue.
Dear Bill, whatever your personal assessment is, for me, every shot I hear is a burst of energy. ❤
Great sound.
Great song
Great Band
Bill is the Master! Just think Bill, with Return to Forever! OMG!!! That would be insane!!!
Love his referencing the song structure in his solo. Very musical. Outstanding musician. 🎵🥁🎶
I made an edit of this song cutting Bill's drum solo. Pretty cool actually.
The description is even more amusing than usual. And it seems to be fitting. Bill has always been my favourite drummer, I love his playing including his solos, but whenever I heard this one, It always reminded me that this was a young drummer way before his prime.
I feel much the same. Like many drum solos, the drummer's concerns seem to lean less towards making an interesting musical statement than towards showing off how much noise he can make all by himself. Though to the young Bruford's credit, there is perceptible leaning towards the former concern as well. And to the older Bruford's credit, he greatly improved on the solos over time.
hehe, I love your description in this one.
Amazing Bill yours unique BRAVO
The best drummers in any situation approximating rock have always carried a jazz approach and technique to the task.
Please make a good sounding version of the opening drum solo on BRUFORD AND THE BEAT (1982). It's always been my favorite drum solo by anyone! 😎🧐🥳💖❤🧡❤💛🧡💚💛💙💚💜💙🤎💜🤎💙💜💙💛💚🧡💛❤💓
HAHA!! Have you calmed down yet, Mr. Bruford? I trow not!! 🙏
There are no 4 drummers like Bill in the UK...(Robert Fripp,74)
My first vinyl LP c.1974
My fave drummer since I was 11.
Your evaluation is, as usual, accurate, self-deprecating, and reflective. This is in keeping with the established English tradition of not patting oneself on one's back. What you missed, however, was that this solo was amazingly precocious for a 22 year-old. When I first heard it, I was a 15-year old drummer, and it sailed right over my head. "What the hell is he trying to do here?" I asked. "Where are the bombastics? The double bass patterns? The amazingly fast singles?" Little did I know that this solo was an inventive piece of rebellion in a world of musical overkill. It was a flash of brilliance wrapped in brevity. There are elements here of the solo you were doing in 1971; you imported the best bits, trimmed the fat, and went many places in a little over 2 minutes. You showed us glimpses of jazz and rock phrasing, and then took us out at the end like a cannon. Well-done.
As the person who knows more about Bill Bruford than anyone else in this room, I have to say.. I loved reading your comments. You understand exactly where you are at this point in life, you don't shy away from posting this solo (which is not great) and you hadn't had the tongue lashing from Jamie Muir yet about you existing for music and not vice-versa. You were young and trying to prove yourself. I never reached (or came anywhere close) to your level, but I do remember being behind the set, being the only one playing and thinking in my head, "My God! I have no ideas on where to go with this!" A drummer's nightmare. Thank you for being you. Thank you for all of the inspiration you have given me over the years. You are the greatest drummer in this drummer's mind.
OK. Actually, I just listened to it for the first time in probably 30 years (I've been avoiding it)... and quite frankly, it's not as bad as I remember! I think there is a section in the middle where you get lost but overall, not too bad for a 22-year-old kid!
delighted to see this. been listening to it since 1975 - still love it and just randomly think of it - driving, eating pizza, pulling weeds. someone will be talking drums and i'll think "what do they think of the perpetual change solo." that thing at 1:57 - magico! the parts you continue to play as the band comes in are even more interesting. how telling is that of all the "famous" drummers who've solo'd, i don't remember any - but seem to know this one like a pet cat. you posting this, and all the commenters make it clear, i'm not crazy. this is awesome. you are awesome. thanks for giving me massive joy for 50 years!
Bruf-ford! Bought this lp when it first came out and still have it to this day!
One of my other favorite drummers (who has been off radar for too many years) is Michael Suchorsky. I was chatting with him after one of many Everyman Band (Suchorsky, Fogel, Yaw, and David Torn) gigs circa 1980. I commented on there not being a single drum solo throughout the night. "The whole set was my solo", was his reply. I never listened to drums the same way after that. And your own work took on an entirely different dimension to me as I paid more attention to how you integrated with the music as a whole.
always loved the sound of your snare
Genial Bill. Tu llegada al rock desde el jazz lo enriqueció. Saludos desde ciudad de Canelones, Uruguay.
Bravissimo
Escuché a Bill por vez primera en heart of The sunrise y quedé totalmente loco!!! Y luego en five pert cent ...después también en lark tongue in aspic , starless and Bible Black y por supuesto Red , del king Crimson y sus discos solistas , los dos primeros discos!!! Todo ese material sigue siendo de primera hoy día y motivo de análisis y estudio, gracias maestro Bruford por tanta buena música y batería.
Really fantastic!
Bill and Alan were so different , like Howe and Trevor were, but all were briliant.
Great video.
Oh Yeah, this is it! 🎼
Since Yessongs was released with recordings of a few songs with Bill's playing on them -- there must be more! Hey, Atlantic Records! How cool would a Bill Bruford-only version of Yessongs be? Ok, ok, include Alan on a couple of songs if you hafta....
At the end of the day, how exactly did he get his famous snare sound?
Supraphonic, medium-high tuning, hit the rim on every backbeat... And be Bill Bruford. 😉
@@PeteZolli Yes, that's what I did at age 17, including the Supraphonic and the rimshots. He surely has some tuning tricks though.
Bill comments in "Bruford and The Beat" that the way he hits the snare with his left hand was the result of holding his stick too far back, and thus having a slightly weak striking force, compensated by hitting on the rim to cut through the stage amplification at the time. The way he hit the snare back then was really unique, to my ear. Most drummers hit the rim too hard when they try to do it. Bill hit it lightly, and his stick hit the same place on the head consistently.
@@bellbrass Brilliant drummer. But, leave the composing to Fripp. Earthworks was just an exercise in virtuosic chops.
What are your thoughts (if any) on the recent Drumeo video dedicated to your drumming genius?
Funny, I edited this solo out of this track.
Bill !!!
yeah, all said in the commentary, but Bill had something drastic individually in his drum sound, and a balance in his voicing, that Steve Gadd also had when he appeared at the scene a few years later......
I know this live solo hit after hit. I’m mad at you Bill for leaving before the tour ended. You’re not on every track on this iconic recording. I’ve had it ever since it came out 50 yrs ago.
Yessong my favourite album. I just prefer good live albums for some reasons. ❤❤❤
Bill never deviated from the songs basic rhythm and cadence. Inventive and disciplined.
Millons of Americans aren't impressed by Accomplishments, it's reality TV tonight 😢
A solo full of stamina. Not the best but....
bill
From back when drum solos required technique