Beethoven: 3 Piano Quartets WoO36
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- เผยแพร่เมื่อ 2 มิ.ย. 2024
- New period-instrument recordings of breakthrough works by the teenage Beethoven.
Composer: Ludwig van Beethoven
Artist: Van Swieten Society
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The piano quartet is an unassuming genre for a musical milestone, but it was with this trio of works that Beethoven, at the age of 15, first found the voice that would within the next half-century come to be widely recognised as the symbolic, universal voice of music, of freedom and of personal autonomy.
That’s a lot for three humble piano quartets to bear, and by and large this is still young man’s music, wearing lightly the second-hand influence of Haydn and contemporary French music. This was the kind of music heard and played by the teenage Beethoven as a violinist, organist and court employee of the Elector in his hometown of Bonn. Perhaps the quartets were intended for dedication to the new elector in 1784, but
in the event they remained unpublished until after the composer’s death.
Tracklist:
Piano Quartet No. 3 in C Major, WoO 36:
00:00 I. Allegro vivace
06:46 II. Adagio con espressione
12:11 III. Rondo. Allegro
Piano Quartet No. 1 in E-Flat Major, WoO 36:
15:53 I. Adagio assai
23:54 II. Allegro con spirito
29:22 III. Theme and Variations. Cantabile
Piano Quartet No. 2 in D Major, WoO 36:
39:25 I. Allegro moderato
47:14 II. Andante con moto
55:19 III. Rondo. Allegro
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Tracklist:
Piano Quartet No. 3 in C Major, WoO 36:
00:00 I. Allegro vivace
06:46 II. Adagio con espressione
12:11 III. Rondo. Allegro
Piano Quartet No. 1 in E-Flat Major, WoO 36:
15:53 I. Adagio assai
23:54 II. Allegro con spirito
29:22 III. Theme and Variations. Cantabile
Piano Quartet No. 2 in D Major, WoO 36:
39:25 I. Allegro moderato
47:14 II. Andante con moto
55:19 III. Rondo. Allegro
❤
Thank you once again Brilliant classics. I was unaware of these marvellous quartets. Classical music is a bit like a massive and endlessly fascinating jigsaw of composers and brilliant sounds. Thanks to you I can feel more of the jigsaw pieces slotting into shape in a way that is really really pleasing. So thank you once again and please keep up the good work.
Per molti decenni ho ascoltato quasi tutte le grandi opere di Beethoven. Adesso che sono anziano scopro moltissime opere non pubblicate e spesso giovanile del grande compositore. Il suo genio è presente in tutte queste opere minori. E' come se avessimo trovato i disegni giovanili di Leonardo o di Michelangelo. Inimitabili! Che fortuna che su TH-cam questa musica venga via via pubblicata. Grazie infinite! State rendendo pregevole la mia vecchiaia.
Grazie mille per la tua risposta, sono molto felice. Bart
It's a good fortune that we had maestros like great Beethoven who bequeathed their wonderful music to the entire humanity for their enjoyment and for enthralling me in particular during these trying times of Covid-19 . Enjoyed thoroughly. Gracias both Bs!
Wunderschöne Interpretation dieser drei jugendlichen und fein komponierten Quartette von Beethoven in verschiedenen Tempi mit klarem Klang des genialen Pianofortes und seidigen Tönen dreier ebenso genialen Streichinstrumente. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrlich ergreifend. Alles ist wunderbar!
1:04 - melody from the beginning of Beethoven's Sonata 3, 1st mvt, wow
Vergangenheit und Zukunft--- .das ,finde ich bei Beethoven. Schönes Spiel,danke.
1:04 The second theme from his Sonata in C Major Op. 2 no. 3!
...and second movement = adagio first piano sonata (f minor)😉
Both correct. Beethoven recycled his unpublished ideas freely, nothing like throwing good ideas to the wind.
Written when he was 14.. With a lot of looking forward to what's to come (in particular in the early piano sonatas!)
The second quartet is very beautiful
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎹🎻🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Zor günlerimiz de MORAL veriyor....Ahhhhh....!!! Bu müzik 🇹🇷😍🤗
🌻 Thank you! 🌻
Thanks Brilliant Classics, I was waiting for this!!! Now I can add them in my playlist
I have long thought these works contest the commonly held notion that Beethoven wasn't particularly precocious as composer. In many places they have "Beethoven" written all over them, and not many works written by teenaged composers enter the commonly performed repertoire (and I don't think these are still played merely because of the composer's name).
Excellent, thank you!
Just Exellent for all!
Удивительно талантливо и светло. Это счастливый ребёнок написал.
By the 14 year old Beethoven who was already a super piano virtuoso of his day.
A very uplifting upload! Many thanks for these rare pieces
The no 3 piano quartet has some feature thematic material of his future piano sonata in C op 2 no 3.
지워지지않을 그 연둣빛과도 같은 나, 상감마마 미워요이니라.
What's interesting is that Mozart also wrote his first piano quartets around the time Beethoven did, so it is Beethoven's only contemporary work with Mozart
Beethoven was clearly inspired by Mozarts quartet(s), which were floating around in ms form before being printed. During that time Beethoven may have heard them.
If only these works had gotten popular while Beethoven was alive...
Most of the themes from these quartets Beethoven later transported into his piano sonatas, the works, most of his devotees now are very familiar with.
Magnificent. Bless you
GREAT
很棒喔👍👍
Sounds more like Mozart than Beethoven. It is such a big difference between his early age and later phase of the life. Where or which piece of music is the boundary between his classical period and his romantic time.
Hopefully we all evolve and mature into greater versions of ourselves. Beethoven certainly did.
I agree with you. I also like to know when Beethoven starts his romantic period.
1:15 Is it just me or have I heard this somewhere else in a Beethoven solo piano work?
Yes, it became later Piano Sonata in C major op 2 #3
Me gusta mucho Betowen willy Christello
Beethoven "galant".
Sin igual...
genheit
🇹🇷😍🤗
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
희빈 장씨(1659∼1701) : 조선 19대왕 숙종의 후궁.
본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다.
1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다.
이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다.
이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다.
이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다.
이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다.
기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다.
이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다.
소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다.
그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다.
이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.