ฝัง
- เผยแพร่เมื่อ 14 ธ.ค. 2022
- Heino Wilhelm Daniel Kaski (21 June 1885, Pielisjärvi - 20 September 1957, Helsinki) was a Finnish composer, teacher and pianist.
Kaski was born in Pielisjärvi into a cantor's family. His father taught him the violin, and was generally supportive: when Kaski dropped out of secondary school to study music full-time in Helsinki, he did not object. Kaski first studied at the Helsinki Cantor-Organist school, then entered the Philharmonic's Orchestra School. There, he continued studying the violin, but was also tutored in theory (by Ilmari Krohn) and composition (by Erkki Melartin).
In 1911, on Jean Sibelius's recommendation, Kaski received a grant that enabled him to study for four years in Berlin, under Paul Juon. In 1914 he returned to Finland; one of his larger works, Symphony in B minor, was composed in 1914-1919 under partial guidance from Selim Palmgren. The symphony was performed on October 2, 1919. The same year, Kaski went to Europe again, to study under Otto Taubmann in Berlin, and then traveled and studied in Italy and France. He finally returned to Finland in 1924, and since then worked as music teacher in various schools. He gave nine composition concerts and in 1950 was awarded the Pro Finlandia medal. On 20 September 1957, aged 72, Kaski died in Helsinki.
His death was overshadowed by that of Jean Sibelius, who died the same day, at the age of 91. He is buried in the Hietaniemi Cemetery in Helsinki.
Kaski is best known for his piano miniatures (which number over one hundred), in which he displays a natural gift for melody, and for his songs (similarly more than one hundred of them), although he also authored numerous chamber works, four orchestral suites, and many other pieces.
--------------------------------------------------------------------------------------------------------------------------
- A method to find scores: • Where I get most of th...
- My donation link to keep the channel growing: www.paypal.com/paypalme/gamma...
Thanks for listening :-) - เพลง
Harsh climate, harsh and majestic music. You feel the music of different national cultures well. You play as if the northern nature of Finland is outside your window. It touches the soul. Thanks.
Precisely my emotional response. It's Sibelius on sentimental overdrive. In the best way possible.
@@ianwilliams2632 I completely agree with you and Olga. This all still lives strongly in Finnish soul. -- But where and why did it disappear?
By 'disappear', I mean the ability and talent to express this inner sentiment.
Also has a debussy feel besides sibelius
Thank you from Finland, beautiful piece, beautiful interpretation. ❤️❤️
One of the most beautiful things you've played. And the most beautiful thing in this key that I've heard other than Chopin's Nocturne #7 (op.27 no.1).
What a rare and fantastic find! Those Finns man, they are someone else! All positive on your performance as well of course! The prominent ritards/pauses you did that weren't written in were tasteful and really added some anticipation with a splendid payoff. Really well done all around! 👏💯💕🤩
What a beautiful piece ! Very sensitive and romantic. How lovely ! ❤
This is so beautiful and I love it
3:53 your arrangement didn't spoil the beauty of the melody!
Powerful. Thanks
This piece is my new love 💗
One of the best versions❤
Very good Kaski. Thank you Gamma1734.
Great performance. I've played this piece many times myself and it seems to be quite unknown outside Finland.
Superb 💎💎💎
1:27 is so lovely
As a Finn, it is hard to believe we had many of this kind of talent a hundred years ago. Now -- nothing.
it is indeed very surprising
It hasn't been too long since Rautavaara died. Your country is still famous to me for good music, even if only from him.
You have Klaus Makela
❤💐👏
Hermoso
Reminds me of early Bortkiewicz
Extremely evocative and dark. Beautiful. Reminds me of the Titanic: Adventure out of Time soundtrack from 1996, but far better.
A tasteful and very interesting interpretation of this beautiful piano piece. Before this interpretation I have never paid very much attention to the piece. Maybe because of the limitations of note writing when it comes to expressing the soul of a piece? And because finns, exact as they always are, mostly play what they see, no more and no less. Well, that’s my opinion, of course. De gustibus et coloribus non est disputandum!😊
That said, having lived near the finnish seaside all my life, I find that the piece is more a reflection of an internal than an external world, as I really do not see the seaside in it. Or maybe Finland in general, but not especially the seaside? And I certainly can hear a very finnish mood. And an incredible understanding of it. Bravo!
cool discussion, thanks a lot! I love comments like this
👍👍👍
My aunt taught Glen Gould she was Finnish .
💘💕🥰
1:46 la parte más hermosa para mí
Предпоследние такты пропущены.
Каски знаю, очень люблю эту пьесу.