Yes. It makes al the difference. For non-artists such as myself, seeing how a designer goes about *thinking* how to create an effect, is much more informative than just seeing them do it. I learnt a lot. Not just Affinity techniques, but how to use them to actually create an effect. Great work! Thanks to Chris, and all at Affinity who are doing this excellent series of videos.
I can draw, sculpt and paint... so I need to say that if you watching this video thinking this was easy you need to understand this artist had probably being drawing since childhood. I can draw without reference anatomy, but cars I'll need references and maybe I would approximate something like this Yoda. That been said I haven't mastered AD to do this yet. This is no joke illustration. A bunch of artists do their lil cartoons and whatever but that's a joke. Doing illustration that looks so close to reference is another level. Chris is Affinity Designer Yoda Level!
Although it's a very good demonstration of what you can do with Affinity Designer, this video makes it very clear, too, that there is quite bit more to it if you want to come up with comparable results. The underlying experience in drawing and imagining 3D/spatial relations of the individual parts shouldn't be underestimated. What Chris "just" does at several stages of this demonstration is only possible because of his solid understanding of representing 3D objects on the document's 2-dimensional canvas. He'd certainly could do it as well by using just a pencil or felt markers. That said it's actually very helpful to see him do certain things (and hear him explain WHY) and how structured and organised his approach is. Thanks for the inspiration!
i knew some of the tools in Affinity Designer, and then took up this tutorial as my first project. Chris explained so smoothly and I'm very impressed with my first project. It looks so cool. He just increased my interest in Illustration. I'm just loving it.
All I have to say is WOW! This is truly amazing, and I love the fact that you took the time out to really explain your designing process for creating this piece!
Thanks Affinity for these tutorial series! Global swatches are great and very useful, but being able to select by fill color or stroke, save selected paths to a selection set are also valuable for manipulating a document, especially when importing client files or old artwork created in other software.
I am liking the way Affinity are encouraging people to use the product by showing examples like this. I always felt Adobe put stuff out and left you to find features and rely on 3rd parties to push content. I had Affinity Designer on my desktop since the early days and shied away from it. Then I got my iPad and tried it on here with all these great videos tutorials and wham. Ok I admit I am way behind the curve compared to Chris et al.. but it’s making me want to spend lockdown learning - thanks to Chris and thanks to all the Affinity teams
Great illustration and workflow overview Chris, thanks so much! And to Serif, please keep making more of these even after the May event is over. They're fantastic!
Wow.. just wow. I was impressed with the initial block box sketch but how you turned that into actual looking cars was just amazing. Loved the completed piece and I’m not really a car person.
I really enjoyed the video and even though I wouldn't stand a chance of reproducing, it was great that it was in real-time with the explanation of each process and tool/function. Thanks - your time and talent is very much appreciated.
Thank you. I have been working on lots of time lapse and tutorial videos which will be dropping over the coming weeks, so if you subscribe to my You Tube and keep an eye out, you’ll see lots more content coming soon!
Thanks to Chris and Affinity for a great tutorial. I've been spinning my wheels trying to learn Affinity while doing an illustration of a 1925 Hudson. This video helped enormously!
Great tutorial. One thought occurred to me: when it came time to block in the color, shadows and highlights, having the equivalent of Adobe Illustrator's Blob Brush would be more intuitive to work with and more efficient. The Pen Tool makes sense for line work, but a Blob Brush that "paints" freehand shapes would be better for painting areas of flat color.
This is great!! I've learned loads today, its great to see your process, organised processed are something I struggle with. the global colour tool will be my new toy!!
I have been experimenting with Designer as a conceptualization tool for my industrial design work. You have already filled in gaps that I've had in my use case for Designer. Fantastic tutorial! Thank you!
Wonderful explanation. I just want to comment that, as I see it, it's like there are more than one vanishing point. I would say three. The first one is the point at the far horizon line that you drew at the beginning. The second and third are at both sides of the screen. That confused me at the start of the video. I believe, as other people comment here, that based on your great experience, you probably assume the remaining, not explicit shown, two other vanishing points. That's okay, but for me, as a not very experienced apprentice artist, resulted a little confusing when I tried to reproduce your design on my computer. I think so, due to the deformation that the cars show if you look from the area between them and look at the sides. They tend to be thinner to the sides. Am I wrong? Anyway, it's a very detailed and clear example, I've learned a lot. Thank you!
Excellent video! Did you use reference for the cars? Even for some of my favourite motors I couldn't recall all the right shapes and details off the cuff. Or do you have a catalogue of car looks stored in your head? Either way its impressive and nicely done.
@@Affinity Excellent, I look forward to it. The more I use Designer the more use cases I find for it. Even though I am in a highly technical drawing environment Designer is an excellent tool to communicate designs to non-technical people.
I love when designers describe their process, not just speed-up a screen recording and play some music.
Yes. It makes al the difference. For non-artists such as myself, seeing how a designer goes about *thinking* how to create an effect, is much more informative than just seeing them do it. I learnt a lot. Not just Affinity techniques, but how to use them to actually create an effect.
Great work! Thanks to Chris, and all at Affinity who are doing this excellent series of videos.
Me too
I can draw, sculpt and paint... so I need to say that if you watching this video thinking this was easy you need to understand this artist had probably being drawing since childhood. I can draw without reference anatomy, but cars I'll need references and maybe I would approximate something like this Yoda. That been said I haven't mastered AD to do this yet. This is no joke illustration. A bunch of artists do their lil cartoons and whatever but that's a joke. Doing illustration that looks so close to reference is another level.
Chris is Affinity Designer Yoda Level!
Although it's a very good demonstration of what you can do with Affinity Designer, this video makes it very clear, too, that there is quite bit more to it if you want to come up with comparable results. The underlying experience in drawing and imagining 3D/spatial relations of the individual parts shouldn't be underestimated. What Chris "just" does at several stages of this demonstration is only possible because of his solid understanding of representing 3D objects on the document's 2-dimensional canvas. He'd certainly could do it as well by using just a pencil or felt markers.
That said it's actually very helpful to see him do certain things (and hear him explain WHY) and how structured and organised his approach is. Thanks for the inspiration!
i knew some of the tools in Affinity Designer, and then took up this tutorial as my first project. Chris explained so smoothly and I'm very impressed with my first project. It looks so cool. He just increased my interest in Illustration. I'm just loving it.
It was great, I had never seen a free illustration video tutorial with full details like this tutorial video, thank you again.
All I have to say is WOW! This is truly amazing, and I love the fact that you took the time out to really explain your designing process for creating this piece!
I have spent hours following this tutorial and just about managed to draw the horizon line :-)
Same here. This guy surely is not in danger of me stealing his client :)
Hey, at least you know Excel. Have you played around with MS Access?
Thank for taking the time to do this @Chris Rathbone Illustration! & @Affinity!
Great detailed tutorial. We need more of this for the Affinity products.
Thanks Affinity for these tutorial series! Global swatches are great and very useful, but being able to select by fill color or stroke, save selected paths to a selection set are also valuable for manipulating a document, especially when importing client files or old artwork created in other software.
I am liking the way Affinity are encouraging people to use the product by showing examples like this. I always felt Adobe put stuff out and left you to find features and rely on 3rd parties to push content. I had Affinity Designer on my desktop since the early days and shied away from it. Then I got my iPad and tried it on here with all these great videos tutorials and wham. Ok I admit I am way behind the curve compared to Chris et al.. but it’s making me want to spend lockdown learning - thanks to Chris and thanks to all the Affinity teams
They was awesome!
Wait... did he just put that together without any reference? Amazing. Honestly.
Awesome work I learnt a lot, thanks, Chris. Cheers Kev
Wow. That was very interesting, it all looked so simple and then suddenly it looked incredible. Definitely picked up some tips here. Thank you.
thanks for a great tutorial. that shadow work is inspiring.
Many thanks, an excellent demonstration of your process, highly useful no, brilliant :)
Top drawer mate ! Really enjoyed that tutorial Thanks
Nice video, great explanation of the process, and good pace. Thank you.
Great illustration and workflow overview Chris, thanks so much! And to Serif, please keep making more of these even after the May event is over. They're fantastic!
Feature request: make a vanishing point grid in Affinity products
The some things I'm thinking about 😁 with the possibility to generate x liners
Excellent tutorial showing your skills and Affinity Designer
LOVING THIS SERIES!!!!!
Amazing work. Great video. Very very impressed.
Really great. Thanks a lot
Wow.. just wow. I was impressed with the initial block box sketch but how you turned that into actual looking cars was just amazing. Loved the completed piece and I’m not really a car person.
Awesome work and tutorial. Thanks for the clear commentary/guidance as well.
Really great illustration and video well structured to understand your workflow. Thanks a lot.
Excellent tutorial. Thanks Chris.
I really enjoyed the video and even though I wouldn't stand a chance of reproducing, it was great that it was in real-time with the explanation of each process and tool/function. Thanks - your time and talent is very much appreciated.
Exactly what I've been looking for.
Thank you. I have been working on lots of time lapse and tutorial videos which will be dropping over the coming weeks, so if you subscribe to my You Tube and keep an eye out, you’ll see lots more content coming soon!
that's some legit skills there, great design and well demonstrated techniques thank you
Absolutely fantastic. Thank you so much, Chris, for such an in-depth look into the process for generating your work. Cheers
Fantastic video tutorial that's really well explained and very easy to follow. Gonna try this myself using what I have learned. Well done!
Absolutely amazing and illustrative Thanks 🙏🏻
This is fantastic!!! thank you for sharing this.
Wow, I learned so much watching this video, can't wait to put it to practice. Thanks Chris for putting this together!
Thanks to Chris and Affinity for a great tutorial. I've been spinning my wheels trying to learn Affinity while doing an illustration of a 1925 Hudson. This video helped enormously!
Set a reminder! Excited for this.
Great tutorial. One thought occurred to me: when it came time to block in the color, shadows and highlights, having the equivalent of Adobe Illustrator's Blob Brush would be more intuitive to work with and more efficient. The Pen Tool makes sense for line work, but a Blob Brush that "paints" freehand shapes would be better for painting areas of flat color.
Mark Oehlschlager definitely. I’m hoping the blob brush is added at some point. Pretty please @Affinity 😬
@@RathboneIllustration thanks for the feedback, it's something we'll take on board.
Cracking video Chris! Thank you for creating mate.
Hugely impressive, thank you!
Nice Illustration, well done!
Fantastic process! Thank you!
great tutorial, hope you guys keep making tutorials like this ❤🥰
Top work, ace tutorial! Thanks...
Terrific work. Cheers!
A great video Chris. Nice to see the workflow for your images. I did wonder what software package you used and now I know.
Wow. Impressive! Thanks for sharing
This is great!! I've learned loads today, its great to see your process, organised processed are something I struggle with. the global colour tool will be my new toy!!
"Global Color" is like a live color! Cool!
Superb! 👍
Yeah buddy... Rathbone’s the man
Thanks dude!
Very Cleaver stuff!
Really interesting process, thanks a lot learned a lot
This is very well explained and drawn!
Thank you :)
Great work Bro. I will try IT 👌
I have been experimenting with Designer as a conceptualization tool for my industrial design work. You have already filled in gaps that I've had in my use case for Designer. Fantastic tutorial! Thank you!
That's fantastic, thanks for the feedback Hans :)
This is always someone else's shadow and highlight, never be mine 😂
i'm ready
Great video, Chris. Would you mind sharing the full model number of the tablet shown in this video? Thanks.
This was rad as hell! Does Chris have chops or what???
Great video!!
Goooooood
Request Affinity feature in the next update - Single point , Two point and Three point grid for perspectives
Let’s go ahead and go ahead
Wonderful explanation. I just want to comment that, as I see it, it's like there are more than one vanishing point. I would say three. The first one is the point at the far horizon line that you drew at the beginning. The second and third are at both sides of the screen. That confused me at the start of the video. I believe, as other people comment here, that based on your great experience, you probably assume the remaining, not explicit shown, two other vanishing points. That's okay, but for me, as a not very experienced apprentice artist, resulted a little confusing when I tried to reproduce your design on my computer. I think so, due to the deformation that the cars show if you look from the area between them and look at the sides. They tend to be thinner to the sides. Am I wrong? Anyway, it's a very detailed and clear example, I've learned a lot. Thank you!
You make it look so easy!
From start to finish, how long would an image like that take you...clearly not 37 min ;)
Excellent video! Did you use reference for the cars? Even for some of my favourite motors I couldn't recall all the right shapes and details off the cuff. Or do you have a catalogue of car looks stored in your head? Either way its impressive and nicely done.
A curiosity the "vanishing point" was invented by Leon Battista Alberti a Genoese architect. In Italian it is pronounced "Punto di fuga".
BRO, you drew these from memory though?!!
wow
Wow....
I dont understand who would put a "I don't like it" to this video..
Cris Sutil _There are miserable, jealous, butt-hurt individuals out there, unfortunately._ 🙄
Their are those who are made to feel inferior by such talent
I don't understand how he made the wheels sit on top of the shadow at 20:30??
subtract command
Aga_ Krk Thanks Aga I’ll check it out
skills :)
You are a great arstist thanks
May I ask what size the art board is?
Farmer Jon I believe it was a 1/4 page illustration if my memory is correct 👍
@Affinity can a Desiner file be exported to a DXF?
Not at present, we hope to implement it in the future.
@@Affinity Excellent, I look forward to it. The more I use Designer the more use cases I find for it. Even though I am in a highly technical drawing environment Designer is an excellent tool to communicate designs to non-technical people.
The music, is that Alvin & The Chipmunks?
You could make it more realistic easily just if you put BMW in front of the VW