01 - The Altar at Midnight - C. M. Kornbluth - 14:29 06 - Second Landing - Floyd Wallace - 15:35 02 - The Defenders - Philip K. Dick - 49:25 07 - The Talkative Tree - Horace Brown Fyfe - 22:45 03 - Foundling on Venus - John & Dorothy de Courcy - 19:19 08 - They Twinkled Like Jewels - Philip Jose Farmer - 37:41 04 - The Leech - Phillips Barbee - 41:31 09 - Warm - Robert Sheckley - 23:10 05 - The Repairman - Harry Harrison - 37:38 10 - Wind - Charles Louis Fontenay - 37:56
"This is a LibriVox recording. All LibriVox recordings are made without regard to volume or tone equalization, so that the listener must change volume settings with each story." It's really annoying when one reader is so quiet that you need to turn the volume up, then the next one is so loud that the speakers just about rupture from the strain. But what do you expect, it's free, right?
01 - The Altar at Midnight - C. M. Kornbluth - 14:29 06 - Second Landing - Floyd Wallace - 15:35
02 - The Defenders - Philip K. Dick - 49:25 07 - The Talkative Tree - Horace Brown Fyfe - 22:45
03 - Foundling on Venus - John & Dorothy de Courcy - 19:19 08 - They Twinkled Like Jewels - Philip Jose Farmer - 37:41
04 - The Leech - Phillips Barbee - 41:31 09 - Warm - Robert Sheckley - 23:10
05 - The Repairman - Harry Harrison - 37:38 10 - Wind - Charles Louis Fontenay - 37:56
1) "The Altar at Midnight," by C. M. Kornbluth; 2) "The Defenders," by Philip K Dick; ...
I really like Greg Margerit's narrations..
"This is a LibriVox recording. All LibriVox recordings are made without regard to volume or tone equalization, so that the listener must change volume settings with each story."
It's really annoying when one reader is so quiet that you need to turn the volume up, then the next one is so loud that the speakers just about rupture from the strain.
But what do you expect, it's free, right?
TinselKoala then why bother to bitch about it? Adjusting the volume that traumatic for you?
It is if you are laying down trying to relax and visualise ,. .,. ,. ,. or offset tinnitus and try to sleep .. . ....