How to Sound "Out" WITHOUT Playing Out
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- เผยแพร่เมื่อ 23 ก.ค. 2024
- Learn to improvise beautiful melodic lines over any chord changes with this FREE masterclass:
►www.davepollack.com/freemaste...
I get messages all the time from people saying they're starting to understand the bebop style and linear improvisation, but really want to learn how to get that "modern" and "out" sound. Do you just play random stuff and hope for the best?? (...no)
In this video I'll show you how to sound "out" WITHOUT actually playing outside of the changes! You can take simple things you already know and apply my simple 3-step process to them to create really cool-sounding lines.
Check out some more videos:
• Improvisation Lessons
• Saxophone Lessons
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►Website: www.davepollack.com/
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Learn to improvise beautiful melodic lines over any chord changes with this FREE masterclass:
►www.davepollack.com/masterclass
You fully deserve the success you're achieving with your playing and teaching. Go Dave.
I really appreciate those kind words 🙏
You are not Only a Great Jazz Musician , You are also a Good Teacher Dave. Thanks a lot.🙏🙋
If only my old time saxophone instructor back in 1955 taught me this technique. It is with me now. Keep up the terrific work passing it on.
I'm a guitar player, and I fully endorse this lesson enthusiastically. If you want to play jazz, you should listen to it. Even better, listen and try to understand the structures.
Thank you very much for a most instructive lesson. SUBBED
Incredible. If I didn't watch the video from the beginning, I honestly would have thought you were in fact playing outside in the last bit. Can't wait to try this for myself.
This tutorial was absolutely amazing. Using intervals larger than a 3rd was the biggest help for me! Thanks for all you do! 💯🎵🎷
Thanks so much for sharing your insights in all those lessons Dave! It is all very interesting and helpful!
Excelente Dave!!! Muchas gracias!!!!
Very nice, Dave!
greatest ytb sax improv teaching ive ever seen. Love your content a lot
Wow - thank you SO much!
Another excellent explanation & presentation once again. Always appreciated Dave cheers 🍻
Thank you so much!
I'm a guitar player, and transcribing your lines was really useful. Thanks!
That's great to hear!
Great video Dave!
Thanks so much!
Loved this. So simple and so effective! ❤️
Thanks!
@@DavePollack I used your suggestions in a rehearsal tonight and it was great. Thanks so much ☺
WOW - that really sounds great! I will try this concept right away :))))
Awesome! Glad to hear that
Hey Dave, I works!! A very simple way to up my game. Thanks, good video.
So glad to hear that!
Love the low notes you get on that tenor. Reminds me of Brecker.
Much appreciated 🙏
Wow, great video and explanation man. I like how you staged your explanations over the course of the video so you give the listener time to understand and digest the points you made before going on to the next one. I am definitely going to check out your courses online! Everyone else should too!
Next you should do a video on Ryan Devlin's Out Approach - "How to play every not that is not in the scale" hahaha
Thank you so much for the kind words!!
Great stuff
Thanks!
Pollack paints Pollock musical phrases... Far out fun! with "Just the two of us": C major and Db Major
Love it!
yes!!! That is such great info. Going to the shed right now!!
Wooo love it!!
Wow / that was brilliant! Something has just clicked for me!
I'm so glad to hear that!!
Thank you very much!
You're very welcome!
Like the solo in Steely Dan's AJA.
good stuff, a fun exercise too! My "typical" method that I use to "go out" is playing atypical arpeggiated 7th chords built on stuff a major second or third away (usually thinking in dominant or major 7ths). Stuff like an Emaj7th, Ab7, or Dmaj7 on a C7 chord; a bit cumbersome though, so I'll definitely be thinking of your method down the line too, thanks :)
Much appreciated! I’ve done a bunch of videos on actually going outside of the chords and creating harmonic tension, but I wanted to do one using no outside notes at all. You can then combine this with harmonic devices to create REALLY out stuff!
why didn't i see this years ago???
brilliantly simple solution to a complex technique
many thanks
Wow, thanks so much! 🙏
Nice Dave!
Thanks!
Super nice!
Thanks!
Massiv !!! Thanks a lot !!! 😀
You’re very welcome!
You dog you! The C Major scale! Absolutely ingenious approach. Great stuff!
Much appreciated!
Nice advice! Not only for sax-players!
Oh absolutely! All of the educational videos I post are for all instruments, not just saxophone.
Man it feels wrong i dont need to pay for this! Thank you dave i love your playing and content!
Great video and great playing! Would be very interesting to hear you applyy the "three steps approach" to a "tonal" jazz standard with a more dense harmonic structure. Thanks! Riichard
Cant stop looking at that neck dent and thinking about Your how to play smooth jazz video...
Awesome
i've missed these
They're back!!
This is a great video! Thanks. Things I do when I want an “out sound” is to add things like long bends, overtones, and trills. Easy to resolve while still adding tension.
Much appreciated!
Awesome video. Subbed +1
Thanks so much!
Is this the same when the venue owner says, ‘Get Out’! 😂😂😂
😂
REALLY enjoyed this, thank you! Funny how thinking a little bit differently opens doors. You sound great on tenor! Are any stickers involved?? 😆
Thanks! No stickers on the tenor - it’s actually not mine. I’ve been borrowing it from a friend for YEARS now!
Good for you to play something besides a Selmer. Looks like a 10M or possibl.y Buescher.Sounds great and nickle keys stay better in adjustment than plain brass.
It’s a 10m - I absolutely hate the ergonomics and feel like my technique gets cut in half on it, hah
@@DavePollack Same here with the Mk 6 soprano - but it's got 'that' sound that I can't get anywhere else!
Damn hard work pitch wise though, unless you only or mainly play that horn.
Good! Is that a King tenor? And what mouthpiece. Interesting sound!
It’s a Conn 10m, with a 10mfan “Classic” mouthpiece (size 7** with a Boston Sax Shop 3 reed)
hi dave i have a question that's kind of unrelated to the video but anyway: i'm just starting out on the saxophone but at the moment, i'm spending most of my week in an apartment, where the saxophone is too loud to be played. Do you have any suggestions about this issue? I can actually play the instrument only 3 days a week and spend the other 4 just practicing fingerings without the neck on.
It's worth finding a place you can play - even if there's a small commute involved. Actually, a small commute can help you focus too, so it's really worth figuring out what your options are outside of just your apartment.
How is impressions not exactly the same as "So What" Did Coltrane borrow this from Miles or the other way around?
Well… this sounds cool and modern, but definitely not out ! That’s why you don’t need more than the C maj scale… Anyway, it’s very interesting, and playing ! thanks
Soy sauce was kinda obvious from the reaction. Other than that, 5 sounded slightly stuffy. Bad reed or olive oil? Who knows.
Great playing, great summary.
Coffee flavoured reeds you say?
there is a coltrane flavor into that plying
This is a great lesson, but would have luvvved if it had the notes visible. Still great stuff.
What notes? I just improvised using the 2 major scales. I don’t want people to play a transcription of what I played - I want them to use these musical elements (applied to the major scales) to create their own sounds.
It doesn’t sound out at all, because it’s not.
Hate to be that guy, but you're "out" of tune.😁
Dave - how will I ever remember the chords w/o sheet music to apply II V I simplicity and progressions for a solo.