REUPLOAD because of 2 errors - P.S: working on the complete score of Gotterdammerung, which will be on TH-cam until they delete it, like the rest of Wagner's music.
With Pierre Boulez as conductor, this is Wagner's great tetralogy presented at full emotional, philosophical and political power! Parisian philosophical sophistication, and a deliberately provocative Marxist emphasising of the economic and political milieu in which Wagner was writing. All the above also goes hand-in-hand with the genius-fruits of the greatest Western Art musician, beyond argument, of the 19th century. Heaven, in very large doses! Now, just imagine if Wagner had been interested in radical Feminism, and s/he had reconceived the sometimes paper-thin and irritating "wise-fool" of Siegfried, as instead a fully adult woman, a tom-boyish Siegfrieda. Thus what these two heaven-blessed lovers are battling is not just the dirty money-grabbing world of 19th century bourgeois capitalism (Alberich and Family), but the deeper and very poisonous dialectic of patriarchal contempt for womanity and our life-creative love! Food for thought, ehh? Much love and many thanks, Andrea
![Wagner - The Ring Without Words (Arr. Maazel) [Score]](http://i.ytimg.com/vi/O-DFlCgeb4w/mqdefault.jpg)
![Wagner - The Ring Without Words (Arr. Maazel) [Score]](/img/tr.png)
![ไปอยู่ไสมา - ช๊อปเปอร์ โตเกียวมิวสิค [ OFFICIAL MUSIC VIDEO ]](http://i.ytimg.com/vi/sWuVNbRTJbc/mqdefault.jpg)
REUPLOAD because of 2 errors - P.S: working on the complete score of Gotterdammerung, which will be on TH-cam until they delete it, like the rest of Wagner's music.
This is amazing!!!
A gravação é a de Bayreuth, 1980, de Pierre Boulez, com Gwyneth Jones (Brünnhilde) e Manfred Jung (Siegfried).
Nice.
With Pierre Boulez as conductor, this is Wagner's great tetralogy presented at full emotional, philosophical and political power!
Parisian philosophical sophistication, and a deliberately provocative Marxist emphasising of the economic and political milieu in which Wagner was writing.
All the above also goes hand-in-hand with the genius-fruits of the greatest Western Art musician, beyond argument, of the 19th century.
Heaven, in very large doses!
Now, just imagine if Wagner had been interested in radical Feminism, and s/he had reconceived the sometimes paper-thin and irritating "wise-fool" of Siegfried, as instead a fully adult woman, a tom-boyish Siegfrieda.
Thus what these two heaven-blessed lovers are battling is not just the dirty money-grabbing world of 19th century bourgeois capitalism (Alberich and Family), but the deeper and very poisonous dialectic of patriarchal contempt for womanity and our life-creative love!
Food for thought, ehh?
Much love and many thanks,
Andrea
Nem o Wagner escapa da fúria woke, coitado.