Great video. I think one of the main benefits of self-scanning is better colour management, both during conversion and also that you can then work on a RAW image instead of a lower but JPG lab scan.
Great video, you keep surprising me. The results of your shots are indeed diversified. Sometimes it's almost equal to 35mm and sometimes it is totally different. IMO you have to shoot more with this film a while and then get a better sense of what to be expected. About the color cast, you do better to ignore it in LR and bring the results of your editing into PS and handle the color cast there. There are good YT videos about handling color cast in PS. (e.g. Piximperfect) , but I agree, it is annoying. Success with the film and thanks for sharing
Harmon developed this from scratch which is a very daunting thing to do. While Ilford/Harmon has been making B/W for about 170 yrs color is very different process. Just remember that Kodak has a 90+ yr head start on making and refining color film so it may take several yrs for them to get all the necessary info to make a well rounded color emulsion
The reason I Schoot film is the unpredictability and quirkiness of it. So the more uniqueness the better. Kodak Ektar is my favorite film but goes blue in shadows. I am all ok with that.To quote Boss Ross. There are no mistakes just happy accidents.
Don’t worry about not being early with the release of the film, I was excited to see your 120 Phoenix video when it came!
Great video. I think one of the main benefits of self-scanning is better colour management, both during conversion and also that you can then work on a RAW image instead of a lower but JPG lab scan.
Great video, you keep surprising me.
The results of your shots are indeed diversified.
Sometimes it's almost equal to 35mm and sometimes it is totally different.
IMO you have to shoot more with this film a while and then get a better sense of what to be expected.
About the color cast, you do better to ignore it in LR and bring the results of your editing into PS and handle the color cast there.
There are good YT videos about handling color cast in PS. (e.g. Piximperfect) , but I agree, it is annoying.
Success with the film and thanks for sharing
Harmon developed this from scratch which is a very daunting thing to do. While Ilford/Harmon has been making B/W for about 170 yrs color is very different process. Just remember that Kodak has a 90+ yr head start on making and refining color film so it may take several yrs for them to get all the necessary info to make a well rounded color emulsion
The reason I Schoot film is the unpredictability and quirkiness of it. So the more uniqueness the better. Kodak Ektar is my favorite film but goes blue in shadows. I am all ok with that.To quote Boss Ross. There are no mistakes just happy accidents.