It is always a delight to discover a new J Dilla beat. Imagine how many are out there as I read how he used to get up, start working, take lunch, then go back at it. This was over a period of years so just the thought of how many undiscovered beats are yet to be heard.
he’s the reason i started filtering samples. pete rock & lord finesse are also v good at filtering, but the way dilla filtered his samples throughout a whole beat (like in this song) as opposed to when he’d filter samples when it was time for a verse in his beats he did for Slum creates this weird, wavy dynamic to music. idk how to explain this at all but it just leaves you questioning about wtf u just heard when a sample is filtered throughout a whole beat like in this one. shit rlly is hypnotic as hell. i can rlly nerd out on some audio engineering ish as to why filtering is so dope (depth, low end mixing, etc.) but nonetheless, this approach to production just makes u wanna listen to more. 🤷🏽♂️ rip jay. luv.
It sounds SO warm, just the right balance of full and resonant down in those low mids. It all blends with the bass and kick so well to create this one continuous sound with only the hats, snares and vocals sticking out, maybe an occasional chimy sparkly sound in the high mids etc. Even when the sample wasn't a part of the kick/bass, you can tell Dilla really thinks about how elements sit together and groove, Flowers is a good example of this, the kick and bass are making perfect phrases together. It's also crazy that low-pass can sometimes get rid of color tones and all their harmonics, then you can have even more freedom. I mostly write from scratch and use weird vocoders/filters/freq-shifters/distortion/whatever to get these warm and textured sounds rather than the sterile sounds you usually get from dry synths or even e-pianos etc., but sampling is still something I love so much, and when you strip down the right sample and compliment it with these techniques, it's just crazy.
@@Gnurklesquimp facts. this might b a bit controversial (per engineering “standards”), but if u add a touch of some reverb on whatever low end you added, the sound creates even more of an experience for the listener. that shit takes u str8 to da cosmos 🪐
@@mhaluuun93 Many would gasp, but I've heard plenty of music where this sounded great. I think they do it a lot in dub too, along with the crazy out of sync delays etc., gonna sound a bit messier but that can be a good thing. Ambient and Techno also have some great noisy atonal rumble bass that I've been looking into, a kick, a rumble bass AND a normal tonal bass working together to create a low-end groove is just crazy, can sound super percussive.
Dammmmm !!! Holy Spirit!!!!! Music from AKAI Lama !!! Direct from thé Soul!! Owww!! ITS opening the Crown Chakra! First time to discover this ether!! Namaste Haribol Asewe!
Remarkable find .. Imani let me dub his tape in like 98.. not long after I met him ..that was on a heavy grey TDK tape that said JAY DEE Jan.97..This was one of the ONES!! It’s still some I haven’t heard online yet.. I had to be the first civilian with the shit…
![J Dilla - Unreleased Beat 1 [14 Minute Version]](http://i.ytimg.com/vi/bVbK9axK9Ao/mqdefault.jpg)
![J Dilla - Unreleased Beat 1 [14 Minute Version]](/img/tr.png)
![J Dilla - The 1997 Batch [Higher Quality Cassette Rip]](http://i.ytimg.com/vi/xfQ1UpgSxHE/mqdefault.jpg)
John Scofield - Spy vs. Spy
time stamp ?
3:53-4:12 on the yt vid for it, you’ll have to listen closely to the bass to hear it tho bc he did some crazy filtering on it
@@sttyhV2 wow just listened to that, it is so incredible what this dude Dilla does with that sample here
2021 and still hearing new dilla beats. What a legend.
This is my new favourite Dilla beat. Until next week lol
Check the page yo
lol ditto
It is always a delight to discover a new J Dilla beat. Imagine how many are out there as I read how he used to get up, start working, take lunch, then go back at it. This was over a period of years so just the thought of how many undiscovered beats are yet to be heard.
This is insane. That nasty snare... The count... This sounds like the just before Pharcyde days.
ahh someone who hears the count...your ear is good...
What count? Like the shuffling groove you mean
@@jeremylambert2299 7 bar loop.
@@shuaduah thanks anyone got where he pulled this sample from??
God bless this man's soul. He was just so different. 🙏
Amen!
Such a beautifully sinister melody....
I've never heard it anywhere, this is new to me
This beat takes me out of my body...will never have another producer like this again.. rip dilla.
the bassline is hypnotic
that deep res filter i can still kinda hear the top of the sample, so dope
THIS IS SO BEAUTIFUL WE LOVE YOU DILLA ❤️❤️
he’s the reason i started filtering samples.
pete rock & lord finesse are also v good at filtering, but the way dilla filtered his samples throughout a whole beat (like in this song) as opposed to when he’d filter samples when it was time for a verse in his beats he did for Slum creates this weird, wavy dynamic to music. idk how to explain this at all but it just leaves you questioning about wtf u just heard when a sample is filtered throughout a whole beat like in this one. shit rlly is hypnotic as hell.
i can rlly nerd out on some audio engineering ish as to why filtering is so dope (depth, low end mixing, etc.) but nonetheless, this approach to production just makes u wanna listen to more. 🤷🏽♂️
rip jay. luv.
It sounds SO warm, just the right balance of full and resonant down in those low mids. It all blends with the bass and kick so well to create this one continuous sound with only the hats, snares and vocals sticking out, maybe an occasional chimy sparkly sound in the high mids etc.
Even when the sample wasn't a part of the kick/bass, you can tell Dilla really thinks about how elements sit together and groove, Flowers is a good example of this, the kick and bass are making perfect phrases together.
It's also crazy that low-pass can sometimes get rid of color tones and all their harmonics, then you can have even more freedom. I mostly write from scratch and use weird vocoders/filters/freq-shifters/distortion/whatever to get these warm and textured sounds rather than the sterile sounds you usually get from dry synths or even e-pianos etc., but sampling is still something I love so much, and when you strip down the right sample and compliment it with these techniques, it's just crazy.
@@Gnurklesquimp facts. this might b a bit controversial (per engineering “standards”), but if u add a touch of some reverb on whatever low end you added, the sound creates even more of an experience for the listener. that shit takes u str8 to da cosmos 🪐
@@mhaluuun93 Many would gasp, but I've heard plenty of music where this sounded great. I think they do it a lot in dub too, along with the crazy out of sync delays etc., gonna sound a bit messier but that can be a good thing.
Ambient and Techno also have some great noisy atonal rumble bass that I've been looking into, a kick, a rumble bass AND a normal tonal bass working together to create a low-end groove is just crazy, can sound super percussive.
We don’t deserve this. He was on another level. RIP JAY DEE!! 🙌🏻🙏🏻
My human brain can’t comprehend this alien ass beat lol
Dammmmm !!! Holy Spirit!!!!! Music from AKAI Lama !!! Direct from thé Soul!! Owww!! ITS opening the Crown Chakra!
First time to discover this ether!!
Namaste Haribol Asewe!
No way a human could have lived long making something like this!
That baseline is banana’s🔥🔥🔥🔥
Sounds like a Yellow Jackets record. A Jimmy Haslip baseline. I know I'm probably wrong, but that baseline is most definitely crazy.
@@shuaduah bro i was thinking the same stuff , it has that bass rythm type , but what track can be?
@@DjNRaider hey, please let me know I spelled bass wrong next time LOL!!! Nah but really this track is coooold blooded!
@@shuaduah haha lol
@@shuaduah can be this track
th-cam.com/video/cmiX8_vcKeI/w-d-xo.html
Or this one
th-cam.com/video/E0O8PMFp7n4/w-d-xo.html
Thank you for this! Youre doin the Lords work spreadin the good word man
R_A-R_E
So Mystique, I Love This Beat , i can hear Proof here and Slum Too
Proof woulda been dope on this
@@tvcent4651 word up!
Remarkable find .. Imani let me dub his tape in like 98.. not long after I met him ..that was on a heavy grey TDK tape that said JAY DEE Jan.97..This was one of the ONES!! It’s still some I haven’t heard online yet.. I had to be the first civilian with the shit…
Got Damn that D.j. made my day
Rolling out by the lake,drinking on a cold root beer and just chilling.
love the 7 bar loop
Oh my lord......
Heaven Yes.
Ps Much Gratitude.
Thank you ...
where can I find this tape? it got deleted from youtube
was never leaked in the first place
Beam me up Scotty
singers unlimited maybe idk
🔥
#Ongod right here....
Literally how the modern jazz sounds nowadays
!!!!!!!
Needs to be extended
th-cam.com/video/43g2f-Nahcs/w-d-xo.html
Low pass filter.