Dyspozycja: (górny rząd) Tuba 8' (Ped) Subbas 16' (Ped) Cornettino 2' (II Man) Principal 4' (II Man) Gamba 8' (II Man) Vox Humana Manual Koppler Clarinette 16' (II Man) Flute 4' (II Man) Harp 8' (II Man) Salicional 8' (II Man) Ged. Subbas 16' (Ped) Pedal Forte (dolny rząd) Forte I (I Man) Viola 4' (I Man) Dulciana 8' (I Man) Diapason 8' (I Man) Bourdon 16' (I Man) Bass-Koppler (I Man) Diskant-Koppler (I Man) Klarinette 16' (I Man) Cello 16' (I Man) Flute d'Amour 8' (I Man) Echo 8' (I Man) Viola dolce 4' (I Man) Melodia 8' (I Man) Forte II (II Man) nożny włącznik tutti, żaluzja I i II Man
Uwielbiam Cathedrales. A na fisharmonii brzmi to jak na organach romatycznych :)
Jaką to ma dyspozycję?
Dyspozycja:
(górny rząd)
Tuba 8' (Ped)
Subbas 16' (Ped)
Cornettino 2' (II Man)
Principal 4' (II Man)
Gamba 8' (II Man)
Vox Humana
Manual Koppler
Clarinette 16' (II Man)
Flute 4' (II Man)
Harp 8' (II Man)
Salicional 8' (II Man)
Ged. Subbas 16' (Ped)
Pedal Forte
(dolny rząd)
Forte I (I Man)
Viola 4' (I Man)
Dulciana 8' (I Man)
Diapason 8' (I Man)
Bourdon 16' (I Man)
Bass-Koppler (I Man)
Diskant-Koppler (I Man)
Klarinette 16' (I Man)
Cello 16' (I Man)
Flute d'Amour 8' (I Man)
Echo 8' (I Man)
Viola dolce 4' (I Man)
Melodia 8' (I Man)
Forte II (II Man)
nożny włącznik tutti,
żaluzja I i II Man