Tracklist 00:00:00 Jan Ladislav Dussek: Rosline Castle, with Variations 00:05:39 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: III. Rondeau a la turque. Molto allegro 00:08:34 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: IV. Air russe varié. Andantino moderato assai 00:10:52 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: XI. Chansonette. Allegretto con sentiment 00:14:35 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: XII. Rondeau sur la retraite espagnol. Allegro moderato 00:19:56 Jan Ladislav Dussek: Piano Sonata No. 11, Op. 35 No. 1: I. Allegro moderato e maestoso 00:32:44 Jan Ladislav Dussek: Piano Sonata No. 11, Op. 35 No. 1: II. Finale. Allegro non troppo ma con spirit 00:40:04 Jan Ladislav Dussek: Piano Sonata No. 12, Op. 35 No. 2: I. Allegro 00:50:28 Jan Ladislav Dussek: Piano Sonata No. 12, Op. 35 No. 2: II. Rondo. Molto allegro con espressione 00:56:08 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: I. Allegro agitato assai 01:04:40 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: II. Adagio patetico ed espressivo 01:10:44 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: III. Intermezzo. Presto 01:11:17 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: IV. Finale. Molto allegro
These pieces are so cheerful, light and uplifting; they put me in mind of Summer evenings with a warm breeze and the garden blooming and birdsong filling the air. Thank you for taking me away from a cold, foggy January evening in Ireland, if only in my mind.
Dussek's Opus 35 sonatas are certainly among the finest of his time. Composed in 1797, no one else except Beethoven and Haydn wrote anything as good at the time.
If you haven't already you should hear Dussek's piano concertos as well. They are right up there in quality with Beethoven and Mozart. I think the reason they are rarely performed in concert halls is that Dussek is disrepected as a transition composer between Classicism and Romanticism. Those who control the concert halls really despise the music of anyone they see as transition composers. In truth Dussek was a fully Romantic composer with his own style. Just because he composed in the Romantic style before anyone else gets his music restricted to "historically informed" recordings and locked out of concert halls.
@@brianknapp8645 I think what you’ve just said about Dussek applies significantly more to Weber. In hindsight, I can see why Dussek is so neglected, he was born at an unfortunate time where he is sandwiched between true “classical-era” composers like Mozart and Haydn, and romantic transition composers like Beethoven, Schubert etc… Performers rarely go beyond familiar territory these days, but that’s just the name of the game. Uninitiated concertgoers want to hear the established classics again, again and again. I almost always tend to find these lesser-known classical masters formulaic and boring, and I was prepared for the worst, but I was pleasantly surprised by the Op. 35 C-major one. The last movement’s main theme is especially clever with a sort of crafty, playful Haydnesque charm to it. I’m preparing an all classical recital on a period fortepiano, and I’m considering putting the last two movements in my programme. Granted, I could fill the 2 hours with just Mozart and Beethoven - but I don’t want to.
@@Kris9kris The ultimate display of respect for a composer today is playing their music in the concert hall. Thus it is very frustrating for those like myself who really enjoy the obscure composers such as Dussek. We get to hear them in the concert hall very rarely if ever. Here in the USA there is even less appreciation for obscure composers then in Europe. American audiences have a very narrow appreciation for classical music. Concert halls are very revenue driven. At least I am glad that Dussek and other obscure composers are having their music recorded by recording studios more then ever before.
@@Kris9kris These three Opus 35 sonatas are full of amazing emotional depth and drama--stunning themes that should touch people in a powerful way. People have become so jaded on Beethoven's music that they do not appreciate Dussek's music as it should be appreciated. In my book Dussek is a Romantic composer. I don't care what the historians say. The only thing that matters to me is what the music sounds like and NOT WHEN it was composed. 1830 is a totally artificial and wrong time for the start of the Romantic period. The 1830 start was made while many important composers were being ignored. Since then we have heard the recordings of those composers such as Weber and Dussek. Now we know that those composers were in fact Romantic or soon transitioned to being Romantic. The start of the Romantic period should be moved back to at least 1800 with the advent of Beethoven and Dussek's music (Dussek's G minor piano concerto Op 49 and Bethoven's 3rd piano concerto, which are both Romantic. Also Beethoven's 3rd symphony, which came not much later).
Tracklist
00:00:00 Jan Ladislav Dussek: Rosline Castle, with Variations
00:05:39 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: III. Rondeau a la turque. Molto allegro
00:08:34 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: IV. Air russe varié. Andantino moderato assai
00:10:52 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: XI. Chansonette. Allegretto con sentiment
00:14:35 Jan Ladislav Dussek: 12 Leçons progressives, Op. 16: XII. Rondeau sur la retraite espagnol. Allegro moderato
00:19:56 Jan Ladislav Dussek: Piano Sonata No. 11, Op. 35 No. 1: I. Allegro moderato e maestoso
00:32:44 Jan Ladislav Dussek: Piano Sonata No. 11, Op. 35 No. 1: II. Finale. Allegro non troppo ma con spirit
00:40:04 Jan Ladislav Dussek: Piano Sonata No. 12, Op. 35 No. 2: I. Allegro
00:50:28 Jan Ladislav Dussek: Piano Sonata No. 12, Op. 35 No. 2: II. Rondo. Molto allegro con espressione
00:56:08 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: I. Allegro agitato assai
01:04:40 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: II. Adagio patetico ed espressivo
01:10:44 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: III. Intermezzo. Presto
01:11:17 Jan Ladislav Dussek: Piano Sonata No. 13, Op. 35 No. 3: IV. Finale. Molto allegro
These pieces are so cheerful, light and uplifting; they put me in mind of Summer evenings with a warm breeze and the garden blooming and birdsong filling the air. Thank you for taking me away from a cold, foggy January evening in Ireland, if only in my mind.
Beautiful sonata's, great performance and and a marvellous fortepiano (I love the sound of a fortepiano). Thank you very much !
Dussek's Opus 35 sonatas are certainly among the finest of his time. Composed in 1797, no one else except Beethoven and Haydn wrote anything as good at the time.
Brilliant Classics always have hidden music "under the sleeve" like this musical gem !!! Well done, buddies...
If you haven't already you should hear Dussek's piano concertos as well. They are right up there in quality with Beethoven and Mozart. I think the reason they are rarely performed in concert halls is that Dussek is disrepected as a transition composer between Classicism and Romanticism. Those who control the concert halls really despise the music of anyone they see as transition composers. In truth Dussek was a fully Romantic composer with his own style. Just because he composed in the Romantic style before anyone else gets his music restricted to "historically informed" recordings and locked out of concert halls.
@@brianknapp8645 I will keep it in mind. Have a nice day...
@@brianknapp8645 I think what you’ve just said about Dussek applies significantly more to Weber. In hindsight, I can see why Dussek is so neglected, he was born at an unfortunate time where he is sandwiched between true “classical-era” composers like Mozart and Haydn, and romantic transition composers like Beethoven, Schubert etc… Performers rarely go beyond familiar territory these days, but that’s just the name of the game. Uninitiated concertgoers want to hear the established classics again, again and again. I almost always tend to find these lesser-known classical masters formulaic and boring, and I was prepared for the worst, but I was pleasantly surprised by the Op. 35 C-major one. The last movement’s main theme is especially clever with a sort of crafty, playful Haydnesque charm to it. I’m preparing an all classical recital on a period fortepiano, and I’m considering putting the last two movements in my programme. Granted, I could fill the 2 hours with just Mozart and Beethoven - but I don’t want to.
@@Kris9kris The ultimate display of respect for a composer today is playing their music in the concert hall. Thus it is very frustrating for those like myself who really enjoy the obscure composers such as Dussek. We get to hear them in the concert hall very rarely if ever. Here in the USA there is even less appreciation for obscure composers then in Europe. American audiences have a very narrow appreciation for classical music. Concert halls are very revenue driven. At least I am glad that Dussek and other obscure composers are having their music recorded by recording studios more then ever before.
@@Kris9kris These three Opus 35 sonatas are full of amazing emotional depth and drama--stunning themes that should touch people in a powerful way. People have become so jaded on Beethoven's music that they do not appreciate Dussek's music as it should be appreciated. In my book Dussek is a Romantic composer. I don't care what the historians say. The only thing that matters to me is what the music sounds like and NOT WHEN it was composed. 1830 is a totally artificial and wrong time for the start of the Romantic period. The 1830 start was made while many important composers were being ignored. Since then we have heard the recordings of those composers such as Weber and Dussek. Now we know that those composers were in fact Romantic or soon transitioned to being Romantic. The start of the Romantic period should be moved back to at least 1800 with the advent of Beethoven and Dussek's music (Dussek's G minor piano concerto Op 49 and Bethoven's 3rd piano concerto, which are both Romantic. Also Beethoven's 3rd symphony, which came not much later).
아름다운 피아노 연주곡 잘 들었읍니다~감사합니다~🎵🎹🌲🌳🌿🍀☘🌹🌹☘🍀🌿❤❤
Magnífico,Dom Supremo....
Subllime y bello como enaltecedor de sentimientos alegres.
👋👋👋👋👋👋👋👋❤ Belíssima 😘
Thelma Nogueira
Oi 👋😃