Thanks for sharing. There are well known masterpieces written by S.V.Rachmaninoff in his early days. He was about 18 or so when he composed these pieces and I can hear them all the time.
The Melodie in E major sounds like some sort of foreboding of the second movement of his second piano concerto! Even the harmonic structure at the beginning appears similar.
.My 2 favorotes of Op. 3 are Élégie in eь minor, Op. 3, #1 & Mélodie in E Major Op.3, #3 and are among my 10 favorites of his dozens of solo piano pieces.
Hello, can anyone tell me where to find the score for this version of track number three? I read this is a late version, but I only find scores of the original (the one with chords instead of arpeggios).
@@Whatismusic123 “Any competent musician” would notice that this is not jazz nor any kind of atonal music where you have the major and minor third simultaneously. Therefore, if the accompaniment is an Eb dominant chord (with a major third), the main melodic line, if it has the third of the chord, should have the major third (G natural), specially if the superposition of a major and minor third has never happened in the whole piece. If you disagree, try to find a score that has the G flat. (Spoiler, they are none)
@@Jqh73o 😂😂😂😂😂😂😂😂😂😂 sorry bub but in the 20th century russian school, whether it be rachmaninoff or scriabin, it isn't so fringe to use a major/minor chord. especially a dominant one. you're just incompetent and are mad that you can't understand why the G in the soprano is bad. lil kid, you don't gotta be writing something "atonal" or jazz, to use this chord, it's just a regular chord, and this composition was made during an era where chord extentions beyond the 9th were becoming far more common. you heard rachmaninoff himself play it, it is very obvious an editor just made a mistake, and you're coping with the fact that they never taught you this in school with their awful awful education system.
@@Jqh73o Rachmaninoff's autograph score has the flat clearly marked. (And it's what he plays in his own recording.) The first edition by Gutheil has a G natural (and other editions have followed it), but a Breitkopf & Härtel edition from a few years later, supervised by Rachmaninoff, has G flat. The recent edition by Henle also has the G flat, and the editor has blogged about the issue. I should say there is no doubt at all that Rachmaninoff intended the G flat.
I appreciate being able to see the sheet music as I hear it.
Such passion, nuance and melancholy, composed with contrasts; heartfelt sense of life, love, loss and depth of introspection.
He was only 17.
Szergej Rachmaninov:Fantázia darabok Op.3
1.Elégia (Moderato - Piú vivo - Tempo I) 00:00
2.cisz-moll Prelűd (Lento - Agitato - Tempo I) 05:50
3.E-dúr Melódia (Adagio sostenuto) 09:41
4.Polichinelle (Allegro vivace - Agitato) 13:30
5.Szerenád (Sostenuto - Tempo di Valse) 16:52
Vladimir Ashkenazy-zongora
3e33
I feel like I'm fading at the end of the prelude, an incredible composition that touches the soul of anyone who listens to it. Thanks for the video!!
Thanks for sharing. There are well known masterpieces written by S.V.Rachmaninoff in his early days. He was about 18 or so when he composed these pieces and I can hear them all the time.
La douleur de l'âme de Rachmaninov est encore perceptible dans cette œuvre de jeunesse 🎶💓🎶
Вечная красота...великого композитора...
i heard this on a sony walkman... remember those?
went out to buy the sheet music same day... an absolute stunna.
I believe the serenade was actually revised in 1922, and the Melodie in 1940! Amazing video, thanks for the upload :))
My most favourite is number 2 the prelude by the 19 year old super genius.
The Melodie in E major sounds like some sort of foreboding of the second movement of his second piano concerto! Even the harmonic structure at the beginning appears similar.
Absolutely mindblowing! Thank you❤
tears & rain... sunshine & pain.
.My 2 favorotes of Op. 3 are
Élégie in eь minor, Op. 3, #1 & Mélodie in E Major Op.3, #3 and are among my 10 favorites of his dozens of solo piano pieces.
Thank you for showing how to type the flat using the russian letters. :))))
@@blonda.bacoviana The Russian Cyrillic letter ь is called мягкий знак (soft sign). It palatizes the consonant it follows.
I wish with all my heart that I could have known him.
Thanks for uploading!
thank you for uploading this
A wondrous acknowledgement of celestial creativity and the elemental union of One Mind.
Religion moment
ON entend vraiment les cloches de Moscou à la fin du prélude, la musique de Rachmaninoff a le pouvoir de faire voyager sans prendre l'avion!
My favorite Elegia ❤❤❤❤❤❤
These are sensitive and passionate performances, and I like them very much. Who is the performer, please?
My elderly sheet music (copyright 1896) has the original versions of the melody and serenade, much less difficult than the revisions.
ჰასან ბეგურაააააა
Hello, can anyone tell me where to find the score for this version of track number three? I read this is a late version, but I only find scores of the original (the one with chords instead of arpeggios).
ლარისაა მას მუსა ლაბარაკობს
The polichinelle is very underrated
გარკია მუსაა??
❤❤❤
hellooo orosano
👏👏👏👏👏👏
4:30 wrong note, and the score is also wrong, right hand is supposed to play Gb, not Gnat.
Almost all recordings - on TH-cam at least - have the G natural (except for Rachmaninoff's own, of course).
@@jrb5077 shows how low the standard is for musicians. Any competent musician would recognize the mistake.
@@Whatismusic123 “Any competent musician” would notice that this is not jazz nor any kind of atonal music where you have the major and minor third simultaneously. Therefore, if the accompaniment is an Eb dominant chord (with a major third), the main melodic line, if it has the third of the chord, should have the major third (G natural), specially if the superposition of a major and minor third has never happened in the whole piece.
If you disagree, try to find a score that has the G flat. (Spoiler, they are none)
@@Jqh73o 😂😂😂😂😂😂😂😂😂😂 sorry bub but in the 20th century russian school, whether it be rachmaninoff or scriabin, it isn't so fringe to use a major/minor chord. especially a dominant one. you're just incompetent and are mad that you can't understand why the G in the soprano is bad. lil kid, you don't gotta be writing something "atonal" or jazz, to use this chord, it's just a regular chord, and this composition was made during an era where chord extentions beyond the 9th were becoming far more common. you heard rachmaninoff himself play it, it is very obvious an editor just made a mistake, and you're coping with the fact that they never taught you this in school with their awful awful education system.
@@Jqh73o Rachmaninoff's autograph score has the flat clearly marked. (And it's what he plays in his own recording.) The first edition by Gutheil has a G natural (and other editions have followed it), but a Breitkopf & Härtel edition from a few years later, supervised by Rachmaninoff, has G flat. The recent edition by Henle also has the G flat, and the editor has blogged about the issue. I should say there is no doubt at all that Rachmaninoff intended the G flat.
He retired..
Artist??
taylor swift.
ayy nijaat
ლიზიიი პიიზიზიიზიზი
კარინეეეეეეეეეეე
Here’s the genius
Ashkenazy is not that good 😒
yes he is
No
His rendition of the prelude is not the best.
you're better i suppose... post your version then.