There is a discrepancy between the score and the audio. She is sinjng in c minor baroque pitch which is down a semitone, yet the score here is the G minor version. Its very good though! Beautiful singing such a wonderful piece.
Wonderful! Yvonne Kenny's voice and styling in this lovely Handel aria are both elegant and beautiful, and the instrumental accompaniment fully does them justice! There are many videos of this marvelous aria on TH-cam. The selection presented here is one of the best. Thank you for posting. Most enjoyable!
The music is two different keys, the sheet music is g minor while the female is singing in b minor.... Makes it hard to use practically when I thought it was g minor along with the sheet music....
@@inukaianji4935 (Ah! mio cor! schernito sei!KARAOKE FOR SOPRANO VOICE - Händel - Key: G Minor Partituras Interactivas) this is the recording I use when I practice for voice lessons, it is still quite breathtaking even without a voice btw.
The singer's edition seems to be different that the one used in the score animation. There are several differences in the vocal line that have nothing to do with Baroque ornamentation.
Yvonne Kenny sings from an original manuscript most of the time, which allows for a lot of flexibility. This sheet music we see is made for an amateur singer with a piano accompaniment. The vocal line in the video is written for a student to understand, and is not really used for any type of professional performance of this Aria.
She is singing in c minor. In baroque pitch you sing down a semitone so she starts on b natural - just checked it on my piano. The score presented here though is In G minor hence the discrepancy I think.
@@ScoreAnimation Nope. This is substantially higher. Usually, with baroque instruments the tuning is 415 hz, or about a semitone lower than concert pitch. We are hearing B minor, but it is written in G minor. My guess is that either this recording was made based on a revised version of the opera, or the singer made the decision to transpose the aria to suit their voice.
@@LobsngDmchoi coucou, je connais très bien la différence de hertz entre les périodes musicales de l'histoire. Mais cette version enregistrée n'est pas un demi ton plus bas que la partition présentée. C'est ce problème qui est soulevé ici.
il y a une erreur dans la partition : le fa#, main gauche au début de la conclusion. On entend bien que le fa joué par l'orchestre est bécarre. Il est joué # sur toutes les version piano sur TH-cam ... si quelqu'un peut m'expliquer ??? Merci ;)
Слишком быстрый темп сильно меняет характер музыки. Andante - темп спокойного, неторопливого шага, предполагающего размышление. Для сопрано темп еще как-то может быть чуть подвижнее, для альта и меццо - темп должен быть менее подвижным, как в записи у Натали Штуцман.
there is a mistake in the sheet : F# left hand in the begining of the end. We can hear it normal played by the orchestre. All the piano versions in youtube play it F# ... can so explain me ? yours ;)
There is a discrepancy between the score and the audio. She is sinjng in c minor baroque pitch which is down a semitone, yet the score here is the G minor version. Its very good though! Beautiful singing such a wonderful piece.
Wonderful! Yvonne Kenny's voice and styling in this lovely Handel aria are both elegant and beautiful, and the instrumental accompaniment fully does them justice! There are many videos of this marvelous aria on TH-cam. The selection presented here is one of the best. Thank you for posting. Most enjoyable!
Isnt it in b minor?
The music is two different keys, the sheet music is g minor while the female is singing in b minor.... Makes it hard to use practically when I thought it was g minor along with the sheet music....
Haha! Yep!
I know this was YEARS ago but do you know where I can find the recording in the right key?
@@inukaianji4935 (Ah! mio cor! schernito sei!KARAOKE FOR SOPRANO VOICE - Händel - Key: G Minor Partituras Interactivas) this is the recording I use when I practice for voice lessons, it is still quite breathtaking even without a voice btw.
Avis Hartman yes! I found that recording and it helped very much!
Page 82
Totally wonderful upload, thank you so very much for this ...
thank you very much for uploading.
Ah, mio cor! Schernito sei!
Stelle! Dei! Nume d’amore!
Traditore! T’amo tanto.
Puoi lasciarmi sola in pianto?
Oh Dei! Puoi lasciarmi, oh Dei, Perche?
T`amo fanto, puoi lasciarmi sola,
sola, sola in pianto, puoi lasciarmi,
Oh, Dei, perche?
Ah, mio cor! Schernito sei!
Stelle! Dei! Nume d’amore!
Traditore! T’amo tanto.
Puoi lasciarmi sola in pianto,
Oh Dei! Puoi lasciarmi, sola,
sola, sola in pianto, puoi lasciarmi,
Oh, Dei, perche, perche?
Perche?
Puoi lasciarmi sola in pianto,
Oh Dei!
Puoi lasciarmi, oh Dei, perche
The singer's edition seems to be different that the one used in the score animation. There are several differences in the vocal line that have nothing to do with Baroque ornamentation.
Yvonne Kenny sings from an original manuscript most of the time, which allows for a lot of flexibility. This sheet music we see is made for an amateur singer with a piano accompaniment. The vocal line in the video is written for a student to understand, and is not really used for any type of professional performance of this Aria.
She is singing in c minor. In baroque pitch you sing down a semitone so she starts on b natural - just checked it on my piano. The score presented here though is In G minor hence the discrepancy I think.
It is not from 2b but from 2#. So that is not from F Major or D Minor but it is from B Minor
The key that is written doesn't match the key that's playing.
Baroque instruments.
@@ScoreAnimation Nope. This is substantially higher. Usually, with baroque instruments the tuning is 415 hz, or about a semitone lower than concert pitch. We are hearing B minor, but it is written in G minor. My guess is that either this recording was made based on a revised version of the opera, or the singer made the decision to transpose the aria to suit their voice.
@@Alieaz Thanks! ha ha!! "baroque instruments" haha
@@mimen-leerabeah6406 & Andrew: Handel's original is in C minor I believe--so at A415 would sound like B minor to those of us used to A440.
@@LobsngDmchoi coucou, je connais très bien la différence de hertz entre les périodes musicales de l'histoire. Mais cette version enregistrée n'est pas un demi ton plus bas que la partition présentée. C'est ce problème qui est soulevé ici.
Would like to see more countertenors on this channel
I miss Arleen Auger in this role -- and Dame Joan (for all her faults we love our Dame).
ноты показаны в g-moll, а по факту звучит в h-moll
обычное дело для этого канала - здесь каждая третья запись так 🐷🐽
I have to play this song xoxo
Is this suitable fromezzo- soprano. or even alto@ I'd like to sing a college prom from the teacher's part.
This is most definitely fit for a mezzo. Seeing as I'm a mezzo who is singing this as part of my standard repertoire for voice lessons.
not in this key
Послушайте вариант с Натали Штуцман. Там эта музыка Генделя обретает потрясающую глубину и выразительность.
Molto utile poter seguire lo spartito
Presporo, madame, vai, vai, oh, you will spoil everethyng. I am too old, but you are too young. Handel se tako ne pjeva.
Ghis perfomance in c-moll. But in score g-moll
il y a une erreur dans la partition : le fa#, main gauche au début de la conclusion. On entend bien que le fa joué par l'orchestre est bécarre. Il est joué # sur toutes les version piano sur TH-cam ...
si quelqu'un peut m'expliquer ???
Merci ;)
hey! could someone send me this score in the animation? Thanks 🥰
Слишком быстрый темп сильно меняет характер музыки. Andante - темп спокойного, неторопливого шага, предполагающего размышление.
Для сопрано темп еще как-то может быть чуть подвижнее, для альта и меццо - темп должен быть менее подвижным, как в записи у Натали Штуцман.
MERVEILLEUX HAENDEL
there is a mistake in the sheet : F# left hand in the begining of the end. We can hear it normal played by the orchestre. All the piano versions in youtube play it F# ... can so explain me ?
yours ;)
lo spartito nel video non corrisponde nè alla tonalità originale nè alla tonalità della raccolta del Parisotti
POV ur listening because of GCSE music
0:30
Je ne veux pas faire ma hateuse, mais, mettre la partition en Gm alors que la voix fait une autre tonalité c'est très frustrant
29
This score does not match the key of the music?!?!
Lo siento. No me interesa