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THE ALTERED SCALE - THEORY LESSON
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- เผยแพร่เมื่อ 18 ส.ค. 2024
- Theory analysis ALTERED SCALE | Melodic Minor Scale Relationship | Arpeggios of the Altered Scale |
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This video is a jazz tutorial on the altered scale theory.
The altered scale is one of the most used scales in jazz guitar plaing. In this guitar lesson I'll do an in depth analysis of the altered scale.
Since it is a mode of the melodic minor scale, we'll also look into this relationship.
I'll show you how to construct the altered scale, what tensions / alterations we get from it and what altered chords we can biuld upon it.
I'll also show you WHEN to alter a dominant chord. I show you a trick you can do directly on your guitar, that will help you determine, if you have to alter the dominant chord and apply the altered scale for soloing or not.
Finally I'll show you how to quickly create tension by using some of the arpeggios of the melodic minor scale. We'll dive deeper into the distincive arpeggios of the altered scale.
By watching my video tutorial you'll understand the mechanics of the altered scale theory and therefore be able to play better jazz solos.
Next week I'll teach you how to play the altered scale on guitar. You can already download the PDF I've made, including all the 5 altered scale patterns on guitar. It also includes ALL the altered scale arpeggios. That means you'll have a nice compedium about the altered scale at hand with 40 scale and arpeggio diagrams.
Please like my Altered Scale Theory Jazz Lesson and share the love and the knowledge. Subscribe to my channel for so many more jazz tutorials!
THE ALTERED SCALE - Theory Lesson:
00:00 start
00:59 WHEN TO USE THE ALTERED SCALE
01:10 Dominate Chords
04:05 CONSTRUCTING THE ALTERED SCALE
04:18 G Altered Scale
04:55 CREATING TENSION USING ARPEGGIOS
05:16 Ab Melodic Minor Chords
06:11 Building The VII Mode Chord
09:19 Building The I Mode Chord - Ab-^7
10:14 Building The I Mode Chord - B^7#5
11:49 SUMMARY ALTERED SCALE THEORY
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Enjoy, Sandra :-)
THE ALTERED SCALE - THEORY - Lesson Time Stamps
00:59 WHEN TO USE THE ALTERED SCALE
01:10 Dominate Chords
04:05 CONSTRUCTING THE ALTERED SCALE
04:18 G Altered Scale
04:55 CREATING TENSION USING ARPEGGIOS
05:16 Ab Melodic Minor Chords
06:11 Building The VII Mode Chord
09:19 Building The I Mode Chord - Ab-^7
10:14 Building The I Mode Chord - B^7#5
11:49 SUMMARY ALTERED SCALE THEORY
you are the only guitarist able to explain in a simple understandable language, thanks Sandra
Oh, wow, that's a great compliment! ❤️
Tom Bola is so right. You are the best Sandra. Very understandable. You have a great gift for explaining and demonstrating these tricky concepts. I can see how much work you put into it. We all thank you.
i have seen 10 videos on utube and your explanation is the best. i like it when things are actually written out and explained..................thanks from texas.
Glad it helps you! ❤️
Sandra, you have a gift for this. Patience, and a great way of cheerfully (and that can probably be hard at times😉) presenting tricky concepts. And it boggles my mind that you do this in a second language! Thanks🙏😄
You always have the sweetest words! Thanks so much!
One of my favorite channels on YT
❤️❤️❤️
congrats. you've advanced to a favorite source for me. reliable continuity in quality, interesting subjects, sympathical presentation, and a quite good library. thx
Thank you for your trust in me! ❤️
@@GuitarversumSandraSherman Sandra, could you please tell me what's the intro song here? this intrigueing bassline gives me a feel of heavy metal jazz :) i like the dirty, powerful drive in this chunk!
Great job on this one SS,the alt scale is one of my favorites (bassist) because there's alot of options and you can call it in real time ,or brings so much fun and challenge when doing a session or otherwise,Ur one of my favorite content makers ,keep up the good work 😺
Thanks for the kind compliment. I use the alt scale all the time. I think it makes life easier, bc it always fits, as long as the chord resolves.
@@GuitarversumSandraSherman I like using it in minor progressions Btw I always learn something new following you 🤓 and I've been playing for years! Ur very good at this ,I look forward to future content and always ur current and past content, I've already shared some with others, ur great, ttyl
Thanks, Mike! ♥️ Sharing is very helpful for the YT algorithm to boost my videos.
You are the only person that could explain the melodic minor to well. I've been struggling with the melodic minor for awhile.
The melodic minor finally makes since to me and it has enhanced my playing a lot. Sandra, Thank you very much for taking the time to make this video.
So happy to see it works for you and I was able to help. Keep swingin 🎶 🎸
I won't repeat what others have already said about your teaching skills. Amazing! A lot to learn and absorb. I'll have to watch this again...a few times. PS: Did I mention, I really dig your "Brick Top"!
Thabks, Stephi! I had to look up what a bricktop is 😂
"Brick Top" was a very famous black Bar owner in the Pigalle area of Paris at the time of Django. And her style was a flash of Red hair on top of her head. There's a famous Django Pirece called "Brick Top" after her. I think she moved to South America during the Second World War. 😎@@GuitarversumSandraSherman
Oh, that's cool! Thanks for sharing. I love jazz anecdodes!
That was a great, clear, concise and theoretically tight explanation. Thank you. I have been trying to figure out what the devil musicians are talking about when the speak about Altered Chords. It has never made any sense and they all tell a different story. When I speak theoretically about it, they are the ones that get lost. I even ask them to show me what notes to play for any given altered chord, and they don't want to because "it depends". So I ask, "so what do I do when I see "Alt" on the sheet music? Apparently one is just supposed to know. This has been totally frustrating and convinced me that many musicians have no idea what they are talking about, they play well but have no idea what they are doing. I don't care about memorizing "what goes with what", it is no fun for me at all. What *I* like doing is inventing music and to do that effectively understanding the concept that holds everything together is *extremely* important, as you know.
This lecture was wonderful. I totally get it now. I knew that it was the 7th mode of the melodic minor scale blah blah blah, and I have no problem playing it, but the concept the the "alterations" has never been understandable until you described it in terms of the extensions! Now it make perfect sense. When I practice arpeggios, I always practice every other note up for two octaves so the extensions are second nature to me. I have never seen the point of "playing the arpeggio" twice as I move up the neck, as many teach. Every other note will resolve back to the root at the end of the second octave by playing through the extensions. So that expands the "field of play", which for *me* is the whole point.
The other part that put the entire concept together for me was your explanation of "when" to use it for walking "chromatically" to resolution. I do this all the time in my own work. Hence the "workhorse" part of the Altered concept, tension and resolution with more spice than just the half diminished approach, one can play with all the extensions and keep the "base sound". I just tried this "thought process" on the guitar and it works nicely. Now to play with it for a couple of years. Now I see why Jazz players use the concept so much, they are into ii-V-1 closures all the time so the Alt concept fits in perfectly and expands the playing field!!!
Thank you Sandra. Thank you very much,
MIchael Gerety.
Everything gets so much easier, once we understand things. I know a lot of people like you, who play those things already, but don't know what they're actually doing. With the knoledge at hand, you can now use it on purpose and in a more precise way. You can make better decisions, that combine knowledge and your ear.
Keep swingin 🎸🎵
What an awesome tutorial. Precise and clear! I think I finally understand it.
That makes me very happy 😊 ❤️!
THANKS!
Glad you find it useful. 😊
Great breakdown, I was thinking along with you (I need to see these in action), you read my mind. I'll be looking forward to the next lesson, Thank You...! 😎
Altered scale licks won't be online next week, like Isaid in the video. There will be a few other lessons before that. I have a little delay, due to Covid.
Thank you very much for this simple, yet informative
music lesson.
Hey, thanks for the "simple" :-) Some people found it difficult (but well explained). My goal is always to make things easier for people.
I had to pause the video to comment that you are great at explaining this and thank you!
Aawh, that is so kind of you. Makes me happy to see you enjoy it and that it helps. Keep swingin!
Very clear explanation.
Thank you! Mission accomplished :-)
You’re great !I learn so much from you..
That makes me really happy 😊 ❤️
Great lesson Sandra! Thank you
Thank you! ❤️ Glad it helps you.
I plan to suggest this video to my viewers. I only have 114 subscribers and some play only piano. However, this is directly applicable to piano. I noticed when you did the 5 and dropped down to 1 that was descending major 5 interval. It's easy to overlook things. When when you went to the
4..ok that's a major 4 down and up. The guitar is tuned in 4ths primarily and this helps us find the circle of fifths forwards and backwards.
Thank you! ❤️
@@GuitarversumSandraSherman your welcome.
Great explanation/lesson
Thanks for sharing your knowledge
You have the gift of explaining complex ideas with
natural ease, so a 5 year old can understand.
Good job.
Cheers from Sydney
That is super nice of you! Thank you ❤️ ❤️ ❤️
Very good. Grazie
Perfect Analysis of a complex subject. The arpeggios are cool. Never thought of it that way.
There's so much you can do with Arps. Definitely worth looking into it!
@@GuitarversumSandraSherman Do you have a dedicated video on arpeggios?
You are a great teacher, really enjoying your videos.
I am new into jazz, the way you break it down into simple concepts. So glad came across your channel.
Keep up the good work.
GREEEEEETINGS from Nagaland, India.😁
Welcome to the jazz ride, my Indian friend!
Best teacher on TH-cam !
Eu não entendo nada do inglês Sandra mas sou apaixonado pela sua maneira de explicar você é muito simpática!
Oi Luis,
Muito obrigada! ❤️
These theory lessons are priceless! Gonna have to watch this again it's soon good! 😊 😃 😀 😄 😁
Yeah, things like that need some time.
Thank you for this great lesson! Now I feel like a real jazzer ;-)))
You're getting there 😊
A pleasant learning experience, Thank You!
That's a huge compliment, regarding a theory lesson on a complicazed scale 😊. Thanks , my friend ❤️
Thanks for this lesson, Sandra. I believe that there may be an error that has crept in at 5:18 in the video. You are explaining the diatonic chords made from the Ab Melodic Minor scale, and have listed the V chord as Eb7#5. If I'm not mistaken, the V chord should be Eb7 (no #5). Looking forward to the follow on video on making licks with the Galt scale!
No, that's not a mistake. To be absolutely correct, it should read Eb7b13, though. There's a 5th (Bb) and a #5/b13 (B) in that scale/chord.
You made it so easy Thank you Sandra! Love from Pakistan! Waiting for the 2nd video!
Nice lesson this,and easy to understand.Well explained.
Thank you! I'm glad, it's not too complicated. Always hard to find a happy medium between enough information and too much information.
Agreed, but you have this about right.
Many thanks
Commenting as I go.. You probably have touched on this but it may help someone.
If I am looking for the flat seven I know it's always a whole tone down from the root. Super easy to find. b7 of D is C..b7 of Eb is Db..
b7 Of E is D..b7 of F is Eb..b7 of Gb is Fb ( E)... b7 of G is is F..etc. A few more A is b7 of B ..G is b7 of A.. Has been super useful info to me. the b7 resolves to the major 3rd of the major triad up a major 4th. Eg. The chord C7 (C E G Bb)
resolves to F.. (FA C)
Thank you!
Excellent!
Thank you!
This is fuxxxing awesome! thx so much!!!
Hehe :-)
great lesson!
❤️❤️❤️
Super erklärt.
Vielen Dank! Freut mich, dass es dir weiterhilft. Hast du einen Vorschlag für weitere Theory lessons?
@@GuitarversumSandraSherman Danke, ich bin gerade am durchforsten deiner Videos. Sind allesamt sehr lehrreich und mir gefällt, dass du hauptsächlich Jazz anbietest. Bleib auf jeden Fall deiner Linie treu.
Jazz im Allgemeinen und Bossa Nova im Speziellen sind seit jeher meine heimliche Leidenschaft. Ein richtiger Jazzer werd ich wohl nie werden, aber ich bemühe mich etwas davon in meinem Spiel unterzubringen.
Very good...an altered ❤️ for you
❤️🧡💛
I've got melted fuse at 9:30 at the beginning of arpeggio talk:) Will lay down and wait for some fretboard action on this topic :)
Oh no, I've melted your fuse 😱😊
I'm sorry, I caused this.
I hope you're head stopped smoking by now. Kidding aside, it's ok not to understand everything immideatly. We often comprehend things a lot later under different circumstances. Suddenly everything clears up. It will happen. Trust me!
@@GuitarversumSandraSherman You are allowed to burn fuses sometimes Sandra :) I learnt so musc from you. What I really meant is that "hands-on" approach works better for me. A bit of theory, a bit of strumming. I bet I'm not the only one. Keep up the good work neighbor!
Hi love your videos although i play ukulele so i have to fiddle about a bit to get the chords you use , i wonder in the future you could do Baubles Bangles and Beads in a Bossa Nova style ? Kind Regards Dave
The doubt, yes, probably. Have to see, if I can come up with a playable arrangement.
Can you use the altered scale over a non alltered Dominant chord?
No
Wanted to learn jazz, but being an absolute beginner I don't really know where to start from....!!!! Could you start a step by step course on it, Please......🤗
She always tells anyone to start with her chord tutorials. She has 2 or 3 of them. Check em out, man!
I can't do a course like that on YT. But like SirAndy said, check out my Chords tutorials first. 7th Chords and then the Tension Chords Video.
Thank you!!! Now I got it, I was actually looking for intervals.
Hey Sandra,
Just wondering why the label has to be Cb instead of automatically defaulting to B.
I get the descending direction thing but it just seems a bit redundant, don't you think? 🙂
Hope you're keeping safe. 😎
J.
Ab Melodic Minor has a b3, and that's called a Cb (because the major third would be the C). While the G altered scale has a major 3rd and that's the B.
I thought, if I kept naming the Cb a B in the mel min scale, people would bash me for it being incorrect 😊.
my dream to live in a country cradle of jazz
I always think of melodic minor scale half a step above when improvising over altered chords.
That's exactly what this video teaches you 😊
good lesson. I paid but no zip on my ios phone. got the link but no pdf so far. I must be doing something wrong but gave up looking.
Hi Emerald, The TH-cam comment section isn't the right place for this. Your comment gets lost in hundreds of comments. I have an email address and a help page on my website guitarversum.com/shop. Please write me your issue and I'm sure we'll find a solution. Btw, it's best to download your stuff on a desktop, unless you know where the zip file on your iphone goes (it seems you don't).
@@GuitarversumSandraSherman Yes you are right and Please accept my apology. My tech skills are limited and I have located the file.
I have learned how to now and I will use a desktop next time. Thank you for this file and your tuition is very good. I will use your mail address if I have a question in the future. Thank you Sandra.
My brain just exploded, but its starting to make sense!
We often don't understand immediately. But when we dig into other jazz theory, suddenly something we didn't understand before, now starts making sense. Different views on the same subject also help. Hang in there. The fog will clear up 😊
Best
So in fake books it often says G7 Aug. Which is short for a # 5. Always wondered why.
Really? I only know augmented chords (aug), which is a truad (1, 3, #5). I've never seen 7aug.
@@GuitarversumSandraSherman I just checked there are dominant
chords like C7+ ..I made be wrong still. Great info on this video.
C7+ is old style for C7#5
@@GuitarversumSandraSherman
C7#5 is definitely more descriptive.
Salu2!!
Subtituloooos!!
Unfortunatly no one writes them /translates them for me 😭
Dff5
?
Goodnight I’m so lost
You probably have to check out how intervals work and how chords are built in general. This is an advanced jazz tutorial, assuming you already know the basics.
🤔🥴😳 A lot to digest.
Best served multiple times 😊. These things take a while.
@@GuitarversumSandraSherman thank you for the reply, I have been working on this today and finally absorbed the fact that this scale is built on the 7th degree of the melodic minor scale. Making it the super locrian scale. It’s easier for me to think of it in this way, as an example an E super Locrian scale makes more sense than playing an F melodic minor scale over an E7 sharp 9 chord. This scale contains both the sharp 9 and flat 9. Not sure how to deal with the seemingly out of place flat 4. But it sounds great over a dominant chord, with similarities to a diminished scale. Half step, whole step.
totally confusing ..... explain what the scale is please
I explain the scale in the very beginning. It consists of said intervals and that results in said chords.