It's obvious that unlike Carnatic music which only have Madhya laya(1x speed of taal) hindustani have vilambit(.5x speed of taal),Madhya laya and drut(2x speed of taal) and vilambit (.5x speed taan),Madhya(1x speed taan),drut speed(2x speed taan) taans and even anu drut taans(2.5x or 3x if the artist have insane tayyari) and taans are sung in Madhya laya and drut both,and from Madhya laya onward raag can be bhaav pradhan or tayyari pradhan or some ratio depending on artist , nothing like this is there in Carnatic hence there is no concept of tayyari it's primarily bhaav Pradhan but honestly taans in this video are merukhand taans of amir khan saab one of the most difficult taans to master, belonging to kirana and bhindi bazar Gharanas, sung to perfection at supersonic speed in this video and except Abhishek Raghuram there is not even one Carnatic vocalist in this country who can even attempt such crazy taans at such insane speeds , why did I say all this because in Hindustani style there is not just bhaav but also aspect of tayyari of gala and tayyari when perfected should be appreciated independent of bhaav that's my view and also the view of Hindustani as it's not sung in praise of gods unlike Carnatic, a person biased towards Carnatic may have a different view since there is no concept of tayyari in the system (again I am not talking about artists, as artists like Dr balamurli krishna or Abhishek Raghuram posses excellent tayyari but that's not thanks to Carnatic but their own genius as they sing normal akaar of Carnatic at about drut speed but they are exceptions as majority of Carnatic vocalists I have heard can't go too fast and elongated as there is no concept of taan, and again Carnatic is not to be blamed as it is clearly not preparing the artist for tayyari anyway as it's sung for spiritual purpose but hindustani was sung in court to please kings and hence there is no compulsion for it to be bhaav pradhan all the time a part is fixed for bhaav which is vilambit which clearly wasn't shown in this 10 min snapshot lol and hindustani have various types of taans and are sung at insane speeds and that if perfected is in itself appreciated, just stating the facts as they are), moreover most of bhava elaboration is done in vilambit which is especially true for kirana Gharana hence I don't understand how can someone be so quick to generalize the whole performance by a 10 min snapshot of it lmao unlike Carnatic music hindustani performance is atleast 45 minutes so ofcourse majority of performance isn't shown in this snapshot only about 20% that too the portion which can anyway not be bhaav pradhan aka the merukhand taans, so how can one say such outrageous stuff like killed the raag, based on just 20% of the whole performance?? Lol Moreover if one wants to hear bhaav portion one should listen from the beginning aka vilambit and then the Hindustani performance builds from there and an artist who don't possess the tayyari of gala might stick to bhaav Pradhan but overall effect diminishes, hence generally from Madhya laya onward hindustani style becomes tayyari pradhan hence bhaav takes a backseat and crazy taans sung at high speed take front seat, for bhaav and overall raag and how it is approached in Hindustani listen to whole performance which is generally 45 - 50 minutes starting from vilambit portion in which avachaars are sung(we don't sing Alaap, but avachaars aka just introduction to the Alaap but elaborated with bhaav, modulation and half the taal speed)..... And That's how it is......
Killed the raaga with no bhava. Looks more like a presentation of the notes in the raaga than a soulful performance of it on stage.
It's obvious that unlike Carnatic music which only have Madhya laya(1x speed of taal) hindustani have vilambit(.5x speed of taal),Madhya laya and drut(2x speed of taal) and vilambit (.5x speed taan),Madhya(1x speed taan),drut speed(2x speed taan) taans and even anu drut taans(2.5x or 3x if the artist have insane tayyari) and taans are sung in Madhya laya and drut both,and from Madhya laya onward raag can be bhaav pradhan or tayyari pradhan or some ratio depending on artist , nothing like this is there in Carnatic hence there is no concept of tayyari it's primarily bhaav Pradhan but honestly taans in this video are merukhand taans of amir khan saab one of the most difficult taans to master, belonging to kirana and bhindi bazar Gharanas, sung to perfection at supersonic speed in this video and except Abhishek Raghuram there is not even one Carnatic vocalist in this country who can even attempt such crazy taans at such insane speeds , why did I say all this because in Hindustani style there is not just bhaav but also aspect of tayyari of gala and tayyari when perfected should be appreciated independent of bhaav that's my view and also the view of Hindustani as it's not sung in praise of gods unlike Carnatic, a person biased towards Carnatic may have a different view since there is no concept of tayyari in the system (again I am not talking about artists, as artists like Dr balamurli krishna or Abhishek Raghuram posses excellent tayyari but that's not thanks to Carnatic but their own genius as they sing normal akaar of Carnatic at about drut speed but they are exceptions as majority of Carnatic vocalists I have heard can't go too fast and elongated as there is no concept of taan, and again Carnatic is not to be blamed as it is clearly not preparing the artist for tayyari anyway as it's sung for spiritual purpose but hindustani was sung in court to please kings and hence there is no compulsion for it to be bhaav pradhan all the time a part is fixed for bhaav which is vilambit which clearly wasn't shown in this 10 min snapshot lol and hindustani have various types of taans and are sung at insane speeds and that if perfected is in itself appreciated, just stating the facts as they are), moreover most of bhava elaboration is done in vilambit which is especially true for kirana Gharana hence I don't understand how can someone be so quick to generalize the whole performance by a 10 min snapshot of it lmao unlike Carnatic music hindustani performance is atleast 45 minutes so ofcourse majority of performance isn't shown in this snapshot only about 20% that too the portion which can anyway not be bhaav pradhan aka the merukhand taans, so how can one say such outrageous stuff like killed the raag, based on just 20% of the whole performance?? Lol
Moreover if one wants to hear bhaav portion one should listen from the beginning aka vilambit and then the Hindustani performance builds from there and an artist who don't possess the tayyari of gala might stick to bhaav Pradhan but overall effect diminishes, hence generally from Madhya laya onward hindustani style becomes tayyari pradhan hence bhaav takes a backseat and crazy taans sung at high speed take front seat, for bhaav and overall raag and how it is approached in Hindustani listen to whole performance which is generally 45 - 50 minutes starting from vilambit portion in which avachaars are sung(we don't sing Alaap, but avachaars aka just introduction to the Alaap but elaborated with bhaav, modulation and half the taal speed)..... And That's how it is......
Superb
Superb 🙏🙏🙏
Amazing
🙏🙏🙏
For more videos of sir ji
th-cam.com/play/PL-DgM4FejbPyqrwuB4p4iGK166L8QBmFU.html
Kya bat hai sir
It reminds me of samaja varagamana of hindola excellent singing great pleasure to listen thanks
Super sir
Please correct the caption sir, 'L' is missing in Malkauns
Great;but missing something.
Great;but missing something.